The face of Classical Europe (II)

Were the Romans blond and blue-eyed?

 

Translated from Evropa Soberana

 

Recently I was called names on VNN forum as a result of my criticism of anti-Nordicism in my previous post. Isn’t it ironic that the signature-legend of VNN’s admin states that the Jews must be exterminated while, at the same time, some of the forum’s senior members want to grant amnesty to the mudbloods in Europe?

Hopefully this abridged translation from the Spanish blogsite Evropa Soberana, which could be read together with the first installment about the phenotype of Greeks in Classical Europe, will throw more light on why anti-Nordicists are deluding themselves.



 

Were the Romans blond and blue-eyed?

The Latin malus [“bad”] (beside which I place mélas, Greek for “black”) might designate the common man as dark, especially black-haired (hic niger est), as the pre-Aryan settler of the Italian soil, notably distinguished from the new blond conqueror race by his color.

—Nietzsche, Genealogy of Morals

 
The Roman case is virtually identical to the Greek case. This YouTube clip contains the first minutes from the series Rome, where fighting between Gauls and Romans is recreated. The series had tremendous blunders, great nonsense, and several lies and BS in abundance. But the atmosphere was curious, as was the march of historical events, the legions in action, the splendor of the imperial palaces, the goings-on in the alleys of Rome, etc. One of the protagonists of the series was a centurion, the one with the whistle.

He was blond.

But how can you be so fascists so Nordicists, so Nazis so anti-Teresa-de-Calcutta, as Eurocentric and racists as these media? If you had a minimum of culture (like me) you should know that the Romans were of Mediterranean phenotype (like me)—and so on.

Things like these I have heard more times than you can imagine. And similar poppycock we continue to hear even by people who, by their admiration of Rome, obviously have read something written by these sober and tough soldiers who were the Romans, right?

In this article the testimonies from the handwriting of the real Romans are presented. Forget the movies and the illiterate pundits and let the sources explain us how Romans saw themselves.


The first Roman emperors as an example of patrician racial types

We will examine the phenotype of the first Roman emperors, who were representative of the race of patricians, the Roman nobilitas, i.e., the ruling aristocracy. What interests me is not so much to demonstrate the presence of Nordic blood in the upper Roman class (which is easy), but mainly to show that the Nordic blood in Rome was also inextricably linked to the notion of divinity and of noble descent. Some passages are originally in Greek. This is because Greek had great prestige as a cultured, poetic and philosophical language, and there were many Romans educated in that language.

• Augustus, the first Roman emperor, was “blond” (subflavum) according to Suetonius (De Vita Caesarum: Divus Augustus), and had “blue eyes” (glauci) according to Pliny (Naturalis Historia, XI, CXLIII):

roma-octavio

He had clear, bright eyes, in which he liked to have it thought that there was a kind of divine power, and it greatly pleased him, whenever he looked keenly at anyone, if he let his face fall as if before the radiance of the sun (Suetonius, De Vita Caesarum: Divus Augustus, LXXIX).

• Tiberius had “gray-blue” (caesii) eyes according to Pliny (Naturalis Historia, XI, CXLII).

• Caligula had a “blonde beard” (aurea barba) according to Suetonius (De Vita Caesarum: Caligula, LII).

• Claudio had “gray-white hair” (canitieque) according to Suetonius (De Vita Caesarum: Divus Claudius, XXX), and “gray eyes” (γλαυκόφθαλμος) according to Ioannes Malelas (Chronographia, X, CCXLVI).

• Nero was “blond or redhead” (subflavo); had “gray-blue eyes” (caesis) according to Suetonius (De Vita Caesarum: Nero, LI), and descended from a family named after their light pigmentation.

Of the Domitian family two branches have acquired distinction, the Calvini and the Ahenobarbi. The latter have as the founder of their race and the origin of their surname Lucius Domitius, to whom, as he was returning from the country, there once appeared twin youths of more than mortal majesty, so it is said, and bade him carry to the senate and people the news of a victory, which was as yet unknown. And as a token of their divinity it is said that they stroked his cheeks and turned his black beard to a ruddy hue, like that of bronze. This sign was perpetuated in his descendants, a great part of whom had red beards. (Suetonius, De Vita Caesarum: Nero, I.)

• Galba had gray-white (μιξοπόλιος) hair according to Malelas (Chronographia, X, CCLVIII) and blue eyes (caeruleis) according to Suetonius (De Vita Caesarum: Galba, XXI).

• Vitellius was “redhead” (πυρράκης) and had “gray” or “blue” eyes (γλαυκός) according to Malelas (Chronographia, X, CCLIX).

• Vespasian had “gray-white hair” (πολιός) and “wine-colored eyes” (οινοπαης τους οφθαλμούς), although it is unclear whether this refers to red wine (brown) or white wine (green) according to Malelas (Chronographia, X, CCLIX).

• Titus, according to Wilhelm Sieglin (1855-1935) in Die blonden Haare der indogermanischen Völker des Altertums, 109, was “blonde”.

• Domitian was “blond” (ξανθός) and had “gray or blue eyes” (γλαυκός) according Malelas (Chronographia, X, CCLXII).

• Nerva was “gray-haired” according to John V. Day (Indo-European Origins).

• Trajan had “golden hair” (caesaries) according to Sieglin (Die blonden Haare der indogermanischen Völker des Altertums, 109). But let us not forget that Trajan was not Roman but a Spanish with Celtic blood, and therefore we should not take this into account when trying to define the phenotype of the Roman patrician aristocracy.

• Adriano, from a noble Roman family established in Hispania, was “dark-haired” (κυανοχαιτα) according Sieglin (Die blonden Haare der indogermanischen Völker des Altertums, 112), and of “gray or blue eyes” (γλαυκόφθαλμος) according to Malelas (Chronographia XI, CCLXXVII).

Interestingly, despite being described as “dark-haired,” on his statue there are traces of gold paint on his hair and beard. Formerly, the statues were painted according to the colors of the original “model”. His facial features correspond to the Nordic type.

• Antoninus Pius had “gray-white hair” (πολιός) and eyes “the color of wine” (οινοπαης τους οφθαλμούς) according Malelas (Chronographia, XI, CCLXXX).

• Lucius Verus had “blond hair” (flaventium) according Sieglin (Die blonden Haare der indogermanischen Völker des Altertums, 110).

• Commodus had “blond hair” (ουλόξανθος) and “blue or gray eyes” (υπόγλαυκος) according Malelas (Chronographia, XII, CCLXXXIII).

