A week ago I mentioned that Tom Sunic’s conference in Copenhagen was a revelation for me. I also said that the price to save the white race from extinction is apostasy from Christianity. The reason for this, I explained, is that what is killing whites is their Euro-Semitic operating system. In the words of Sunic at minute 6:53 of this section of the Copenhagen conference, “Homo Americanus is also Homo Judaicus.” I would use stronger language, like “the Christian problem encompasses the Jewish problem” (see my recent exchange with Pat Hannagan in one of the threads to clarify the latter).
If Homo Americanus is also Homo Judaicus it follows that Murka must burn to save the white peoples. Alas, I don’t have the power of Karellen, an extra-terrestrial visitor in Arthur C. Clarke’s 1953 novel Childhood’s End: a classic in science-fiction where the religions of the primitive earthlings were erased before more substantial changes could be performed by Overlord social engineering.
This is what Karellen and the Overlords did without actually killing anyone or violating his rights:
It was known that the Overlords have access to the past, and more than once historians had appealed to Karellen to settle some ancient controversy. It may have been he had grown tired of such questions, but it is more likely that he knew perfectly well what the outcome of his generosity would be. The instrument he handed over on permanent loan to the World History Foundation was nothing more than a television receiver with an elaborate set of controls for determining co-ordinates in time and space. It must have been linked somehow to a far more complex machine, operating on principles that no one could imagine abroad Karellen’s ship. One had merely to adjust the controls, and a window into the past was opened up. Almost the whole of human history for the past five thousand years became accessible in an instant.
Though it had always been obvious to any rational mind that all the world’s religions writings could not be true, the shock was nevertheless profound. Here was a revelation which no one could doubt or deny: here, seen by some unknown magic of Overlord science, were the true beginnings of all the world’s great faiths.
Within a few days, all mankind’s multitudinous messiahs had lost their divinity. Beneath the fierce passionless light of truth, faiths that had sustained millions for twice a thousand years vanished like morning dew. All the good and all the evil they had wrought were swept suddenly into the past, and could touch the minds of men no more.
Humanity had lost its ancient gods: now it was old enough to have no need for new ones.
See again the Sunic video linked above in bold type if you have doubts that he believes that a Judeo-Christian zeitgeist among European-derived peoples is behind the empowerment of the tribe (keep in mind that McDonald was present during that conference).
At Age of Treason, last March an interesting debate ensued when the admin expelled a regular commenter (no ellipsis added between unquoted sentences):
Tanstaafl said…
Daybreaker, I get the distinct impression you are in some way jewish. Would you mind setting the record straight, one way or the other?
Daybreaker said…
I’m not Jewish.
My personal background is not your business, and I’m not going to share it on the Internet, but I’ve been looking it up and I’m definitely not Jewish.
Your “distinct impression” lacks any foundation. The quote you gave just before saying you have this “distinct impression” (“Our default setting is highly universalistic compared to Jews, and likely compared to anybody else” [–Daybreaker]) is not a rational basis for an impression that I’m Jewish in any way.
Let me be blunt. You’re being paranoid.
Pat Hannagan said…
Well, Tan’s impression is one I got Daybreaker, or at least I questioned.
Your comments in this thread were beautiful but, when I’ve read you elsewhere you seem to me to have flip slopped and taken on the opposition’s side. It’s not paranoia, just trying to work out if you’re legit or not.
Daybreaker said…
I’ve said what I am, minus what particular countries my all-White and all non-Jewish ancestors hail from. And I’ve done what I can to clear up the main points that may cause confusion.
There’s nothing else I can do. I accept that you and Tanstaafl are not being paranoid. But you’ll just have to keep wondering and working on it, because I can’t make myself any plainer than to give you a straight no, which I already have.
Tanstaafl said…
Daybreaker, let me be blunt. Your comments, here and on previous posts, are too long and too many. You seem to be trying to take charge of the discussion, to manage it. Stop it.
That’s one of several indicators that gives me the distinct impression you’re a jew. Calling me paranoid is another. People think you’re a jew because you act like one.
Daybreaker said…
That’s a “shut up” and I will.
