Apocalypse for whites • XXXIV

by Evropa Soberana


The destruction of the Greco-Roman World – 2

(Fourth century – Cont.)

Emperor Valentinian orders the governor of Asia Minor to exterminate all the Hellenes (meaning as such the non-Christian Greeks of ancient Hellenic lineage, i.e., the Aryans; and especially the old Macedonian ruling caste) and destroy all documents relating to their wisdom. In addition, the following year he again prohibits all methods of divination.

It is around this time when Christians coined the contemptuous term ‘pagan’ to designate the Gentiles, that is, all who are neither Jews nor Christians. ‘Pagan’ is a word that comes from the Latin pagani, which means villager. In the dirty, corrupt, decadent, cosmopolitan and mongrelised cities of the now decadent Roman empire, the population is essentially Christian but in the countryside, the peasants, who keep their heritage and tradition pure, are ‘pagans’. It is in the countryside, oblivious to multiculturalism, where the ancestral memory is preserved. (Both Christians and communists did their best to end the way of life of the landowner, the farmer and the peasant.)

However, this peasant ‘paganism’, stripped of priestly leadership and temples and finally plunged into persecution and miscegenation, is doomed to eventually become a bundle of popular superstitions mixed with pre-Indo-European roots, although something of the traditional background will always remain, as in the local ‘healers’ and ‘witches’ who for so long subsisted despite the persecutions.

Ending classical culture was not so easy. It was not easy to find all the temples or destroy them. Nor was it easy to identify all the priests of the old religion, or those who practiced their rites in secret. That was a long-term task for a zealous, meticulous and fanatical elite of ‘commissaries’ that would last for many, many generations: centuries and centuries of spiritual terror and intense persecution.
The temple of the god Asclepius in Epidaurus, Greece is forcibly closed.

The Romans are defeated by the Gothic army in the battle of Hadrianopolis. The emperor intervenes and, through a sagacious diplomacy, makes allies (foederati) of the Goths, a Germanic people originally from Sweden: famous for their beauty, and who had a kingdom in what is now Ukraine. Some time later, in 408, after the fall of Stilicho (a general of Vandal origin who served Rome faithfully but who was betrayed by a Christian and an envious political mob), the women and children of these Germans foederati will be massacred by the Romans, propitiating that the men, prisoners of the rage, join en masse the German commander Alaric.

Emperor Theodosius I (Theodosius the Great for Christianity) decrees, through the edict of Thessalonica, that Christianity is officially the only tolerable religion in the Roman Empire, although this has been obvious for years. Theodosius calls non-Christians ‘crazy’ as well as ‘disgusting, heretics, stupid and blind’.

Emperor Theodosius I

Bishop Ambrose of Milan starts a campaign to demolish the temples in his area. In Eleusis, ancient Greek sanctuary, Christian priests throw a hungry crowd, ignorant and fanatical against the temple of the goddess Demeter. The priests are almost lynched by the mob. Nestorius, a venerable old man of 95 years, announces the end of the mysteries of Eleusis and foresees the submergence of men in darkness for centuries.

Simple visits to the Hellenic temples are forbidden, and the destruction of temples and library fires throughout the eastern half of the empire continues. The sciences, technology, literature, history and religion of the classical world are thus burned. In Constantinople, the temple of the goddess Aphrodite is turned into a brothel, and the temples of the god Helios and the goddess Artemis are converted into stables! Theodosius persecutes and closes the mysteries of Delphi, the most important of Greece, which had so much influence on the history of ancient Greece.

The Jewish formula Hellelu-Yahweh or Hallelujah (‘Glory to Yahweh’) is instituted in Christian Masses.

The emperor orders the praetor prefect Maternus Cynegius, uncle of the emperor and one of the most powerful men of the empire, to cooperate with the local bishops in the destruction of temples in Macedonia and Asia Minor—something that Cynegius, a Christian fundamentalist, does it happily.

Maternus Cynegius, encouraged by his fanatical wife, and together with Bishop St Marcellus, organises bands of Christian ‘paramilitary’ murderers who travel throughout the Eastern Empire to preach the ‘good news’; that is, to destroy temples, altars and reliquaries.

They destroy, among many others, the temple of Edessa, the Kabeirion of Imbros, the temple of Zeus in Apamea, the temple of Apollo in Didyma and all the temples of Palmyra. Thousands are arrested and sent to the dungeons of Scythopolis, where they are imprisoned, tortured and killed in subhuman conditions. And in case any lover of antiquities or art comes up with restoring, preserving or conserving the remains of the looted, destroyed or closed temples, in 386 the emperor specifically prohibits the practise!

Bust of Germanicus defaced by Christians,
who also engraved a cross on his forehead.

