What race were the Greeks —

and Romans?


The evidence is clear—but often ignored

by John Harrison Sims

Recent [1] films about ancient Greece such as Troy, Helen of Troy, and 300, have used actors who are of Anglo-Saxon or Celtic ancestry (e.g. Brad Pitt, Gerard Butler). Recent films about ancient Rome, such as Gladiator and HBO’s series Rome, have done the same (e.g. Russell Crowe). Were the directors right, from an historical point of view? Were the ancient Greeks and Romans of North European stock?

Most classical historians today are silent on the subject. For example, Paul Cartledge, a professor of Greek culture at Cambridge, writes about his specialty, Sparta, for educated but non-academic readers, yet nowhere that I can find does he discuss the racial origins of the Spartans. Some years ago I asked several classics professors about the race of the ancient Greeks only to be met with shrugs that suggested that no one knew, and that it was not something worth looking into. Today, an interest in the race of the ancients seems to be taken as an unhealthy sign, and any evidence of their Nordic origins discounted for fear it might give rise to dangerous sentiments.

A hundred years ago, however, Europeans took it for granted that many Greeks and Romans were the same race as themselves. The famed 11th edition of the Encyclopedia Brittanica, published in 1911, noted that “survival of fair hair and complexion and light eyes among the upper classes in Thebes and some other localities shows that the blond type of mankind which is characteristic of north-western Europe had already penetrated into Greek lands before classical times.” It added that the early Greeks, or Hellenes, were Nordic, one of “the fair-haired tribes of upper Europe known to the ancients as Keltoi.” Sixty years ago even Bertrand Russell, the British philosopher and socialist, believed that the Hellenes “were fair-haired invaders from the North, who brought the Greek language with them” (History of Western Philosophy, 1946).

Scholars today recoil at this pre-1960s consensus. The Penguin Historical Atlas of Ancient Greece, written in 1996, scoffs at the “undoubtedly dubious racial theories underlying much of this reconstruction,” but offers no theory to replace it, conceding only that “the origin of the Greeks remains a much-debated subject.” The Penguin author makes this startling admission, however: “Many of the ideas of racial origins were developed in the 19th century and, although they may have had some foundation in historical tradition, archaeology or linguistics, they were often combined with more dubious presumptions.” The author fails to list these dubious presumptions. Beth Cohen [editor’s note: a jew], author of Not the Classical Ideal: Athens and the Construction of the Other in Greek Art (2000), asserts that the Thracians, distant cousins of the Greeks, had “the same dark hair and the same facial features as the Ancient Greeks.”

In fact, there was a good basis for the 1911 Britannica to write about blonds in Thebes. Thebes was the leading city of Boeotia, a rich agricultural region in south-central Greece. Fragments from an ancient 150 BC travelogue describe the women of Thebes as “the tallest, prettiest, and most graceful in all of Hellas. Their yellow hair is tied up in a knot on the top of their head.” Pindar, a fifth century Theban lyric poet, refers to the Greeks as “the fair-haired Danaoi,” using a poetical name for the Hellenes. Likewise, in his Partheneia, or “Maiden Songs,” the seventh century BC Spartan poet Alcman, praised the beauty of Spartan female athletes, with their “golden hair” and “violet eyes.” He also wrote of Spartan women with “silver eyes,” meaning light gray. The seventh-century BC Greek poet Archilochus praises the “yellow hair” of one of his lovers, and Sappho—also of the seventh century BC—writes of her “beautiful daughter, golden like a flower.”

As late as the fourth century AD, Adamantius, an Alexandrian physician and scientist, wrote in his Physiognominica, that “of all the nations the Greeks have the fairest eyes,” adding, that “wherever the Hellenic and Ionic race has been kept pure, we see tall men of fairly broad and straight build, of fairly light skin, and blond.” Several centuries of mixing had presumably changed the racial character of many Greeks, but blonds still survived, and Xanthos, which means “yellow” in Greek, was a common personal name.

Professor Nell Painter of Princeton [editor’s note: a negress], author of The History of White People (see “Whiting Out White People,” AR, July 2010), complains that “not a few Westerners have attempted to racialize antiquity, making ancient history into white race history.” She points out that the Greeks often painted their marble statues—“the originals were often dark in color”—that the paint wore off over time, and Europeans mistakenly concluded from the white marble that the Greeks were white.

Yes, the Greeks painted their statues, but the originals were not dark. Praxiteles’ Aphrodite, from the Greek city of Knidos, was the most famous and most copied statue in the ancient world. Hundreds of copies survive. Experts have determined from microscopic paint particles that Aphrodite was painted blonde. The Romans had their own name for this goddess, Venus, and likewise her “cult images” were ubiquitous and “painted with pale-coloured flesh and golden-blonde hair” (see Joanna Pitman’s On Blondes, 2003).

Phidias’ masterwork, the Athena Parthenos, stood in the Parthenon for nearly 1,000 years until it was lost, probably in the 5th century AD. When American sculptor Alan LeQuire set out to make a faithful copy for the full-scale Parthenon replica in Nashville’s Centennial Park he modeled it on descriptions of the original work. The 42-foot-tall Athena, unveiled in 1990, has light skin, blue eyes, and golden hair [editor’s note: see detail of this image above].

Many small terra-cotta figurines from Greece of the fourth century BC have survived with traces of paint. They show light hair, usually reddish brown, and blue eyes, as do larger statues from the time of the Persian Wars in the early fifth century BC. Even a cursory examination of ancient marble reliefs, statues, and busts reveals European features. Many of the faces could just as easily be those of Celtic chieftains or Viking kings.