Therefore, we find that:

• Of the 18 emperors from Augustus to Commodus, 9 had blond or red hair, 5 had gray or white hair, of 3 we have no way of knowing the hair color, and only one (Adriano) was described as dark-haired.

• Of the 18 emperors from Augustus to Commodus, 9 had blue or gray eyes, 2 had eyes of “the color of wine” (whatever that means, let us take it as brown), and of 7 we have no record as to the color of their eyes.

Many emperors came to power in their advanced years, with already gray or white hair. However, many were even so described with light eyes. If we had records of their appearance when they were young, it is likely that a significant proportion of them had light hair. Of the 9 Emperors with light hair, we know that at least 5 had clear eyes, and of the other 4 we know nothing about the color of their eyes. Of Tiberius, for example, we know nothing about his hair, maybe because he was bald when he came to power. And the same applies to Otto, who shaved his head and wore a wig. Nor do we know anything about the physical aspect of the “philosopher emperor” Marcus Aurelius, father of Commodus and a first-class sovereign. Many other emperors (as Julius Caesar), without being blond, were tall and had a very fair complexion, ruddy, or rosy.

From Commodus on I renounce to provide more emperor descriptions because:

1 – those individuals who began ascending to power were not of Roman origin, and therefore their phenotype cannot tell us anything about the genetic legacy of the nobilitas of Italian and patrician origin.

2 – miscegenation was already quite advanced; lineages of patrician origin having lost their meaning. At that time it was common that women of Roman high society should shave the manes of Germanic slaves to fix their blond-hair wigs.


The gods, the Italics, the patricians and the origins of Rome

Let us go back around 1200 BCE and transport ourselves to Italy. At that time, Central Europe was a buzzing propagating zone for the Indo-European stock. From what is now Germany, of a semi-barbarous proto-civilization of the iron age, flowed migrant groups in all directions. These waves were of the Celts, the Hellenes, the Illyrians and the Italics (also called italos or italiotas).

At that time, the Italics, probably with some confederate Illyrian groups as in the case of the Dorians, broke into Italy.

They were a people who, in contrast to the native inhabitants of Italy, were patriarchal rather than matriarchal; ruddy rather than swarthy; that cremated their dead instead of burying them; that brought with them a whole pantheon of gods and heroic warriors, spoke an Indo-European language, yielded a war cult and whose symbology was a lot more oriented to heavenly than earthly symbols.

Italics were the settlers of sites such as the Villanovan Culture. Subsequent “civilian” conflicts that feminist history has termed as “matriarchy vs. patriarchy,” and what is left in mythology regarding the heroic struggle of the Indo-Europeans against the native, telluric bodies (like snakes) actually refer to a spiritual confrontation triggered by the arrival of a small, aggressive and martial people that did not mix with the native population and struggled to dominate the area.

Under a rigid religious ritualism, on April 21, 753 BCE the heads of some Italic clans founded the city of Rome. For two centuries, Rome lived under the despotism and tyranny of the Etruscan kings, heads of a degenerate civilization that practiced sacrificial rituals, orgies, matriarchy, homosexuality, luxurious opulence, pedophilia, decadent entertainments, etc. The Etruscans came from Asia Minor, styling themselves as rasena (“chosen,” as the Jews) yet their legacy, which only represented the decline of something greater than themselves, meant that they were a doomed people.

The situation of the Roman tribute to Etruria lasted until, in 509 BCE, the Romans rose against the Etruscans and expelled the Etruscan king, Tarquinius Superbus, from the lands. Legends want to portray that this Italic insurrection—a “holy rebellion” against the pre-Indo-European; of patriarchy against matriarchy—was motivated by the rape of Lucretia, a beautiful and virtuous woman of Roman family at the hands of Sextus Tarquinius, son of the Etruscan king and raunchy as all his people, as opposed to the Puritan morality of the Latins.

Lucretia committed suicide by honor and, this being the straw that broke the camel of the Roman patience, the patriarchs began a rebellion against the Etruscans that led to the overthrowing of the Etruscan kings, the founding of the Roman Republic and the systematic eradication of almost all Etruscan memory. (Comparable only to the “genocide” and the complete destruction of Carthage, the mortal enemy of Rome, considered as the reincarnation of Etruscan and oriental spirit, whose fields were cast in salt so that nothing would grow there.)

decopianr

Recreation of Rome during the Republic. Pay attention to the shape of the boats, so reminiscent of the Scandinavian drakkar.

With the expulsion of the Etruscan power two praetors (later consuls) who held the vacuum of power were named. It was therefore founded the Roman Republic, marked by social struggles between patricians (nobles) and plebeians.

At that time, the original Populus Romanus was divided into 30 curiae (tribes or clans), whose origin was lost among the Italic peoples before the invasion. The curiae were headed by patres (parents) of the gens (family), that is, the founding fathers of the clan and of each family that composed it. Each gens or family was considered descendant of a genius or semi-divine patriarch, who was worshiped on the household as protector idol of the house and their descendants.

If we assimilate the fact that to the Romans a gens or family was a whole social, state, military and religious institution, we may understand the importance of the geniuses and patres as leaders of this small imperial cell, that corresponded to social, political and military leadership as well as leading positions in the characteristic Roman religious worship, where Jupiter is confused with the State, the patriarch, the Senate, the Legion and the family. No wonder, then, that they were regarded as semi-divine and of very high wisdom.

The patres were those who gave their name to the breed of the patricians, namely those belonging to the system of families and clans: the aristocracy, the first nobilitas, which differed from the plebs or plebeians—the people outside the Italic clans. At first, the male patricians were the only Roman citizens, the members of the Legion, the only ones who could be senators and enjoyed all the rights and duties traditionally associated with Roman citizenship.

Later, after the “universalization” and “cosmopolitanization” of Rome during the Empire, the patricians came to form an aristocracy over the other peoples of Italy, encompassed by the plebs. The patricians as social class, and among them the patres as heads of households, are probably the most exalted expression of patriarchy and patriotism itself of the Indo-European, in opposition to the narcotic matriarchy of the pre-Indo-European peoples of Europe, already decadents and altogether “civilized”.
 

 
We now turn to the patricians and Roman gods from the point of view of the phenotype, after seeing the first Roman emperors, mostly patrician.

• Lucius Cornelius Sulla (138-78 BCE), Roman consul and dictator, of patrician descent, had blond hair, blue eyes and a ruddy complexion:

…for his golden head of hair gave him a singular appearance, and as for bravery, he was not ashamed to testify in his own behalf, after such great and noble deeds as he had performed. So much, then, regarding his attitude towards the divine powers. (Plutarch, De Vita: Sulla.)