The emperor, in a Soviet-like measure, forbids talks on religious subjects probably because Christianity cannot be sustained and can even suffer serious losses through religious debates. Libanius, the old orator of Constantinople once accused of magician, directs to the emperor a desperate and humble epistle Pro Templis (‘In Favour of the Temples’), trying to preserve the few remaining temples. The emperor did not pay attention to him.

All non-Christian holidays are banned. The antifa of those times, headed by hermits of the desert, invade the Roman cities of East and North Africa. In Egypt, Asia Minor and Syria, these hordes sweep away temples, statues, altars and libraries: killing anyone who crosses their path. Theodosius I orders the devastation of the sanctuary of Delphi, centre of wisdom respected throughout the Hélade, destroying its temples and works of art.

Bishop Theophilus, patriarch of Alexandria, initiates persecutions of the adepts of classical culture, inaugurating in Alexandria a period of real battles on the streets. He converts the temple of the god Dionysus into a church, destroys the temple of Zeus, burns the Mithraic and profanes the cult images. The priests are humiliated and mocked publicly before being stoned.

A new decree of Theodosius specifically prohibits looking at the shattered statues! The persecutions in the whole empire are renewed. In Alexandria, where the tensions were always very common, the Hellenistic minority, headed by the philosopher Olympius, carries out an anti-Christian revolt.

After bloody street fights with dagger and sword against crowds of Christians who outnumber them greatly, the Hellenists entrench themselves in the Serapeum, a fortified temple dedicated to the god Serapis. After encircling—practically besieging—the building the Christian mob, under the patriarch Theophilus, breaks into the temple and murder all those present; desecrates the cult images, plunders the property, burns down its famous library and finally throws down all the construction.

It is the famous ‘second destruction’ of the Library of Alexandria, jewel of ancient wisdom in absolutely every field, including philosophy, mythology, medicine, Gnosticism, mathematics, astronomy, architecture or geometry: a spiritual catastrophe for the heritage of the West. A church was built on its remains.

The emperor forbids all ancient rituals, calling them gentilicia superstitio, superstitions of the Gentiles.

The persecutions return. The mysteries of Samothrace are bloodily closed and all their priests are killed. In Cyprus, the spiritual and physical extermination is led by the bishops St Epiphanius—born in Judea and raised in a Jewish environment, with Jewish blood himself. The emperor gives carte blanche to St. Epiphanius in Cyprus, stating that ‘those who do not obey Father Epiphanius have no right to continue living on that island’. Thus emboldened, the Christian eunuchs exterminate thousands of Hellenists and destroy almost all the temples of Cyprus. The mysteries of the local Aphrodite, based on the art of eroticism and with a long tradition, are eradicated.

In this fateful year there are insurrections against the Church and against the Roman Empire in Petra, Areopoli, Rafah, Gaza, Baalbek and other eastern cities. But the Eastern-Christian invasion is not going to stop at this point in its push towards the heart of Europe.

The Olympic Games are banned, as well as the Pythia Games and the Aktia Games. The Christians must have sensed that this Aryan cult for ‘profane’ and ‘mundane’ sports of agility, health, beauty and strength must logically belong to the Greco-Roman culture, and that sport is an area where Christians of the time could never reign. Taking advantage of the conjuncture, the Christians plunder the temple of Olympia.

In this year all gymnasiums in Greece are shut down by force. Any place where the slightest dissidence flourishes, or where unchristian mentalities thrive, must be shut down. Christianity is neither a friend of the muscles nor of athletics; or of triumphant sweat: but of the tears of impotence and of terrifying tremors.

That same year, Theodosius removed the statue of Victory from the Roman Senate. The war of the statues thus ended: a cultural conflict that pitted Hellenist and Christian senators in the Senate, removing and restoring the statue numerous times. The year 394 also saw the closing of the temple of Vesta, where the sacred Roman fire burned.

Theodosius dies, being succeeded by Flavius Arcadius (reigned between 395-408). This year, two new decrees reinvigorate the persecution. Rufinus, eunuch and prime minister of Arcadius, makes the Goths invade Greece knowing that, like good barbarians, they will destroy, loot and kill. Among the cities plundered by the Goths are Dion, Delphi, Megara, Corinth, Argos, Nemea, Sparta, Messenia and Olympia. The Goths, already Christianized in Arianism, kill many Greeks; set fire to the ancient sanctuary of Eleusis and burn all its priests, including Hilary, priest of Mithras.

The emperor Arcadius. At first glance an eunuch,
a brat, especially when compared to the Roman emperors
and soldiers of yore.

Another decree of the emperor proclaims that the previous culture will be considered high treason. Most of the remaining priests are locked in murky dungeons for the rest of their days.

The emperor literally orders to demolish all the remaining temples.

During the Fourth Ecclesiastical Council of Carthage (North Africa, now Tunisia) the study of Greco-Roman works is forbidden to anyone, even the Christian bishops themselves.

The emperor Arcadius, once again, orders the demolition of the remaining temples. At this point, most of them are in the deep rural areas of the empire.