But first…
“That’s one of several indicators that gives me the distinct impression you’re a jew. Calling me paranoid is another. People think you’re a jew because you act like one.”
Based on that additional evidence, I retract my retraction. You definitely are paranoid about Jews and imagined Jews.
Tanstaafl said…
You definitely won’t be missed.
Rollory said…
“Daybreaker, let me be blunt. Your comments, here and on previous posts, are too long and too many. You seem to be trying to take charge of the discussion, to manage it. Stop it. That’s one of several indicators that gives me the distinct impression you’re a jew.”
Wow, that’s all it takes to avoid the accusation?
♣
What alarmed me was that other commenters at Age of Treason I respected continued to comment as if Daybreaker’s ethnicity had been properly demonstrated. It looked unfair to me even though I had no means to ascertain if Daybreaker was telling the truth. I felt disappointed and promised to myself, silently, not to comment at that blog again. But…
Yesterday and today I received some emails from Tanstaafl asking me if I have Jewish blood in my veins! Apparently Tanstaafl is now trying to see a Jew under the wrong stone because he’s extremely upset about my recent posts criticizing his pet theory, “monocausalism.” However upset he may be, that is no excuse for his rudeness in his recent emails. Here there are some sentences of our email exchanges. Originally, he reacted as a result of my comments at Carolyn’s blog:
Tanstaafl wrote…
Could you tell me what is going on in your mind? Do you not recognize a criticism of your position? Are you not willing or able to defend it? Did you discover some marrano roots or something?
I replied…
If you don’t mind, I will respond in my blog, but first I must know if it’s OK with you to quote your email.
Tanstaafl replied…
Haven’t you been “responding” at your blog, and elsewhere, for months already? You can’t sum up whatever you have to say to me in an email?
I replied…
I can sum up: as far as I know I have zero J ancestry (a couple of old uncles are pretty obsessed with genealogy and I trust their research). And I am astounded that you may think of me having “marrano” ancestry.
Tanstaafl replied…
Why would this be astounding anyway, then or now? Were you not aware of the marrano element sprinkled throughout latin America?
What is astounding about the question considering this position you’ve taken? Being marrano would help explain it.
Tan
♣
Did Tanstaafl imply that I lied in my previous email when I explicitly said that I have zero Jewish blood? Since I consider his rudeness a personal insult (not only is he apparently doubting my word, marrano also means “pig” in Spanish) now I don’t feel compelled to ask permission to publish his above emails. This said, another clarification is in order. In his last email he also said:
“You seem similarly single-minded in your drive even farther back into Roman history. Naturally I’m curious why excusing the jews has become so important to you, especially when your criticisms are aimed, at least in part, at me.”
Where the hell Tanstaafl got the idea that I am “excusing the jews”? My criticism of monocausalism has nothing to do with defending Jews and everything to do with accusing Whites of weakness—as Severus Niflson explained so well last Monday in Yeager’s show, the subject of my previous entry.
It now looks to me that Tanstaafl is the symmetrical opposite of Fjordman. Just as Fjordman gets mad every time I suggest at Gates of Vienna that Jews have been involved in the West’s crisis, so Tanstaafl gets mad when I suggest at other forums that Whites are involved too in the same crisis. Although Fjordie and Tan are ideological antipodes with regard to the Jewish Question, for them the whole question is “either or”, never—God forbid!—“both.” As Niflson put it in his audio reply to Tanstaafl:
“We can’t just go out there and mention the jews the jews the jews, yeah we can mention other people, but we can’t be childish and just think that it’s all to blame on other people and by magically addressing the issue of their existence that suddenly our character will become magically well…”
Niflson is not alone speaking out about the character flaws of present-day whites. If I wrote for this blog the articles criticizing monocausalism it’s because notable people moved my train of thought toward that direction after Michael O’Meara became disenchanted with the webzine Counter-Currents:
1) Tom Sunic for one has been openly dismissive of monocausalism in his radio podcasts.
2) Michael O’Meara’s best 2011 article at Counter-Currents dismissed monocausalism as something silly and quite stupid.
