On Yockey’s America

by Michael O’Meara

O’Meara’s essay shows beautifully why we believe that the relations between Murkans and Germans lie at the deepest level of the rabbit hole to understand the West’s darkest hour.

The “Judeo-African cacophony” mesmerizing the jitterbugs on the dance floors of the Thirties was part of a larger program to debauch the conservative Christian rhythms of American life. Such at least was the argument Francis Parker Yockey made in his first published work, “The Tragedy of Youth” (1939).

In this early piece, full of promise and prefiguring aspects of his later critique of American life, the 22-year-old Yockey depicted an America whose youth had begun to keep step with the intonations and inflections of its Jewish bandmasters. Besides the folly of their un-European cavorting, Americans, he thought, were acting out the worldview of an alien-minded minority in control of the country’s media and entertainment. Drinking, smoking, and other bad habits glamorized by Hollywood became, in this spirit, marks of sophistication; sports were fetishized; public opinion was shaped and reshaped to legitimate machinations of every sort.

More seriously, God was “replaced by lust, the priest by the psychoanalyst, and the hero and heroine by the promiscuous lounge-lizard and the glittering harlot.” For the more educated, there were books and magazines promoting class war, racial equality, and anti-European (especially anti-German) hatred—aimed at destroying “whatever exclusiveness, national feeling, or racial instinct” still part of the American people.

Institutionalizing these subversions, Roosevelt’s New Deal, the granddaddy of the present anti-white system, took on debts and obligations favoring the Left forces—themselves puppets of the international financiers and bankers responsible for the deception and dissimulation entrancing the jitterbugs.

Against this backdrop of cultural distortion, usurious state policy, and agitations favoring causes alien to American affairs, the country’s youth, Yockey claimed, was being conditioned to fight as conscripts in liberal, Jewish, and Communist causes inimical to their national interest.

The True America

Basic to Yockey’s understanding of America was his belief that it was, at root, an integral and organic part of Europe. Whenever he spoke of “the true America,” as opposed to the America that had been taken over by the “culture distorters” and become “the enemy of Europe,” it was the America that had originated as a European colony—the America whose “culture” was a branch of Europe’s High Culture—the America whose people still bore traces of the noble, heroic, and Gothic character of their ancestors.

“All colonials,” Yockey felt, “have a certain plane of their being which is susceptible to the centripetal attraction of the mother-soil.” For they share a common history with “the parent-organism”—no matter how much the distorters might insist otherwise. The true American—i.e., the American whose highest loyalty was to his “mother soil and father culture”—thus instinctively isolated himself from all efforts to betray Europe: like French Canadians and South African Boers who refused to be conscripted by Washington in the Jews’ war against the Third Reich.

A child of European, especially German, culture, Yockey alone among American anti-liberals saw that America’s origin had tied its destiny to that of Europe, and that no matter how many cities the colony built, no matter how many millions of automobiles it turned out every season—no matter, even, how successful it was in reducing Europe to rubble and occupying it—no matter, it (the colony) would never, not in a thousand years, surpass the achievement and destiny of its mother soil and father culture.

To even think it was philosophically absurd.

The Culture of Distortion

Given their shallow culture and the dismissal of the tradition to which they were heirs, Americans were particularly vulnerable to the corrosions of 19th-century rationalism and materialism. Relatedly, they were an easy mark for “culture aliens”—for a world governed by money was a world indifferent to a man’s qualities. Foremost among the culture-aliens were the Jews: product of Spengler’s “Magian” culture, instinctually hostile to the European spirit, and bent on revenge.

In their counting houses, Americans would invariably overlook the Jews’ otherness, though they were of a different “Culture-Nation-Race.” Even before the War of Independence, they treated Jews as Europeans—Jews who had been shunned, ghettoized, and seen by most Europeans as an evil to be avoided.

Beginning in the 1880s, the Jews (these inassimilable aliens rejected by Europe’s High Culture) began their invasion of America. By 1905, they were already a power, evident in fact that the United States, for the first time in its history, severed diplomatic relations with Russia on account of the “anti-Jewish pogroms” that had followed the Russo-Japanese War.

Through its financial acumen and early control of media (the press, movies, radio), and in alliance with the native forces of decadence and degeneration, Jewish power in the New World grew at an unprecedented rate.

In a country where “mass-thinking, mass-ideals, and mass-living prevails,” Jewish propaganda (in the form of advertising, fashion, and a hundred other things) effortlessly reshaped the American consciousness, propelling the jitterbugs onto the dance floor of their world-conquering schemes. Stories of German sadism or Orson Wells’ Mars invasion were peddled with similar success, just as “the ethical syphilis of Hollywood and the spiritual leprosy of New York” infiltrated the larger cultural body.

In 1933, the year of the European Revolution, the Jews acquired outright political control of the United States—something that a thousand years of effort had failed to achieve in Europe.

From this point forward, “the formation of the Jewish-American Symbiosis begins.” Swarming into Washington, Jews and their “sub-American” contractors started dissimulating the Jewish world view and “bringing under control every factor of public expression.”

All who resisted were to be purged or ostracized.

Then, as the country’s racial instincts were worn down by the distorters, America (in accord with the policies of its liberal state and in the programming of its Culture Industry) assumed “a Jewish countenance” in its relations both with the rest of the world and with itself.

For Yockey, Franklin Roosevelt, “the monster who made of his life a study in infamy,” was a creature of the Jews, just as his New Deal was bent on Judaifying American government and society, promoting, as it did, principles of tolerance and universal brotherhood, which were further developed by Rockefeller-funded social-engineers intent on morally disarming the American people.

In this, the prescient Yockey might be criticized for confusing Jewish supremacy with the increasing Judaification of American society (which Matthew Arnold had warned of in the 1860s), for Jewish power in America was arguably not consolidated until the late 1960s (even if its secular low-church market, in making money the ultimate standard, had already Judaicized American life and sentiments).

That Roosevelt, in October 1937, began to maneuver the United States into the coming world war and that this war would be a war of annihilation—i.e., the sort of war fought between racially and culturally alien, rather then related peoples sharing the same civilization—was further evidence, in Yockey’s eyes, of Jewish hegemony and the Jews’ genocidal hatred of Europe.

Despite a certain exaggeration of Jewish power in this period, Yockey was nearly alone in seeing that the United States had become an anti-European power bound to the Jews’ vengeful compulsion to suppress Europe’s destiny.

Unlike other American anti-liberals, anti-Semitism for him evolved, rapidly and logically, into an anti-Americanism.

The Enemy of Europe

As long as America had been ruled by men of European Christian stock, it remained “a European colony.” But the America “distorted by the Revolution of 1933” (a revolution carried out by the allegedly Jewish-dominated New Deal), was now lost to Europe.

America’s Jewified anti-Europeanism was especially evident in the Second World War and in its subsequent occupation of the Continent. For if the United States had possessed a proper ruling class, a tradition, and a regalian state, it would have stayed out of the Second World War, which became a defeat not just for Germany, but for all Europe—and thus, ultimately, a defeat for the true America.

