On Carl Sagan’s “Cosmos”

In these hard days for me I’ve tried to distract myself with my favorite television series when I was much younger: the thirty episodes of The Champions and the thirteen of Cosmos by Carl Sagan.

Since I wrote about those TV series I’ve changed my mind. For example, I now see with respect the efforts of the late Alexandra Bastedo, one of the stars of The Champions, to create an animal sanctuary in West Sussex, England. The Champions was a detective fiction series in the late 1960s, but the anti-Nazi propaganda that appears in at least five episodes was something that I did not give importance to as a child.

The fame of The Champions in the late 1960s and early 70s pales compared to the fame of the series of scientific dissemination Cosmos a decade later. Sagan was of Jewish descent, something I did not know when, at the 1994 conference of the Committee for Skeptical Inquiry in Seattle (known in that year as the Committee for the Scientific Investigation of Claims of the Paranormal) I met him personally and shook his hand. Then I was as liberal as Sagan. Now I am a national socialist, so in my recent revisit to Sagan’s famous series I have new eyes.

In the final episode of Cosmos Sagan could not resist talking about the progress of liberating women, and that a new planetary consciousness was being created (referring in part to liberalism and progressivism). He criticized the ethnocentrism of Plato and Aristotle, who spoke of “the barbarians” when humanity is one for a hypothetical enlightened extraterrestrial. More than once in the series Sagan spoke of slavery as a cancer, sometimes giving the impression that it was the cause of the decline of the Greco-Roman world.

He mentioned the word racism as a bad thing, and in two of his programs they filmed a room with American children of all races: something inconceivable when Sagan was a kid. In Cosmos Sagan chose a negress kid for a lesson during that class of integrated children contemplating photos of the planets. Speaking about humanity in general, he or the producers inserted images of the people of India and colored children while Sagan’s voice in off described the high virtues of mankind: as if the colored were legitimate representatives of the white man’s will to decipher the universe.

There is a more general criticism I can elaborate about Cosmos. Since I loved the series in the early 1980s, when I liked science-fiction and the themes of space, I have changed radically. Now, like Nietzsche, I believe that we must be faithful to the Earth.

Most of Cosmos is an introduction to astronomy. But what good is studying the stars of the firmament when the Aryans, deceived by movie stars, commit ethno-suicide? The science that children and adolescents should know in this dark age should not be Byzantine but relevant. Children, adolescents and young people, as Bastedo saw well, should watch over the well-being of our cousins. In addition, whites must recognize the 14 words. Arthur Kemp summed up very well what the focus of knowledge should be on a Red Ice TV interview. The focus must be on history, more specifically, on how interbreeding has been the nemesis of the West throughout the millennia.

When I finished seeing Cosmos in my mature age it occurred to me that, if I had a young son, I would edit it by censuring not only the liberal propaganda, but most shots about astronomy with the exception of what Sagan calls the Cosmic calendar. That would mean significantly reducing the Cosmos series to practical and positive terrestrial messages, and the youth could see it in a couple of programs.

The recent events in my life have turned me into a priest of what I have now baptized as “the four words,” which I will explain in future articles. For the moment it is enough to say that in a future school, the priest of the 4 and 14 words could show the children these scenes taken from Cosmos:

From episode 1, what Sagan says about Eratosthenes and the beautiful ancient city of Alexandria.

From episode 2, what he says about a majestic tree (an oak) and man: we are related.

From episode 3, one of my favorite scenes of Cosmos: the recreation of the life of Johannes Kepler.

From episode 4, dedicated to the planet Venus, I would only rescue how some westerners self-deceived themselves by speculating there must be dinosaurs on Venus just because they saw through the telescope that it was covered in clouds.

From episode 5, dedicated to the planet Mars, I would only rescue something very similar: how the astronomer Percival Lowell self-deceived himself into believing that there were canals constructed by Martians.

From episode 6, the magnificent staging of the enlightened Netherlands in times of the densest darkness in large parts of Europe.

From episode 7, Sagan’s presentation of Democritus and Pythagoras, and his criticism of the latter’s mysticism.

From Episode 8, what Sagan says about Leonardo da Vinci but not what he says about Einstein. (Only the biographers of the future will be able to conclusively show whether or not this Einstein Jew stole his discoveries from white scientists.)

From episode 9, the didactic presentation of the periodic table of the elements.