3) Many of Harold Covington’s radio rants convinced me that, although the subversive Jew must be named, something horribly wrong—“yellow dogs” is one term used by Covington—is going on within the character of today’s Whites.
4) Hunter Wallace has been contradicting monocausalism for at least two years at Occidental Dissent. Although I disagree with his claim that America is run by blacks (I believe that Jews are far more influential) I have quoted some of his recent pronouncements on monocausalism, which Wallace calls “single-cause hypothesis.”
5) The harshest diatribes against these weakened whites I’ve read comes from the pen of William Pierce: one of the best minds that the movement produced in the continent.
6) Even Kevin MacDonald himself doesn’t seem to support strict monocausalism!
The heavyweights convinced me that strict monocausalism is silly, and that besides naming the Jew we must also note our flaws that empowered the tribe since the French Revolution.
Perhaps the next step in Tanstaafl’s escalating paranoia will be to ask these notable people if they too have some Jewish blood—and when receiving answers in the negative then insisting in follow-up emails that they must, notwithstanding, be Jewish?
♣
This is the second time that this happens to me since I became involved in the white nationalist movement by the end of 2009. The first time happened when I criticized the 9/11 conspiracy theories. Monocauslaist J Richards, who even blames the American Civil War on the Jews, claimed at Majority Rights that that alone was proof that I was Jew! (see my comment about it here). Again, since the Majority Rights admin never apologized for allowing Richards’ claim within the main text of an article, I promised never to comment at that site again.
Aside of these insults directed at me by mail and in the blogosphere the real issue is, Are other monocausalists paranoid too?
I would appreciate comments on this question. It seems to me that character flaws are far more endemic in the movement than what I previously thought.
Postscript
When I finished the above writing I learnt that Severus Niflson recorded a follow-up audio response to Tanstaafl even if this time Niflson didn’t name him. At Carolyn’s blog Niflson added a textual reply as well, of which I’ll quote a sentence:
Generally, my point is more on the side of practicality and honesty. The honest truth is that we have plenty of blame for our current situation, we could all make a list. This isn’t to remove blame on other people, but to be reasonable and forthright. Anybody who claims that all of our issues are to be laid on the feet of Jews is basically crossing the line into the realm of religion and faith, which in all honesty isn’t my favorite area since it crosses from rational into emotional.
“Tell me which music you like
and I’ll tell you who you are”
Yesterday at a Counter-Currents discussion about music (here) my friend—
Pat Hannagan answered me:
Those “old” folkloric songs in Covington’s podcasts are the songs sung by a people who held their culture together, and successfully won their independence against an invading tyrant. My kids love them instinctively…
I replied (slightly edited):
Pat: I wholeheartedly agree with you. You know, I said that my father used to be a composer. But he abandoned composing classical music when he had to earn a buck. He taught music to children and his mantra is that folk songs are paramount for the spirit of a culture. Yes: there’s a gulf between legit folk music and what I call “Neanderthal music”: the music for whiggers, niggers, and beaners (the mexicans).
Nonetheless, when I wrote my above posts I was in soliloquy mood. To put it simply, I am stirred when I listen some music of Wagner (e.g., Parsifal), which means that musically I’m closer to the Third Reich than to the coming Northwest Republic. I simply cannot feel American folk music because Lot has no nation, and no folk music can stir the stateless individual.
In another CC thread I said that the music I most identify with is the atonalLux Aeterna by Ligeti, especially the compasses that Kubrick chose for the scenes of desolate moon landscapes with a floating bus en-route from Clavius to Tycho. Why that cinematic vision expressing the most extreme form of solitude describes me? Because that’s the way Lot feels in Gomorrah: There’s, literally, nobody around: not even the blue sky visible in central Antarctica. (However desolate among the ice, the lone scientist in his post at least sees the blue color of the sky, meaning that there must be oxygen somewhere out there on the planet—plants, life.) In contrast, in 2001’s moon landscapes there’s not even that: only a black sky and, without atmosphere, no shades: only black and white abyssal desolation among a world of elemental rock:
These are some of the previous comments in that thread (again, slightly edited). Strongly criticizing pop music, including rock, heavy metal screamers, etc., promoted at Counter Currents—
Iranian for Aryans said:
Allow me to dissent. Though the general tenor (ha ha!) of the piece (ha ha!) is salubrious, it shows a ignorance towards European music heritage. Allow me to explain.