Under its new Jewish-American regime, Washington after 1933 was instrumental in preparing the way for another European civil war—a war it would wage as if the enemy (their European kinsmen) weren’t human. Instead of being the great moral crusade against the absolute evil of fascism, the war in actuality represented a giant step toward the Judeo-plutocratic inauguration of a New World Order, based on American open markets and American economic practices.

To this end, American bombers (supported by their British vassals) reduced every German city to a heap of rubble, intentionally targeting heavily populated working-class residences—that is, “homes and families”; cities in France, Belgium, Holland, Italy, and Eastern Europe were also bombed, adding further hundreds of thousands of civilian casualties to US “kills”; American fighter-pilots similarly sought out civilians to machine-gun and terrorize; vast stores of equipment and armaments, often denied to American troops, were supplied to Soviet Russia to defend the Communist state and encourage its penetration into the heart of Europe; and throughout this most barbaric and punitive war in the white man’s history, the Washington regime talked incessantly of the enemy’s “war crimes” and its “inhumanity.”

Yockey blamed America’s dishonorable conduct in the war on the culture-distorters, whose “motivation derived from the deep and total organic irreconcilability between a High Culture and a parasitic organism” (though I suspect that the country’s latter-day Puritans, given their tendency to dehumanize the enemy, ought also to share a large part of the responsibility).

Even after the guns were silenced, America’s “ghastly dishonor” continued. With the Red Army occupying Eastern Europe and the US Army Western Europe, the looting, raping, pillaging—and ethnic cleansing—began.

The Soviets plundered everything not bolted down; the greatest mass rape in Western history occurred in what became “East Germany”; and 16 million East-European Germans were forced to abandon lands and homes they had inhabited for centuries, two million of whom (mainly the very old and the very young) perished in the process.

With greater discrimination, the Americans raided German patent offices, steeling their superior technology; they rounded up their rocket scientists, confiscated the libraries they hadn’t burned, and made off with priceless art works. German women, most on the verge of starvation, were not subject to mass rape (except by black American and French African troops), but their favors could be had for a half-dozen eggs, some cigarettes, or a few chocolate bars.

If this weren’t enough, the culture-distorters (whose “fury had been heightened by the European Revolution of 1933”), along with their American accomplices (especially the budding military-industrial complex), introduced large-scale starvation, abused POWs (several million of whom died as a consequence), hunted down anyone who failed to bow to the new conquerors, and imposed laws with ex post facto application.

Adding insult to injury, the “American world-clown and the sadistic Jew” then endeavored to “re-educate” Europeans in the arts of anti-fascism, mammon-worship, and democracy (i.e., “the corruptibility of the government by private wealth”).

The war for Yockey represented a categorical defeat for the “true America”—and a total victory for the Jews over Western Civilization.

Since 1945, the two sides of the Atlantic have ceased to share the same inner experience of feeling, for it was essentially a war against Europe. European Americans who supported it, Yockey contended, were traitors—inner enemies of their own culture.

Then, after being reduced to “a beggar colony of America,” Europe’s pre-1945 elites were replaced by “Michel elements” (liberal philistines embodying “the sum of European weaknesses”), who could be trusted to do the Jews’ bidding.

In the name of democracy, press rights and free speech were henceforth abrogated; political parties were required to obtain licenses; any expression of nationalism was criminalized, just as all anti-liberal formations critical of the occupiers’ regime were driven to the political fringe.

America-Jewry in this way sought to sever Europe’s roots, suppress her will to power, and deprive her of a sense of destiny.

In no meaningful political sense did Europe, in fact, continue to exist after 1945, thanks almost entirely to this monstrous entity with the Jewish head and the American body.

America-Jewry’s anti-European vengeance was especially evident in comparison to its generous treatment of defeated Japan.

Indeed, the entire nonwhite world was soon made to know that the United States had conquered Europe and that the colored outer-revolt, encouraged by the distorters, was ready, at last, to triumph over its former white masters. More than Soviet Communism, Yockey argued that Jewish-controlled America was the “enemy of Europe.”

And this made America an enemy of “true America,” for the Jewish idea of America—as a land of immigrants, creedal propositions, and universal brotherhood—stripped it of any “national-spiritual significance” it may have once had, doing so, ultimately, for “the enslavement of the world by big business.”

Every European-American loyal to his ancestral homeland—loyal to his own inmost being—was, Yockey concluded, duty bound to be disloyal to what America had become (even as he struggled to return it to Europe).

The American Vabanquespieler

Yockey believed the 19th-century Age of Materialism and Rationalism, which had shaped America’s cultureless civilization and opened the way to the culture-distorters, came to an end with the First World War (1918), as a new age struggled to succeed it—a new age that would be animated by the same primordial sources that had brought about the European Revolution of 1933.

If not for America-Jewry’s Old Testament war on Europe, German-Prussian Ethical Socialism (in rejection of liberalism’s individualistic Reign of Quantity) would have inaugurated a New Age of Authority, Discipline, and Faith, bringing the whole world under Europe’s influence. Instead, the very opposite occurred.

But even though the America of the culture-distorters had emerged victorious from the war, it changed not in the least the fact that America (this apotheosis of the 19th-century rationalism and materialism born of liberalism) still represented the past—and the past, Yockey held, could never defeat the future latent in Europe’s High Culture.

The barbarian victory of America’s 19th-century capitalism over the Germans’ Ethical Socialism had, indeed, already spread chaos and disorder throughout Western Civilization, heightening the imperative for a revolutionary transformation.

* * *

For the Vabanquespieler, the creation of a new European order (in the form of a continental imperium stretching “from Galway to the Urals”) would entail a great, heroic undertaking, as the White men of the West—in allegiance to a new transcendent idea—rallied to overthrow an exhausted, putrefied, but nearly insurmountable Jewish-American system.

The Last Men of America’s consumer paradise may think that the barbarians and the distorters had tamed the forces of history and quieted the demands of destiny, but the American apostate knew better. He also knew that Americans could do better.

Thus inspired, the Vabanquespieler stood against the Jewish- dominated, liberal-capitalist, anti-European Mammon System that had become America.

In anticipating the next cycle of Western Destiny, Yockey’s life work has bequeathed to European Americans a legacy affirming that “the old Gothic religious idea” is still latent in them and that the 21st century will be an age of European peace and order, if they are willing to fight for it.

The “American ideology” may therefore have no future, but “the soul of the American people,” born of Europe, has.


Editor’s note:

The above piece has been excerpted from Michael O’Meara’s “The Jitterbugs & the Vabanquespieler: On Yockey’s America” (The Occidental Quarterly, Winter, 2010-2011).

A Matrix for the white peoples

Isn’t it incredible that what George Lincoln Rockwell said at UCLA in 1967, a couple of months before he was assassinated, about the actual perps of the largest genocide in Western history is still censored in the media? Alexander Solzhenitsyn was the author of a two-volume work, Two Hundred Years Together, about the history of Russian-Jewish relations between the years 1795 and 1995. It is the only non-fiction book by Solzhenitsyn besides The Gulag Archipelago.