What was the rest of his figure appears in his statues, but that fierce and unpleasant look of his blue eyes was still more terrible to stare at because the color of his face, being noted at intervals so ruddy and red mixed with his whiteness, and it is even said that he took his name from that, coming to be a nickname for the designated color. Thus, a teller of Athens taunted him with these lines: “If you knead a blackberry with flour, you have the portrait of Sulla.”

Marcus Porcius Cato the “Censor”, better known as Cato the Elder (234-149 BCE), the pronouncer of the famous saying Ceterum censeo Carthaginem esse delendam (“Furthermore, I think Carthage must be destroyed”) in every speech, had reddish hair according to Plutarch:

As for his outward appearance, he had reddish hair, and keen grey eyes, as the author of the well-known epigram ill-naturedly gives us to understand: “Red-haired, snapper and biter, his grey eyes flashing defiance, Porcius, come to the shades, back will be thrust by their Queen.” (Plutarch, Cato the Elder.)

• Poppaea Sabina (30-65 CE), the wife of Nero, famous for her beauty all over Rome, was very white and redhead.

We note that the Romans, like the Greeks, saw light pigmentation as a sign of the “divine” or “supernatural”. Some may interpret this that light pigmentation was rare among the Romans. But considering naming conventions, it is clear that the light features were quite common among the patricians. According to Karl Earlson:

Once they had reached a certain stage in their lives, the patricians earned their additional name (cognomina), which was often based on their physical appearance. The name Albus indicated light skin; Ravilla, gray eyes; Caesar, blue eyes; Flavius, blonde hair; Rufus, red hair; Longus, tall; Macer, a slender constitution. All these names were common among the patricians.

Thus, the Latin author Quintilian, in Institutio Oratoria (I, IV, XXV), notes that a man named Rufus or Longo has that name for his body characteristics: he is high or redhead. Plutarch (Coriolanus XI) states that two men, one redhead and one swarthy, could be distinguished because the first would be called Rufus and the second Niger. Aelius Spartianus, in Historia Augusta (II, IV), suggests that the Caesars earned their name from the fact that the founder of his gens had blue eyes (oculis caesiis). The lexicographer Sextus Pompeius Festus, in De verborum significatu (CCCLXXVI ff) states that the name Ravilia derives from “gray eyes” (ravis oculis), and the name Caesulla from blue eyes (oculis caesiis). Julius Paris, in De nominibus Epitome, VII, provides examples of names of women that, he says, have their origin in the pigmentation of those who held them: Rutila (red hair), Caesellia (blue eyes), Rodacilla (pink complexion), Murrula and Burra (red hair or ruddy complexion).

I have provided all these quotations to show that these names were not purely arbitrary but were, in fact, based on physical characteristics; and that these features were not uncommon among certain strata of Roman society.

Even where the patricians had almost disappeared, the Romans had memories of the old patres as the semi-divine beings who arrived to Italy, founded Rome, “Romanized” the peninsula and bequeathed the patriarchate to those lands, together with a strong mentality and a durable and effective political system that lasted for centuries. The ancient ancestors of the patricians were still considered in Rome as a common heritage to be proud of.

Karl Earlson summarizes how he follows Sieglin’s findings as to the pigmentation of the patricians and their identity as a breed:

Wilhelm Sieglin [in Die blonden Haare der indogermanischen Völker des Altertums, 1935] compiled the list of the Roman patricians whose names indicate light hair. He provided the following list: 7 Flavi, 20 Flaviani, 10 Fulvi, 121 Fulvii, 27 Rubrii, 26 Rufi, 24 Rufii, 36 Rufini, 45 Rutilii and 13 Ahenobarbi. This completely disrupts Sergi’s claim that: “The Romans also had their Flavi, indicating that people with fair complexion were rare and required a special name, but does not indicate that the Germanic type was considered aristocratic or dominant” (Sergi: 1901, 20). In fact, such people were not scarce.

Sieglin also determined that among the families Iulii, Licinii, Lucretii, Sergii and Virginii, the name Flavius was very common; Rufi was often seen among the families Antonii, Caecilii, Coelii, Cornelii, Geminii, Iunii, Licinii families (often also the Flavii), Minucii, Octavii, Pinarii, Pompei, Rutilii, Sempronii, Trebonii, Valgii and Vibii; Rufini was common among the gens Antonia, Cornelia, Iunia, Licinian, Trebonia and Vibia. Sieglin notes that this list could certainly be increased in the light of further research.

Besides all this, Sieglin also compiled a list of 63 blond or red-haired Romans. Many of these individuals were patricians. He also found references to 27 blond divinities (including Jupiter, Venus, Mercury, Diana, etc.) and 10 blondes in heroic personalities.

Man makes the gods in their own image. These blond gods speak of the racial nature of the early Romans. (In the Aeneid, Virgil refers to Mercury, Lavinia, Turnus and Camilla as “golden-haired.”) His list of blonds includes Aeneas, the mythical ancestor of the Latins (also blond was his son Julo or Ascanius), Romulus and Remus, the twin founders of Rome; Augustus, the first Roman emperor, and even Roma: which symbolized the city of Rome.

While most of Sieglin’s historical figures of light hair were patricians, most the 17 swarthy Romans in his references were commoners or freedmen.

On the disappearance of the patricians and the mestization of the original Romans

What happened to the patricians? They faded with time. In the numerous conspiracies and intrigues of the Empire, it was common that after the formation of two opposing parties and the victory of one over the other, the winner assassinated the head of the enemy party, his family and all the families related to him. (The strong destroy each other and the weak continue to live, as George Bernard Shaw maintained.) These calamities greatly decimated the patrician class. If we add the ongoing miscegenation in the majority of plebeian population, the immigration of slaves from Syria and the provinces of Asia Minor, Egypt and Africa, as well as the bleeding of the patrician stock over the battlefield, we may realize why the patricians did not last too long during the Empire, given the dysgenic situation. John V. Day wrote:

In a journal about the West and its future, it is fitting to end this article by briefly recounting the fate of the Roman upper class. Among Indo-European peoples, the Romans offer an especially useful example because they left masses of records, enabling later historians to determine what became of them. The evidence found in ancient texts implies that this class descended largely from Indo-Europeans who had a decidedly northern European physical type, although that isn’t something one reads in modern books about Roman history [emphasis added]. In Rome, though, the upper class was always a tiny minority. Instead of protecting its interests, it allowed itself to wither away. Consider a bleak statistic. We know of about fifty patrician clans in the fifth century B.C., but by the time of Caesar, in the later first century B.C., only fourteen of these had survived. The decay continued in imperial times. We know of the families of nearly four hundred Roman senators in A.D. sixty five, but, just one generation later, all trace of half of these families had vanished.