Yes, there is a difference between “black singing” and “white singing”. Yes, the media promotes that which is bad, to put it weakly. However, the examples cited of what is good are lacking and wholly degenerated.
There is no mention of real singing as exemplified through classical music. Rather, examples are shared of Nat King Cole, Sinatra, and some other nugatory folksy personages. Personally, I think Sinatra and Cole were horrid. Real examples of singers would be Franco Corelli, Anna Moffo (mamma mia!), Renata Tebaldi, Caballe, del Monaco, di Stefano, Giacomini, Siepi, Schwartzkopf, Ludwig, Melchior, et al. These persons are our vocal stars. They might have been ugly and fat, but they were true singers, artists of the highest order. Roy Orbison? Good God…! As for the hackneyed reference to Beethoven, I’ll make a wager.
People, white people, WNs [white nationalists], can make references to classical music as much as they want, but the majority, overwhelmingly so, do not live classical music, their heritage. Do they turn on the classical radio station and listen to Haydn or Schumann? When speaking of the voice, do they go crazy over Schubert’s Die Schone Mullerin? Of course not. The espousal of amity towards classical music is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God. Empty signs of respect are worthless: do you live the music? Who wants to listen to Ockeghem when there’s Prussian Blue?
Another example of ignorance of classical music is the citation of Warlock. Warlock, best known for his Capriol Suite, is a big nothing. The world expects novelty and uniqueness, even if framed in a conservative mould, from a composer. Given that Warlock’s magnum opus is a collection of Elizabethan tunes, I can’t place him as a luminary.
CC proclaims a “New Right”. Let’s proclaim it through music. Let’s open up readers to the Western musical heritage: Bruckner, Josquin, Schumann, Handel, Brahms, Vivaldi, et al.
I said:
Iranian: As much as I like WNists I feel an insurmountable abyss with them every time I learn in threads like this that they like rock, heavy metal or even old folkloric—as in Covington’s podcasts—music. This is because I learnt classical music before I was born—literally, since my mother used to be a piano concertista and throughout her pregnancy I sensed and listened the piano through my mother’s womb. And my father was a composer of classical music (when I was a small child some of my dad’s orchestral pieces were played in New York).
My first love, still as a small child of five, was Mussorgsky. Alas, musically and sexually, in today’s culture I feel like Lot in Gomorrah.
I hate monkey music as much as I hate degenerate sexual mores that are driving our race straight to the path of extinction. In fact, like Hegel I believe that if music represents the Geist then the degeneracy we see every day on the streets, TV and Hollywood is faithfully represented in the spirit of that music. For example, the Neanderthal spirit I see every day among the beaners is faithfully represented in their salsa antimusic.
I don’t know if “billions will die”, including the beaners, during the coming convergence of catastrophes (though like Lot I wish their cities burn under Heaven’s fire). But my educated guess is that, after the end of the world as we know it, there will be a resurgence of traditional sexual mores and, with it, a thoroughgoing repudiation of both violent and perverted Hollywood along with all pop music after the 1960s that “sound like demons trying to cough-up the world’s biggest hair ball”.
Iranian for Aryans said:
Chechar,
I sympathize with your feeling of alienation. I live with it and am reminded of it ubiquitously. I think your analogy of Lot in Gomorrah is good.
The monkey music (black and “white”, rap and rock, respectively) that we both loathe has become a manifestation of an inner degenerated state. But to see WNs, the so-called enlightened ones, purvey such excrescences is truly troubling and indicative of a much lowered state.
Update of November 23:
Today Counter-Currents published still another article on music. I wrote (slightly edited):
In the other recent CC thread about music, Iranian for Aryans said:
The espousal of amity towards classical music [in the CC article] is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God.
