Jared & Kevin

Since I was disappointed with American racialism I have only occasionally been visiting The Occidental Observer and American Renaissance. But even in these sites we can see the extreme level of feminisation of the white male of today. Recall Himmler’s brief preface to the pamphlet I have been quoting, Sieg der Waffen – Sieg des Kindes (Victory of the Arms – Victory of the Child):

Men of the SS and Police!:

Two weapons are available to each folk in the struggle for existence. Its fighting strength and its natural fertility. Never forget that the fighting strength alone cannot secure the folk’s survival into the distant future. The inexhaustible fountain of its fertility is also necessary.

Read this book, which I have given to you, and act accordingly. The victory of German arms must be followed by the victory of the German child.

H. Himmler.

Two things together can save the Aryan race: their ability to fight and their fertility: two sides of the same coin that it’s impossible to separate. Since the western states of the world today are trying to exterminate the Aryans, the only chance to reverse the process is to seize power during a revolution. Only after that would the laws favour white marriages. In contrast, with an ethnocidal state and culture the advice to marry white women cannot, in the long run, be successful due to the tide of colour.

That should be obvious. But American racialists don’t think in terms of Waffen for a future revolution. Kevin MacDonald published today Was ist Weiße Identität? on the White Date website’: an article about a dating agency for whites. This is palliative, like palliative medicine given to terminally ill patients. What ultimate good is such an agency if the male cannot force the female to have ten children? Recall a passage from On Beth’s Cute Tits that appears on the sidebar: in a patriarchal society the power of reproduction lies in the male; in feminist society, in the female. With the current laws in today’s West, forcing a woman to have many babies is illegal.

The article that Jared Taylor allowed this day, ‘Proud to Be Gay and Proud to Be White’, is even worse than Kevin’s. Jared passes the microphone to a lesbian who was discriminated when applying for a job for being white. We can already imagine a booklet whose preface was signed by Himmler making concessions to homos! (The AmRen article uses the Newspeak term ‘gay’ which in Oldspeak simply means ‘cheerful’. Racialist sites should always use Oldspeak!)

What bothers me the most is that, other than The West’s Darkest Hour, no site realistically defends the Aryan race. Or is there another site that makes not a single concession to the ethnocidal ideology?

Published in: on July 24, 2021 at 5:21 pm  Comments (9)  

Greg Johnson: racial traitor

by Mauricio

Claudius:

You don’t consider Johnson an enemy of the White race?

Would you take less umbrage if I labeled him ‘Traitor’?

He’s a homosexual.

He never commended Hitler, Himmler, the SS or National Socialism.

He chastises William Pierce and his books.

He refrains from promoting hatred against non-Whites; in fact, he downright denouces hatred and racism.

It’s one thing to abstain from promoting violence; one risks losing their platform / job / get doxxed / get arrested. But denouncing hatred is going against Umwertung aller Wertes.

Some might call Greggy ‘a stepping stone’ for crossing the axiological Rubicon. I think he’s ‘a stepping on a nail’ – you waste time, you continue to suffer.

It’s preachers like him that are slowing down the transition of Happy Mode into Angry Mode, by promoting schizo double-think like ‘I hate other groups because of multiculturalism… I don’t want to hate other groups’.

He’s siphoning money from would-be racist whites. He’s siphoning awakening Whites’ time with his bullshit articles. He’s siphoning White Hatred away.

Without Hate, we are defeated. And the first targets of our Hate should be White traitors who stifle our Hate.

Best Russian film

Those who have read Pierce and Kemp’s books will know of other very dark hours for the white race. But without images or a good novel, like Julian by Vidal, it’s almost impossible to convey what happened with the proper emotions. Since Hollywood is in enemy hands, what is filmed there about the past distorts historical reality to the point of axiological reversal. But the best movie ever made in Russia, Andrei Rublev, transports us to one of these terrible moments as if we were in the cave of the three-eyed raven retrocognitively seeing the historical past. Tarkovsky’s film is three hours long and was shot in black and white:

In the second part of the film, while the Russian Prince is away his younger brother, hungry for power, allies with a group of Tartars and attacks Vladimir. We see flashbacks of the Prince and his brother attending a church service. The non-white invasion of the combined armed forces on horseback and the resulting carnage is shown in great detail. The city is burned, the citizens are murdered and the women raped and murdered.

