Quotable quote

‘Every flight begins with a fall, the crow said’.

―First book of A Song of Ice and Fire.

Published in: on January 10, 2020 at 12:26 am  Comments (2)  

The Red Wedding

A couple of posts ago I said that in 2013 Game of Thrones’ Red Wedding caused a tremendous stir among fans of the series, especially in women. Today watching this clip I thought that the abyss that separates me from white women is abysmal:

The woman’s reaction was because she was seeing the moment when Robb Stark’s pregnant mudblood was stabbed in the belly as a punishment that Robb broke his pact to marry a younger and prettier girl (a completely Aryan girl by the way).

As you will remember, one of the guidelines of conduct that I have developed for the priest of the 14 words is: ‘Speak only with Aryan men’. We can already imagine if, instead of comforting this woman as her partner did in the clip above, I tried to reason with her by saying: ‘I stabbed her for you; so beauty like yours never get lost. I can’t let the pregnant mudblood leave brown offspring instead of Robb’s white skin. All the blood that I spill is spilled indirectly for you…’ Obviously the white woman would look at me with pure hatred; she would block herself before my reasons, and would embrace the most progressive anti-racism we can imagine.

Let’s face it: Women think with their emotions, which is not bad at all. It’s just their nature. Cold and ruthless reason is up to men. What the partner of this disconsolate woman did is the proper way to treat our women. It is absolutely delusional to believe that they are able to reason with the ruthless coldness with which we can reason.

My guideline remains and it is a disgrace that, except Andrew Anglin, the people of white nationalism haven’t come to realise that we come from Mars and they from Venus. And that it makes no sense to use reasons and good judgment to try to persuade the fair sex in martial matters.

Unlike feminist products that demoralise Aryan males such as The Rise of Skywalker, when civilisation collapses later in this century the bloodthirsty warriors who recover the West will belong to a Boys Only Club.

Published in: on December 26, 2019 at 10:34 pm  Comments (8)  

Arya sucks

Countless times I have asked myself why I am able to hate and others who claim to defend the West not. The answer lies not only in my past but in how the System feminises men while manning women. That is why the movement needs a critique of the weapon of mass destruction known as gender ideology, which includes feminism. I will explain the manning of the girls, once again, with Game of Thrones.

It is true what I said recently, that the philosophy of George R.R. Martin in the grand finale was wise, as can be seen in this comment that a prescient fan wrote some years before the finale:

GRRM’s answer to the question “How can mortal men be perfect kings?” is evident in Bran’s narrative: Only by becoming something not completely human at all, to have godly and immortal things, such as the weirwood [tree] fused into your being [cf. the image in the sticky post], and hence to become more or less than completely human, depending on your perspective. This is the only type of monarchy GRRM gives legitimacy, the kind where the king suffers on his journey and is almost dehumanized for the sake of his people.

However, much of what appears in Game of Thrones contains terrible messages, especially feminism: a topic that I have already addressed in several entries about the popular HBO series.

The most grotesque feminist arch is that of Arya Stark, Bran’s sister. I only own Martin’s first book, where Arya is just a girl. I don’t know what Martin has written about her later. But it is known that Martin subscribes at least some form of feminism in his other novels: a feminism that is magnified in the television series that the couple of Jews filmed. For example, unlike crowning Bran Stark, which is planned for Martin’s last novel, as far as Martin is known, he has not planned for Arya to kill the Night King: a character that doesn’t even appear in his novels. This killing was completely an invention of the Jews who directed the HBO series.

Regarding the biographical arc of Arya, I don’t want to review all the visual and auditory offenses that I endured over the years while watching the eight seasons. If I had been the author of the novels, or the director of the series, I would have killed the alienated brat either at Braavos or in the Red Wedding.

The Red Wedding is a massacre at the wedding feast of Edmure Tully and Roslin Frey during the War of the Five Kings. The King in the North, Robb Stark, his mother Catelyn, and most of his three thousand five hundred soldiers are slaughtered. The event is orchestrated by its host, Lord Walder Frey, as revenge for Robb’s breaking of a marriage pact he made with House Frey. In the television series (YouTube clip here) the Red Wedding appeared in the penultimate episode of the third season of Game of Thrones, aired on June 2, 2013.