Bishop Nicetas destroys the Oracle of Dionysus and forcibly baptizes all non-Christians in the area. By this final year of the fourth century, a definite Christian hierarchy has already been established which includes priests, bishops, archbishops of larger cities and the patriarchs: the archbishops responsible for major cities, namely Rome, Jerusalem, Alexandria and Constantinople.

To this image of a priestess of Ceres, the Roman Demeter, goddess of agriculture and grain, patiently carved on ivory around the year 400 and of an unprecedented beauty, the Christians mutilated her face and threw it into a well in Montier-en-Der, a later abbey in the northeast of France.

It is possible that the image was not thrown into the pit because of hatred (the Christians were more prone to directly destroy), but that the owners got rid of her for fear that the religious authorities would find it. Impossible to know the amount of artistic representations, even superior to this one in beauty, that were destroyed, and of which nothing has remained.

Apocalypse for whites • XXX

by Evropa Soberana

Christians stop being persecuted

In 311, another emperor, Galerius, ceased the persecution of Christianity through the Edict of Toleration of Nicomedia, and Christian buildings began to be built without state interference.

Who knows by which methods the Christians infiltrated the upper echelons, exercise the relevant pressures and launch the resources they needed for Rome to yield more and more. This emperor was a supporter of the mediocre persecution that Diocletian used, but he did not learn the lesson and perhaps thought that, by appeasing the Christian rebels, they will cease their agitations.

He was wrong. The Christians had for some time already proposed themselves to overthrow Rome. In 306, Emperor Constantine I ‘The Great’ rises to power. He reigned between 306-337. This emperor was not a Christian, but his mother Helena was; and he soon declared himself a strong supporter of Christianity.

In the year 313, through the Edict of Milan, ‘religious freedom’ is proclaimed and the Christian religion is legalised in the Roman Empire by Constantine representing the Western Empire, and Licinius representing the Oriental Empire. The Roman Empire is in clear decadence, because not only the original Romans were debasing themselves with luxury, voluptuousness and opulence and refusing to serve in the legions. The Christians have now infiltrated the bureaucratic elite, and already numerous Influential characters practice it and defend it. The Edict of Milan is important, since it ends once and for all the clandestinely in which the Christian world was immersed.

Once legalised, the Christians begin to attack without quarter the adepts of Hellenic culture. The Council of Ancyra of 314 denounces the cult of the goddess Artemis (the favourite and most beloved goddess of the Spartans) and an edict of this year provokes for the first time that hysterical populaces begin to destroy Greco-Roman temples, break statues, and murder the priests.

We have to get an idea of what was involved in the destruction of a Temple in the past. A Temple was not only a place of religious worship for priests, but a place of meeting and reference for all the People. In our days, soccer stadiums or nightclubs are minimally similar to what the Temple represented for the people. To destroy it was tantamount to sabotaging their unity, destroying the People themselves.

As for the breaking of statues, the Greeks—and this was inherited by the Romans—firmly believed that their best individuals were similar to the gods, of whom they considered themselves descendants. This is very clearly seen in Greek mythology, where there were mortals so perfect and beautiful that many gods (like Zeus) took mortal lovers, and many goddesses (like Aphrodite) did the same.

In addition, many particularly perfect and brave individuals could reach Olympic immortality as just another god. Only a people who consider themselves so close to the gods could have devised this. And to leave reflected what was that human type loved by the divine forces, the Greeks established a canon of perfection for the body and face, on which was created a network of complex mathematical proportions and sacred numbers. To destroy a statue was to destroy the Hellenic human ideal: it was to sabotage the capacity of man to reach the very Divinity, from which He proceeds and to which He must return one day.

While destructions of Greco-Roman heritage takes place, and as a reminder that early Christianity was always philo-Jewish and anti-Roman, Constantine allows Jews to visit Aelia Capitolina (Jerusalem) to mourn at the Western Wall: what still is the only thing that remains of the Temple. Thus, Constantine breaks the prohibition decreed to the Jews in the year 134, when the Roman legions annihilated the Palestinian Revolt of Bar Kokhba during the Third Jewish-Roman War.

Since 317, the legions of the empire—which have nothing to do with those ancient Roman legionaries of Italic origin, but are plagued by unruly Christians on the one hand, and Germans loyal to the Empire on the other—are accompanied by bishops. In addition, they already fight under the sign of Labarum, the first two Greek letters of the name Christ: that is, X (Chi) and, P (Rho) combined with the cross, supposedly revealed to Constantine in that famous dream, ‘In hoc signo vinces’ (‘With this sign, you will win’ in Latin).

A labarum, Xtian symbol adopted by Constantine and
ordered to inscribe on the shields of the legionaries.
Note the Greek letters Chi and Rho
that form the labarum.