One scene shows a horse falling from a flight of stairs and being stabbed by a spear. Another shows that a cow is being set on fire. Fomá narrowly escapes being killed in the city and escapes to the nearby countryside, but when he crosses a river he is shot in the back with an arrow and killed.

The Tartars make their way to the barricaded church, now completely decorated with Andrei’s paintings, where most of the citizens have taken refuge. The Tartars show no mercy and slaughter the people inside and burn all the painted wooden altarpieces.

Andrei saves Dúrochka from being raped by killing a Tartar with an axe. The bishop’s messenger is cruelly tortured into revealing the location of the city’s gold. After being repeatedly burned, he has liquid metal from a melted crucifix poured into his mouth and is dragged away tied to a horse.

After that, only Andrei and Dúrochka are left alive in the church. A traumatised Andrei imagines a conversation with the late Theophanes the Greek, mourning the loss of his work and the evil of humanity, while Dúrochka absentmindedly braids the hair of a dead woman. Andréi decides to leave his profession of Orthodox Church painter and takes a vow of silence to atone for his sin due to the idiotic Christian commandment to never kill another man, even if he was a Tartar invader.

In the next film segment, Andrei is once again in the Andronikov monastery while famine and war dominate the country. He no longer paints or speaks but keeps the girl Dúrochka with him as a silent companion. After a few scenes, a group of Tartars stops at the monastery. The blonde Dúrochka is the perfect paradigm of Andrew Anglin’s words that I quoted in On Beth’s cute tits:

What I am ‘claiming’—which is in fact simply explaining an objective reality, based on accepted science—is that women have no concept of ‘race’, as it is too abstract for their simple brains. What they have a concept of is getting impregnated by the dominant male.

This girl, Dúrochka, ignores the atrocities that the Tartars had done in the Russian town and is fascinated by one of the soldier’s shiny breastplates. Still sitting on their horses, the Tartars tease her and play with her, but a soldier likes her, puts on her a horned helmet and dresses her as a bride, and finally decides to take her with him as his eighth wife, the only Russian wife of the non-white Tartar. Andrei tries to stop her from leaving him, but she spits in the face of the miserable Russian monk to let her go with the powerful Tartars. The scene perfectly portrays the mentality of white women but ultimately it is the fault of men like Andrei who, instead of fighting, obey the ‘love thine enemy’ gospel message.

Today in the morning when I went out for a walk to warm my feet on a cloudy day, a revelation came to me about all those scenes which can be seen in the video embedded above from 1:25 to 2:10. Yes: white women of our time are behaving like Dúrochka, jumping on the horse of the mighty: the Allies and Jews who wrote history books after WW2. Otherwise they would be on the side of their ethnic group, which would mean transvaluing all values concerning the Third Reich.

However, what Stalin’s hordes did in Germany is no different than what the Tartars did in the segment linked in the previous paragraph. And none of the main WN authors complains about this on their misleadingly called ‘white nationalist’ websites. That’s why I said yesterday that not even the commenters who visit this site are priests of the 14 words.

For any of them to become a priest, he wouldn’t only have to want to multiply with Aryan girls like the SS booklet I’ve been quoting. In practical terms this means hostilely taking over the State and destroying feminism in a single day through a massive rape of the Sabine women (insofar as today’s Western women are not as decent as the women whose pics appear in the SS booklet I’ve been quoting). See the section in On Beth’s cute tits, linked on the sidebar, where an MGTOWer says that in patriarchy men have the power of sexual reproduction, while in feminist society it’s women who have that power.

It also means founding, in the new extremely brutal ethnostate, a kind of reply to Hollywood’s brainwashing machine by filming the Allied atrocities in Germany and in the forced labour and extermination camps of the Soviet Union, where huge numbers of Germans were deported never to return. No one who doesn’t feel compassion for the slaughtered Germans has the right to comment here, since besides the 14 words I am also a priest of the 4 words.

Remember that.

The Dúrochka-like women in today’s West are simply jumping on the horses of the powerful. And the American and European males aren’t really men but a kind of neochristian monks (see for example what Mauricio recently said about Greg Johnson: a perfect paradigm of today’s ‘white nationalism’). Even their WN websites remind me of Andrei Rublev who, in those apocalyptic moments for Russia, instead of transvaluing Xtian values plunged himself into theological discussions and felt guilty for killing a single Tartar.

Only those who, unlike Rublev, have left Xtian ethics behind will be capable of saving their race.

