Uncle Adolf’s table talk, 154

the-real-hitler

21st July 1942, at dinner

It is characteristic of the French that every well-to-do citizen—be he business man, officer, famous artist or prominent politician—always buys himself, generally in the village or district of his origin, a little house with a neat garden. The result is that in almost every French village you find among the mass of nondescript cottages one or more handsome villas, belonging to an advocate, a painter, a cotton-spinner or the like.

The French upper classes usually spend two or three months in the country and thus acquire an affection for the land, the political importance of which must not be overlooked. Gradually they get to know each individual villager and thus very quickly become associated with all the joys and sorrows, great and small, of the simplest, and at the same time most solid, class of the population.

There is, in State affairs, no finer way of binding the upper classes to the interests of the country.

Published in: on May 27, 2015 at 8:19 am  Comments (1)  

Uncle Adolf’s table talk, 190

the-real-hitler
 
23rd March 1944, midday

Charm of the Rhineland—And of other parts of Germany—The marvellous countryside of Bohemia and Moravia.
 

I saw the Rhine for the first time in 1914, when I was on my way to the Western Front. The feelings which the sight of this historic stream inspired in me remain forever graven on my heart. The kindness and spontaneity of the Rhinelanders also made a profound impression on me; everywhere they received us and feted us in a most touching manner. The evening we reached Aachen, I remember thinking that I should never forget that day for the rest of my life; and indeed the memory of it remains today as vivid as ever, and every time I find myself on the banks of the Rhine I re-live again the wondrous experience of my first sight of it. This is no doubt one of the main reasons—quite apart from the unrivalled beauty of the countryside—that impels me each year to revisit the Rhineland.

There are other parts of Germany, apart from the Rhineland, which give me intense pleasure to visit—the Kyffhaeuser, the forests of Thuringia, the Harz and the Black Forest. It is most exhilarating to drive for miles through the woods and forests, far away from the throng.

One of my greatest delights has always been to picnic quietly somewhere on the roadside; it was not always easy, for our column of cars would often be pursued by a crowd of motorists, eager to see their Fuehrer off duty, and we had to employ all sorts of ruses to shake off these friendly and well-meaning pursuers; sometimes, for instance, I would drive up a side-turning, leaving the column to continue along the main road. Our pursuers would then overtake the cars of the column one by one, and, failing to find me, would go ever faster in the hope of overtaking me farther on. In this way we managed occasionally to snatch a few hours of peace and tranquillity.

On one occasion, I remember, a family out gathering mushrooms came suddenly on our picnic party. In a few moments these kindly folk had alerted the neighbouring village and the whole population was surging towards us, filling the air with their shouts of “Heil.”

It is a great pity that Germans know so little of their own country. Since 1938 the number of beauty spots within the boundaries of the Reich has increased considerably. In addition to Austria, we have the wonderful countryside of Bohemia and Moravia, which is a closed book to all but a few Germans.

Some of them may have heard of the virgin forests of Bohemia, but how many have ever seen them? I have a collection of photographs taken in Bohemia, and they remind one of the vast forests of the tropics. To visit all the beauties of his country, a German today would require taking a holiday in a different district each year for the rest of his life.

_____________________________

Consider obtaining a copy of the complete notes
published by Ostara Publications.

Published in: on March 11, 2015 at 11:31 am  Leave a Comment  
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The Course of Empire

The Course of Empire is a five-part series of paintings created by Thomas Cole in 1833-1836. It reflected popular American sentiments of the times when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay.

The_Savage_State

The Savage State ~ 1834
New York Historical Society



The_Arcadian_or_Pastoral_State

The Arcadian or Pastoral State ~ 1834
New York Historical Society


The Consummation of Empire

The Consummation of Empire ~ 1835-1836
New York Historical Society


Destruction

Destruction ~ 1835-1836
New York Historical Society


Empire_Desolation

Desolation ~ 1836
New York Historical Society

Published in: on March 27, 2013 at 12:06 pm  Leave a Comment  
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The Return

Cole_Thomas_The_Return_1837

Painting of the day:

Thomas Cole
The Return ~ 1837
The Corcoran Gallery of Art

Published in: on March 26, 2013 at 6:34 pm  Leave a Comment  

An evening in Arcadia

an-evening-in-arcadia-1843

Painting of the day:

Thomas Cole
An evening in Arcadia ~ 1843
Wadsworth Atheneum, Hartford, CT, USA

Published in: on March 19, 2013 at 10:37 am  Comments (2)  

Dream of Arcadia

Dream of Acadia

Painting of the day:

Thomas Cole
Dream of Arcadia ~ 1838
Denver Art Museum

Published in: on March 13, 2013 at 9:00 pm  Comments (1)  
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Landscape with Orpheus and Eurydice

Painting of the day:

Nicolas Poussin
Landscape with Orpheus and Eurydice
~ 1650-51
Musée du Louvre

Published in: on August 31, 2012 at 12:00 pm  Leave a Comment  

Fishing Scene

Painting of the day:

Annibale Carracci
Fishing Scene
~ 1594
Musée du Louvre

Published in: on August 29, 2012 at 8:36 pm  Leave a Comment  

Landscape with Rainbow

Painting of the day:

Jan Siberechts
Landscape with Rainbow
~ 1690
Tate Gallery

Published in: on July 17, 2012 at 10:47 am  Comments (2)  

On Kenneth Clark’s “Civilisation”

Kenneth Clark may have been clueless about the fact that race matters. Yet, that our rot goes much deeper than what white nationalists realize is all too obvious once we leave, for a while, the ghetto of nationalism and take a look at the classics, just as Clark showed us through his 1969 TV series Civilisation.

Compared to the other famous series, Clark’s was unsurpassed in the sense that, as I have implied elsewhere, only genuine art—not science—has a chance to fulfill David Lane’s fourteen words.

By “art” I mean an evolved sense of beauty which is almost completely absent in today’s nationalists. Most of them are quite a product of Jewish modernity whether with their music, lifestyles or Hollywood tastes, to a much greater degree than what they think. For nationalism to succeed an evolved sense of female beauty has to be the starting point to see the divine nature of the white race. In Clark’s own words, “For all these reasons I think it is permissible to associate the cult of ideal love with the ravishing beauty and delicacy that one finds in the madonnas of the thirteenth century. Were there ever more delicate creatures than the ladies on Gothic ivories? How gross, compared to them, are the great beauties of other woman-worshiping epochs.”

Below, links to excerpts of most of the chapters of the 1969 series, where Clark followed the ups and downs of our civilisation historically:

“The Skin of our Teeth”

“The Great Thaw”

“Romance and Reality”

“Man—the Measure of all Things”

“The Hero as Artist”

“Protest and Communication”

“Grandeur and Obedience”

“The Light of Experience”

“Heroic Materialism”

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