The face of Classical Europe (I)

Were the Greeks blond and blue-eyed?


In 2013 I translated this article from the Spanish blogsite Evropa Soberana in fragmented form. Now that I am reviewing The Fair Race’s Darkest Hour for the 2015 edition, I would like to see it reproduced here in a single entry:


I remember a movie that came out in 2004. Troy was called. Naturally, many fans of Greece went to see it quite interested; some of them because they sincerely admired Hellas and its legacy. But some uncultivated specimens attended the theaters too. Everyone knows that, in our day, Greece is regarded as a mark of snobbery and sophistication even though you do not know who Orion was, or what was the color of Achilles’ hair according to mythology. The movie’s Helen (one with a look of a neighborhood slut) and Achilles (Brad Pitt) were rather cute. Adding the special effects, advertising and usual movie attendance there was no reason not to see this movie that, incidentally, is crap except for a few redeemable moments.

Upon first glance at the big screen, one of the many reactions that could be heard from the mouth of alleged scholarly individuals, was something like the following:

Outrageous: Achilles and Helen, blond and blue-eyed! Oh tragedy! Oh tantrum! Such a huge stupidity! Irreparable affront! It is obvious that Nazism, fascism, Nordicism, Francoism, anti-Semitism, homophobia and sexism are booming in Hollywood, because who would have the crazy notion to represent the Greeks as blond, when their phenotype was Mediterranean? Only the Americans could be so uneducated and egocentric and ethnocentric and Eurocentric and fascists and Nazis and blah blah…

These good people were not outraged by the desecration of The Iliad; for the absurd and fallacious script, for representing Achilles like an Australian surfer, or Helen as a cunt or the great kings as truckers of a brothel. No. They didn’t give a hoot about that. What mattered was leaving very clearly that they were sophisticated people, conscious of what was happening and that, besides being progressive democrats and international multi-culturalists without blemish, and able to pronounce “phenotype” without binding the tongue, they were also sufficiently “sincere admirers of Greece” to be indignant and losing their monocles before a blond Achilles.

The same could be said about the ultra-educated reaction to the movie 300. When it was released, we could see an outraged mass (and when we say “outraged” we are saying really outraged) complaining in the most grotesque way, by the presence here and there, of blond Spartans throughout the movie—fascist xenophobia by Hollywood and the like. How easy it is for the big mouths when there are large doses of daring ignorance involved, and when they have no idea what it stands to reason.

What I did not expect was to hear similar statements from the admirers of classical culture: people that one generously assumes they have read the Greco-Roman works or that are minimally informed—at least enough to not put one’s foot in it in a such a loudly manner. For Achilles, considered the greatest warrior of all time, and sole and exclusive holder of the holy anger, is described in The Iliad as blond, along with an overwhelming proportion of heroes, heroines, gods, goddesses—and even slaves considered desirable and worthy for the harem of the Greek warriors to seed the world with good genes.

The same could be said of the Spartans if we consider the physical appearance of their northern Dorian ancestors, who had come “among the snows” according to Herodotus. In fact, the movie 300 was too generous with the number of Spartans of dark hair, and too stingy with the number of blonds.

Whoever declares himself an admirer of classical European culture (Greece and Rome) and, at the same time, asserts that it was founded by swarthy, Mediterraneans-like-me folks is placing himself in the most uncomfortable form of self-consciousness. As I have said, if such individual really admired the classical world and bothered to read the classical works, he would have ascertained to what extent Nordic blood prevailed in the leaders of both Greece and Rome—especially in Greece. In short, those who claim being ultra-fans of Greece, Rome or both only throw garbage on themselves by demonstrating that they had not even read the original writings.

There are many truths about Nordic blood and Hellas but perhaps the most eloquent and overwhelming truth is that Greek literature is full of references to the appearance of the heroes and gods because the Greeks liked to place adjectives on all the characters, and nicknames and epithets representing their presence. So much so that it is really hard to find a swarthy character. In the case, for example, of Pindar, it is a real scandal: there is not a single character that is not “blonde,” “golden,” “white,” “of snowy arms,” and therefore “godlike.”

The blue eyes were described as γλαυκώπισ (glaukopis), which derives from γλαῦκος (glaukos), “brilliant,” “shiny.” The Roman writer Aulus Gellius, in his Attic Nights describes the concept of colors in a conversation between a Greek and a Roman. The Roman tells the Greek that glaucum (from which derives the Castilian glaucous) means gray-blue, and the Greek translates glaukopis into Latin as caesia, “sky,” i.e., sky blue. As Günther observes, the very word “iris,” of Greek origin, that describes the color of the eye, could only have been chosen by a people whom clear and bright eye colors dominated (blue, green or gray), and that a predominately swarthy people would have never compared the eye color with the image of the rainbow.