Alas, the Jews and the Zionist gentiles in the Anglo-Saxon world are so powerful that they have managed to censor the Russian-English translation of Solzhenitsyn’s Two Hundred Years Together for more than a dozen years! The publishing houses in the US, Canada, the UK and Australia, including the universities presses, are such cowards that Solzhenitsyn’s last major work, published since 2001-2002 in Russian, has not been translated to English!

What can we think about the powers that be regarding the fact that the most significant historical datum of the 20th century is still hidden from the masses?:

Solyenitsin“You must understand. The leading Bolsheviks who took over Russia were not Russians. They hated Russians. They hated Christians. Driven by ethnic hatred they tortured slaughtered millions of Russians without a shred of human remorse. The October Revolution was not what you call in America the ‘Russian Revolution.’ It was an invasion and conquest over the Russian people. More of my countrymen suffered horrific crimes at their bloodstained hands than any people or nation ever suffered in the entirety of human history. It cannot be understated. Bolshevism was the greatest human slaughter of all time. The fact that most of the world is ignorant of this reality is proof that the global media itself is in the hands of the perpetrators.”

—Solzhenitsyn, quoted by David Duke

When I was younger Soviet dissidents had to smuggle copies of Solzhenitsyn’s work into the Soviet Union. Today totalitarianism has been inverted and it is us who are smuggling unauthorized translations of Solzhenitsyn’s last major work from Russia into the West, thanks to the internet.

There’s no question about it: whites have been plugged in a matrix for seventy years now.

Postscript of February 18:

I have now printed and read Roger Devlin’s long review of Two Hundred Years Together, originally published in The Occidental Quarterly (here and here). It looks like, although I do not claim that Solzhenitsyn’s quote in above post is fraudulent, it certainly goes against the grain of what, according to Devlin, Solzhenitsyn opined about Russian Jews in his last book.

Similarly, after watching ISIS’ recent mischief in Libya I retract what I said last month, that “whites have a better chance to survive under Sharia than under the current Judeo-liberal system.” While it is true that the current system is a fast track for Aryan extinction, under Islam extinction would only be postponed a little longer.

One of the advantages of our continuing education through the Internet is that our worldview may be slightly modified as new bits of data are encountered and properly digested. This said, the basics of my catechism in the form of a compilation of many authors in The Fair Race’s Darkest Hour, which 2015 edition has just been released, are still intact.

The face of Classical Europe (I)

Were the Greeks blond and blue-eyed?


In 2013 I translated this article from the Spanish blogsite Evropa Soberana in fragmented form. Now that I am reviewing The Fair Race’s Darkest Hour for the 2015 edition, I would like to see it reproduced here in a single entry:


I remember a movie that came out in 2004. Troy was called. Naturally, many fans of Greece went to see it quite interested; some of them because they sincerely admired Hellas and its legacy. But some uncultivated specimens attended the theaters too. Everyone knows that, in our day, Greece is regarded as a mark of snobbery and sophistication even though you do not know who Orion was, or what was the color of Achilles’ hair according to mythology. The movie’s Helen (one with a look of a neighborhood slut) and Achilles (Brad Pitt) were rather cute. Adding the special effects, advertising and usual movie attendance there was no reason not to see this movie that, incidentally, is crap except for a few redeemable moments.

Upon first glance at the big screen, one of the many reactions that could be heard from the mouth of alleged scholarly individuals, was something like the following:

Outrageous: Achilles and Helen, blond and blue-eyed! Oh tragedy! Oh tantrum! Such a huge stupidity! Irreparable affront! It is obvious that Nazism, fascism, Nordicism, Francoism, anti-Semitism, homophobia and sexism are booming in Hollywood, because who would have the crazy notion to represent the Greeks as blond, when their phenotype was Mediterranean? Only the Americans could be so uneducated and egocentric and ethnocentric and Eurocentric and fascists and Nazis and blah blah…

These good people were not outraged by the desecration of The Iliad; for the absurd and fallacious script, for representing Achilles like an Australian surfer, or Helen as a cunt or the great kings as truckers of a brothel. No. They didn’t give a hoot about that. What mattered was leaving very clearly that they were sophisticated people, conscious of what was happening and that, besides being progressive democrats and international multi-culturalists without blemish, and able to pronounce “phenotype” without binding the tongue, they were also sufficiently “sincere admirers of Greece” to be indignant and losing their monocles before a blond Achilles.

The same could be said about the ultra-educated reaction to the movie 300. When it was released, we could see an outraged mass (and when we say “outraged” we are saying really outraged) complaining in the most grotesque way, by the presence here and there, of blond Spartans throughout the movie—fascist xenophobia by Hollywood and the like. How easy it is for the big mouths when there are large doses of daring ignorance involved, and when they have no idea what it stands to reason.

What I did not expect was to hear similar statements from the admirers of classical culture: people that one generously assumes they have read the Greco-Roman works or that are minimally informed—at least enough to not put one’s foot in it in a such a loudly manner. For Achilles, considered the greatest warrior of all time, and sole and exclusive holder of the holy anger, is described in The Iliad as blond, along with an overwhelming proportion of heroes, heroines, gods, goddesses—and even slaves considered desirable and worthy for the harem of the Greek warriors to seed the world with good genes.

The same could be said of the Spartans if we consider the physical appearance of their northern Dorian ancestors, who had come “among the snows” according to Herodotus. In fact, the movie 300 was too generous with the number of Spartans of dark hair, and too stingy with the number of blonds.

Whoever declares himself an admirer of classical European culture (Greece and Rome) and, at the same time, asserts that it was founded by swarthy, Mediterraneans-like-me folks is placing himself in the most uncomfortable form of self-consciousness. As I have said, if such individual really admired the classical world and bothered to read the classical works, he would have ascertained to what extent Nordic blood prevailed in the leaders of both Greece and Rome—especially in Greece. In short, those who claim being ultra-fans of Greece, Rome or both only throw garbage on themselves by demonstrating that they had not even read the original writings.

There are many truths about Nordic blood and Hellas but perhaps the most eloquent and overwhelming truth is that Greek literature is full of references to the appearance of the heroes and gods because the Greeks liked to place adjectives on all the characters, and nicknames and epithets representing their presence. So much so that it is really hard to find a swarthy character. In the case, for example, of Pindar, it is a real scandal: there is not a single character that is not “blonde,” “golden,” “white,” “of snowy arms,” and therefore “godlike.”

The blue eyes were described as γλαυκώπισ (glaukopis), which derives from γλαῦκος (glaukos), “brilliant,” “shiny.” The Roman writer Aulus Gellius, in his Attic Nights describes the concept of colors in a conversation between a Greek and a Roman. The Roman tells the Greek that glaucum (from which derives the Castilian glaucous) means gray-blue, and the Greek translates glaukopis into Latin as caesia, “sky,” i.e., sky blue. As Günther observes, the very word “iris,” of Greek origin, that describes the color of the eye, could only have been chosen by a people whom clear and bright eye colors dominated (blue, green or gray), and that a predominately swarthy people would have never compared the eye color with the image of the rainbow.