Although that day of 2013 the public became hysterical (watch some of the female hysterics here), I loved the Red Wedding. While Robb Stark could have married the very beautiful Aryan nymph Roslin Frey, he married a mudblood, breaking the aforementioned pact with Lord Walder Frey (pic). Robb was also stabbed with his mudblood wife during the wedding. The only thing that hurt my feelings was that they killed the caged wolves too.

Arya survived the Red Wedding, in which her mother and brother, the ‘King of the North’, lost their lives. In another HBO season Arya embarked to train with a religious mentor in Braavos, where she studied the art to become an assassin. But the plot armour that the Jewish directors provided Arya in Seasons 5, 6 and 8 goes beyond the grotesque. In the climactic scene at Braavos, Arya survives the stabs in her belly like those received by Robb’s mudblood wife! Even after falling into a sewage river Arya’s open entrails were not fatally infected!

Such imbecile nonsense wasn’t enough. Already graduated as a trained assassin, the now-adolescent Arya, still a slim girl, not only kills Lord Walder Frey but all the male members of the Frey House! This too has the credibility of a Road Runner cartoon.

Of the entire series, these ‘girl power’ scenes are the most irritating and toxic for the fourteen words. But the toxic fandom loved them because they felt vindicated of what ol’ Frey had done at the Red Wedding.

I can see the good and the bad messages of the series. Toxic fans don’t see any of this. They neither understood that there is wisdom in the above prescient quote about Bran, nor did they realise the need to settle accounts with those who have married mudbloods. I believe it’s necessary to approach television hits such as Game of Thrones from the point of view of a priest of the sacred words. Alas, this is something that not even the Counter-Currents pundits are able to do.

Postscript: In my article yesterday I wrote, ‘The Aryans are responsible for believing the lies of the Jews, beginning with the ethics advocated by the New Testament (out-group altruism) and ending in the secular subversion we see in Hollywood and the American media’.

Even nationalist commenters are responsible for believing the lies of Hollywood & HBO’s Jews. When Arya killed the Night King and I protested earlier this year, a commenter said:

I have zero empathy for those who didn’t like this climactic battle against the White Walkers, because that moment where she puts seven years of training to use against the Night King was the single most amazing scene I’ve ever seen on television…

In another post, the commenter continued:

Arya Stark is my favorite GoT character because she’s basically an Avatar of me in all her sentiments…

Do you understand now why I scold those who come here and say that Jews control everything? While it is true that it ‘was the single most amazing scene’ that many have ‘ever seen on television’, it’s whites who are allowing all of this shit by subscribing girl-power feminism and much, much more.

Published in: on December 23, 2019 at 2:28 pm  Comments (7)  

The power to *see* the past

Recently I used the three-eyed raven symbol, a fictional character in A Song of Ice and Fire, to make a point. I would like to continue clarifying it.

Last week I mentioned three American junk culture fans who didn’t understand what Yezen wanted to convey about Game of Thrones. One of the criticisms of these guys refers to the penultimate season of GoT, the seventh, claiming that it was implausible that Sansa and Arya outwitted Littlefinger.

The problem is that this season suppressed a crucial scene:

Bran Stark actor Isaac Hempstead Wright revealed in a past interview with Variety that he and his Game of Thrones co-star Sophie Turner, who plays Sansa, shot a sequence in which Sansa consults him ahead of Littlefinger’s trial. You see, Sansa was first convinced that her own sister, Arya, was out to murder her in attempts to become the Lady of Winterfell. Arya felt certain of the same—and it was all thanks to the master manipulator Littlefinger. Viewers were sweating buckets watching the season 7 finale, believing that one of the Stark girls would turn on the other and commit fratricide within the halls of their House’s ancestral seat. Sansa and Arya flipping the script and sentencing Littlefinger to death was a massive twist—and seemed to leave a wide plot hole that went completely unpatched. The deleted scene Hempstead Wright discussed with Variety would have stitched up the gap and detailed exactly how the Stark sisters knew what Littlefinger was up to and how they arrived at their plan to execute the former Master of Coin.