There is more evidence of the appearance of the Greeks. Xenophanes, an Ionian Greek philosopher who lived in the fifth century BC, was amused to note that different peoples believed that the gods look like themselves: “Our gods have flat noses and black skins, say the Ethiopians. The Thracians (despite Prof. Cohen’s observations above) say our gods have red hair and hazel eyes.” Indeed, a fourth century BC fresco of a Thracian woman, found in the Ostrusha Mound in central Bulgaria, shows distinctly red hair and European features.

The Greek poet Hesiod (c. 700 BC) called Troy the “land of fair women.” According to the Roman historian Diodorus Sicilus, who lived in the first century BC, the Egyptian god Set had “reddish hair,” a color that was “rare in Egypt, but common among the Hellenes.” Plutarch (46–120 AD) tells us that while the Theban general Pelopidas (d. 364 BC) was campaigning in central Greece, he had a dream in which a ghost urged him to sacrifice a red-haired virgin if he wished to be victorious in the next day’s battle.

Two racial types

There were two racial types in ancient Greece: dark-haired whites and fair-haired whites, as well as gradations in between. The earliest known inhabitants were of the former type. These included the Minoans, who were not Greeks at all, and who built an impressive civilization on the island of Crete. The Pelasgians, which is the name later Greeks gave to the pre-Hellenic population of mainland Greece, were also dark. They tended to have black, curly hair and olive-shaped eyes. Their type is plainly visible on many Attic (Athenian) vases, and has lead some scholars to conclude that all Greeks looked as they did.

Neither the Minoans nor the Pelasgians spoke Greek—the linear A inscriptions of the Minoans have still not been deciphered—so the Greek language must have arrived with the light-haired conquerors who migrated from the north, most likely from the middle Danube River Valley. According to Greek national myth, the Hellenes were descended from Hellen (not to be confused with Helen of Troy), the son of Deucalion. Hellen had sons and grandsons, who correspond to the four main tribal divisions of ancient Greece: the Aeolians Achaeans, Ionians, and Dorians.

Scholars today tend to dismiss such myths but they would not have survived if they had not been generally consistent with the long folk memories of ancient peoples. In this case they point to what classical scholars have long believed was a series of Hellenic descents upon mainland Greece and the Aegean islands. The first Hellenes to arrive were the Ionians and Aeolians; then a few centuries later, the Achaeans, and finally the Dorians.

The early bronze-age Greek civilization (1600-1200 BC) was certainly influenced by Minoan and other eastern Mediterranean cultures, but it was unmistakably Greek. Linear B, which began to dominate Cretan culture around 1500 BC, has been deciphered and found to be an early form of Greek. Around the year 1200 BC this culture, known as Mycenaean, collapsed; its cities were destroyed and abandoned, and Greece entered a 400-year Dark Age. Earthquakes and volcanic eruptions probably played a part in the destruction, and later Greeks attributed it to invasions from the north. Waves of Hellenic warriors swept down and burned the Mycenaean citadels and became the ruling race in Greece. They also sacked the city of Troy, and Homer’s Iliad is about them. They also seem to have snuffed out much of Mycenaean culture: Greeks stopped writing, and abandoned the arts, urban life, and trade with the outside world.

We know something about the early Hellenes from the Iliad. It was first written down in the late eighth century BC, at the end of the Greek Dark Age, after the Phoenicians taught the Greeks how to write again. It recounts events some four to five hundred years earlier. Although we think of the poem as being about the Greeks, Homer’s warrior heroes belong to the Achaean nobility, which suggests that it was the Achaeans who overthrew Mycenaean civilization, not the Dorians, who would descend upon Greece and displace the Achaeans a hundred years later. Archeology confirms this supposition, for Troy was burned around 1200 BC, and the traditional date for the Trojan War is 1184 BC. The Dorian invasion is dated by various ancient historians at 1149, 1100, or 1049 BC.

There is good reason to think that Homer was recording stories handed down during the Dark Age. He was a bard who lived in Ionia, a region on the Aegean coast of what is now Turkey, and if he were making the stories up he would have claimed that the heroes were Ionian. Instead, he sings praises to the light-haired Achaean nobility: Achilles, their greatest warrior, has “red-gold hair,” Odysseus, their greatest strategist, has “chestnut hair,” his wife Penelope has “white cheeks the color of pure snow,” Agamede, a healer and expert on medicinal plants, is “blonde,” and King Menelaus of Sparta, the husband of Helen, has “red hair.” Helen, likewise, has “fair hair,” and even slave girls are light-skinned: “fair-tressed Hecamede,” “fair-cheeked Chryseis,” and “blonde Briseis.” This is significant, for if even some of the slaves were blond it would mean the Nordic type was not unique to the Achaeans, that it was present elsewhere in the Aegean world.

Homer (and Pindar) describe most of the Olympian gods and goddesses as fair haired and “bright eyed,” meaning blue, grey or green. The goddess Demeter has “blond” or “yellow hair,” as does Leto, mother of Apollo, who is also described as “golden haired.” Aphrodite has “pale-gold” hair, and Athena is known as “the fair, bright-eyed one” and the “grey-eyed goddess.” Two of the gods, Poseidon and Hephaestus, are described as having black hair. As noted above, Xenophanes complained that all peoples imagine the gods to look like themselves.

It was the Dorians, the last Greek invaders, who ended Achaean rule and probably provoked a mass migration of Aeolian and Ionian Hellenes—no doubt including Homer’s ancestors—across the Aegean Sea to the coast of Asia Minor. The Dorians who settled in the fertile valley of the Eurotas in the southern Peloponnesus were the direct ancestors of the Spartans of the classical age, and they claimed to be the only pure Dorians.