The Greek word for blond was ξανθός (xanthus), “yellow,” “gold,” “blond.” The xanthus color in the hair, as well as extreme beauty, light skin, high height, athletic build and luminous eyes were considered by the Greeks as proof of divine descent.

The physical appearance of Greek gods and heroes

DemeterDemeter as it was conceived by the Greeks. We must remember that the statues had a deeply sacred and religious character for the Hellenes and that, in addition of being works of art, they were also the height of geometric feeling and engineering, since the balance had to be perfect. The Greeks, who had a great knowledge of the analyses of features, represented in their statues not only beautiful people, but beautiful people with a necessarily beautiful soul.

There is a persistent tendency among the Hellenes to describe their idols as “dazzling,” “radiant,” “shiny,” “bright,” “full of light,” etc., something that very obviously correspond to a barely pigmented, “Nordic” appearance. To be more direct, I’ll omit these ambiguous quotes and focus on the concrete: the specific references to the color of skin, eyes, hair, and more. Where possible I’ve inserted the works, specific chapters and verses so that anyone can refer to the original passage.

• Demeter is described as “the blonde Demeter” in The Iliad (Song V: 500) and in Hymn to Demeter (I: 302), based on the mysteries of Eleusis. It is generally considered a matriarchal and telluric goddess from the East and of the pre-Indo-European peoples of Greece. However, here we should be inclined to think that, at best, she was a Europeanized goddess by the Greeks, integrated into their pantheon. The very name of Demeter comes from Dea Mater (Mother Goddess) and therefore would, in a sense, be the counterpart of Deus Pater—Zeus Pater or Jupiter, Dyaus Piter.

• Persephone, daughter of Demeter, is described as “white-armed” by Hesiod (Theogony: 913). At least it is clear here that Persephone was not a brown skinned goddess, nor that her physique coincided with the “Mediterranean” type. It is more reasonable to assume that her appearance was, at best, predominantly Nordic.

• Athena, the daughter of Zeus, goddess of wisdom, insight, cunning and strategic warfare in The Iliad, is described no more no less than a total of 57 times as “blue eyed” (in some variations, “green eyed”), and in The Odyssey a comparable number of times. Pindar referred to her as xanthus and glaukopis, meaning “blonde, blue-eyed.” Hesiod is content to call her “of green eyes” in his Theogony (15, 573, 587, 890 and 924), as well as Alcaeus and Simonides; while the Roman Ovid, in his Metamorphoses, which tells the perdition of Arachne, calls the goddess “manly and blond maiden.”

• Hera, the heavenly wife of Zeus, is called “white-armed” by Hesiod (Theogony, 315), while Homer called her “of snowy arms” and “white-armed goddess” at least thirteen times in The Iliad (I: 55, 195, 208, 572. 595, III 121, V: 775, 784; VIII: 350, 381, 484; XV: 78, 130).

• Zephyrus, the progenitor of Eros along with Iris, is described by Alcaeus (VII-VI centuries BCE) as “golden hair Zephyr” (Hymn to Eros, fragment V, 327).

• Eros, the god of eroticism, considered “the most terrible of the gods,” is described by an unknown, archaic Greek author as “golden-haired Eros.”


• Apollo as it was conceived by the very Greek sculptors. We are talking about a Nordic-white racial type slightly Armenized. Along with Athena, he was the most worshiped god throughout Greece, and particularly loved in Sparta.

Apollo is described by Alcaeus as “fair-haired Phoebus.” Phoebus is Apollo. On the other hand, Alcman of Sparta, Simonides (paean to Delos, 84), and an anonymous author, call Apollo “of golden hair,” while another epithet of his by Góngora—a Spanish author of the Renaissance but based on classic literary evidence—is “blond archpoet.” The famous Sappho of Lesbos speaks of “golden-haired Phoebus” in her hymn to Artemis.

• The god Rhadamanthus, son of Zeus and Europa, is described as blond in The Odyssey, and Strabo calls him “the blond Rhadamanthus” in his Geographica (Book III, 11-13).

• Dionysus is called by Hesiod “golden-haired” (Theogony 947).

• Hecate, goddess of the wilderness and also of the Parthians, is described by an unknown Greek poet as “golden haired Hecate, daughter of Zeus.”


• Artemis (illustration), the sister of Apollo is described by Sappho and Anacreon (Hymn to Artemis) as “blond daughter of Zeus.”

• The goddess Thetis, mother of Achilles, is called by Hesiod “of silver feet” (Theogony 1007), and by Homer “of silvery feet” (Iliad, I: 538, 556, IX : 410; XVI : 574, XVIII : 369, 381, XIV:89). Needless to say that a brown-skinned woman cannot have silvery feet: this is an attribute of extremely pale women.

• The Eunice and Hipponoe mermaids are described as “rosy-armed” by Hesiod (Theogony, ll. 240-264).

• Aphrodite, daughter of Zeus, goddess of love, beauty and female eroticism, is always described as a blonde. Its conventional title is almost always “Golden Aphrodite.” Ibycus (in Ode to Polycrates) calls Aphrodite “Cypris of blond hair.” Aphrodite held the title of Cypris (Lady of Cyprus) because the Greeks believed she was born in Cyprus, where she was particularly revered. In Hesiod’s Theogony she is called “golden Aphrodite” (824, 962, 975, 1006 and 1015) and “very golden Aphrodite” (980). In Homer’s Iliad we have “Aura Aphrodite” (IX: 389), and in The Odyssey as “golden haired.”

• The Graces were described by Ibycus as “green eyed” (fragment papery, PMG 288).

Above I listed Wilhelm Sieglin’s conclusions regarding the Hellenic pantheon as a whole. Let us now see the heroes.

• Helen, considered the most beautiful woman ever and an indirect cause of the Trojan War, was described by Stesichorus, Sappho (first book of poems, Alexandrian compilation) and Ibycus as “the blonde Helen” (Ode to Polycrates).

• King Menelaus of Sparta, absolute model of noble warrior, brother of Agamemnon and legitimate husband of Helen is many times “the blond Menelaus” both in The Iliad (a minimum of fourteen times, III: 284, IV: 183, 210, X: 240, XI: 125; XVII: 6, 18, 113, 124, 578, 673, 684, XXIII: 293, 438) and The Odyssey. Peisander described him as xanthokómes, mégas en glaukómmatos, meaning “blond of big blue eyes.” In Greek mythology, Menelaus is one of the few heroes who achieved immortality in the Islands of the Blessed.

• Cassandra, the daughter of Agamemnon and sister of Orestes, is described by Philoxenus of Cythera with “golden curls,” and by Ibycus as “green-eyed Cassandra.”