If we in the West want to avoid a similar fate, we must learn from Indo-European history. (*)

In the time of Julius Caesar we know 45 patricians, of which only one is represented by posterity when Hadrian rises to power. The Aemilsi, Fabii, Claudii. Manlii, Valerii and everyone else, except the Comelii have disappeared. Augustus and Claudius ascended 25 families to the Patriciate, and by the reign of Nerva all but 6 have disappeared. Of the families of nearly 400 senators registered under Nero in 65 CE, trace has been lost about half of them in times of Nerva. And the records are so complete that it can be assumed that these statistics represent quite accurately the disappearance of the male lineage of the families concerned. (Cf. Tenney Frank, “Race Mixture in the Roman Empire,” American Historical Review, Vol. XI, 1916).

Conclusion

Were the Romans, then, blond?

ancient_romanIt all depends on what you mean by “Romans”. The original Romans did not descend from the original inhabitants of the Italian soil, but of the Italics (italios or italiotas or as you please to call them) and probably also of Illyrian groups, namely, Indo-European invaders who entered Italy from the North, what is now southern Germany. These early invaders—from whom the Latins descended (considered the most influential and who eventually gave their language to the Empire), the Sabines (considered by Plutarch “a colony of the Lacedaemonians,” i.e., Spartans), the Umbrians, Samnites and all patrician clans that founded Rome and the Republic—were indeed mostly Nordic, and also formed the basis of the political and military elite of the Empire.

However, in the later Rome these groups formed an aristocratic minority ruling over a mob of pre-Indo-European origin and, later, even Semites and black slaves. This ended up in interbreeding between all these groups. Over time, the numbers of the dominant Nordic caste withered, and with them their strong patriarchal, sober and authoritative influence in favor of the dissolution of the Empire: expressed in its cosmopolitanism, multiculturalism and proliferation of slaves.

The rest of the history of the post-Roman imperial splendor and their great men, we already know. It is set in a decadent agony, punctuated by binges, parties, orgies, wine snobbery, false sophistication, acrobats, gays, stupid fads, obesity, blond wigs made from hair stolen from Germanics, mongrels, pacifists, emboldened slaves, “liberated” women, Christian zealots and a corrupt bourgeois which reneged of their homeland.

The ghost of ancient Etruria, killed by the ancient Latin Patriarchs, had reborn. Before these decaying monsters, which had nothing to do with the demigod patricians or their rude peasants and patriotic soldiers, the Germanic “barbarian” was really an authentic, pure, hard, strong, noble, idealistic, simple and brave hero, in whose blood awaited the hidden forces of the Indo-European humanity, ready to give birth and germinate in the next millennia of European power.

In short, it has not been argued that all Romans were of Nordic type. It has been argued that the Nordic blood prevailed among the Italic invaders, the ancestors of the posterior dominant Roman aristocracy, the authentic Roman citizens, who imposed their ethos throughout the Empire and spread their spirit, marking the “Roman style” with a distinctly Nordic stamp.

“Are the Germanics a healthy and natural people that will overcome the decadence of the Romans?” —Tacitus, Germania.

_________________

See also a previous article about the subject of:

Saying the truth about race throws even white nationalists into fits.”

(*) John V. Day, Ph.D., is the author of Indo-European Origins: The Anthropological Evidence (The Institute for the Study of Man, 2001).

Orwellian discrediting of history

Published in: on December 15, 2013 at 10:00 am  Leave a Comment  

My “pod” cousin

hispania-serie-de-tv

I am reposting the below entry, originally published on November 20, because for a mysterious reason comments were off below this article and I just discovered it a few minutes ago (maybe the reason why this entry had received zero comments). Did I inadvertently click on a wrong button last month?

At any event, now that I have seen more Spanish television series, I must say that what my “snatched” cousin did in Mexico the Spaniards are doing it too at the other side of the Atlantic. For example in the 2010 series Hispania (article of the Spanish wiki: here) the hero and liberator of some Hispanic towns from the Roman invaders, third guy in the above pic, is not an Aryan; and his daughter, not shown above, looked like an Amerindian child. Keep in mind that these series are supposed to depict the peoples of the Iberian Peninsula in the second century B.C., long before the huge mongrelization after the Moor invasion.

I also watched the 2012 prequel of it (article of the Spanish wiki: here) but I have no more liver left to continue to debunk all these silly series. Better repost about—:



My pod cousin


Gerardo-Tort

Recently I have been complaining about the fact that American films and British and Spanish TV series are mediums for either anti-white propaganda or at least not pro-white messages (with the sole exception of the first episode of The White Queen). A naïve person could think that if I approach, instead, a series directed by one of my cousins the message would be a little more positive.

Gritos de Muerte y Libertad (Screams of Death and Freedom) is a Mexican television series based on the period of the war of independence of Mexico, produced by Leopoldo Gómez and directed by my cousin Gerardo Tort (pic above) and the lesbian Mafer Suárez. Several writers wrote thirteen episodes of the first season of the series advised by a group of historians. The series premiered on August 30, 2010 to mark the bicentenary of the independence of Mexico from Spain and ended on September 16 of that year.

I have already quoted Mexican intellectual José Vasconcelos (1882-1959) in this blog stating that the war of independence was “supposed to destroy the Spaniards, who represented the force and culture of the country… all under the pretext of freeing the Indian.” And two months ago I revealed here some hidden facts about Miguel Hidalgo y Costilla, the father of the Mexican independence.

All 19th century paintings of Hidalgo, like the one you see in the Wikipedia article about him, are fake. All were based on an original portrait of an Aryan man of Austrian origin who posed as Hidalgo because nobody had painted a portrait of the real Hidalgo by the time he was elevated to the status of father of the independence, and the man was long dead and the new nation needed a noble face to honor (just as the Americans have their portraits of George Washington).

Well, original spoken reports describe Hidalgo not like an Aryan but with hooked nose. What does it mean?

That the overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Presently even the Mexican Jews, no longer in the need to hide the Jewishness of their people, have acknowledged it.

Of course: my cousin Gerardo Tort was only a hired hand to direct a script written by others. But since I know him I surmise that he did not object the anti-Spain bias of the script. It is worth mentioning that at the beginning of the century Gerardo Tort had made an “author film” about homeless kids in Mexico City, and later filmed a documentary of his own about a Mexican guerrilla fighter he admires and perfectly fits his lefty ideology. I had not watched the series Gritos de Muerte y Libertad until yesterday [November 19, 2013] but now that I am reviewing other television series I would like to say something about it.