The Greek word for blond was ξανθός (xanthus), “yellow,” “gold,” “blond.” The xanthus color in the hair, as well as extreme beauty, light skin, high height, athletic build and luminous eyes were considered by the Greeks as proof of divine descent.

The physical appearance of Greek gods and heroes

DemeterDemeter as it was conceived by the Greeks. We must remember that the statues had a deeply sacred and religious character for the Hellenes and that, in addition of being works of art, they were also the height of geometric feeling and engineering, since the balance had to be perfect. The Greeks, who had a great knowledge of the analyses of features, represented in their statues not only beautiful people, but beautiful people with a necessarily beautiful soul.

There is a persistent tendency among the Hellenes to describe their idols as “dazzling,” “radiant,” “shiny,” “bright,” “full of light,” etc., something that very obviously correspond to a barely pigmented, “Nordic” appearance. To be more direct, I’ll omit these ambiguous quotes and focus on the concrete: the specific references to the color of skin, eyes, hair, and more. Where possible I’ve inserted the works, specific chapters and verses so that anyone can refer to the original passage.

• Demeter is described as “the blonde Demeter” in The Iliad (Song V: 500) and in Hymn to Demeter (I: 302), based on the mysteries of Eleusis. It is generally considered a matriarchal and telluric goddess from the East and of the pre-Indo-European peoples of Greece. However, here we should be inclined to think that, at best, she was a Europeanized goddess by the Greeks, integrated into their pantheon. The very name of Demeter comes from Dea Mater (Mother Goddess) and therefore would, in a sense, be the counterpart of Deus Pater—Zeus Pater or Jupiter, Dyaus Piter.

• Persephone, daughter of Demeter, is described as “white-armed” by Hesiod (Theogony: 913). At least it is clear here that Persephone was not a brown skinned goddess, nor that her physique coincided with the “Mediterranean” type. It is more reasonable to assume that her appearance was, at best, predominantly Nordic.

• Athena, the daughter of Zeus, goddess of wisdom, insight, cunning and strategic warfare in The Iliad, is described no more no less than a total of 57 times as “blue eyed” (in some variations, “green eyed”), and in The Odyssey a comparable number of times. Pindar referred to her as xanthus and glaukopis, meaning “blonde, blue-eyed.” Hesiod is content to call her “of green eyes” in his Theogony (15, 573, 587, 890 and 924), as well as Alcaeus and Simonides; while the Roman Ovid, in his Metamorphoses, which tells the perdition of Arachne, calls the goddess “manly and blond maiden.”

• Hera, the heavenly wife of Zeus, is called “white-armed” by Hesiod (Theogony, 315), while Homer called her “of snowy arms” and “white-armed goddess” at least thirteen times in The Iliad (I: 55, 195, 208, 572. 595, III 121, V: 775, 784; VIII: 350, 381, 484; XV: 78, 130).

• Zephyrus, the progenitor of Eros along with Iris, is described by Alcaeus (VII-VI centuries BCE) as “golden hair Zephyr” (Hymn to Eros, fragment V, 327).

• Eros, the god of eroticism, considered “the most terrible of the gods,” is described by an unknown, archaic Greek author as “golden-haired Eros.”


• Apollo as it was conceived by the very Greek sculptors. We are talking about a Nordic-white racial type slightly Armenized. Along with Athena, he was the most worshiped god throughout Greece, and particularly loved in Sparta.

Apollo is described by Alcaeus as “fair-haired Phoebus.” Phoebus is Apollo. On the other hand, Alcman of Sparta, Simonides (paean to Delos, 84), and an anonymous author, call Apollo “of golden hair,” while another epithet of his by Góngora—a Spanish author of the Renaissance but based on classic literary evidence—is “blond archpoet.” The famous Sappho of Lesbos speaks of “golden-haired Phoebus” in her hymn to Artemis.

• The god Rhadamanthus, son of Zeus and Europa, is described as blond in The Odyssey, and Strabo calls him “the blond Rhadamanthus” in his Geographica (Book III, 11-13).

• Dionysus is called by Hesiod “golden-haired” (Theogony 947).

• Hecate, goddess of the wilderness and also of the Parthians, is described by an unknown Greek poet as “golden haired Hecate, daughter of Zeus.”


• Artemis (illustration), the sister of Apollo is described by Sappho and Anacreon (Hymn to Artemis) as “blond daughter of Zeus.”

• The goddess Thetis, mother of Achilles, is called by Hesiod “of silver feet” (Theogony 1007), and by Homer “of silvery feet” (Iliad, I: 538, 556, IX : 410; XVI : 574, XVIII : 369, 381, XIV:89). Needless to say that a brown-skinned woman cannot have silvery feet: this is an attribute of extremely pale women.

• The Eunice and Hipponoe mermaids are described as “rosy-armed” by Hesiod (Theogony, ll. 240-264).