Werner Jaeger, Director of the Institute of Classical Studies at Harvard, writes:

“The national type of the invader remained purest in Sparta. The Dorian race gave Pindar his ideal of the fair-haired warrior of proud descent, which he used to describe not only the Homeric Menelaus, but the greatest Greek hero, Achilles, and in fact all the ‘fair-haired Danaeans’ [another name for the Achaeans who fought at Troy] of the heroic age” (Paideia: The Ideals of Greek Culture, 1939).

The classical Greeks made no claim to being autochthones, that is to say, “of the earth,” or the original inhabitants of the land. Rather, they took pride in being epeludes, the descendants of later settlers or conquerors. Two notable exceptions were the Arcadians and the Athenians, whose rocky soils presumably offered little temptation to armed colonizers. The historian Herodotus (484-420 BC) recorded that the Athenians were “a Pelasgian people [who] had occupied Attica and never moved from it,” as were the Arcadians. Language lends support to this view, for both the Athenians and Arcadians spoke unique dialects. They learned Greek from the northern invaders but retained Pelasgian elements.

Thus, classical Greece was a fusion, both cultural and racial, of these two types of whites. Some city-states, such as Thebes and Sparta, were predominantly Nordic. Others, such as Athens, were predominantly Mediterranean, and still others were mixtures of the two.

The Roman patricians

Nell Painter [the negress mentioned above], author of the above-mentioned History of White People, finds it “astonishing” that the American Nordicist Madison Grant (1865-1937) argued in The Passing of the Great Race (1916) that the Roman nobility was of Nordic origin, yet there is good evidence for this view. There are many lavishly illustrated books about ancient Rome with examples of death masks, busts, and statues that clearly depict the Roman patricians not simply as Europeans but as northern European.

R. Peterson’s fine study, The Classical World (1985), which includes an analysis of 43 Greek, and 32 Roman figures, is persuasive. Dr. Peterson explains that the Romans painted their death masks to preserve the color, as well as the shape, of their ancestors’ faces.

Blue eyes, fair hair, and light complexions are common. A good example of racial type is the famous portrait bust of Lucius Junius Brutus, the founder of the Roman Republic, which dates from the fourth century BC. Brutus’ face is identifiably Germanic, and so is the color of his eyes. The sculptor used ivory for the whites and blue glass for the pupils.

Or take the famous marble head of a patrician woman from the late first century AD, which is often included in illustrated surveys of imperial Rome to demonstrate the fashion for curled hair. Her features are typically northern European: a delicate, aquiline nose, high cheekbones, and a face angular and long rather than round. Another classic example is the famous fresco from the Villa of the Mysteries in Pompeii, which shows four women undergoing ritual flagellation. They are tall, light-skinned, and brown-haired.

There is also evidence from Roman names. Rutilus means “red, gold, auburn” and stems from the verb rutilo, which means “to shine with a reddish gleam.” Rufus, meaning red, was a common Roman cognomen or nickname used for a personal characteristic, such as red hair. The Flavians were an aristocratic clan whose family name was derived from flavus, meaning golden-yellow. The Flaminians were another noble family whose clan name came from flamma, meaning flame, suggesting red hair.

According to Plutarch, Marcus Porcius Cato had “red hair and grey eyes,” Lucius Cornelius Sulla, the general and dictator, had “blue-grey eyes and blond hair,” and Gaius Octavius (Augustus), the first Roman emperor, had “bright eyes and yellow hair.” Recent analysis of an ancient marble bust of the emperor Caligula found particles of the original pigment trapped in the stone. Experts have restored the colors to show that the demented ruler had ruddy skin and red hair.

The love poetry of Publius Ovidius Naso, better known as Ovid, (43 BC to AD 17) offers much evidence of the color of upper-class Roman women during the early years of the empire. That Ovid ascribes blond hair to many goddesses—Aurora, Minerva, Ceres, Diana, and Venus—tells us something about the Roman ideal of beauty; that he describes many of his lovers the same way tells us that the Nordic type was still found in imperial Rome. “I’m crazy for girls who are fair-haired and pale-complexioned,” he writes in his Amores of 15 BC, but “brunettes make marvelous lovers too.” He admires the contrast of “dark-tresses against a snow-white neck,” and adores young girls who blush. One of his favorite lovers is “tall” with a “peaches-and-cream complexion,” “ivory cheeks,” and “bright eyes.” Another was a “smart Greek blonde.”

So where did the Romans come from? They were a Latin people, although according to legend that may have some basis in fact, there were also Greek colonists and Trojan refugees among the founding races. The Latins were one of eight Nordic Italic tribes—Apulii, Bruttii, Lucanians, Sabines, Samnites, Umbrians/Oscians and the Veneti—who migrated into the Italian peninsula around 1000 BC. Of course, Italy was not vacant. The Etruscans lived to the north of Rome in what is now Tuscany, and there were other darker-complexioned whites living in the peninsula. The Etruscans are likely to have been Carians from Asia Minor.

What became of the Nordic Greeks and Romans? Their numbers were reduced and thinned through war, imperialism, immigration, and slavery. Protracted internecine war was devastating. The Hellenes lost relatively few men in their two wars with the Persian Empire (490, 480-479 BC), but they were decimated by the ruinous series of inter-Hellenic wars that followed. The Peloponnesian War (431-404 BC) pitted Athens and her subject Ionian cities against the Spartan Dorian confederacy. That was followed by 35 years of intermittent warfare between Sparta and Thebes (396-362 BC), which pitted Nordics against Nordics. These wars so weakened the Greek republics that they fell under Macedonian rule about 20 years later (338 BC), bringing to an end the classical age of Greece.