In the first episode one of the pro-Spain characters says these words (in Spanish of course) about the pro-independence movement, “Imagine a government of Creoles [Criollo people], Indians, Mestizos and Mulattos!”

Yes: thoroughgoing leftists like my cousin know that ultimately the struggle is racial. But race conveniently disappears when Whites claim majority rights—or even minority rights in the case of New Spain. In Gritos de Muerte y Libertad what I found most surreal is that the overwhelming majority of upper class New Spaniards are depicted as Mestizos or Castizos (slightly whiter Mestizos), not even as Harnizos (Iberian whites with a distant drop of Amerind blood) or true Iberian whites. The script that Gerardo Tort directed mentions “Creoles” many times in the textual dialogues, but during the casting he selected Mestizo actors. Phenotypical Creoles do appear in the next episode, but that episode was directed by the lesbian.

gritos-de-muerte-y-libertad

Most surreal of all is that the Aryan-looking actor who was chosen for Hidalgo by both directors, the actor at the far left in the pic, was—not in the series but in real history—a kike with even the prototypical hooked nose, according to the spoken testimony of those who had seen the historical Hidalgo in the flesh. Also, in Gritos de Muerte y Libertad my cousin depicts José de Iturrigaray, the Viceroy of New Spain from 1803 to 1808 (standing in the pic with a ridiculous wig), as an ignoble character; and for María Inés de Jáuregui y Aróstegui, his wife, he chose a Mestiza actress (wasn’t the historical Inés an Iberian White too?).

So you have Gerardo Tort, the phenotypical Creole, filming the Spanish Viceroy as the bad guy and the kike Hidalgo as the good guy of his movie. This said, I doubt that Gerardo knows that the historical Hidalgo was genetically Jewish. Like all Mexican leftists he is sleeping in a profound Matrix.

In the other episodes of the series that my cousin also directed a dialogue caught my attention. A woman asks Hidalgo: “Removing the command from the Europeans and handing it over—to who?” at the time of delivering a hostile look to a Mexican Indian beside her. Of course: the woman is depicted almost as a bigot.

Gritos de Muerte y Libertad includes explanatory notes to clarify the supposed historical events for the Mexican audience. In one of these texts it is announced that, once in jail and excommunicated by the Catholic Church, Hidalgo actually repented that the mud mobs he had commanded massacred civilians in the Alhóndiga de Granaditas—a ridiculous claim since Hidalgo was very well known for his cri de guerre “¡Viva la Virgen de Guadalupe y mueran los gachupines!” (“Life to the Virgin of Guadalupe and death to the Spaniards!”).

So clearly racial is the script of Gritos de Muerte y Libertad that it includes these words by a fearing Viceroy when Hidalgo’s mud mobs reached the capital of New Spain, “This is the main square of the Spanish crown! And no horde of Zambos [half-breeds of Amerinds and imported Negroes] will claim it ever!” This was the Viceroy who succeeded José de Iturrigaray, but my cousin also puts him under bad light.

In subsequent episodes, Gerardo Tort has Hidalgo incarcerated prior to his shooting after having lost important battles with the troops loyal to Spain. Once again my cousin used a Mestizo actor for the jailer. Hidalgo recounts his adventures to the jailer and is depicted as noble and wise. The jailer even recognizes that Hidalgo “is a good man, a son of God.” At least in that monologue my cousin has Hidalgo recognizing that in Guanajuato his furious mobs killed women and children, but he didn’t dare to film the actual scenes showing the Mexican public that the victims were probably White, and the assassins Indians and Zambos.

Gerardo Tort filmed the platoon that shot Hidalgo, again, as a group of slightly mesticized Indians. I wonder if machines to see the past are ever invented and we could see the historic scene rather as whiter men shooting an obvious kike? But before the shooting Hidalgo delivers candies—yes: candies!—to his executioners and after the shooting one of them is on the verge of tears. How moving.

There are two DVDs in the product Gritos de Muerte y Libertad that I acquired yesterday, the next one dealing with Hidalgo’s successor, the mulatto José María Morelos, who continued the killing of Iberian whites after the death of his mentor. But I don’t have any humor left to watch this second DVD.

A few years ago, here in Mexico City some nacos (insulting pejorative for Indian-looking residents of Mexico City, analogous to what in the US is called “nigger”) assaulted Gerardo’s brother. Curiously, one of Gerardo’s two sisters once told me during a private conversation that the nacos must “have the same rights.”

Yes… all of my relatives are now Pod people. And a worse kind of Pods to boot than the American liberals since among older American folks there is at least the memory of their nation being mostly White. Those who have watched the 1956 film Invasion of the Body Snatchers for instance can see a nice California town populated exclusively by Whites. This was California before Aztlán took over.

Mexico, even since the three centuries when it was known as New Spain, has experienced no less than half a millennium of miscegenation. The remaining Creoles have been so thoroughly indoctrinated through centuries of Christian and liberal propaganda that the sole mention of avoiding intercourse with the mudbloods would be considered a kind of unheard of heresy. I would go as far as claim that after the dollar crashes dragging the Mexican peso with it and after my native town burns, the apocalyptic shock won’t be enough to awaken the remaining Creoles (like Gerardo) from their catatonic sleep.

On my moral inferiors

Recently a regular visitor let me know by email that he was dismayed because of my wish to exterminate those who trade by skinning alive some poor animals. He merely wanted to close the Chinese factories that supply more than half of the fur garments for sale in the corrupt, deranged West. This is my response:

I am not the monster. Those who don’t harbor exterminationist fantasies are the moral Neanderthals compared to me.

Take as an example my recent posts on pre-Hispanic Amerinds. In the last one a disturbing possibility was raised by the author of an academic paper (take heed that this is an establishment source): Several Maya skulls show marks of sharp and unhealed cuts, particularly around the eye sockets, which suggests that some of these individuals might have been flayed before the sacrifice. The presence of women and children among these skulls mean that even they, not only mature men, might have suffered a horrible death, like what still happens today in the Chinese fur factories.

I usually don’t get comments on my pre-Columbian posts, perhaps because the unearthed data sheds light onto such ghastly history that it makes it difficult to digest. But if we dare to see that the same is happening today to some animals, the emergent individual who approaches these subjects can only see those who avoid it as intellectual cowards. Why? Because the whole subject of white survival depends upon regaining a self-image that puts whites above the other races from the moral—i.e., the development of empathy—standpoint, especially empathy toward women, children and our cousins, the animals.