• Aphrodite, daughter of Zeus, goddess of love, beauty and female eroticism, is always described as a blonde. Its conventional title is almost always “Golden Aphrodite.” Ibycus (in Ode to Polycrates) calls Aphrodite “Cypris of blond hair.” Aphrodite held the title of Cypris (Lady of Cyprus) because the Greeks believed she was born in Cyprus, where she was particularly revered. In Hesiod’s Theogony she is called “golden Aphrodite” (824, 962, 975, 1006 and 1015) and “very golden Aphrodite” (980). In Homer’s Iliad we have “Aura Aphrodite” (IX: 389), and in The Odyssey as “golden haired.”

• The Graces were described by Ibycus as “green eyed” (fragment papery, PMG 288).

Above I listed Wilhelm Sieglin’s conclusions regarding the Hellenic pantheon as a whole. Let us now see the heroes.

• Helen, considered the most beautiful woman ever and an indirect cause of the Trojan War, was described by Stesichorus, Sappho (first book of poems, Alexandrian compilation) and Ibycus as “the blonde Helen” (Ode to Polycrates).

• King Menelaus of Sparta, absolute model of noble warrior, brother of Agamemnon and legitimate husband of Helen is many times “the blond Menelaus” both in The Iliad (a minimum of fourteen times, III: 284, IV: 183, 210, X: 240, XI: 125; XVII: 6, 18, 113, 124, 578, 673, 684, XXIII: 293, 438) and The Odyssey. Peisander described him as xanthokómes, mégas en glaukómmatos, meaning “blond of big blue eyes.” In Greek mythology, Menelaus is one of the few heroes who achieved immortality in the Islands of the Blessed.

• Cassandra, the daughter of Agamemnon and sister of Orestes, is described by Philoxenus of Cythera with “golden curls,” and by Ibycus as “green-eyed Cassandra.”

• Meleager is described as “the blond Meleager” by Homer (Iliad, II: 642), and in his Argonautica

Apollonius of Rhodes also describes him as blond.

• Patroclus, the teacher and friend of Achilles, is described as blond by Dion of Prusa.

• Heracles is described as strongly built and of curly blond hair, among others, by Apollonius of Rhodes in Argonautica.

• Achilles, considered the greatest warrior of the past, present and future, is described as blond by Homer in the Iliad when he is about to attack Agamemnon and, to avoid it, the goddess Athena retains him “and seized the son of Peleus by his yellow hair” (I:197).

• The Greek hero Ajax (Aias in the Iliad) is described as blond.

• Hector, the Trojan hero,[1] is described as swarthy in the Iliad.

• Odysseus, king of Ithaca, Achaean hero at Troy and protagonist of Homer’s Odyssey, is generally considered as swarthy. However, this can be tempered. Although he is described as white skinned and “dark bearded” in The Odyssey, his hair ishyakinthos, i.e., color of hyacinths. Traditionally this color was translated as “brown” but it was also said that the hyacinths grown in Greece were of a red variety. If true, that would make Odysseus red-haired.

• Odysseus in any case differs from the Greek hero prototype: tall, slender and blond. It was described as lower than Agamemnon but with broader shoulders and chest “like a ram” according to Priam, king of Troy. This could more likely be a physical type of a Red Nordid [2] than a typical white Nordid Greek hero. It should also be mentioned that Homer used so frequently to call “blonds” his heroes that, in two lapses, he described Odysseus’ hair as xanthos in The Odyssey.

• Laertes, the father of Odysseus, was blond according to Homer’s Odyssey.

• Penelope, Odysseus’ wife, and queen of Ithaca, was blonde in Homer’s Odyssey.

• Telemachus, son of Odysseus and Penelope, was blond in Homer’s Odyssey.

• Briseis, the favorite slave in the harem of Achilles—captured in one of his raids, and treated like a queen in golden captivity—was “golden haired.”

• Agamede, daughter of Augeas and wife of Mulius, was “the blonde Agamede” according to Homer (Iliad, XI: 740).

• In his Argonautica Apollonius of Rhodes describes Jason and all the Argonauts as blond. The Argonauts were a männerbund: a confederation of warriors which gathered early Greek heroes, many direct children of the gods who laid the foundations of the legends and fathered the later heroes, often with divine mediation. They took their name from Argos, the ship they were traveling and did their Viking-style landings.

Below I reproduce some passages of Nordic phenotypes in Greek literature. Note that these are only a few examples of what exists in all of Greek literature:

• “Blonder hairs than a torch” (Sappho of Lesbos, talking about her daughter in Book V of her Alexandrian compilation).

• “Galatea of golden hair” (Philoxenus of Cythera, The Cyclops or Galatea).

• “…with a hair of gold and a silver face” (Alcman of Sparta, praising a maiden during a car race).

• “…happy girl of golden curls” (Alcman of Sparta, in honor of a Spartan poetess).


• “…blonde Lacedaemonians… of golden hair” (Bacchylides, talking about the young Spartans).