Money was, as always, a racial solvent. Theognis, a noble poet from the Dorian city of Megara wrote in the sixth century BC: “The noblest man will marry the lowest daughter of a base family, if only she brings in money. And a lady will share her bed with a foul rich man, preferring gold to pedigree. Money is all. Good breeds with bad and race is lost.”

The Roman experience was similarly tragic. All of her later historians agreed that the terrible losses inflicted by Hannibal during the Second Punic War (218-201 BC) were minor compared to the horrendous losses Rome inflicted on herself during the nearly 100 years of civil war that followed the murder of the reforming Tribune Tiberius Gracchus in 133 BC.

Immigration was the inevitable backwash of imperialism as slaves, adventurers, and traders swarmed into Rome. Over time, slaves were freed, foreigners gave birth to natives, non-Romans gained citizenship, and legal and social sanctions against intermarriage fell away. By the early empire, all that was left of the original Roman stock were a few patrician families.

The historian Appian lamented that “the city masses are now thoroughly mixed with foreign blood, the freed slave has the same rights as a native-born citizen, and those who are still slaves look no different from their masters.” Scipio Aemilianus (185–129 BC), a statesman and general of the famed clan of the Aemilii, called these heterogeneous subjects “step-children of Rome.”

One hundred and fifty years later, Horace (65–8 BC) wrote in Book III of the Odes:

Our grandfathers sired feeble children; theirs
Were weaker still—ourselves; and now our curse
Must be to breed even more degenerate heirs.

The last Roman writers therefore came to see their own people as both morally and physically degenerate. The subtext of Tacitus’ (56-117 AD) ethnological treatise Germania is a longing for the northern vigor and purity the Romans had lost. He saw the Gauls and Germans as superior to the Romans in morals and physique, and Roman women shared this admiration. Blond hair became the rage, and German and Gaulic slave women were shorn of their blond or reddish-brown hair to make wigs for wealthy women. By the time of Tertullian (160-225 AD), so many Roman women were dying their hair that he complained, “they are even ashamed of their country, sorry that they were not born in Germany or Gaul.” In the early second century AD, the satirist Juvenal complained of the dwindling stock of “the bluest patrician blood,” which is a figurative phrase for the nobility, whose veins appear blue through their light skin.

Viewed in a historical context, it is almost as if today’s northern Europeans have set out perfectly to imitate the ways in which the Greeks and Romans destroyed themselves. In both Europe and America, patriotic young men slaughtered each other in terrible fratricidal wars. In North America, the descendents of slaves are the majority in many great cities. Both continents have paid for imperial ambitions with mass immigration of aliens.

Will we be able to resist the forces that brought down the ancients?



[1] This article was originally published in 2010 by American Renaissance. Mr. Sims is an historian and a native of Kentucky.

The face of Classical Europe (I)

Were the Greeks blond and blue-eyed?


In 2013 I translated this article from the Spanish blogsite Evropa Soberana in fragmented form. Now that I am reviewing The Fair Race’s Darkest Hour for the 2015 edition, I would like to see it reproduced here in a single entry:


I remember a movie that came out in 2004. Troy was called. Naturally, many fans of Greece went to see it quite interested; some of them because they sincerely admired Hellas and its legacy. But some uncultivated specimens attended the theaters too. Everyone knows that, in our day, Greece is regarded as a mark of snobbery and sophistication even though you do not know who Orion was, or what was the color of Achilles’ hair according to mythology. The movie’s Helen (one with a look of a neighborhood slut) and Achilles (Brad Pitt) were rather cute. Adding the special effects, advertising and usual movie attendance there was no reason not to see this movie that, incidentally, is crap except for a few redeemable moments.

Upon first glance at the big screen, one of the many reactions that could be heard from the mouth of alleged scholarly individuals, was something like the following:

Outrageous: Achilles and Helen, blond and blue-eyed! Oh tragedy! Oh tantrum! Such a huge stupidity! Irreparable affront! It is obvious that Nazism, fascism, Nordicism, Francoism, anti-Semitism, homophobia and sexism are booming in Hollywood, because who would have the crazy notion to represent the Greeks as blond, when their phenotype was Mediterranean? Only the Americans could be so uneducated and egocentric and ethnocentric and Eurocentric and fascists and Nazis and blah blah…

These good people were not outraged by the desecration of The Iliad; for the absurd and fallacious script, for representing Achilles like an Australian surfer, or Helen as a cunt or the great kings as truckers of a brothel. No. They didn’t give a hoot about that. What mattered was leaving very clearly that they were sophisticated people, conscious of what was happening and that, besides being progressive democrats and international multi-culturalists without blemish, and able to pronounce “phenotype” without binding the tongue, they were also sufficiently “sincere admirers of Greece” to be indignant and losing their monocles before a blond Achilles.

The same could be said about the ultra-educated reaction to the movie 300. When it was released, we could see an outraged mass (and when we say “outraged” we are saying really outraged) complaining in the most grotesque way, by the presence here and there, of blond Spartans throughout the movie—fascist xenophobia by Hollywood and the like. How easy it is for the big mouths when there are large doses of daring ignorance involved, and when they have no idea what it stands to reason.

What I did not expect was to hear similar statements from the admirers of classical culture: people that one generously assumes they have read the Greco-Roman works or that are minimally informed—at least enough to not put one’s foot in it in a such a loudly manner. For Achilles, considered the greatest warrior of all time, and sole and exclusive holder of the holy anger, is described in The Iliad as blond, along with an overwhelming proportion of heroes, heroines, gods, goddesses—and even slaves considered desirable and worthy for the harem of the Greek warriors to seed the world with good genes.