The Door

‘The Door’ is the fifth episode of the sixth season of HBO’s fantasy television series Game of Thrones, and the 55th overall.

The first bad message of the episode is seen in the gloomy House of Black and White: two teenagers, Waif and Arya, fight in an exercise of their training. No healthy society trains cute teenagers to become ruthless assassins. (Remember that what Arya did in a previous episode is worthy of a sadistic scene filmed by a madman like Tarantino.) Jaqen H’ghar, who presides over the temple, has no male apprentices: only those two girls and some silent servants. He doesn’t even have a sexual interest in the girls. The way these shots, while fictional, put pressure on the collective white psyche should never be underestimated. Much of today’s psychosis in the West is due to whites wanting to imitate what they see on TV.

The second bad message of the episode is seen when Theon, at the Kingsmoot gathering, supports Yara’s claim to the throne before Euron arrives. Far away, in Vaes Dothrak, Jorah makes a fool of himself telling Dany, in front of Daario, that he loves her—even though he knows that Daario, not him, has been banging Dany. Typical of an emasculated man in front of the woman’s figure.

Feminism also reigns in the great pyramid of Meereen even with Dany absent. Kinvara, the ‘High Priestess of the Red Temple of Volantis, the Flame of Truth, the Light of Wisdom, and First Servant of the Lord of Light’ speaks to Tyrion and Varys with such amazing clairvoyant powers that she leaves this pair dumbfounded, presumably the smartest pair of males in Westeros. Never in the series had Varys been psychologically beaten like that.

Published in: on April 19, 2021 at 10:41 am  Comments Off on The Door  

First of his name

‘First of His Name’ is the fifth episode of the fourth season of HBO’s fantasy television series Game of Thrones, and the 35th overall. Here we see Bran Stark north of the Wall in this episode. In the following seasons the stupid directors cut off his hair very short, robbing him of virtually all of his jovial charm.

The first scene that I disliked from the episode was seeing Arya practicing one morning with her small rapier called ‘Needle’. Many white nationalists have not realised the extraordinary damage that feminism is causing to their race. Perhaps it is pertinent to quote what James Bowery said a couple of days ago in the comments section of The Occidental Observer:

Civilisation’s dissolution of the masculine is a regression to the precambrian more-feminine life pattern. The appearance of multicellular predators thence male intrasexual selection—mano-a-mano—did more than merely select for skeletal remains that give the appearance of an explosion in the fossil record. Male intrasexual selection created boundaries within which speciation could occur more rapidly. Thence, the Cambrian Explosion of life forms.

Throughout evolutionary history, the more successful attempts to extend mano-a-mano violence to group violence have ended in females parasitically castrating their offspring to produce sterile workers as extended body parts—eusocial species: Ants, termites, bees and naked mole rats that engage in perpetual war. Civilised man is clearly heading in that direction and is doing so at the expense of the most individualistic races—especially the heterosexual men of those races.

Any racial appeal to the individuals of an individualistic race must emphasise the moral superiority of their race as an individualistic race—a race that says ‘Yes!’ to that which created not only them, but the diversity of life.

Tonight I’ll watch one more episode to write something tomorrow morning about Game of Thrones.

Published in: on March 30, 2021 at 1:48 pm  Comments Off on First of his name  

The bear and the maiden fair

‘The Bear and the Maiden Fair’ is the seventh episode of the third season of HBO’s fantasy television series Game of Thrones, and the 27th episode of the series overall. The episode was written by George R. R. Martin, the feminist author of the A Song of Ice and Fire novels on which the series is based, and was directed by a woman, Michelle MacLaren.

The group of wildlings just crossed the Wall and we heard the first bad message from Ygritte’s mouth: ‘You know nothing, Jon Snow’. Unlike others on the expedition, Ygritte just crossed the Wall for the first time in her life. It’s she who hasn’t seen the world, not even a single stone building, since north of the Wall there are only huts. A moment before Ygritte didn’t understand why the southern armies need drums and those who fly the banners. But although she is ignorant, her mocking gestures suggest that Jon, who was raised in a castle south of the Wall, is the ignorant one.

Then we see, in the Riverlands, a love scene between Robb and non-white buttocks. The female director dared to show off Robb’s wife’s buttocks in a presumably aesthetic shot in King Robb’s candle-lit military tent. The camera changes places and we see a shot from above of the naked woman, who is face down, once more showing us her buttocks.

Rob: (Sigh) ‘If you don’t put some clothes on, I can’t promise I won’t attack you [sexually] again’.