• Meleager is described as “the blond Meleager” by Homer (Iliad, II: 642), and in his Argonautica

Apollonius of Rhodes also describes him as blond.

• Patroclus, the teacher and friend of Achilles, is described as blond by Dion of Prusa.

• Heracles is described as strongly built and of curly blond hair, among others, by Apollonius of Rhodes in Argonautica.

• Achilles, considered the greatest warrior of the past, present and future, is described as blond by Homer in the Iliad when he is about to attack Agamemnon and, to avoid it, the goddess Athena retains him “and seized the son of Peleus by his yellow hair” (I:197).

• The Greek hero Ajax (Aias in the Iliad) is described as blond.

• Hector, the Trojan hero,[1] is described as swarthy in the Iliad.

• Odysseus, king of Ithaca, Achaean hero at Troy and protagonist of Homer’s Odyssey, is generally considered as swarthy. However, this can be tempered. Although he is described as white skinned and “dark bearded” in The Odyssey, his hair ishyakinthos, i.e., color of hyacinths. Traditionally this color was translated as “brown” but it was also said that the hyacinths grown in Greece were of a red variety. If true, that would make Odysseus red-haired.

• Odysseus in any case differs from the Greek hero prototype: tall, slender and blond. It was described as lower than Agamemnon but with broader shoulders and chest “like a ram” according to Priam, king of Troy. This could more likely be a physical type of a Red Nordid [2] than a typical white Nordid Greek hero. It should also be mentioned that Homer used so frequently to call “blonds” his heroes that, in two lapses, he described Odysseus’ hair as xanthos in The Odyssey.

• Laertes, the father of Odysseus, was blond according to Homer’s Odyssey.

• Penelope, Odysseus’ wife, and queen of Ithaca, was blonde in Homer’s Odyssey.

• Telemachus, son of Odysseus and Penelope, was blond in Homer’s Odyssey.

• Briseis, the favorite slave in the harem of Achilles—captured in one of his raids, and treated like a queen in golden captivity—was “golden haired.”

• Agamede, daughter of Augeas and wife of Mulius, was “the blonde Agamede” according to Homer (Iliad, XI: 740).

• In his Argonautica Apollonius of Rhodes describes Jason and all the Argonauts as blond. The Argonauts were a männerbund: a confederation of warriors which gathered early Greek heroes, many direct children of the gods who laid the foundations of the legends and fathered the later heroes, often with divine mediation. They took their name from Argos, the ship they were traveling and did their Viking-style landings.

Below I reproduce some passages of Nordic phenotypes in Greek literature. Note that these are only a few examples of what exists in all of Greek literature:

• “Blonder hairs than a torch” (Sappho of Lesbos, talking about her daughter in Book V of her Alexandrian compilation).

• “Galatea of golden hair” (Philoxenus of Cythera, The Cyclops or Galatea).

• “…with a hair of gold and a silver face” (Alcman of Sparta, praising a maiden during a car race).

• “…happy girl of golden curls” (Alcman of Sparta, in honor of a Spartan poetess).


• “…blonde Lacedaemonians… of golden hair” (Bacchylides, talking about the young Spartans).

• Dicaearchus described Theban women as “blonde.”

The German scholar Wilhelm Sieglin (1855-1935) collected all the passages of Greek mythology which referred to the appearance of gods and heroes. From among the gods and goddesses, 60 were blond and 35 swarthy-skinned. Of the latter, 29 were chthonic-telluric divinities; marine deities such as Poseidon, or deities from the underworld. All of these came from the ancient pre-Aryan mythology of Greece. Of the mythological heroes, 140 were blond and 8 swarthy.

In this article, we have seen many instances of mythological characters, which is important because it provides us valuable information about the ideal of divinity and perfection of the ancient Greeks and points out that their values were identified with the North and the “Nordic” racial type. However, Sieglin also took into account the passages describing the appearance of real historical characters. Thus, of 122 prominent people of ancient Greece whose appearance is described in the texts, 109 were light haired (blond or red), and 13 swarthy.


See also:

“The face of Classical Europe (II):
Were the Romans blond and blue-eyed?”



[1] “Trojan”—i.e., a non-Greek.

[2] An explanation of terms like “red Nordid,” “slightly Armenized,” etc., appears in other article of the website Evropa Soberana, also reproduced in this blog.


Most commenters and bloggers in the white nationalist scene are like the Hobbits. They want to comprehend what’s happening to the West with a worldview that can be understood by homemakers. That’s why the single-cause hypothesis is so popular among them, even among German hobbits. The trouble with the monocausal hypothesis is that it makes the movement look silly. Yesterday for example, a monocausal hobbit stated on The Daily Stormer that there are signs that ISIS could have been spawned by the Mossad.

Don’t take me wrong. As in the novel, which by the way I read in the luxurious 50th anniversary edition, I believe that white nationalist Hobbits will play a pivotal role to destroy the One Ring.


However, unlike Tolkien’s characters, white nationalist hobbits don’t always want to take advice from the Gandalfs of our time—Sunic, O’Meara, MacDonald. Instead, they are becoming increasingly enchanted by the simplicities of the single-cause explanation for everything.

Like Bilbo Baggins, Hobbits should become humble with their intellectual superiors and see that the world beyond the Shire is a little more complex than their bucolic and simple life of farming, eating and socializing. That was my intention by compiling The Fair Race’s Darkest Hour, of which I reproduce below an abridged version of the piece “Liberalism” by Francis Parker Yockey that I chose for the book. But be warned: it’s too abstract for the housewife level!

* * *

Why Rationalism follows one spiritual phase, why it exercises its brief sway, why it vanishes once more into religion—these questions are historical, thus irrational.

Liberalism is Rationalism in politics. It rejects the State as an organism, and can only see it as the result of a contract between individuals. The purpose of Life has nothing to do with States, for they have no independent existence. Thus the “happiness” of “the individual” becomes the purpose of Life. Bentham made this as coarse as it could be made in collectivizing it into “the greatest happiness of the greatest number.” If herding-animals could talk, they would use this slogan against the wolves. To most humans, who are the mere material of History, and not actors in it, “happiness” means economic well being.

All things in the political domain were transvalued by Liberalism. War was transformed into either competition, seen from the economic pole, or ideological difference, seen from ethical pole. Instead of the mystical rhythmical alternation of war and peace, it sees only the perpetual concurrence of competition or ideological contrast, which in no case becomes hostile or bloody.

Because Liberalism views most men as harmonious, or good, it follows that they should be allowed to do as they like. Since there is no higher unit to which all are tied, and whose super-personal life dominates the lives of the individuals, each field of human activity serves only itself—as long as it does not wish to become authoritative, and stays within the framework of “society.”

Twenty-first century readers will find it difficult to believe that once the idea prevailed that each person should be free to do as he pleased in economic matters, even if his personal activity involved the starvation of hundreds of thousands, the devastation of entire forest and mineral areas, and the stunting of the power of the organism; that it was quite permissible for such an individual to raise himself above the weakened public authority, and to dominate, by private means, the inmost thoughts of whole populations by his control of press, radio and mechanized drama.