In the scene, Sansa consults Bran about what to do regarding the whole “I think our sister is going to kill me” dilemma. Using his newfound abilities as the Three-Eyed Raven, Bran peers into Littlefinger’s past and unearths every underhanded thing he’s done to secure power.

As Hempstead Wright describes it, “We actually did a scene that clearly got cut, a short scene with Sansa where she knocks on Bran’s door and says, ‘I need your help,’ or something along those lines. So basically, as far as I know, the story was that it suddenly occurred to Sansa that she had a huge CCTV department at her discretion and it might be a good idea to check with him first before she guts her own sister. So she goes to Bran, and Bran tells her everything she needs to know, and she’s like, ‘Oh, s***.’”

Though audiences can fill in the blanks without this scene, it makes Bran’s powers all the more real, and, frankly, terrifying. Nothing can be kept from him, and as a result, nothing can be kept from his family. There is no secret Bran cannot uncover—and the biggest skeleton he drew out of the proverbial closet was the truth behind Jon Snow’s birth. Bran knew of his brother-cousin Jon’s true parentage and real identity as Aegon Targaryen, the son of Rhaegar Targaryen and Lyanna Stark, and his rightful claim to the Iron Throne over the wannabe queen Daenerys Targaryen before others did. His knowledge spread to Samwell Tarly, then to Jon himself, and (spoiler alert) quickly made its way to Sansa and Arya themselves.

When I saw the scene of Season 7 when Littlefinger was executed after a summary trial, I filled the blank assuming they had consulted Bran. But apparently others did not fill it with their imagination, such as the aforementioned fans arguing with Yezen. But the point is that this fantastic story serves to explain the power of ‘seeing’ the past, the power of The West’s Darkest Hour (WDH).

The history of the West, as I have been saying, is as if the Night King had killed the three-eyed crows. (This is a title rather than a special person. Originally, the one who held the title was the old mummified guy among a tree’s roots, whose image appears in the sticky post. When he died his young pupil, Bran, inherited the title of the three-eyed raven—or ‘crow’ in George R.R. Martin’s novels.)

Unlike GoT, the real history of the West is tragic. It is as if Sansa, without consulting her brother Bran, would have gutted Arya by believing the apocryphal story of Littlefinger. This is so as, for more than a millennium, all westerners have believed the stories of martyrs, and that the Christianisation of southern Europe was peaceful. As we have seen on this site, it was actually a story as violent as the bloodthirsty conquest of India by Islam. Conversely, the Christian martyr stories are largely fictional. (In addition to Evropa Soberana’s essay of Judea against Rome in The Fair Race, see what Deschner says about the stories of martyrs in this book.) In other words, what the Aryans have believed about Christian history is an exact inversion of the facts, and the objective of inverting history in this way is for the Aryans to invert their values from these lies, as it tragically happened.

The metaphor makes sense. In this parallel GoT story, Arya (the Aryans) was killed by Sansa (her white sister) for believing the apocryphal story of Littlefinger (curiously, Littlefinger seemed like a Jew for a commenter on this site). The business of WDH is to set the record straight with respect to what happened in the 1st to 6th centuries of our era, when Christianity was imposed in southern Europe not through Jesus-like methods but through extremely violent and even genocidal methods. (Since I also mention the 1st century, I not only refer to the texts of Evropa Soberana or Deschner but also to what Richard Carrier wrote about the inexistence of Jesus.)

The problem is that not even the so-called anti-Semites of white nationalism believe Bran. They still believe Littlefinger so to speak. Who among them is interested in knowing what happened in the 1st to 6th centuries (this is one of the reasons I call them ‘Jew obeyers’)?

By the way, although on one occasion I identified myself with the three-eyed raven, since it is only a title, the identification is not absolute. On this continent, before me the crow was William Pierce, who died at 68, for having seen the past in Who We Are. And after I die (I am already in my seventh decade in this world, almost mummified among the branches of the heart tree) the ideal is that the ‘title’ will pass to a much younger pupil, a Bran so to speak.