After my previous post on Maya sacrifice I have read another academic paper in the book El Sacrificio Humano (28 authors), this one by Vera Tiesler and Andrea Cucina, a chapter with nine pages of bibliographical references of specialized literature. (*)

Tiesler and Cucina let us know that modern Mayanists are using, in addition to the Spanish chronicles and the iconographic evidence of pre-Columbian art, the science of taphonomy (analysis of skeletons) as tangible evidence of human sacrifice in the Maya civilization.

Maya-sac

On pages 199-200 the authors mention the techniques that the Maya used in their practices, now corroborated by taphonomy: the victim could have been shot by arrows or lapidated, his or her throat or nape could have been cut or broken, his or her heart could have been extracted either through the diaphragm or through the thorax; could have suffered multiple and fatal lacerations, or incinerated, disemboweled or skinned or dismembered. The body remains could have been eaten or used as trophies, or used in the manufacture of percussion instruments.

The authors deduce this by direct, physical evidence of the studied skeletons (or other remains) and they also mention a form of sacrifice that I had not heard of: the offering of human faces in the context of the influence on the Mayas by the Xipe Totec deity, “Our Lord the Flayed One,” who was widely worshipped at the north, in central Mexico.

Tiesler and Cucina also point out to other kind of physical evidence in the Maya civilization (that I already had mentioned in The Return of Quetzalcoatl): many skeletons with sacrificial marks have been found at the bottom of the cenotes of sacrifice. On page 206 they include the illustration of some Maya dignitaries showing off on their “uniforms” inverted heads such as the one I already added in my entry on pre-Columbia Oaxaca. The news is that a skeleton has been found of an individual showing on his thorax a human mask that hanged from his belt when he was alive.

On page 209 the authors let us know that the Mayas even sacrificed animals, and include an illustration of a jaguar surrounded in flames. They don’t say if the animal was alive when sacrificed; and on page 211 they tell of “an elevated percentage of child, adolescent and female victims whose cadavers used to be, also, the object of ritual manipulation.” In the same page appears a Maya depiction of a decapitated woman, and on page 215 a photo is reproduced of a perforated thorax suggesting that the body remains might have been used as manikins “with the objective of a terrifying display of institutional power.” They also suggest that the sacrifices might have been still performed long after the Spanish Conquest, albeit “clandestinely and increasingly resorting to animal substitutes.”

This makes my point beautifully. If you forbid a barbarous practice in a primitive race the violence will be displaced, not eradicated.

The sacrificial victims are now the animals. Remember my entry where I mentioned the case of recent torture of bunnies in Mexico? The reason why I speak with haughty contempt of non-exterminationists (“my moral inferiors”) is because they are afraid of taking their premises to their logical, commonsensical conclusion. It is not enough to close the Chinese skinning factories or the Mexican slaughter houses. To put an absolute end to such practices with no further displacement you got to wipe out the entire psychoclass behind such cruelties. (Cf. my views on psychohistory to grasp the meaning of the term “psychoclass” and also the last pages of Pierce’s The Turner Diaries.)


_______________

(*) “Sacrificio, Tratamiento y Ofrenda del Cuerpo Humano entre los Mayas Peninsulares,” in López Luján, Leonardo & Guilhem Olivier (2010): El Sacrificio Humano en la Tradición Religiosa Mesoamericana [Human Sacrifice in the Mesoamerican Religious Tradition]. Mexico City, Mexico: Instituto Nacional de Antropología e Historia (INAH) and Universidad Nacional Autónoma de México (UNAM), Instituto de Investigaciones Históricas. ISBN 978-607-484-076-6. OCLC 667990552. (Spanish)

On pre-Hispanic Amerinds, 5

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In their article, “El Sacrificio Humano en la Parte Central del Área Maya”, pages 169-193 of El Sacrificio Humano en la Tradición Religiosa Mesoamericana, Stephen Houston and Andrew Scherer write:
 

Some examples [frescoes] of Piedras Negras, Guatemala, show a knife with knots of paper and a feathered plume of the sacrificial victim, with his heart possibly extracted, leaning over a bundle of paper for a burnt-offering.

The reduced size of the characters raises the possibility of youngsters or infants, whose breasts are opened more easily by its cartilaginous nature. There is a series of images on plates with infants whose breasts show a small cut on the heart (e.g., the famous dish of the Popol Vuh, K3395). But not all of them are representations. In 1985, as a member of Project Caracol in Belize, Stephen Houston excavated a reused crypt with at least twenty-five individuals, where he found the body of a newborn on top of a plate.

Incidentally, it is remarkable the presence of fire in scenes of children, such as in a mural of a jamb of Tohcok, Campeche, and another on Stela 3 of Yaxhá, Guatemala. The first image traces the shape of a body on an incendiary base, bundles of firewood with ajaw on the head, corresponding to the sign of the homes of the founders of dynasties, especially those related to the pre-eminent city of Teotihuacan.

The second image shows the remains of a human body on a plate supported by cross-shaped sticks. From above fall grains of incense, ch’aaj in the ch’olan language in most classical texts; from below clouds of fire raise up. Through the sign for “wood,” , inscribed next to the trait, it is indicated that the dish will also burn.

Maya vase K1645

A documented vase (K1645, above) by Justin Kerr explains the mythical context of these historical facts. Two supplicant characters, the first perhaps tied as a captive (at least placed in a very uncomfortable position), faces two “packages” with heads of gods, a scene that appears in other vessels, but with different dates and other companions. The verb “born” sihyaj suggests that Chahk, the rain god, and the so-called god of “Pax” are newborns. In the vase K1645 the supplicants are ch’ajoomtaak, “those who spread incense.” The first character carries the attributes of the ch’ajoom, “incense spreader,” even a distinctive headband and a dress of dry leaves.

Both supplicants offer to the enthroned figures an object named “his foot,” yook, perhaps referring to the wooden scaffolding that stands in the stela of Yaxhá. The link to the fires is made clear with the presence of the inflammatory base behind the scaffold. Unlike other sacrificed children, the infant appears to be alive [Chechar’s note: see image below].

poor-maya-kid

As in several Mesoamerican societies, the image of a supernatural act can function as a basic model for the dynastic rituals. There is a parallel in the evidence of the sacrifice by fire, a torture with fatal goals, applied by a god on the back of another…

The presence of infants over the plates, especially in contexts of way [Mayan word] or co-essences of Maya rulers, indicates that this is a special “food.” Usually, the way was very different food from the food of human beings, with emphasis on hands, eyes, bones, and in this case, the soft bodies of children.