They will find it more difficult yet to understand how such a person could go to the law to enforce his destructive will. Thus a usurer could, even in the middle of the 20th century, invoke successfully the assistance of the law in dispossessing any numbers of peasants and farmers. It is hard to imagine how any individual could injure the political organism more than by thus mobilizing the soil into dust, in the phrase of the great Freiherr von Stein.

But—this followed inevitably from the idea of the independence of economics and law from political authority. There is nothing higher, no State; it is only individuals against one another. It is but natural that the economically more astute individuals accumulate most of the mobile wealth into their hands. They do not however, if they are true Liberals, want authority with this wealth, for authority has two aspects: power, and responsibility. Individualism, psychologically speaking, is egoism. “Happiness” = selfishness. Rousseau, the grandfather of Liberalism, was a true individualist, and sent his five children to the foundling hospital.

Law, as a field of human thought and endeavor, has as much independence, and as much dependence as every other field. Within the organic framework, it is free to think and organize its material. But like other forms of thought, it can be enrolled in the service of outside ideas. Thus law, originally the means of codifying and maintaining the inner peace of the organism by keeping order and preventing private disputes from growing, was transmuted by Liberal thought into a means of keeping inner disorder, and allowing economically strong individuals to liquidate the weaker ones. This was called the “rule of law,” the “law-State,” “independence of the judiciary.” The idea of bringing in the law to make a given state of affairs sacrosanct was not original with Liberalism. Back in Hobbes’s day, other groups were trying it, but the incorruptible mind of Hobbes said with the most precise clarity that the rule of law rule means the rule of those who determine and administer the law, that the rule of a “higher order” is an empty phrase, and is only given content by the concrete rule of given men and groups over a lower order.

This was political thinking, which is directed to the distribution and movement of power. It is also politics to expose the hypocrisy, immorality and cynicism of the usurer who demands the rule of law, which means riches to him and poverty to millions of others, and all in the name of something higher, something with supra-human validity. When Authority resurges once more against the forces of Rationalism and Economics, it proceeds at once to show that the complex of transcendental ideals with which Liberalism equipped itself is as valid as the Legitimism of the era of Absolute Monarchy, and no more. The Monarchs were the strongest protagonists of Legitimism, the financiers of Liberalism.

But the monarch was tied to the organism with his whole existence, he was responsible organically even where he was not responsible in fact. Thus Louis XVI and Charles I. Countless other monarchs and absolute rulers have had to flee because of their symbolic responsibility. But the financier has only power, no responsibility, not even symbolic, for, as often as not, his name is not generally known. History, Destiny, organic continuity, Fame, all exert their powerful influence on an absolute political ruler, and in addition his position places him entirely outside the sphere of base corruptibility. The financier, however, is private, anonymous, purely economic, irresponsible. In nothing can he be altruistic; his very existence is the apotheosis of egoism. He does not think of History, of Fame, of the furtherance of the life of the organism, of Destiny, and furthermore he is eminently corruptible by base means, as his ruling desire is for money and ever more money.

In his contest against Authority the finance-Liberal evolved a theory that power corrupts men. It is, however, vast anonymous wealth which corrupts, since there are no superpersonal restraints on it, such as bring the true statesman completely into of the service of the political organism, and place him above corruption.

It was precisely in the fields of economics and law that the Liberal doctrine had the most destructive effects on the health of the Western Civilization. It did not matter much that esthetics became independent, for the only art-form in the West which still had a future, Western Music, paid no attention to theories and continued on its grand creative course to its end in Wagner and his epigones. Baudelaire is the great symbol l’art pour l’art: sickness as beauty. Baudelaire is thus Liberalism in literature, disease as a principle of Life, crisis as health, morbidity as soul-life, disintegration as purpose. Man as individualist, an atom without connections, the Liberal ideal of personality. It was in fields of action rather than of thought that the injury was the greatest.

Allowing the initiative in economic and technical matters to rest with individuals, subject to little political control, resulted in the creation of a group of individuals whose personal wills were more important than the collective destiny of the organism and the millions of the population. The law which served this state of affairs was completely divorced from morality and honor. To disintegrate the organism from the spiritual side, what morality was recognized was divorced from metaphysics and religion and related only to “society.” The criminal law reflected finance-Liberalism by punishing crimes of violence and passion, but not classifying such things as destroying national resources, throwing millions into want, or usury on a national scale.

The independence of the economic sphere was a tenet of faith with Liberalism. This was not subject to discussion. There was even evolved an abstraction named “economic man,” whose actions could be predicted as though economics were a vacuum. Economic gain was his sole motive, greed alone spurred him on. The technic of success was to concentrate on one’s own gain and ignore everything else. This “economic man” was however man in general to the Liberals. He was the unit of their world-picture. “Humanity” was the sum total of these economic grains of sand.

The type of mind which believes in the essential “goodness” of human nature attained to Liberalism. But there is another political anthropology, one which recognizes that man is disharmonious, problematical, dual, dangerous. This is the general wisdom of mankind, and is reflected by the number of guards, fences, safes, locks, jails and policemen. Every catastrophe, fire, earthquake, volcanic eruption, flood, evokes looting. Even a police strike in an American city was the signal for looting of the shops by the respectable and good human beings.

Thus this type of thought starts from facts. This is political thinking in general, as opposed to mere thinking about politics, rationalizing. Even the wave of Rationalism did not submerge this kind of thinking. Political thinkers differ greatly in creativeness and depth, but they agree that facts are normative. The very word theory has been brought into disrepute by intellectuals and Liberals who use it to describe their pet view of how they would like things to be. Originally theory was explanation of facts. To an intellectual who is adrift in politics, a theory is an aim; to a true politician his theory is a boundary.

A political theory seeks to find from history the limits of the politically possible. These limits cannot be found in the domain of Reason. The Age of Reason was born in bloodshed, and will pass out of vogue in more bloodshed. With its doctrine against war, politics, and violence, it presided over the greatest wars and revolutions in 5,000 years, and it ushered in the Age of Absolute Politics. With its gospel of the Brotherhood of Man, it carried on the largest-scale starvation, humiliation, torture and extermination in history against populations within the Western Civilization after the first two World Wars. By outlawing political thinking, and turning war into a moral-struggle instead of a power-struggle it flung the chivalry and honor of a millennium into the dust. The conclusion is compelling that Reason also became political when it entered politics, even though it used its own vocabulary. When Reason stripped territory from a conquered foe after a war, it called it “disannexation.” The document consolidating the new position was called a “Treaty,” even though it was dictated in the middle of a starvation-blockade. The defeated political enemy had to admit in the “Treaty” that he was “guilty” of the war, that he is morally unfit to have colonies, that his soldiers alone committed “war-crimes.” But no matter how heavy the moral disguise, how consistent the ideological vocabulary, it is only politics, and the Age of Absolute Politics reverts once again to the type of political thinking which starts from facts, recognizes power and the will-to-power of men and higher organisms as facts, and finds any attempt to describe politics in terms of morals as grotesque as it would be to describe chemistry in terms of theology.

