Puritanical degeneracy

The first minute of this speech by a rabbi is unusual, as he tells the truth about how Hitler healed a Berlin that looked like Sodom and Gomorrah. The rabbi says that the first action Hitler took to heal degenerate Weimar Germany was to ban pornography and out-the-closet homosexuality. Which editor of the main webzines of white nationalism is currently proposing to emulate the Führer with such salubrious measures, repressing everything related to LGBT?

I have often said, even personally with some relatives, that the colourful LGBT flag lacks precisely the colour that was relatively accepted in the Greco-Roman world. Since in that world neither the Greeks nor the Romans had been miscegenated to the point of becoming the creatures we see today in Greece and Italy, Federico Fellini was right to choose two English actors for the roles of Encolpius and Giton in his surreal adaptation of Petronius’ Satyricon (the Roman author of that novel lived in 27-66 of the Common Era).

As we can see in this Satyricon clip, it’s about a man in his twenties and an androgynous teenager. Such sort of ‘pederasty’ was the only accepted form of homosexuality in the Greco-Roman world, and seeing the clip doesn’t cause revulsion in the straight viewer as the adolescent Giton, before becoming a fully-developed man, really looks like a girl.

The LGBT Sodom movement will be able to add more colours to its flag now that the genres are surrealistically multiplying. But it will never add to it the only colour accepted in the time of Pericles, or Nero when Petronius flourished (remember that in a revised reading of history, which removes Christian propaganda, Nero was not a villain).

Why do I say that those of the LGBT, who must be swept away as the first cleansing action of the Fourth Reich, will not okay the only homo colour accepted in the ancient Aryan world? A single anecdote will illustrate my point.

A book that can be read online, Thomas Hubbard’s Homosexuality in Greece and Rome: A Sourcebook of Basic Documents was published in 2003 and can be downloaded for free: here. The following editorial review also appears on that site:

The most important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together for the first time in this comprehensive sourcebook. Covering an extensive period―from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e.―the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence.

These fluently translated texts, together with Thomas K. Hubbard’s valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today… This unique anthology gives an essential perspective on homosexuality in classical antiquity.

Scandalised by this professor’s academic work on pederasty, half a year ago antifa vandalised his house, as can be read in this article. (You have to be very careful with this journalistic note. It was written by a Latina, and those who protested and vandalised the professor’s house were predominantly feminist women.)

Personally, I don’t think the Fourth Reich should promote pederasty, but it should promote what I quoted recently: ‘We need a regime that bans pornography and erects statues of gorgeous naked nymphs and ephebes in every public square and crossroads’.

However, it is very clear to me that what we see in the above image, and the filth that fortunately Hitler prohibited as soon as he came to power, are two kind of animals not only different but opposed from an aesthetic point of view. But regarding same-sex unions Americans are apparently unable to distinguish between the sublime and the grotesque (the Gomorrah that the Third Reich rightly annihilated).

The United States was once brilliantly described by Richard Spencer saying that it was a mix of Christian Puritanism and sexual degeneracy—both side by side and at the same time! Too bad they recently deleted his YouTube channel and I can’t link to it, but if I remember correctly, that video dates back to the times of the Kavanaugh hearing.

No wonder that a nation suffering from such schizophrenia is absolutely incapable of recreating visually the Greco-Roman world as it really was. Hollywood Rome is not Rome, and although the Jews and the decadent Americans are very good in recreating degeneracy, they’re unable to recreate the healthy pederasty of ancient times. They couldn’t even bring a movie like Death in Venice to the screen. Only an Italian was able to do it with the proper aesthetics, and without any sexual contact in the film (a truly platonic love).

What I said in my entry ‘The transvaluation explained’ can be exemplified by that American chimera between gross sexual degeneration and Puritanism. As long as the Americans don’t dare to see Hitler as the best man in history, and Constantine the worst, they will be unable to bring to the screen the ethos of Greco-Roman antiquity, the truly Aryan world. As to the visual arts on the television and cinema, they will continue to be neochristian in sexual matters.

Our roots are Greece and Rome—not Jerusalem. Keep in mind what Savitri Devi said and the Nazis she quotes in my other post today.

Quarantine boredom?

I can’t be bored while translating my book. But if you are bored in quarantine by the coronavirus it’s time to start getting acquainted with European films instead of (((Hollywood))) movies, that for inexplicable reasons white nationalists Greg Johnson and Richard Spencer like to watch. I would suggest starting with two films whose plot unfolds in times of deadly plagues: one in Northern Europe and the other in Southern Europe.


In The Seventh Seal Death and a knight without a drop of mud blood* choose sides for a chess game; Death gets the black pieces while the knight is given the white. The film starts when the knight and his squire return from the Crusades to find Denmark ravaged by the plague.

In Death in Venice a composer of classical music attempts to find peace, but the rest of the city is gripped by a cholera epidemic. The city authorities don’t inform the holiday-makers of the problem for fear that they will leave. Failure to leave Italy due to the stunning beauty of an adolescent (another Scandinavian actor with zero mud blood) has deadly consequences for the German composer.

________

(*) Incidentally, the actor Max von Sydow who also played the three-eyed raven in Game of Thrones died this very month.

Published in: on March 19, 2020 at 6:08 pm  Comments (3)  

Ten films I recommend

1. Hamlet (1948) 

2. Sleeping Beauty (1959)

3. Andrei Rublev (1966) 

4. 2001: A Space Odyssey (1968)

5. Planet of the Apes (1968)

6. Death in Venice (1971)

7. Iphigenia (1977)

8. Sense and Sensibility (1995) 

9. Artificial Intelligence (2001)

10. Pride and Prejudice (2005)

Gitone’s magic

My response to Greg Johnson and James O’Meara about the latter’s new book defending homosexuality is available in the addenda to this blog. My article “On classic pederasty” takes issue with them. The Greco-Roman “lover-beloved” institution was not “gay” in the modern sense of the word.

An expanded version of “On classic pederasty” was chosen for my collection of the 2014 edition of Day of Wrath. But I discarded it for the 2017 edition of the same book. However, it can still be read as a PDF: pages that I stole from the now unavailable edition of Day of Wrath:

https://chechar.files.wordpress.com/2017/01/gitone_s-magic.pdf