• Dicaearchus described Theban women as “blonde.”

The German scholar Wilhelm Sieglin (1855-1935) collected all the passages of Greek mythology which referred to the appearance of gods and heroes. From among the gods and goddesses, 60 were blond and 35 swarthy-skinned. Of the latter, 29 were chthonic-telluric divinities; marine deities such as Poseidon, or deities from the underworld. All of these came from the ancient pre-Aryan mythology of Greece. Of the mythological heroes, 140 were blond and 8 swarthy.

In this article, we have seen many instances of mythological characters, which is important because it provides us valuable information about the ideal of divinity and perfection of the ancient Greeks and points out that their values were identified with the North and the “Nordic” racial type. However, Sieglin also took into account the passages describing the appearance of real historical characters. Thus, of 122 prominent people of ancient Greece whose appearance is described in the texts, 109 were light haired (blond or red), and 13 swarthy.


See also:

“The face of Classical Europe (II):
Were the Romans blond and blue-eyed?”



[1] “Trojan”—i.e., a non-Greek.

[2] An explanation of terms like “red Nordid,” “slightly Armenized,” etc., appears in other article of the website Evropa Soberana, also reproduced in this blog.

Nordish Hellenes: the aristocracy of ancient Greece

Athena Parthenos

As can be seen in my first comment of the last thread, a white nationalist has no idea of what nordicism is. Stubbs said in a VNN exchange that I included in The Fair Race, “Nordicism has come to refer the recognition that some parts of Europe have undergone significantly more mongrelization than others.” It is just that simple. But white nationalists, still under the firm grip of egalitarianism despite claims to the contrary, freak out before such no-brainer.

Below, a section that I forgot to translate last year into the article “Were the Greeks blond and blue-eyed?”

Adriano Romualdi said, cautious about the above information:

From all these data it would be unfair to infer that in all periods of Greek history blondes have constituted an overwhelming majority. But the truth is that they were numerous and, above all, set the tone for the ruling class (The Indo-European).

Exactly the same is true of India or Rome. Blond or redheads were the gods, heroes, kings, great men; in short, the Aryan people who formed the minority and dominant aristocratic caste. The mob, on the other hand, the numerous submitted people, were swarthy.

In fact, the American anthropologist J.L. Angel calculated in 1944, after a careful examination of the skulls of ancient Greece, that the Nordic predominantly constituted around 27 percent of the Greek population during the classical era. However, Angel is much concentrated in the area of Attica, i.e., the state of Athens, the Piraeus port, etc., where there was a strong foreign presence through trade and slavery. In other areas the Nordic aspect should have been more strongly represented, especially in territories that formed ponds of pure Hellenic blood and where there was no immigration from North African and Oriental slaves. Generalizing, the poet Bacchylides describes the Spartan youth as blonde, coinciding with another poet, Tyrtaeus of Sparta. Later Dicaearchus described the Thebans on the same terms.

Some will object that in the ancient representations of typical Greek jars the gods are represented as dark. Yes, sometimes scenes are depicted of homosexuality, that inevitably remind me of the Etruscans. But the craftsmen of Greece did not belong to the Greek aristocracy, but to the Mediterranean village of the conquered and subdued, who had adopted the gods of the conquerors and represented them as they pleased, that is, how they saw themselves. It is not there where we must seek information about the appearance of the gods, but in the art of the true Hellenes. The mythology and poetry of Greece, which itself was created by them, certainly describes the gods and heroes as Nordic-looking, as we have seen. And the Greek statues, made not by Mediterranean artisans but by real artists, imbued the Hellenes the sacred meaning of their art and also represent very clearly the Nordic ideal of beauty. Unfortunately, Christianity did a thorough job in eliminating most classic art, but the little of it that has reached us speaks for itself.

The Greeks were enthusiast physiognomists, interpreting the character and personality of an individual from the physical features, especially of the face. Few have seen it, but the Greek statues were made with that knowledge in mind and therefore represent not only a beautiful body, but a beautiful body that also carries a beautiful soul.


The Greeks, perhaps above any other Indo-European peoples, gave immense importance to the racial aspect: beauty, fitness and biological quality as a presentation card which connects closely with the cult of the body and sports, something typically Greek. The ideal beauty of the Greeks, without any doubt, was Nordic (precisely to distinguish themselves from the aboriginal, conquered people): Apollo, Adonis and Paris, three famous male idols for their beauty, were described as Nordic-looking. As for women, the most beautiful of all time, the legendary Helen of Sparta (later Helen of Troy and, even later, Helen of Sparta again): white, blond and blue-eyed like “Golden Aphrodite,” the goddess of love.