There is a whole tradition of political thinking in the Western Culture, of which some of the leading representatives are Macchiavelli, Hobbes, Leibnitz, Bossuet, Fichte, de Maistre, Donoso Cortes, Hippolyte Taine, Hegel, Carlyle. While Herbert Spencer was describing history as the “progress” from military-feudal to commercial-industrial organization, Carlyle was showing to England the Prussian spirit of Ethical Socialism, whose inner superiority would exert on the whole Western Civilization in the coming Political Age an equally fundamental transformation as had Capitalism in the Economic Age. This was creative political thinking, but was unfortunately not understood, and the resulting ignorance allowed distorting influences to fling England into two senseless World Wars from which it emerged with almost everything lost.

Hegel posited a three-stage development of mankind from the natural community through the bourgeois community to the State. His State-theory is thoroughly organic, and his definition of the bourgeois is quite appropriate for the 20th century. To him the bourgeois is the man who does not wish to leave the sphere of internal political security, who sets himself up, with his sanctified private property, as an individual against the whole, who finds a substitute for his political nullity in the fruits of peace and possessions and perfect security in his enjoyment of them, who therefore wishes to dispense with courage and remain secure from the possibility of violent death. He described the true Liberal with these words.

The political thinkers mentioned do not enjoy popularity with the great masses of human beings. As long as things are going well, most people do not wish to hear talk of power-struggles, violence, wars, or theories relating to them. Thus in the 18th and 19th centuries was developed the attitude that political thinkers—and Macchiavelli was the prime victim—were wicked men, atavistic, bloodthirsty. The simple statement that wars would always continue was sufficient to put the speaker down as a person who wanted wars to continue. To draw attention to the vast, impersonal rhythm of war and peace showed a sick mind with moral deficiency and emotional taint. To describe facts was held to be wishing them and creating them. As late as the 20th century, anyone pointing out the political nullity of the “leagues of nations” was a prophet of despair. Rationalism is anti-historical; political thinking is applied history. In peace it is unpopular to mention war, in war it is unpopular to mention peace. The theory which becomes most quickly popular is one which praises existing things and the tendency they supposedly illustrate as obviously the best order and as preordained by all foregoing history. Thus Hegel was anathema to the intellectuals because of his State-orientation, which made him a “reactionary,” and also because he refused to join the revolutionary crowd.

Since most people wish to hear only soporific talk about politics, and not demanding calls to action, and since in democratic conditions it matters to political technics what most people wish to hear, democratic politicians evolved in the 19th century a whole dialectic of party-politics. The idea was to examine the field of action from a “disinterested” standpoint, moral, or economic, and to find that the opponent was immoral, unscientific, uneconomic—in fact—he was political. This was devilishness that must be combated. One’s own standpoint was entirely “non-political.” Politics was a word of reproach in the Economic Age. Curiously however, in certain situations, usually those involving foreign relations, “unpolitical” could also be a term of abuse, meaning the man so described lacked skill in negotiating. The party politician also had to feign unwillingness to accept office. Finally a demonstration of carefully arranged “popular will” broke down his reluctance, and he consented to “serve.” This was described as Macchiavellism, but obviously Macchiavelli was a political thinker, and not a camouflageur. A book by a party-politician does not read like The Prince, but praises the entire human race, except certain perverse people, the author’s opponents.

Actually Machiavelli’s book is defensive in tone, justifying politically the conduct of certain statesmen by giving examples drawn from foreign invasions of Italy. During Macchiavelli’s century, Italy was invaded at different times by Frenchmen, Germans, Spaniards and Turks. When the French Revolutionary Armies occupied Prussia, and coupled humanitarian sentiments of the Rights of Man with brutality and large-scale looting, Hegel and Fichte restored Machiavelli once again to respect as a thinker. He represented a means of defense against a foe armed with a humanitarian ideology. Machiavelli showed the actual role played by verbal sentiments in politics.

One can say that there are three possible attitudes toward human conduct, from the point of evaluating its motives: the sentimental, the realistic, and the cynical. The sentimental imputes a good motive to everybody, the cynical a bad motive, and the realistic simply seeks the facts. When a sentimentalist, e.g., a Liberal, enters politics, he becomes perforce a hypocrite. The ultimate exposure of this hypocrisy creates cynicism. Part of the spiritual sickness following the First World War was a wave of cynicism which arose from the transparent, revolting, and incredible hypocrisy of the little men who were presiding over affairs at that time. Macchiavelli had however an incorruptible intellect and did not write in a cynical spirit. He sought to portray the anatomy of politics with its peculiar problems and tensions, inner and outer. To the fantastic mental illness of Rationalism, hard facts are regrettable things, and to talk about them is to create them. A tiny politician of the Liberal type even sought to prevent talk about the Third World War, after the Second. Liberalism is, in one word, weakness. It wants every day to be a birthday, Life to be a long party. The inexorable movement of Time, Destiny, History, the cruelty of accomplishment, sternness, heroism, sacrifice, superpersonal ideas—these are the enemy.

Liberalism is an escape from hardness into softness, from masculinity into femininity, from History into herd-grazing, from reality into herbivorous dreams, from Destiny into Happiness. Nietzsche, in his last and greatest work, designated the 18th century as the century of feminism, and immediately mentioned Rousseau, the leader of the mass-escape from Reality. Feminism itself—what is it but a means of feminizing man? If it makes women man-like, it does so only by transforming man first into a creature whose only concern is with his personal economics and his relation to “society,” ie. a woman. “Society” is the element of woman, it is static and formal, its contests are purely personal, and are free from the possibility of heroism and violence. Conversation, not action; formality, not deeds. How different is the idea of rank used in connection with a social affair, from when it is applied on a battlefield! In the field, it is fate-laden; in the salon it is vain and pompous. A war is fought for control; social contests are inspired by feminine vanity and jealousy to show that one is “better” than someone else.

And yet what does Liberalism do ultimately to woman: it puts a uniform on her and calls her a “soldier.”’ This ridiculous performance but illustrates the eternal fact that History is masculine, that its stern demands cannot be evaded, that the fundamental realities cannot be renounced, even, by the most elaborate make-believe. Liberalistic tampering with sexual polarity only wreaks havoc on the souls of individuals, confusing and distorting them, but the man-woman and the woman-man it creates are both subject to the higher Destiny of History.


Yockey’s views on liberalism appear in Imperium (1962), 208-223.

Anders Breivik’s letter

Commander Breivik’s Letter to the International Press has gone unreported in the mainstream media. Before trying to decipher it I would strongly recommend reading Alex Linder’s thoughts on Breivik.

Why wasn’t the 2011 entry “Linder on Breivik” chosen when collecting articles for The Fair Race’s Darkest Hour? Because Linder is a type-A bicausal ideologue and I’m type-B. Nonetheless, since expelling the subversive tribe from the West is priority number one, if I were Führer of an ethno-state I would name Linder my Reichsführer-SS.