These scenes make me want to see what will happen to the bicolour couple in episode 29, where the accounts are settled. But for the moment the director shows us a long scene and then Robb says, looking at the map of his military strategy although distracted by the exposed buttocks of his wife: ‘How am I supposed to sit here planning a war when you’re over there, looking like that [naked face down]?’

The woman seems unconcerned about the war. She writes a letter to her mom and asks the king when he will take her to her hometown. But as always: the failure doesn’t come from women like this director, but from writers like Martin and the culture that allowed Jews and women to come to Hollywood. Then non-white buttocks tells him that she is pregnant and Robb is surprised. ‘You’re my queen’ says the idiot (in later seasons we’ll see that Jon uses the exact same phrase with Dany).

It is embarrassing to quote the dialogues between non-white buttocks and her husband. Instead of preparing for battle, Robb finds himself in the middle of a long honeymoon with his non-white wife. The mere fact of taking her to the military camp is insanity, and it isn’t surprising in a later episode that Roose Bolton confessed that Robb’s ignoring him when Roose was his military adviser contributed to betraying him to the Lannisters. One more shot from the ceiling filmed by the female director shows this woman’s buttocks again before Robb, already dressed, pounces on her again.

We then see a surreal dialogue between Ygritte and the warg Orell, probably the most important element of the wildling expedition south of the Wall due to his out-of-body abilities. The surreal thing is that, as I have already said, in the real world an outsider like Jon would never have access to the buttocks of a beautiful woman from a tribe. But except Orell, here the ‘tribe’ is behaving with Jon’s relationship with Ygritte as if tribal mores were those of Murka: an astronomical projection of present feminism to a medieval era that never existed.

So here we have a double bad message in a script written by Martin himself and directed by a liberated woman: a cute woman going to war as if she were a common soldier, and with all the sexual freedoms of a contemporary Western woman, including freedom of choosing an outsider instead of a member of her tribe, like Orell. The stupidity of Game of Thrones fans not to report these things is limitless. But in the darkest hour of the West these things are the bread and butter.

Another bad message is that Murka’s central values—social justice warring—are projected back to a fantastic medieval era. Dany arrives with her mulatto army and her two white guardians outside Yunkai, where there are 200,000 slaves. Jorah advises her not to invade the walled city as that campaign won’t bring her closer to the Iron Throne, which is where Dany wants to go. The girl responds to her counsellor that she has 200,000 reasons to take it.

Naturally, in medieval times no one fought wars in which a king could lose half his army just to free the slaves of a distant and exotic culture. But here we got a SJW queen! I have barely read A Song of Ice and Fire but the fact that these novels have become bestsellers speaks ill of the readers. Let’s just imagine what the West would be like if, instead of Martin’s novels, they had William Pierce’s first novel as their biggest bestseller. But the bad messages don’t end there.

In King’s Landing we see an absurd discussion between Tyron and his whore, which would be sad even to cite because in this TV series men are infinitely more idiots than they have been in the historical past (although not in the present). All I can say is that if I were Tyrion I would have already sent Shae to Volantis: her hometown where, by the way, Robb’s wife also comes from. Yes, non-white buttocks and Shae have something else in common besides their hometown: they’re light-brown skinned.

As if those bad messages weren’t enough, in the Riverlands Arya escapes from the cave in front of the entire Brotherhood, and although they run after her they don’t reach her, which suggests that the girl runs faster than the soldiers. Then we see another anti-male scene, although here the message is more than direct. Before castrating Theon (remember that Ramsay has him in a torture chamber), he puts two stunning young women in the chamber, both telling him that they want to see his penis. Then the attractive women get naked and things happen before the castration.

Another feminist scene: Jon tells Ygritte that a deer she wants to hunt with her bow is too far away but Ygritte hunts it. The scene is somewhat reminiscent of that scene from the first episode of the first season, in which Arya hits a perfect target with her bow after her older brother, Bran, terribly missed the target. Reality reversals are ubiquitous in this series.

Then Ygritte continues to taunt Jon, even though she confessed to Orell that she loved Jon. An absurd love: as absurd as Robb’s with Talisa and Tyrion with Shae. Seeing these romantic scenes filmed by a woman, produced by Jews and written by a traitorous white man only humiliates the male viewer. But these idiots play romantic music when Ygritte kisses Jon on his mouth.