I wouldn’t like to finish this symbolic post without the scene in which, thanks to Bran’s retrocognitive vision, his Stark House executes Littlefinger, the master of palatial intrigues and lies. In the real world, the equivalent would be for Westerners to take very seriously what Evropa Soberana (the ‘crow’ on the other side of the Atlantic) has written. The power to see the past as it happened has the potential to change the ethno-suicidal paradigm, and the first thing to do is to ‘execute’ the false story about early Christianity:

Published in: on December 17, 2019 at 2:02 pm  Comments (11)  

Hitler v Siege

Face it: The Aryan race is so starved of inspiring stories like LOTR that you ought not to be surprised that GOT (visually, pure Aryan esthetics), which was written as a response to Tolkien, became the most popular series of the decade. But since the grand finale it has come to my attention that, unlike Patrick, very few commenters add something substantial about what I have been saying about Game of Thrones.

I think that is due to a terrible way of understanding education. Except for Vig, few commenters have an artistic background. Unlike Hitler, who liked classical music, painting and the old architecture of Italy so much, the common white advocate lives under the mistaken impression that the West can be recovered using only the left hemisphere of his brain (say, the dry academic articles published by MacDonald in his webzine).

That could not be farther from the truth! Remember that it is the stories that galvanise the white population, like all those stories of the epics that inspired J.R.R. Tolkien and George R.R. Martin for their novels. Only this explains the tremendous success of LOTR and GOT in the Aryan community. Hitler also understood this by wanting to popularise the Germanic myths that Richard Wagner rescued for his people. What we see in the revolutionary wing of the white cause is exactly the opposite of Hitler’s spirit, and Siege’s case symbolizes it.

Before I distanced myself from James Mason because of his ignorance, I tried to Europeanise Siege a bit using, for my Daybreak Press, a cover with a painting by Spanish painter Francisco Goya.

But I was wrong: the stark illustration of the original (reproduced below) is the one that actually reflects the content of the book. Two days ago Krist Krusher said in the comments section of this site:

“Siege-tard” is a term I myself created to describe those who you would call crazed dogs howling at the moon [Note of the Ed.: see The Fair Race, pages 647-51]. In the past I read Siege around the same time I read Ironmarch and was not very impressed. I investigated James Mason and became thoroughly unimpressed after I noticed his sudden change of personal faith: he went from being an atheist to being a sucker for the Jebus myth after the Larsson interview! Why?

Sometimes I still try to read what former Ironmarchers write these days and the current “successor” website is a shell. Ironmarch had problems but it was a decent communication center for real fascists. The present “continuation” [like James Mason, they admire Charles Manson too – Ed.] is an abomination.

“Fascist Forge” is about as fascist as Deviantart; garish web design that even the Italian futurists would reject, hideous psychedelic imagery masquerading as art on one thread, degenerate stories with themes of homosex and vore on another, caricatures of real NS—men photoshopped to have glowing red eyes and inverted xtian symbols for user avatars—, it stands as a proud bastion of what Siege readers become as a group. They even call historical fascists like Jose Antonio Primo de Riveria and Mosley “archaeo-fascists” and think everything on the line of “those guys like Hitler are dead. We live therefore we decide everything”!

Even on /pol/ Siege is seen as a joke. To read or write anything on Siege—even regarding the merits of what it has to offer revolutionaries—is to be seen as the dumbest of subhumans.

But it is useless to ask these people to abandon their ways and begin to make some contact with the old culture.

I would like to confess something that happened in my mind in 1996, when I got in my car and drove to the border with the United States in order to emigrate. Already on the other side (I passed legally), the first thought that came to me was that what I saw was ‘the country of absolute Neandertalism’ in the sense that, compared to the old European architecture (and remember that that was Hitler’s inspiration for his New Europe), the US was an empty shell. That happened to me while I was already driving on the roads of Texas on my route to Houston.

The souls of the Siege-tards are as desolate as the landscape I saw from my Shadow Chrysler more than twenty years ago. And that is an endemic problem even among non-revolutionaries, who also don’t make deep contact with European art.