[Above I excerpted passages from pages 170 to 173. Below there’s an excerpt from page 182, where the authors discuss other Maya sacrifices:]

The presence of women and children indicates that these individuals were not enemy combatants and strongly suggests a sacrificial context, though perhaps a sacrifice of wider political significance.

Several skulls of Colhá show marks of sharp and unhealed cuts, particularly around the eye sockets, which suggests that some of these individuals were flayed, either shortly before or after death. The skinning of the face supports the iconographic images of beheading showing substantial mutilation, particularly of the eyes. Although it is likely that much of this occurred post-mortem, we must ask whether at least some of these traumas were inflicted before death to maximize the suffering of those about to be executed.

____________________

Note: For my psychological interpretation of Maya and other Amerind cruelty, see The Return of Quetzalcoatl, a chapter of my book.

On pre-Hispanic Amerinds, 4

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The lead paragraph of Wikipedia article “Human trophy taking in Mesoamerica” starts with this sentence:

Most of the ancient civilizations of Mesoamerica such as the Olmec, Maya, Mixtec, Zapotec and Aztec cultures practised some kind of taking of human trophies during warfare. Captives taken during war would often be taken to their captors’ city-states where they would be ritually tortured and sacrificed. These practices are documented by a rich material of iconographic and archaeological evidence from across Mesoamerica.

Today I added some info to that article.

In the South West of Mexico there are various pre-Columbian figures in which high-ranking characters, warriors and ball players wear ritual and military paraphernalia, holding inverted heads with their loose, long hair hanging down. One of these figures can be seen in the National Museum of the American Indian in Washington (see drawing below). Javier Urcid writes that these trophies may have been “soft parts of decapitated heads turned into relics to hang.” There are also several figures showing characters with facial skin on their face: the skin of a flayed human. Urcid’s article in El Sacrificio Humano en la Tradición Religiosa Mesoamericana includes several illustrations of these trophies in the southern west of Mexico, including a brazier depicting a ball player with a flayed facial mask, wearing a necklace of human bones and carrying a severed head.

National Museum of the American Indian in Washington

The Relación Geográfica of 1580 mentions the festivity of the tlacaxipehualiztli in the context of human skin as trophies in Oaxaca: “… and with rods they hit throughout the body until it swelled, and then flayed the bodies and washed the meat with hot water and ate it, and carried the skins in the nearby villages for begging.”

Sometimes it is not even necessary to add value judgments about such practices. A simple enumeration of the facts is enough. More info about this cute ritual, the tlacaxipehualiztli, performed by these little angles that were the pre-Hispanic Amerinds appears in my book. Keep in mind that the tlacaxipehualiztli was performed every year before the Spanish conquest.

Hellstorm review

by Bryan Odriscoll

>Thomas Goodrich’s Hellstorm: The Death of Nazi Germany, 1944–1947

This book was very difficult to read, not because it is poorly written, it isn’t, but because of the subject matter. I frequently had to put it down because of the sheer horror of what was done to the helpless German people. I have been aware for years that vast crimes were committed by the “liberators” of Europe during and after the war. The demonic creatures who instigated the war also planned and executed the destruction of all that was best about European civilization and its people in a welter of blood, murder, rape, torture and starvation.

However, I had only absorbed snippets of what was done over time. Goodrich brings it all together in a litany of woe that is hard to take, especially when one realizes that most of the perpetrators were never called to task for their sickening crimes, several living out their lives in comfort in Israel. Indeed, most of them thrived and many were and are lionized to this day. It says much about propaganda that blood-soaked monsters like Churchill, Roosevelt, Eisenhower, Benes et al are still today regarded as heroic leaders.

One wonders at the mentality of people like the American pilots who machine-gunned thousands of the shocked survivors of Dresden, the great majority of whom were women and children and injured, as well as the rescue crews. No doubt they stand proudly at veterans get-togethers for the part they played in “making the world safe for democracy.”

It is notable also that the system still insists that a mere 35,000 died at Dresden when they know full well that the true number must be at least ten times greater. History is an agreed-upon set of lies by the victors where the alleged crimes of the defeated are exaggerated out of all proportion and the vast and very real crimes of the victors are minimized or ignored. Never has this been truer than of the period of European history between 1914 and 1950.

Goodrich is to be commended for doing so much to expose the monstrous crimes committed against the German people and the vile slanders laid against them ever since. Knowing this I can never help but sneer at the people who stand proudly at the Cenotaph in London each November 11th with their berets and medals and who to this day claim to have made the world a better place.

No doubt, Hellstorm will not be readily available in bookstores and libraries, unlike revolting works of fiction such as “the man who broke into Auschwitz” and other fantasies. We can also be certain that Spielberg will not be making a blockbuster on the subject any time soon.

Nevertheless, for those who want to know the truth and to get some understanding as to why our civilization is dying it shines as a terrible beacon in the world of lies in which we now live.

On pre-Hispanic Amerinds, 3

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Eduardo Matos Moctezuma is a prominent Mexican archaeologist that has directed excavations at the Great Pyramid of Tenochtitlan. In his article “La Muerte del Hombre por el Hombre” in El Sacrificio Humano en la Tradición Religiosa Mesoamericana (pages 43-64), he includes fifteen illustrations of ancient codexes, of which I’ll reproduce only a couple of them.

After quoting the details of Maya human sacrifice recounted by Diego de Landa (1524-1579), a Spanish bishop of Yucatán, Matos Moctezuma writes (my translation) that “in some Mixtec codexes this practice is shown as in the Codex Borgia, where we have images of the extraction of the heart, and also in the Codex Laud:

Codex-Laud-1

A few pages later the archeologist describes another form of sacrifice that was popular in both Teotihuacan and in the Maya world, decapitation: “Also in various codexes we see images of decapitation, as in the Codex Vaticanus B, pre-Hispanic, in which page 24 a figure can be seen of a bat with outstretched arms holding in each of his hands a bloody human head. It corresponds to the eastern trecenas [13-day period used in pre-Columbian Mesoamerican calendars] and reads like: ‘They are time of vampire Xolotl, the deadly lethal bat that cuts heads and takes off hearts’.”

Codex-Vaticanus-1

I don’t want to repeat what I already said about pre-Hispanic human sacrifice in The Return of Quetzalcoatl. I want to add something new. And since art is the royal road to enter the soul of a totally alien culture, I find it convenient to include these images of how the books authored by the representatives of the high culture in the Amerind world looked like before they were conquered by the white man.