This is exactly what Christopher Pankhurst has done in the above article (here). Pankhurst is confusing Christendom—which is dying and will finally die later in the century—with orchestral music. I would claim that, unlike Burzum, the Black Metal abomination featured in his article (what a blasphemy putting it together with Strauss’ Metamorphosen!), orchestral music has a bright future once the West awakens from its dormition.
The great musical tradition that reached a high watermark with Bach, and that subsequently sought expression through the individual genius of Beethoven and Schubert, had its funeral song in Strauss’ Metamorphosen.
False. Tragically false. Even Pankhurst concedes that after the World Wars Ligeti created numinous pieces of music.
My father also composed good pieces of music before he had to make a living through music education for children. In a more healthy culture he wouldn’t have faced economic need. Instead, he could’ve devoted all of his energies in continuing to compose (at the Utica Observer-Dispatch, in 1962 Chuck Booth wrote about my father’s symphonic piece Estirpes played in New York). Alas, since the whole West is in dormition, the only way that a composer of classical music can make a good living is thru soundtracks. But even in this lesser genre one can listen that orchestral music has not experienced the funeral claimed by Pankhurst.
Of the eight Harry Potter films only one, the third of the series, was superbly directed. John Williams’ music during Buckbeak’s flight and the werewolf transformation scene are examples of good orchestral music composed in the 21st century. One can imagine how far could the likes of Williams had gone if, in a non-dormition culture, they could devote all of their time composing pure music outside Hollywood. But even in Hollywood once in a while some soundtracks represent the most exquisite form of musical art. Don’t you remember how in 1968 Kubrick used Khachaturian’s most elegiac piece, Gayane Ballet Suite, when the spaceship Discovery One is bound for Jupiter?
Every time I hear stuff like paying lip service to Classical Music and at the same time promoting abominations like Heavy Metal, I cannot but compare the situation with a so-called white nationalist woman boasting a T-shirt telling us, “I had an abortion” without apparently noticing the contradiction in both statements. But again, only after the West collapses and awakens from its dormition—a cultural nightmare actually—will it be all too clear that most pop music during the interregnum was but a manifestation of an inner degenerated state, even among the white nationalists.
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The twenty-first century will be a century of iron and storms. It will not resemble those harmonious futures predicted up to the 1970s. It will not be the global village prophesied by Marshall MacLuhan in 1966, or Bill Gates’ planetary network, or Francis Fukuyama’s end of history: a liberal global civilization directed by a universal state.
The Third Age of European Civilization commences, in a tragic acceleration of the historical process, with the Treaty of Versailles and end of the civil war of 1914-18: the catastrophic twentieth century. Four generations were enough to undo the labor of more than forty. Europe fell victim to its own tragic Prometheanism, its own opening to the world and universalism, oblivious of all ethnic solidarity.
The Fourth Age of European civilization begins today. It will be the Age of rebirth or perdition. The twenty-first century will be for this civilization, the fateful century, the century of life or death.
Let us cultivate the pessimistic optimism of Nietzsche. “There is no more order to conserve; it is necessary to create a new one.” Will the beginning of the twenty-first century be difficult? Are all the indicators in the red? So much the better. They predicted the end of history after the collapse of the USSR? We wish to speed its return: thunderous, bellicose, and archaic. Islam resumes its wars of conquest. China and India wish to become superpowers. And so forth. The twenty-first century will be placed under the double sign of Mars, the god of war, and of Hephaestus, the god who forges swords, the master of technology and the chthonic fires. This century will be that of the metamorphic rebirth of Europe, like the Phoenix, or of its disappearance as a historical civilization and its transformation into a cosmopolitan and sterile Luna Park.
The beginning of twenty-first century will be the despairing midnight of the world of which Hölderlin spoke. But it is always darkest before the dawn. Let us prepare our children for war. Let us educate our youth, be it only a minority, as a new aristocracy.
Today we need more than morality. We need hypermorality, the Nietzschean ethics of difficult times. When one defends one’s people, i.e., one’s own children, one defends the essential. Then one follows the rule of Agamemnon and Leonidas but also of Charles Martel: what prevails is the law of the sword, whose bronze or steel reflects the glare of the sun.