From episode 10, only the recreation of the scenes of astronomer Milton Humason in his observatory.

From episode 11, the introduction to the science of the human brain, including the shots inside a cozy library.

From episode 12, the recreation of the life of Champollion, including his travel to Egypt.

From episode 13, what I consider the most important of the series: the tragedy of the destruction of the Library of Alexandria and the horrible murder of Hypatia by St Cyril’s mob. This is something that those white nationalists who cling to the religion of their parents do not dare to see.

A DVD containing this highly edited version of Cosmos could be educational for a young mind who wants to get initiated in the mysteries of the world and science. This would be for home-schooled kids of course: not for the kind that will protest Richard Spencer at Auburn tonight.

Revisiting Carl Sagan

How frustrating! I’ve finished the reading of my marked paragraphs of both Jacob Bronowski’s The Ascent of Man and Carl Sagan’s Cosmos, both of which I had read in the 1990s. But when I tried to use my English copy of Cosmos to write this very entry (I reread my Spanish copy) I found that it’s no longer in my library. I have no choice but to use my translated copy of Cosmos and paraphrase back to English what Sagan wrote.

But first I must say that, before I became conscious of the West’s darkest hour, both popularizers of science, Bronowski (1908-1974) and Sagan (1934-1996), were my heroes. Although they are not my heroes anymore, I still believe that the TV series and the accompanying books of The Ascent of Man and Cosmos are must viewing and reading, but only for the Jew-wise adults with ethnic values firmly established. So here we go.

SaganBronowski was obviously Jewish. But I discovered today, in Wikipedia’s article of Carl Sagan, that Sagan was born in Brooklyn to a Ukrainian Jewish family!

Yesterday, and I mean before today’s discovery, when I finished the rereading of the printed version of both Cosmos and The Ascent of Man it surprised me that, for white people’s interests, some of Sagan’s personal views were even more noxious than Bronowski’s famous little speech at Auschwitz.

Kenneth Clark shows us that demoralizing a people is crucial for the eventual twilight of their civilization. In one of the thirteen programs Bronowski made a dramatic scene in Auschwitz, but only to defend his people: something very human that I can understand. In The Ascent of Man Bronowski didn’t mention what the Jews had done at the Holodomor, where more innocent people were killed than in Auschwitz. This omission is easily explainable taking into account that Bronowski’s main concern was what was good for the Jews. But in my opinion what Sagan wrote in Cosmos demoralize the white peoples in a more toxic, albeit subtle way.

For those who, like me, have reviewed the Spanish chroniclers of the 16th century together with the evidence provided by anthropology, it’s all too clear that the Aztecs were a society composed of serial killers. They even sacrificed and cannibalized their own children—see the chapter of my book that convincingly demonstrates the veracity this claim. Conversely, in chapter 12 of Cosmos Sagan painted a completely Manichean view about the Conquest of Mexico, praising the Aztecs for their amazing knowledge of astronomy and depicting the Spanish as brutal conquerors. Even worse: Sagan used the Conquest of Mexico as a paradigm of what the future conquest of space ought never be. Of course, Sagan omitted any mention of the extremely dark side of the Aztec culture.

But even worse for the white people’s self-confidence were Sagan’s pronouncements in the thirteenth, final chapter of Cosmos, “Who speaks for Earth?” Sagan almost puts sexual repression of our children in the same category of the crimes against humanity. (Again, it’s a pity that I only have the Spanish translation, even though it’s a deluxe, 20 x 25 cm. book.) He actually says that premarital sex for our adult children is healthy because it prevents society from becoming violent! (See the opposite axiological approach in a William Ventvogelp piece that I rebaptized as “Lycanthropy”.)

But the most offensive passage of Cosmos is that, when Sagan dared to mention diverse cultures and ethnic groups, he immediately said that we must amplify our sense of loyalty—and include all humanity in it! And Sagan added that rich nations are obliged to share their wealth with the poor ones! (I ignore the page number of these outrageous sentences in the English version, but in the Spanish translation it appears on pages 338-339.)

Civilisation_cover

It is quite interesting to compare both Bronowski’s and Sagan’s TV series and books with Kenneth Clark’s Civilisation, which I’ll assess in the next entries. Civilisation, aired in 1969 at the United Kingdom, was the mother series of both The Ascent of Man and Cosmos.

Interesting, I say, because unlike Bronowski and Sagan, Lord Clark had no Jewish ancestry.