Codex_Zouche-Nuttall_01

The above is a highly-pixelated image. Click on it to see the details (click again for even more detailed close-up). I may be no expert in deciphering such codexes but a central image on the left page looks like a grey-faced man holding a decapitated head with blood pouring under it.

On pre-Hispanic Amerinds, 2

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The academic treatise El Sacrificio Humano en la Tradición Religiosa Mesoamericana sheds light on a photograph I used in a chapter of my book, the picture above the note “Photo by Héctor Montaño,” a photo of a recent discovery of a child offering to Huitzilopochtli that Montaño kindly sent me a few years ago when I was researching the subject of child sacrifice in pre-Columbian America. (By the end of this entry I reproduce this high-quality photo again: click on it if you want to see the details.)

In an article of El Sacrificio Humano, “Huitzilopochtli and child sacrifice in the Great Pyramid of Tenochtitlan” (my translation) by Leonardo López Luján, Ximena Chávez Balderas, Norma Valentín and Aurora Montúfar (pages 367-394), the authors tell us:

Everything indicates that this deposit is the material expression of a mass sacrificial ceremony motivated by the devastating drought of year 1 Tochli, corresponding to our 1454 C.E. and reported in a number of Indian annals. The presence of the Offering 48 in the northwest corner of Temple fully agrees with the documentary sources of the 16th century (pages 367-368).

During such ceremonies [to Tláloc], subject to the calendar or performed in times of crisis, children were symbolically similar to the dwarfs and deformed assistants of rain, as their profuse tears shed when immolated served as a hopeful omen of abundant precipitation. The careful study recently published by Michel Graulich about human sacrifice among the Aztecs indicates that, usually, the chosen children were given away or sold by their parents…; little slaves offered by the lords and wealthy people; infants purchased out of town, or children of prisoners of war. There are indications, moreover, that the kings and lords to some extent responsible for the smooth running of the meteors destined their own offspring to the téhcatl during droughts or floods, or to get rich harvests (pages 368 & 370).

The taphonomic analysis

Numerous cut marks on the ribs of both sides of the rib cage, as well as perimortem fractures produced by the same cutting action… In our view, this body of evidence is sufficient to conclude that the child of Offering 111 died during a sacrificial ceremony in which his tiny heart was extracted (pages 377-378).

Q2

Child sacrifice, war and Huitzilopochtli

Not all child sacrifices were linked to the gods of rain and fertility. Some historical documents reveal that people who were in situations of adversity, or had lost their freedom, or had been suffering a terrible disease, promised to give their children in exchange for their salvation. In other cases, the life of infants was claimed just before the military confrontations (pages 381-382).

In the following pages the authors mention the Spanish chroniclers as complementary sources of what recent archeology has discovered; chroniclers and 16th century texts such as Francisco Lopez de Gómara, the “List of Coatepec and his party,” Antonio Tello, Diego Durán and Bernardino de Sahagún.

It’s nice to see that modern science confirms, not denies, what the 16th century Spaniards had witnessed and reported.

On pre-Hispanic Amerinds, 1

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Recently I was in the bookstore of the Museo Nacional de Antropología (MNA), which I had not visited for years, and the cover of a DVD for sell caught my attention. Although it was about human sacrifice in pre-Columbian America, the back cover of this BBC documentary claimed that “women had more rights” in the pre-Hispanic world than in the West. I immediately put the DVD, which before reading that had tempted me to purchase it, back to the shelf.

It is unbelievable the level of chutzpah and blatant historical lies that presently are broadcasted to the unsuspecting masses. As I wrote in my book rebutting similar, outrageous claims by renowned British historians, unlike pre-Columbian women “European women were not deceived to be sacrificed, decapitated and skinned punctually according to rituals of the Gregorian calendar.”

In my chapter of Hojas Susurrantes dealing with the Aztecs I did not include references because the format of that chapter is literary, not academic. But now that I was in the MNA I obtained a copy of what could be regarded as the most up-to-date academic work on human sacrifice in Mesoamerica.

El Sacrificio Humano en la Tradición Religiosa Mesoamericana is a 600-page, academic treatise authored by 28 scholars on the subject of pre-Columbian sacrifice: Mexican, European and American archeologists, historians and anthropologists. Published in 2010 by both the Instituto Nacional de Antropología e Historia (INAH) and the National Autonomous University of Mexico (UNAM), this can be the ultimate source to validate what I wrote in my book about the Aztecs. In addition to the sources I already knew, El Sacrificio Humano includes some new archeological evidence corroborating the 16th century claims of the Spaniards about Amerind infanticide, sacrifice and cannibalism.

Of course: the Mexicans who coordinated the publishing of this major work are politically-correct idiots whose main objective is that the readers continue to subscribe the non-judgmental ethos so fashionable in anthropology today, an ethos that takes Boasian anthropology as axiomatic. This can be gathered from the presentations to this collaborative work by the director of the INAH (“Accepting the reality of the sacrificial practices in ancient Mexico does not mean to rule in favor or against them”—my translation); those who coordinate the MNA (“…the Hispanist fundamentalism that sees only the most barbaric aspects of this practice”), and the director of the Institute of Historical Research of the UNAM (“…among the non-specialist public often circulates reductionist ideas about it [the Mesoamerican sacrifice]… the papers presented here allow a more accurate and nuanced approach”).

Take note that these men and women and all Mexican and non-Mexican anthropologists and historians that contributed with academic papers to El Sacrificio Humano don’t deny the facts about what the pre-Hispanic Amerinds did. What modern academics do is, like their guru the Jew Franz Boas, abstaining from value judgments about such practices. In today’s historiography you can say everything you want against whites, the Germans and the Nazis, but even the slightest condemnation of non-white cultures is considered disloyal.

In one of the first chapters after the above-mentioned presentations, the archeologist Eduardo Matos Moctezuma presents the archeological evidences of sacrificial rituals—skeleton remains of the victims, stony bases for the sacrifice, the instruments used in the immolations, etc.—that Leonardo López Luján, the main coordinator of the book, acknowledges in the very first chapter as “having their referents in the historical sources from the 16th century.” This scholar is thus acknowledging that what the Spanish chroniclers saw and recorded in the 16th century is now being corroborated by archeology. López Luján of course uses the passive voice, “fueron muertos” instead of the natural “los mataron” (they killed them) in that introductory chapter when writing about the sacrificial victims.

In the next entries of these new series I will be examining the naked facts that the scholars of El Sacrificio Humano present about how these little angels, the Amerinds, behaved before any substantial contact with the Europeans.

tenochtitlan-3

Tenochtitlan, the world’s most beautiful city in the 16th century.
For my interpretation of Aztec human sacrifice see my book: here.

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