Before the accident that forced me to become the Three-Eyed Raven (I don’t mean Bran, but the old man entangled in the tree) I had wanted to be a film director. Had I reached the peak and filmed Game of Thrones, my adaptation of Martin’s novels would not have been plagued by the feminism we saw in the HBO series. But the art that can potentially captivate the white race is all there, in those epic stories adapted to visual stories for the contemporary palate. Something like a Wagner of the 21st century: television series that the Nazis would surely be filming if Hitler had won the war.

What I want to communicate is the great going astray that represents everything related to American psycho Charles Manson. I would paraphrase Jordan Peterson in the sense that the recovery of the West must be initiated by cleaning our bedroom, yes: but emphasising that the bedroom—our soul—must be arranged based on the best art created by the fair race.

A grim vision like the one on the book-cover that appears within Krusher’s quote will never captivate the race. It’s time to leave Siege in the bookshelf and order a copy of Hitler’s Table Talk. After all, ‘The sign of the times is degeneracy. This term—degeneracy—sums up all that is happening to the West’.

Forgive Game of Thrones

When I left the cinema when I was ten after seeing 2001: A Space Odyssey in the Latino D-150, perhaps the best movie theatre in the town, I told my dad that they spoiled the ending: an ending I did not understand. He immediately corrected me but, over time, upon hearing his talks with the most intelligent of my uncles, I gradually came to understand the profound message.

Exactly the same I can say now, more than half a century after having seen 2001 on the big screen. No one except Yezen, a YouTuber, has understood the message of George R.R. Martin: on whose novels a television series is based that this year disappointed most of the fans, Game of Thrones (GoT).

In several entries on this site I have talked about the message of GoT in the final episode: the power of stories. After all, it is a story that has been exterminating the white race: a story out of the pen of some first-century audacious Semites who dared to write the holy books for the white race! And it is precisely the repudiation of that story and embracing the Aryan one—Leonidas, Hermann, Hitler—what could save the Aryans, as with red letters I explained:

  • Jesus of Nazareth [the story that is killing whites] never existed.
  • Catholicism was imposed on the white race not through the peaceful message of the fictional Jesus, but through anti-Germanics holocausts.
  • Finally, and perhaps most importantly, the inversion of Aryan values into Semitic values for white consumption—Christian ethics—has been the primary cause of the white man’s ethno-suicidal behaviour.

I am not surprised that the most staunch GoT fans still fail to understand the moral of GoT that we saw when Tyrion Lannister proposed Bran Stark to be appointed as king after the apocalypse caused by Daenerys Targaryen’s dragon in King’s Landing. (Social justice warrior Daenerys Targaryen = the Allies. Think of Dresden and other allied bombings in Germany.) In this GoT video, for example, no matter how scholarly were these three staunch fans of Martin’s novels and the HBO series, over four hours they didn’t understand what Yezen wanted to say about the moral (for example, after 3:21). On the contrary: these three fans, despite their erudition, were left with the impression that there was no moral in Martin’s mind but that the end was the purest nihilism.

It didn’t take me long to realise the whys of such un-circumcision of the heart: they are all fans of the American junk culture, not of the history or real culture of the West. And how are they going to know the real history of the West if not even white nationalists know it, at least not as profoundly as Bran?

In yesterday’s article in The Occidental Observer, ‘The ABC’s of the Alt-Right: A Guide for Students’, among other things the author’s bibliography strives to challenge the so-called Holocaust. However, as we know, it is not enough to do so if we lack the framework of the whole history of the white race as Pierce put it in Who We Are. Without the story of Who We Are there is no salvation. It is as if the Night King had killed Bran (which did not happen in GoT, although he was about to do so). Isn’t it incredible that even white nationalists start from a Semitic story that is equivalent, in symbol, as if the Night King had killed Bran? In The Occidental Observer article, for example, a typical ethno-suicidal white, who mistakenly believes he is defending his race, commented:

I agree with being neutral on religion. You don’t need religion in order to defend white nationalism. But steeping yourself in Nietzsche is not “being neutral on religion.” And it is bound to alienate the majority of Americans who still consider themselves Christian. Not all Christians believe that their God is Jewish.