Published in: on January 25, 2015 at 9:30 am  Comments (6)  

New literary genre

“Know thyself” (gnōthi seafton)
Delphic maxim in the Temple of Apollo


I started Hojas Susurrantes (HS) in 1988 and added the last touchups last year. It is neither a novel nor an essay; nor memoirs in the traditional sense nor a pamphlet or poetry. It is difficult to define this non-fictional genre in few words. My first reader, Andreas Wirsén, a Swede lover of literature, wrote in an online forum that I am “a pioneer developing a new sport.”

As stated in Day of Wrath which contains a Spanish-English translation of the longest chapter of HS, Stefan Zweig wrote in Adepts in Self-Portraiture that when Western literature began with Hesiod and Heraclitus it was still poetry, and of the inevitability of a decline in the mythopoetic talent of Greece when a more Aristotelian thought evolved. As compensation for this loss, says Zweig, modern man obtained with the novel an approach to a science of the mind. But the novel genre does not represent the ultimate degree of self-knowledge:

Autobiography is the hardest of all forms of literary art. Why, then, do new aspirants, generation after generation, try to solve this almost insoluble problem?

[For a] honest autobiography […] he must have a combination of qualities which will hardly be found once in a million instances. To expect perfect sincerity on self-portraiture would be as absurd as to expect absolute justice, freedom, and perfection here on earth. No doubt the pseudo-confession, as Goethe called it, confession under the rose, in the diaphanous veil of novel or poem, is much easier, and is often far more convincing from the artistic point of view, than an account with no assumption of reserve. Autobiography, precisely because it requires, not truth alone, but naked truth, demands from the artist an act of peculiar heroism; for the autobiographer must play the traitor to himself.

Gnothi_seautonOnly a ripe artist, one thoroughly acquainted with the workings of the mind, can be successful here. This is why psychological self-portraiture has appeared so late among the arts, belonging exclusively to our own days and those yet to come. Man had to discover continents, to fathom his seas, to learn his language, before he could turn his gaze inward to explore the universe of his soul. Classical antiquity had as yet no inkling of these mysterious paths. Caesar and Plutarch, the ancients who describe themselves, are content to deal with facts, with circumstantial happenings, and never dream of showing more than the surface of their hearts.

Zweig then devotes a long paragraph to St Augustine’s Confessions, the thinker I abhor the most of all Western tradition and whose theology about Hell caused massive psychological damage in my own life (also recounted in HS). Then Zweig wrote:

Many centuries were to pass before Rousseau (that remarkable man who was a pioneer in so many fields) was to draw a self-portrait for its own sake, and was to be amazed and startled at the novelty of his enterprise. Stendhal, Hebbel, Kierkegaard, Tolstoy, Amiel, the intrepid Hans Jaeger, have disclosed unsuspected realms of self-knowledge by self-portraiture. Their successors, provided with more delicate implements of research, will be able to penetrate stratum by stratum, room by room, farther and yet farther into our new universe, into the depths of the human mind.

This quote explains why I decided to devise a hybrid genre between the self-portraiture that betrays the author and that penetrates beyond the strata pondered by Romantic autobiographers. Over the boards anti-Nazis have been making fun about my experiences in London last year. They have no idea what I am trying to say because they completely lack context. Together with the Zweig quote my December 31 entry, “Etiology,” can provide a bit of the context of what I’m trying to say in the book I’m presently writing.

Je ne suis pas Charlie

I’m relocating and altering this entry, originally posted a week ago, because, on second thought, whites have a better chance to survive under Sharia than under the current Judeo-liberal system imposed on the West.

No more fantasizing about nuking Mecca. Go after the real enemy instead. Listen here to what Commander Rockwell, the greatest American ever, had to say a couple of months before they killed him.

Published in: on January 15, 2015 at 5:40 pm  Comments (28)  


By that standard most people are simply animals—thinking animals, but still animals, without the essence of humanity.

William Pierce

For those who don’t believe Whites are capable of imposing this madness on themselves, I will point to France during the French Revolution which abolished slavery in the name of the “Rights of Man” and made every Negro a citizen of the French Republic.

Hunter Wallace

Together with niggers and sand niggers, Frenchmen and Frenchwomen, as a massive reaction against the killed, far-leftist journalists, have been waving today the flags of every nation on the streets, chanting the ethno-suicidal slogans “Liberté, égalité, fraternité!” (remember that their Revolution guillotined blonds) and “Pour la démocratie, l’égalité, les libertés. Combattons tous les fascismes!” that mark the modern West. These shocking images of the current Zeitgeist that afflicts not only Paris and France but the Western world certainly count for a million words…

To grasp what has been happening to the white peoples—left-wing psychosis from the French Revolution to the present day—one must read Pierce’s Hunter. This was his second novel, which first edition appeared on December 1989, two hundred years after the Revolution. See for example this specific passage, or all of my excerpts here.

In one of the above-linked passages, and also in Who We Are, Pierce said that History has an enormous inertia. This, in my opinion, beautifully explains the psyche of these white animals and their herd behavior including the Frenchmen, both contemporary and those who started the mess a couple of centuries ago.*


(*) “The French Revolution soon took a sub-racial undertone—often it was enough to have blond hair to be declared a noble and be beheaded. This was taken to an extreme under a bloodthirsty period known as the ‘reign of terror’ and led to civil and foreign wars for ten years” (from chapter 26 of March of the Titans: The Complete History of the White Race).

On pillowed ostriches

In this audiovisual interview on the coming collapse of the dollar James Rickards explains the content his book The Death of Money, which I recently read.

Quite a few white nationalists are not only behaving like pillowed ostriches about real economics. They are as irrational about economics as the typical liberal is regarding race, gender and sexual orientation. See for example this article by Greg Johnson published a few months ago. He wrote:

It seems exceedingly unlikely that any country or group of countries can replace the dollar as world reserve currency, even if they wanted to.

Johnson simply ignores that many countries are already bypassing the dollar as their reserve currency.

Last week Johnson wrote another article for Counter-Currents,
“2014: The Year in White Nationalism.”
He shares the “skepticism about Austrian economics-driven dollar doom predictions” but offers no shred of data or arguments whatsoever. Only flat statements, exactly what he does in that same article about energy devolution.

I’ll annotate something when the crash of the dollar steamrolls those nationalists who, behaving like ostriches instead of doing their homework, will be unprepared when it hits the fan.


LibroThe writing of Extermination, which title I might change after completion, is finally under way. I’ve added a 10-word line for the very first page:

After the dark hour the ethnostate must discover this text

Since I am immersed in such writing I won’t be adding as many entries this year as I used to do. But I’ll still be responding to questions over the threads.

For those who have already read the books linked at the top of the sidebar but not Helllstorm because could not afford a hard copy, let me say I just discovered that it is available as PDF (reloaded: here).

Published in: on January 1, 2015 at 12:01 am  Comments (4)  

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