The same could be said of the Spartans if we consider the physical appearance of their northern Dorian ancestors, who had come “among the snows” according to Herodotus. In fact, the movie 300 was too generous with the number of Spartans of dark hair, and too stingy with the number of blonds.

Whoever declares himself an admirer of classical European culture (Greece and Rome) and, at the same time, asserts that it was founded by swarthy, Mediterraneans-like-me folks is placing himself in the most uncomfortable form of self-consciousness. As I have said, if such individual really admired the classical world and bothered to read the classical works, he would have ascertained to what extent Nordic blood prevailed in the leaders of both Greece and Rome—especially in Greece. In short, those who claim being ultra-fans of Greece, Rome or both only throw garbage on themselves by demonstrating that they had not even read the original writings.

There are many truths about Nordic blood and Hellas but perhaps the most eloquent and overwhelming truth is that Greek literature is full of references to the appearance of the heroes and gods because the Greeks liked to place adjectives on all the characters, and nicknames and epithets representing their presence. So much so that it is really hard to find a swarthy character. In the case, for example, of Pindar, it is a real scandal: there is not a single character that is not “blonde,” “golden,” “white,” “of snowy arms,” and therefore “godlike.”

The blue eyes were described as γλαυκώπισ (glaukopis), which derives from γλαῦκος (glaukos), “brilliant,” “shiny.” The Roman writer Aulus Gellius, in his Attic Nights describes the concept of colors in a conversation between a Greek and a Roman. The Roman tells the Greek that glaucum (from which derives the Castilian glaucous) means gray-blue, and the Greek translates glaukopis into Latin as caesia, “sky,” i.e., sky blue. As Günther observes, the very word “iris,” of Greek origin, that describes the color of the eye, could only have been chosen by a people whom clear and bright eye colors dominated (blue, green or gray), and that a predominately swarthy people would have never compared the eye color with the image of the rainbow.

The Greek word for blond was ξανθός (xanthus), “yellow,” “gold,” “blond.” The xanthus color in the hair, as well as extreme beauty, light skin, high height, athletic build and luminous eyes were considered by the Greeks as proof of divine descent.

The physical appearance of Greek gods and heroes

DemeterDemeter as it was conceived by the Greeks. We must remember that the statues had a deeply sacred and religious character for the Hellenes and that, in addition of being works of art, they were also the height of geometric feeling and engineering, since the balance had to be perfect. The Greeks, who had a great knowledge of the analyses of features, represented in their statues not only beautiful people, but beautiful people with a necessarily beautiful soul.

There is a persistent tendency among the Hellenes to describe their idols as “dazzling,” “radiant,” “shiny,” “bright,” “full of light,” etc., something that very obviously correspond to a barely pigmented, “Nordic” appearance. To be more direct, I’ll omit these ambiguous quotes and focus on the concrete: the specific references to the color of skin, eyes, hair, and more. Where possible I’ve inserted the works, specific chapters and verses so that anyone can refer to the original passage.

• Demeter is described as “the blonde Demeter” in The Iliad (Song V: 500) and in Hymn to Demeter (I: 302), based on the mysteries of Eleusis. It is generally considered a matriarchal and telluric goddess from the East and of the pre-Indo-European peoples of Greece. However, here we should be inclined to think that, at best, she was a Europeanized goddess by the Greeks, integrated into their pantheon. The very name of Demeter comes from Dea Mater (Mother Goddess) and therefore would, in a sense, be the counterpart of Deus Pater—Zeus Pater or Jupiter, Dyaus Piter.

• Persephone, daughter of Demeter, is described as “white-armed” by Hesiod (Theogony: 913). At least it is clear here that Persephone was not a brown skinned goddess, nor that her physique coincided with the “Mediterranean” type. It is more reasonable to assume that her appearance was, at best, predominantly Nordic.

• Athena, the daughter of Zeus, goddess of wisdom, insight, cunning and strategic warfare in The Iliad, is described no more no less than a total of 57 times as “blue eyed” (in some variations, “green eyed”), and in The Odyssey a comparable number of times. Pindar referred to her as xanthus and glaukopis, meaning “blonde, blue-eyed.” Hesiod is content to call her “of green eyes” in his Theogony (15, 573, 587, 890 and 924), as well as Alcaeus and Simonides; while the Roman Ovid, in his Metamorphoses, which tells the perdition of Arachne, calls the goddess “manly and blond maiden.”

• Hera, the heavenly wife of Zeus, is called “white-armed” by Hesiod (Theogony, 315), while Homer called her “of snowy arms” and “white-armed goddess” at least thirteen times in The Iliad (I: 55, 195, 208, 572. 595, III 121, V: 775, 784; VIII: 350, 381, 484; XV: 78, 130).

• Zephyrus, the progenitor of Eros along with Iris, is described by Alcaeus (VII-VI centuries BCE) as “golden hair Zephyr” (Hymn to Eros, fragment V, 327).

• Eros, the god of eroticism, considered “the most terrible of the gods,” is described by an unknown, archaic Greek author as “golden-haired Eros.”


• Apollo as it was conceived by the very Greek sculptors. We are talking about a Nordic-white racial type slightly Armenized. Along with Athena, he was the most worshiped god throughout Greece, and particularly loved in Sparta.

Apollo is described by Alcaeus as “fair-haired Phoebus.” Phoebus is Apollo. On the other hand, Alcman of Sparta, Simonides (paean to Delos, 84), and an anonymous author, call Apollo “of golden hair,” while another epithet of his by Góngora—a Spanish author of the Renaissance but based on classic literary evidence—is “blond archpoet.” The famous Sappho of Lesbos speaks of “golden-haired Phoebus” in her hymn to Artemis.