Not Jewish? Really? Following the GoT metaphor, this kind of whites are only possible in a world where Bran was killed and, according to the plot, the Night King achieved his goal: the ‘perpetual night’ in Westeros. These purportedly anti-Semitic commenters are as clueless as millions of GoT fans who didn’t get the moral of the final episode. Although, throughout the TV seasons, on this site I harshly criticised GoT because of its feminism, I now forgive Martin because of the great insight of the final. (The purpose of my compilation in The Fair Race is precisely to replace the Semitic story that’s killing whites for the Aryan story that might save them.)

Published in: on December 9, 2019 at 10:44 pm  Comments (2)  

Tuesday’s comment

by Haas

You’re not talking to yourself. The work you are doing is fantastic. I thought I was “redpilled” before I found this website a few months ago. Now I know that I was still asleep (or better yet, in a coma).

In fact, this website made me realize that there isn’t just one redpill but many. For example, it was through this website that I discovered the truth about Christianity. Before, I was a stupid White Nationalist who thought Christianity was a White religion. But reading the texts and watching the videos you recommend was like being hit by a bolt of lightning. After watching the Richard Carrier videos, I felt like a total idiot. The whole thing is just so obvious and staring at us in the face.

I’ve also really enjoyed these past few articles about women. What an eye opener! For someone used to the White Nationalist sex egalitarianism of Red Ice, this was really refreshing.

Lately, I’ve been having a lot of success redpilling normies with what I learn here. My strategy is to plant a seed in their minds that will make them doubt the garbage they’ve been fed their whole lives and then they come back to me asking for more. I’ve realized that it’s better to make them come to the conclusions themselves than to just feed them everything.

You’re right, this website is unique. Please continue.

 

______ 卐 ______

 

Editor’s response: Interestingly, I just saw Episode 3 of the last season of Game of Thrones and I thought that all the normies are like the zombies of the Battle of Winterfell. According to Sam in the previous episode, the target of the Night King is Bran as he represents the memories of his race. Those blue-eyed zombies fighting for the Night King are nothing else, I thought, than blue-eyed whites who have completely forgotten their past: empty shells fighting for ZOG.

It doesn’t seem to occur to white nationalists that they should read Pierce’s book about their own history. Or don’t we return to the world of the living when introducing basic info such as that a 6th-century emperor of a mud empire committed a holocaust of millions of Aryans?

The fact is that all whites, including those who fancy themselves as fighting the bad guys in WN forums, live in that perpetual night that Bran was talking about.

But the real world is worse than Episode 3. It’s as if, after WW2, the Night King had killed everyone except the Three-Eyed Raven and his pupil, Bran, as no one wants to see the remote past of their race…

Published in: on November 29, 2019 at 12:01 am  Comments (9)  

Chaos is a ladder

Once I sit down to translate my books (about 1,600 pages) there is no turning back: my intellectual life will remain enslaved until I finish. That’s why I find myself fooling around this week ‘before throwing myself into the cold water’.

I said I wasn’t going to hear anything from TFM but I couldn’t resist the temptation to listen to a podcast of the previous year. I stopped listening at the time he talked about his tender ‘relationship’ with his sex doll, in which he even gave details of his ‘affective’ relationship with ‘her’.

Something similar I can say about what Andrew Anglin recommends today in ‘Manly [sic!] Advice: Do Not Spend the Holidays Trying to Redpill Your Family! Don’t Even Mention Politics!’

The attitude of Anglin and TFM is inconceivably feminine. A true Aryan man with principles would never do something as humiliating as getting a sex doll. And if someone says an aberration in a family reunion, we must correct her in front of everyone. In my case, not long ago, I promised myself not to sit at the table when my sisters are present, or a first cousin female, as they do not want me to speak about the JQ, politics or race. Instead of following Anglin’s ultra-feminised advice I will do the opposite: I won’t even sit with them at the Christmas table next month.

Not long ago one of my sisters simply got up and left, telling her teenage son to leave with her, when I wanted to correct her about a System lie about Richard Wagner and the lachrymose narrative of the Jewish question. My white first cousin got up a few years ago when I talked about the IQ of blacks and brown Mexicans. And my other sister complained behind my back that she doesn’t want me to touch the sexist/racial issue again as I did when talking about an Alfonso Cuarón movie in front of a Catholic priest, who was having dinner with us.