‘The Bear and the Maiden Fair’ ends with another unreal scene between a man and a woman. Jaime Lannister throws himself into the ring where Locke had planned to kill Brienne with a huge bear, as if in real life the heir to Casterly Rock, the ancient stronghold of House Lannister, could dare to risk his life to save a woman. The whole scene exudes unreality, and it was this scene that gave the episode its title.

Published in: on March 22, 2021 at 2:30 pm  Comments Off on The bear and the maiden fair  

Dark wings, dark words

‘Dark Wings, Dark Words’ is the second episode of the third season of HBO’s fantasy television series Game of Thrones, and the 22nd episode of the series. In King’s Landing the messages that put men as silly continue. In the castle gardens we hear this conversation:

Olenna Tyrell: ‘Do you know my son, the Lord of Highgarden?’

Sansa: ‘I haven’t had the pleasure’.

Olenna Tyrell laughs: ‘No great pleasure, believe me: a ponderous oaf. His father was an oaf as well, my husband, the late Lord Luthor’.

But in the Riverlands, Rickard Karstark tells King Robb a great truth: ‘I think you lost the war the day you married her’, referring to non-white buttocks.

In the North, while heading to the Wall, Bran Stark has a dream, where he tries to kill the three-eyed raven, but a boy tells him that this is impossible because the raven is Bran himself. When he wakes up and they continue with the march, Osha suspects that someone is following them and goes out to investigate. At this moment the boy from Bran’s dream arrives and reveals that his name is Jojen Reed. Another message in which the male-female roles are reversed is seen when Jojen, who is accompanied by his sister Meera, tells Bran’s caregiver Osha: ‘I’m unarmed. My sister carries the weapons’.

But the writers were still unsatisfied with those two scenes and included one more scene that reverses the male-female roles. Travelling North, Arya, Gendry, and a fat boy nicknamed Hot Pie are discovered by a small group called The Brotherhood Without Banners led by Thoros of Myr, who suspect the three of them have escaped from Harrenhall. Arya draws her sword to face alone the group that has found them while her two friends, Gendry and Hot Pie, hide behind the rocks. We can already imagine in the real medieval period a girl doing that, in the context of crossing a dangerous forest where there could be highway robbers!

Back at King’s Landing, the erotic scene between Tyrion and Shae is disgusting. Those scenes, and many other erotic scenes of Game of Thrones would never have been shot in a healthy West.

En route to the Wall, Bran receives from Jojen the first revelation about what has been happening to him since Jaime threw him from the tower of his home. Jojen says that, like Bran, he is also a greenseer: as those gifted with clairvoyant powers (out-of-body experiences, also known as astral projection) were called in the ancient religion. Greenseers also have retrocognitive powers (seeing the past paranormally) and precognitive powers (glimpses of the future). Jojen explains that the three-eyed raven that appears in Bran’s dreams means someone who ‘brings the sight’.

Bran still ignores it but the old man in a hiding cave under a huge weirwood tree on the other side of the Wall, who has been sending him those dreams under the image of the raven, is the most powerful man in Westeros even though he can no longer move (in Martin’s novels Bloodraven’s power in Westeros affairs is more conspicuous than in the HBO series). Jojen, another gifted psychic who tries to guide Bran, tells him that he too has had the same dream and that he has followed Bran believing that the boy will play an important role in the future. But even during that conversation between two gifted thanks to the old religion, the reversals of roles arise between the women who follow Hodor, Bran and Jojen from behind:

Osha: Isn’t he [Jojen] ashamed, your brother, needing you to protect him?

Meera: Where’s the shame in that?

Osha: Any boy his age who needs his sister to protect him is gonna find himself needing lots of protection.

A psychotic Christian

Just once a week I check Counter-Currents and I did it today. I was shocked by a recent article by Nicholas R. Jeelvy, ‘The Struggle is Real’, because just yesterday I wrote about most white nationalists: ‘They are like the ladies sheltered in Holdfast praying to the old and new gods that the city does not fall’, and Jeelvy exemplifies it:

Imagine you’re a White Nationalist activist. You have a show on the internet where you discuss our issues. It’s going okay. You’re developing a small following. You hear from a friend that there’s a group of young guys who are your fans in another town. You’re elated and start talking to them over the internet. They seem okay, maybe a little on the rowdy side, but they’re young, it’s expected of them. You arrange an event in that town, ostensibly as part of a political maneuver, but in fact it’s because you want to meet those guys. You’re expecting a group of Ernst Jüngers to greet you.