• The god Rhadamanthus, son of Zeus and Europa, is described as blond in The Odyssey, and Strabo calls him “the blond Rhadamanthus” in his Geographica (Book III, 11-13).

• Dionysus is called by Hesiod “golden-haired” (Theogony 947).

• Hecate, goddess of the wilderness and also of the Parthians, is described by an unknown Greek poet as “golden haired Hecate, daughter of Zeus.”


• Artemis (illustration), the sister of Apollo is described by Sappho and Anacreon (Hymn to Artemis) as “blond daughter of Zeus.”

• The goddess Thetis, mother of Achilles, is called by Hesiod “of silver feet” (Theogony 1007), and by Homer “of silvery feet” (Iliad, I: 538, 556, IX : 410; XVI : 574, XVIII : 369, 381, XIV:89). Needless to say that a brown-skinned woman cannot have silvery feet: this is an attribute of extremely pale women.

• The Eunice and Hipponoe mermaids are described as “rosy-armed” by Hesiod (Theogony, ll. 240-264).

• Aphrodite, daughter of Zeus, goddess of love, beauty and female eroticism, is always described as a blonde. Its conventional title is almost always “Golden Aphrodite.” Ibycus (in Ode to Polycrates) calls Aphrodite “Cypris of blond hair.” Aphrodite held the title of Cypris (Lady of Cyprus) because the Greeks believed she was born in Cyprus, where she was particularly revered. In Hesiod’s Theogony she is called “golden Aphrodite” (824, 962, 975, 1006 and 1015) and “very golden Aphrodite” (980). In Homer’s Iliad we have “Aura Aphrodite” (IX: 389), and in The Odyssey as “golden haired.”

• The Graces were described by Ibycus as “green eyed” (fragment papery, PMG 288).

Above I listed Wilhelm Sieglin’s conclusions regarding the Hellenic pantheon as a whole. Let us now see the heroes.

• Helen, considered the most beautiful woman ever and an indirect cause of the Trojan War, was described by Stesichorus, Sappho (first book of poems, Alexandrian compilation) and Ibycus as “the blonde Helen” (Ode to Polycrates).

• King Menelaus of Sparta, absolute model of noble warrior, brother of Agamemnon and legitimate husband of Helen is many times “the blond Menelaus” both in The Iliad (a minimum of fourteen times, III: 284, IV: 183, 210, X: 240, XI: 125; XVII: 6, 18, 113, 124, 578, 673, 684, XXIII: 293, 438) and The Odyssey. Peisander described him as xanthokómes, mégas en glaukómmatos, meaning “blond of big blue eyes.” In Greek mythology, Menelaus is one of the few heroes who achieved immortality in the Islands of the Blessed.

• Cassandra, the daughter of Agamemnon and sister of Orestes, is described by Philoxenus of Cythera with “golden curls,” and by Ibycus as “green-eyed Cassandra.”

• Meleager is described as “the blond Meleager” by Homer (Iliad, II: 642), and in his Argonautica

Apollonius of Rhodes also describes him as blond.

• Patroclus, the teacher and friend of Achilles, is described as blond by Dion of Prusa.

• Heracles is described as strongly built and of curly blond hair, among others, by Apollonius of Rhodes in Argonautica.

• Achilles, considered the greatest warrior of the past, present and future, is described as blond by Homer in the Iliad when he is about to attack Agamemnon and, to avoid it, the goddess Athena retains him “and seized the son of Peleus by his yellow hair” (I:197).

• The Greek hero Ajax (Aias in the Iliad) is described as blond.

• Hector, the Trojan hero,[1] is described as swarthy in the Iliad.

• Odysseus, king of Ithaca, Achaean hero at Troy and protagonist of Homer’s Odyssey, is generally considered as swarthy. However, this can be tempered. Although he is described as white skinned and “dark bearded” in The Odyssey, his hair ishyakinthos, i.e., color of hyacinths. Traditionally this color was translated as “brown” but it was also said that the hyacinths grown in Greece were of a red variety. If true, that would make Odysseus red-haired.

• Odysseus in any case differs from the Greek hero prototype: tall, slender and blond. It was described as lower than Agamemnon but with broader shoulders and chest “like a ram” according to Priam, king of Troy. This could more likely be a physical type of a Red Nordid [2] than a typical white Nordid Greek hero. It should also be mentioned that Homer used so frequently to call “blonds” his heroes that, in two lapses, he described Odysseus’ hair as xanthos in The Odyssey.

• Laertes, the father of Odysseus, was blond according to Homer’s Odyssey.

• Penelope, Odysseus’ wife, and queen of Ithaca, was blonde in Homer’s Odyssey.

• Telemachus, son of Odysseus and Penelope, was blond in Homer’s Odyssey.

• Briseis, the favorite slave in the harem of Achilles—captured in one of his raids, and treated like a queen in golden captivity—was “golden haired.”

• Agamede, daughter of Augeas and wife of Mulius, was “the blonde Agamede” according to Homer (Iliad, XI: 740).

• In his Argonautica Apollonius of Rhodes describes Jason and all the Argonauts as blond. The Argonauts were a männerbund: a confederation of warriors which gathered early Greek heroes, many direct children of the gods who laid the foundations of the legends and fathered the later heroes, often with divine mediation. They took their name from Argos, the ship they were traveling and did their Viking-style landings.

Below I reproduce some passages of Nordic phenotypes in Greek literature. Note that these are only a few examples of what exists in all of Greek literature:

• “Blonder hairs than a torch” (Sappho of Lesbos, talking about her daughter in Book V of her Alexandrian compilation).

• “Galatea of golden hair” (Philoxenus of Cythera, The Cyclops or Galatea).

• “…with a hair of gold and a silver face” (Alcman of Sparta, praising a maiden during a car race).