When the Wagner scene occurred I made things clear: my pseudo-family has the right to get up so as not to hear me, but I have the right not to sit at their table again. (They’ll never change their attitude with me; they’ll never listen to my reasons.)

Anglin and TFM although they sound like men, are, in fact, tremendously feminised. A true man does not allow any woman to monopolise a family’s narrative or masturbate with a doll. If family members don’t want to listen, one simply has to stop seeing them and prepare for the revolution. And this can also be said about racist pessimists, as it is always possible to do something, even as a disinherited individual.

In Game of Thrones the character Lord Petyr Baelish, popularly called Littlefinger, is not my favourite. But his biography arc shows a kind of ruthless man to achieve his goals that currently does not exist in the racialist world. Below, Littlefinger describing his philosophy of manipulation at a time when he was allied to the evil King Joffrey:

As a GoT fan said in one of my recent links, the ‘climb’ is a metaphor for achieving power, and the ladder—chaos—is how Littlefinger climbs. When things are in disarray it allows him to manipulate so that he is ahead. Chaos means the great houses overlook his birth, because they need him. It means they are weakened, so they are brought more to his level. Chaos provides opportunities for him to advance, because there are problems to be solved.

I am quoting this because, instead of the pessimism from some racialist quarters, this is the attitude we must have if we take into account that the convergence of catastrophes could open a window of opportunity to climb the ladder away from our PC family. (Remember, Littlefinger had no family either.)

Published in: on November 27, 2019 at 12:52 pm  Comments (10)  

Osha lying under the tree

Further to my previous post today. ‘The Pointy End’ is the eighth episode of the first season of Game of Thrones. It is the eighth episode of the series overall among the 73 episodes aired over eight seasons from 2011 to 2019. This episode premiered on June 5, 2011 when I didn’t even know that Game of Thrones existed. It was written by George R.R. Martin and directed by Daniel Minahan, who is not classified as ‘Jew’ at least in his Wikipedia article (the series changed directors several times).

Bran the Broken, still a boy, prays by the Heart Tree when he is approached by Osha, a woman of the Free Folk or ‘Wildlings’ (in this pic, Osha is barely visible because she’s laying on the ground). Osha tells Bran about hearing the Old Gods of the Forest and that the Wildlings also worship the Old Gods. She laments that the South has lost touch with the past, and that the southern Weirwood trees were cut down long ago and, therefore, the Southerners have no idea what’s awakening in the north.

I have just watched again the scene in ‘The Pointy End’ when the above photograph was taken and must add something to what I said four days ago in the article ‘New subtitle’. In the scene, a couple of times Osha calls the attention of Bran about the hidden message that could be heard from the gods by listening to the whispering leaves of the Heart Tree.

When four days ago I wrote ‘I will leave the image of Bran in the sticky post unless I can think of a better one that symbolises this site’ I had not re-watched the scene with due attention. Now I see that it resonates not only with my editorial note in my previous article today, but with the heart of my own life (cf. my book Whispering Leaves).

This day I make official the above photo as the ‘logo’ of this site.

Published in: on June 27, 2019 at 9:01 pm  Comments (1)  

Holy wrath, 7

by Evropa Soberana

Editor’s note: The White Man does not know his Story. In an ethnostate far from Judeo-Christianity, the study of the Vikings would be obligatory since grammar school.

In this section the author mentions the sacred trees in pre-Christian, Germanic religion.

Left, St. Boniface cutting a sacred tree. The only thing that reaches the public about this tragedy are literary fantasies which plot is a mere echo of the real events. In the bestseller A Song of Ice and Fire for example, it is mentioned how the invaders destroyed the sacred trees. In the television interpretation of the saga of George R.R. Martin’s novels, the Children of the Forest took revenge by creating the Night King to exterminate the human invader.

The common fan of the literary saga or the HBO series ignores that these symbols denote a very real past that even today continues to affect the West. In Game of Thrones the only one who saw the origin of the tragedy was the Three-Eyed Raven, whose last incarnation is the lad Bran the Broken.