(Gustave Courbet, The Desperate Man, 1843-45.) You find a bunch of weirdos who can’t stop talking about starting a revolution.

One of them vibes like an actual schizophrenic. No, these guys aren’t agents, you double and triple checked them. You tell them that armed insurgency isn’t the path forward and furthermore, directly antagonizing policemen and soldiers will do damage to our cause. Their faces suddenly change—they declare you a cuck, a softie.

They demand you call for a violent uprising on your show; otherwise, you’re a cuck. They feel so betrayed that they start an online campaign against you that lasts to this very day. Gradually you realize that these guys aren’t LARPers, or even stupid. These guys do not seek struggle, nor victory. They seek self-destruction.

Yes: actual revolution is premature. But doesn’t it occur to this idiot that what they really want is the destruction of the System?

And as time goes by, you start seeing in yourself that same demonic will to self-destruction, and start wondering if your entire engagement with dissident politics isn’t just a long, dramatic, and roundabout suicide-by-cop. “No, it can’t be, I live for the struggle,” you say, and then you remember that you’re often suicidal and that you often have fantasies of dying heroically in struggle against the enemy…

For many, being hated and hounded by the system is precisely what attracts them to the Dissident Right. They want to be Nazis precisely because the current morality deems it morally justified to punch, persecute, deplatform, fire, and ultimately kill Nazis.

What absolute imbecility! Doesn’t it occur to Jeelvy that they want to be Nazis because white nationalism has already shown itself to be a charlatan movement (see The Fair Race and Daybreak on the sidebar)?

There’s a little bit of the sociopathic urge to be notorious and feared at play, but far stronger is the will to self-destruction. This will to self-destruction exists because it is the ultimate act of independence and self-actualization in the egotistic and thanatophobic modern world where a long life is the ultimate good. But this self-destruction cannot take the form of your bog-standard suicide, because suicide is destigmatized and excused and suicides are pitied. No, the destruction of the self must come at the tail end of a grand epic of self-denial so that the self may be actualized…

I believe that this article can help resolve the psycho question.

But who’s the real psycho?

Jeelvy doesn’t realise that he and the shitty bourgeois who behave like women sheltered in Holdfast are the psychotic ones (even though it’s still not the time for armed revolution, only of pamphlets). More and more I want the US dollar to collapse so that BLM enters the homes of these shitty nationalists to see when their balls grow.

But Jeelvy is a fucking Christian, and on this site we know what that means. In the comments section he confessed: ‘For the record, I am an Orthodox Christian, but I recognize that I write for a religiously diverse audience so I necessarily take on the perspective of other faiths. It isn’t enough to solve problems only for white Christians’.

Yes, white Christians are the problem, and Greggy is offering them his new site.

Published in: on March 15, 2021 at 8:10 pm  Comments (4)  

Blackwater

‘Blackwater’ is the ninth and penultimate episode of the second season of HBO’s medieval fantasy television series Game of Thrones. The Blu-ray edition of the complete seasons contains the option to listen the commentary of Martin himself, who recounts the differences between the television interpretation and his novel. Martin really liked the way the directors adapted his text for this battle. Those who don’t want to see the entire series or even a season, can watch this particular episode in isolation to appreciate it from a strictly cinematic point of view. It’s the first time that the series shows us, in detail, a battle.

From the battle at Blackwater Bay I would just like to collect a couple of dialogues. The first one, some words from Cersei who has been drinking wine, addressed to Sansa Stark. Both were in what the very voice of Martin calls ‘a fortress inside the castle’, Maegor’s Holdfast. The noble ladies are interned there under the supervision of Ser Ilyn (pic below).

His orders: kill the ladies of the fortress inside the castle if the city falls (to prevent them from being raped). His orders may seem barbaric but invader Stannis has fallen under the spell of what Ser Davos calls ‘the red woman’, a witch whose religion prompts her to burn her enemies or infidels alive. When Sansa hears the following words from Cersei she’s scared:

‘Do you have any notion of what happens when a city is sacked? No, you wouldn’t, would you? If the city falls, these fine women should be in for a bit of rape. Half of them will have bastards in their bellies come the morning. You’ll be glad of your red flower then…’

‘When a man’s blood is up, anything with tits looks good. A precious thing like you will look very, very good. A slice of cake just waiting to be eaten…’

Sansa then flees into her room to prevent Ser Ilyn from killing her if the city falls. Unaware of Tywin’s reinforcements coming, Sandor Clegane, popularly known as the Hound, has also fled the battle in which King Joffrey’s defensive forces are badly outnumbered by Stannis’ attacking forces. Sansa finds him in her bedroom and the Hound proposes to put her to safety:

The Hound: ‘I can take you with me. Take you to Winterfell. I’ll keep you safe. Do you want to go home?’