• “…happy girl of golden curls” (Alcman of Sparta, in honor of a Spartan poetess).


• “…blonde Lacedaemonians… of golden hair” (Bacchylides, talking about the young Spartans).

• Dicaearchus described Theban women as “blonde.”

The German scholar Wilhelm Sieglin (1855-1935) collected all the passages of Greek mythology which referred to the appearance of gods and heroes. From among the gods and goddesses, 60 were blond and 35 swarthy-skinned. Of the latter, 29 were chthonic-telluric divinities; marine deities such as Poseidon, or deities from the underworld. All of these came from the ancient pre-Aryan mythology of Greece. Of the mythological heroes, 140 were blond and 8 swarthy.

In this article, we have seen many instances of mythological characters, which is important because it provides us valuable information about the ideal of divinity and perfection of the ancient Greeks and points out that their values were identified with the North and the “Nordic” racial type. However, Sieglin also took into account the passages describing the appearance of real historical characters. Thus, of 122 prominent people of ancient Greece whose appearance is described in the texts, 109 were light haired (blond or red), and 13 swarthy.


See also:

“The face of Classical Europe (II):
Were the Romans blond and blue-eyed?”



[1] “Trojan”—i.e., a non-Greek.

[2] An explanation of terms like “red Nordid,” “slightly Armenized,” etc., appears in other article of the website Evropa Soberana, also reproduced in this blog.

Were the Greeks blond and blue-eyed?


This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Sparta – XII

This specific chapter of Sparta and its Law has been moved: here.

If you want to read the book Sparta and its Law from the beginning, click: here.

Sparta – II

This specific chapter of Sparta and its Law has been moved: here.

If you want to read the book Sparta and its Law from the beginning, click: here.

Attacking the Hydra


A lesson for anti-Nazi whites

Dear Chechar:

I have been reading the articles related to the anniversary of Hitler that have been posted on CC [Counter-Currents] and elsewhere, and they made me think about my critical, albeit open, attitude with respect to Hitler. I like Johnson’s article (“The Burden…”) of 2011.

In this time of defeat, this interregnum as you put it somewhere, in this night we all suffer, it is not prudent nor wise the throwing from our ranks the slightest criticism of the Nazi period (we cannot give weapons to the enemy). Moreover, it is the only relevant event of our people in the last thousands of years, I would say.

Certainly this anniversary, the articles, but also your words have made me rethink this whole period. In this period the Aryan people is identified and recognized for the first time in the history of the peoples. For the first time our people became conscious of itself, about its origin and its nature. Since the rise of our people (that primitive nucleus) six or seven thousand years ago, there was nothing like it. It was a dawn, a new dawn. They were sublime moments.

This “birth” has to do with the emergence of Indo-European studies, and studies of evolution and genetics of that time. They spread new knowledge about our bio-cultural being, about our race, and our languages and cultures. It was a recognition. It was like looking for the first time in a mirror. We were there in those texts: in the hymns of the Rig Veda, in the Iliad, the Aeneid, in the Edda, the Mabinogion… It was us, our blood, our genius, our race, which had generated those texts, those cultures, those worlds.

The swastika, our banner, was not only raised against liberalism and communism… Just today we begin to understand the greatness and scope of its mission, and our mission. To situate it accurately we can make ours these words of Saint-Loup (the first aphorism of Quotations):

[Hitler était] l’homme qui avait jeté au monde ce prodigieux défi : attaquer en même temps le capitalisme anglo-saxon, le bolchevisme rouge, le racisme juif, la franc-maçonnerie internationale, l’Eglise catholique, le paupérisme et les iniquités sociales, le traité de Versailles, le colonialisme, la pagaille française et la Home Fleet.

[Hitler was] the man who had thrown to the world this extraordinary challenge: to attack at the same time Anglo-Saxon capitalism, Red Bolshevism, Jewish racism, international Freemasonry, the Catholic Church, pauperism and social iniquities, the Treaty of Versailles, colonialism, the French mess, and the Home Fleet.

And the list is not complete.

It was not just Hitler, but Germany as a whole: the entire German people. It was a collective “enterprise.”

Born armed, like Athena, the German community, the first Aryan community to wake up, or being reborn. And it does it to fight those who have sought her harm; against an entire counter-cultural environment which negates her being. Spiritually alienated she has to fight against the Jewish-messianic delusion, the “Christian millennium.” And it was not the only Jewish monster that had to face this newborn Aryan nation: communism also thrived, ravaging the population, and others. The Jewish hydra had multiplied, had branched, had too many faces, too many heads.

It seems that we have had but one enemy along the history, the Semitic peoples and their speeches (Jews, Judeo-Messianics, and Muslims). They dominate us spiritually. It’s the multiple alienation we suffer at the hands of Semites or Semitic ideologies (religious, political, economic, anthropological, sociological, psychological…).

Our enemy possess us one way or the other. The frightening Jewish hydra. Typhon. Evil. Our evil.


Was it an awakening, a premature birth? Too young was this community to face this millenary Monster. As a young Hero he failed in his first attempt to defeat it. Too old and cunning such monstrosity. He gobbled up the boy, and the young Aryan community, in a few years.

It was the first attempt, nothing more: the first real combat. Until then we had been suffering its impositions and strategies without even realizing that we were being attacked. They had thousands of years depriving us of our things, denying our ancestral being, vituperating our ancestors, defiling our sacred places, dividing us, sowing discord among us. It should be noted the Judeo-Messianic dualism (Manichaeism) of their holy book in (OT and NT), but also in Marxism, or psychoanalysis. The spread of these ideologies is part of their domination strategy.