I am not asking visitors of this site to buy Martin’s novels or the audiovisual adaptation in DVDs. As we know, Martin is a silly liberal; and the two filmmakers, Jews. But it is fundamental to point out that the enormous success of both the novels and the HBO series means that, unknowingly, Martin and these Jews have touched a fibre of the Aryan collective unconscious.
 

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The expansion of northern fury

This map shows the Nordic expansion in Europe. Red corresponds to areas of Scandinavian colonisation, and green to areas subject to incursions and Viking influence. The Vikings were particularly prolific in France, the British Isles, and the basins of the great Russian rivers. Greenland and Vinland (the Viking settlement in North America) are not included on the map.

At a certain time in the High Middle Ages, at the end of the 8th century, the Scandinavian peoples embarked on a series of prolific expeditions. Some argue that this sudden blitzkrieg of the Vikings was due to overpopulation motivated by polygamy in a little fertile land.

Others, such as Varg Vikernes, maintain that the Viking raids were a revenge against the Christian world, after Bishop Boniface cut, in Saxony, in the year 772, sacred forests and, particularly, the oak that the Saxons had consecrated to Donnar Oak—an ancient tree venerated by all the Germanic peoples of the world, considered the terrestrial version of the Irminsul, the Axis of the World.

The image that folklore and Christian propaganda has given us of the Vikings must be corrected. The Church demonised the Vikings, depicting them as dirty barbarians with horns on their helmets, when according to Chronica Joannis Wallingford by a monk, ‘The Danes, thanks to their habit of combing their hair every day, of bathing every Saturday and regularly changing their clothes, were able to undermine the virtue of married women and even seduce the daughters of nobles to be their mistresses’.

We are talking about a time when Christianity had stigmatised hygiene as something sensual and ‘pagan’. The Arab historian Ibn Fadlan, ambassador of Baghdad to the Bulgarians of the Volga, says of the Vikings: ‘I have never seen physical specimens so perfect, tall as palm trees, blond and ruddy-skinned’. He adds that often they wore tattoos of vegetable designs from foot to neck, and that they were always armed with an axe, a sword and a knife.

The Vikings ended up being famous throughout Christendom, in the non-Christian East and in much of the Islamic world. The Arabs called them Mayus and the Khazars Rus (hence ‘Russia’). In most of Western Europe they were known as Normans: that is, men of the North.

Generally their way of acting was to set sail in large fleets, sack the coastal towns, establish coastal ‘operations centres’ to plan other incursions and navigate the great rivers to reach other inland cities (such as Pamplona, Seville or Paris). Their many feats are known, from the colonisation of Iceland, Greenland and America to the takeover of Seville from the Moors (year 844), its looting and residence for a whole week, including the founding of Russian cities such as Novgorod (862) and Kiev (864), as well as the first Russian state (Kievan Rus) and the site of Paris in 885.

Left: The ray of the sea: for centuries, a fleet of longships ‘going shopping’ was the most frightening coastal vision for the medieval European.

911 was the year that the Danish Rollo received from the French king Charles the Simple the Duchy of Normandy, to appease the Viking pillage to which the whole of northern France was being subjected. (The Danish name of the king was Gang Hrolf, or ‘Ralph the Wayfarer’, as it was said to be too big for a horse to carry its weight.)

In a solemn act of homage to King Carlos, Rollo was informed that he should bow before him and kiss his feet. Scandalised and offended in his pride, he refused to humiliate himself in such a way, saying that ‘I will never bow down to anyone and I will never kiss anyone’s foot’. The adulatory bishops, however, insisted that ‘whoever receives such a gift has to kiss the king’s foot’.

Thus cornered, Rollo ordered one of his warriors to carry out the act. He took the king’s foot and, standing erect, brought it to his mouth and kissed it, causing the king to fall backward, so that the whole present court laughed loudly. This anecdote shows the arrogant and proud side of the Vikings, still innocent and uncontaminated men by the servile mentality of civilised society.

But eventually these Vikings from Normandy were Christianised. They took root in France and ended up forgetting their Scandinavian roots. Their subsequent expansion took them to England, the Mediterranean, southern Italy (the Norman kingdom of Sicily) and even the East during the Crusades. Many Normans played an important role in the cavalry orders.