Even in the 4th century CE, when Greece had fallen, Rome itself was reeling, and anti-white and anti-pagan genocides were around the corner throughout the empire, the physician and sophist Jewish Adamantio described the “authentic” Greek, as opposed to the mestizo masses that were adopting Christianity, thus:

Where the Hellenic and Ionic race has been kept pure, we see, well built, with fair skin and blond tall men a wide construction; the flesh is firm, the limbs straight and well made. The head is medium sized and is easily moved; the neck is strong, the hair clear, smooth and a little curly; the face is rectangular with thin lips, straight nose and bright, intense eyes full of light; because of all nations, the Greeks are those with lighter eyes.


Were the Greeks, then, blond and blue-eyed?

Depends on what you mean by “Greek.” The founders of classical Greek culture (and pre-classical, Homeric, Achaean or Mycenaean) as well as the posterior dominant and active Greek aristocracy, did not descend from the original inhabitants of the Greek soil. They were invading Hellenes (and maybe some Illyrian groups allied with them). That is to say: Indo-European peoples who entered Greece from the north, from the Balkans and Central Europe. These invaders of whom descended, among others, the Achaeans (Mycenaean civilization and “Homeric” Greece), the Ionians (Athenians), the Dorians (Spartans), people from Thessaly (Thebans) and Macedonians (like Alexander the Great) were predominantly Nordic.

If in the case of the Romans, a strong presence of Nordic blood is evident in their upper social strata (see “Were the Romans blond and blue-eyed?”), especially during the Republic, in the case of the Hellenes their taste for beauty and its relationship with Nordic appearance with the tall, with divine heritage and noble birth, absolutely infested the entire civilization, culture, literature, mythology and poetry. It was a world where the Oriental slaves had no place but at the bottom of the social pyramid. That is why the Jews worked hard to introduce Christianity in Europe: without it Europe would have been impregnable for them forever.

On the whole of the population of Greece, I do not think that the Nordics ever predominated. They may have been more than a third of the total population after the Second Hellenic wave (brought by the Dorians). In any case, despite being in the minority, they were the architects of the polis (city-state), culture, art and Greek civilization, while the rest of the population formed a mob that had little to do with the Hellenic culture as we know it today.


To dig deeper into the phenotype of the ancient Greeks it is recommended:

– GV De Lapouge L’Aryen: Social Rôle Son (1889).

– W. Ridgeway, The Early Age of Greece (1901), Volume I.

– Hans FK Günther, Rassengeschichte hellenischen des Volkes und des römischen: Mit einem Anhang – Hellenische römische Köpfe nordischer und Rasse (1929).

– Hans FK Günther (1961) “Like a Greek God”, Translated by Vivian Bird Rassenkunde Hellenischen des Volkes. Northern World, VI (1), 5-16.

– Hans F.K. Günther, Rassenkunde Europas: Mit der besonderer Berücksichtigung Rassengeschichte Hauptvölker indogermanischer der Sprache (1929).

– J. L. Myres Who Were the Greeks? (1930).

– K. Jax, Die weibliche griechischen Schönheit in der Dichtung (1933).

– Wilhelm Sieglin, Die blonden indogermanischen Haare der Völker des Altertums (1935).

– O. Reche, Rasse und der Heimat Indogermanen (1936).

– Hans FK Günther, Lebensgeschichte hellenischen des Volkes (1956).

– JL Angel, (1943) “Ancient Cephallenians: The Population of a Mediterranean Island”. American Journal of Physical Anthropology, I, 229-260.

– JL Angel, (1944) “A Racial Analysis of the Ancient Greeks: An Essay on the Use of Morphological Types”. American Journal of Physical Anthropology, II, 329-376.

– JL Angel, (1945) “Skeletal Material From Attica”. Hesperia, XIV, 279-363

-. JL Angel, (1946) “Race, Type, and Ethnic Group in Ancient Greece.” Human Biology, XVIII, 1-32.

– JL Angel, (1946) “Skeletal Change in Ancient Greece”, American Journal of Physical Anthropology, IV, 69-97.

– JL Angel, (1946) “Social Biology of Greek Culture Growth”. American Anthropologist, XLVIII, 493-533.

– Moonwomon B., (1994) “Color Categorization in Early Greece”. Journal of Indo-European Studies, XXII, 37-65.

– R. Peterson, (1974) “The Greek Face”. Journal of Indo-European Studies, II, 385-406.

– W. Ridgeway, (1909) “The Relation of Anthropology to Classical Studies.” Journal of the Royal Anthropological Institute of Great Britain and Ireland, XXXIX 10-25.

And the whole of Greek literature which, alas, is not read anywhere near as much as it should. This is why the lies tend to thrive in this area, especially when there are inferior complexes involved.

(For the original in Spanish see: here)

Were the Greeks blond and blue-eyed?

– X –

This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Published in: on October 9, 2013 at 9:11 am  Leave a Comment  

Sparta – XII

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Sparta – X

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Sparta – VIII

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Sparta – VII

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Sparta – III

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