Sansa: ‘I’ll be safe here. Stannis won’t hurt me’.

The Hound: ‘Look at me! Stannis is a killer! The Lannisters are killers! Your father was a killer! Your brother [Robb, recently the King of the North] is a killer! Your sons will be killers someday! The world is built by killers’.

Nothing truer! But unlike all their ancestors, white nationalists who ‘want’ to create a white nation don’t talk about killing the enemy. They are like the ladies sheltered in Holdfast praying to the old and new gods that the city does not fall. And I don’t mean that they must fight right away. But nationalists haven’t even begun to devise a revolutionary ideology through pamphlets to encourage a civil war in the future.

Incidentally, this Hound and Sansa are the same ones whose image I picked up in a recent post when this vicious warrior rescued her from being raped by the mob.

Published in: on March 14, 2021 at 9:29 am  Comments Off on Blackwater  

The prince of Winterfell

‘The Prince of Winterfell’ is the eighth episode of the second season of HBO’s medieval fantasy television series Game of Thrones. It premiered on May 20, 2012.

Feminist messages continue in the opening scene. Yara Greyjoy humiliates her brother Theon in Winterfell. This pseudo-Viking is the commander of the garrison of men who, in the absence of Robb Stark due to war, took the main castle of the North. At this point in the series it’s clear that feminism is the Leitmotif of Game of Thrones. As if that weren’t enough, in Theon’s prolonged discussion with Yara the scriptwriters put the man as stupid and the woman as the smartest.

This image appears a few seconds before Cersei said some words to her brother Tyrion: ‘You, on the other hand, are as big a fool as every other man. That little worm between your legs does half of your thinking’. These words resonate with what I said in my previous post about the blunders that three horny males commit in various parts of the world.

Then we see an argument with a vengeful Cersei, as women are, but behind that ugly argument we see that the thing about the male was true, as the stupid Tyrion has fallen in love with a whore: a woman who, as we shall see in a later season, is worse than Cersei.

‘You’re beautiful’ says the poor devil Tyrion to the whore. He ignores what’s coming in the future. Cersei was right: Our weakness lies in letting what hangs between our legs do fifty percent of our thinking. After that scene and a few words from Tyrion we see that he’s truly in love. ‘I would kill for you. Do you know that?’ Tyrion said that to Shae, the whore who in Season Four will deliver the biggest blow against him during a life and death trial. All these scenes are disgusting in that they put men as idiots, although not all of us are like that.

Another absolutely stupid conduct in this episode: King Robb and Lord Roose Bolton, the head of House Bolton of the north, discuss very serious matters of state when Talisa enters Robb’s military tent. Letting this woman freely enter the king’s tent in times of war wasn’t enough. Stannis Baratheon is about to invade King’s Landing and in these moments when Robb argues with Roose, the latter immediately leaves the camp tent to let Talisa enter with the words ‘My lady’ so that she and Robb may speak in private. Naturally, Robb won’t discuss tactics or strategy with Talisa, the one with the non-white buttocks.

Hardly in the Middle Ages a king wasted his time chatting with a woman alien to his race, putting aside all military plans. Robb and Talisa talk about the biographical past of ‘non-white buttocks’, as I should call Talisa from this line on. But worst of all is that after that King Robb declares himself to her telling her, in the tent, that he no longer wants to marry the Aryan girl from House Frey. Then we see a ridiculous erotic scene between the two and even there you can see the scriptwriters’ feminism as, already naked, we see the female on top of the king.

In Qarth the black man and the warlock give a coup to the Thirteen (or rather the Eleven), the group of merchant princes within Qarth, and remain as sole governors of the city. Dany wants to stay in the city to get her dragons back but Jorah tells her it’s is dangerous, to which he adds: ‘You know I would die for you. I will never abandon you’, which is true as in the last season Jorah will die protecting the one who, in that same season, will be revealed as the worst tyrant of the entire series.

Published in: on March 13, 2021 at 12:13 pm  Comments Off on The prince of Winterfell