We are a young people, a young race. We lack experience. This interregnum must serve to strengthen us spiritually and culturally.

You say, in a comment on the Johnson article, that the “revisionism” of Hitler and the Nazi period is essential. I absolutely agree. The Nazi period as a whole (from birth until its fall) has to be reclaimed for several reasons. It is essential in our history, in the history of the Aryan peoples. This is our new birth, our first encounter with the ancient Enemy, and our first loss. Nothing more or less. This episode has to have absolute preeminence among us. It must occupy the highest place in our memory, in our thoughts, in our hearts.

We have to rescue the memory of this period and raise it to the top with pride. We must be proud of that period. We were beaten, but not defeated. We are still alive and active. If we do not defeat it in the next battle, we will win the next one. We will overcome them at last. I know that.

The birth of our people is conceived in the years before Hitler came to power. The Aryan consciousness of a whole people then saw the light, and received his “baptism” publicly. An entire people recognized itself. 1933 is the year of their birth, the first Aryan community recognized as such. Their loss occurs 1945. We are, therefore, on the 80th anniversary of their birth, the birth of the first Aryan nation, of the Aryan nation itself.

That period is a milestone unmatched in our short history. The first appearance of our people in History. Now we are a people: the Aryan nation.

Hitler symbolizes our first period, our first battle, and our first loss. His struggle was our struggle. His loss was our loss. But this defeat has not conquered us during our first open confrontation against evil, against our evil. We were defeated, so what? It was huge the thing against which they fought. Too many hydra tentacles. It could not be. Next time we overcome, or the next one. The war has just begun.

These anniversaries of Hitler and the birth of our people have been for me as a small renaissance too. Let’s say I see more light, I see clearer. I have a presentiment of the next battle (that there will be a next battle). And this time we will have a space from which to advance, a bulwark, a solid footing (the Aryan nation itself). We shall re-conquer our people. We have many great spiritual warriors, and well armed with knowledge and truth. In the end, we will win.

This is my spirit now. We’re already a people.

Chechar, I feel that I owed this letter (and all those I upset with my harsh words about Hitler and the Nazi period).



(translated from Spanish)

Lethal mixing of bloods

Most of present-day Greeks are mongrels, not peoples of pure “Indo-European” (whites for short) origin. According to William Pierce, the only way that the ancient Greeks could have survived as pure whites would have been to eliminate the entire indigenous population, either through expulsion or extermination:


To avoid replication of texts within this site, I moved the rest of this entry: here

Nordic invasion precedes rise of Classical Civilization

Excerpted from the tenth article of William Pierce’s “Who We Are: a Series of Articles on the History of the White Race”:

Greece was invaded by Greek-speaking Northerners several times during prehistory. Those who arrived in the period 2,100-1,900 B.C. founded the great Mycenaean civilization, which flourished from the end of the l6th century until about 1,200 B.C.

Homer, whose Iliad and Odyssey describe Mycenaean Greece, refers to the Greeks, or Hellenes, inclusively as “Achaeans.” In fact, however, the Achaeans were only one of the Hellenic tribes which were in Greece in Mycenaean times.

Aeolians and Ionians

In addition to the Achaeans, who occupied most of the Peloponnesus (the southern peninsula of Greece, in which Mycenae was located), there were the Aeolians and the Ionians, who occupied other portions of the mainland, many of the Aegean islands, and the west coast of Asia Minor. The Ionians, in particular, settled in Attica and were the founders of Athens.

These tribal divisions apparently predate the arrival of the first Hellenes in Greece, and it seems likely that the Achaeans, Aeolians, and Ionians invaded the Aegean region separately, over a period of several centuries.

And there were also the non-Greek Pelasgians, the Mediterranean aborigines, who occupied the lowest stratum of Greek society and substantially outnumbered the Hellenes in Mycenaean times. As pointed out in the last installment, the Mycenaean Greeks were influenced culturally by these Mediterraneans—and, as time passed, racially as well.

Divine-Born Heroes

In the late 14th and early 13th centuries B.C. more Greek-speaking Indo-Europeans arrived, coming westward across the Aegean in ships. They were Homer’s “divine born” heroes, the fathers and grandfathers of the warriors who sacked Troy about 1,250 B.C.: golden-haired Achilles, the sons of Atreus, and the other princes and kings of the Iliad. They settled in Greece, founded dynasties, and lived in a manner remarkably like that of northern Europe’s feudal lords more than 20 centuries later.

A couple of generations after the fall of Troy—exactly 80 years afterward, according to Greek tradition—a new group of divine-born warriors swept down on Greece, this time from the north. They were the Heraclidae, the supposed descendants of the blond demigod Hercules, and with them came the Dorians, the last of the major Hellenic tribes to reach the Aegean region.

Dorian Invasion

The Dorians, who had settled in central Greece a few years earlier, proceeded to conquer the Achaeans, occupy the Peloponnesus, and extinguish Mycenaean civilization. But, in so doing, they prepared the way for the rise of a new civilization which would greatly surpass the old one.

The Dorian invasion was actually a more complex phenomenon than the preceding lines might suggest. It involved repeated interactions with other peoples on a protracted journey which, although generally southward, included a number of detours, loops, and rest stops. And their legendary leaders, the Heraclidae, had already been south once before, prior to the Trojan war.

It also involved the displacement of other peoples, and it came during a period when lesser Greek-speaking tribes were undertaking invasions of their own to the south. Displaced Achaeans, Aeolians, and Ionians migrated to new areas, sometimes displacing those people already there and sometimes amalgamating with them.

Blond but Rude

The Dorians were blonder than the Achaeans they conquered, but that is only because the Achaeans had been mixing with the Mediterranean aborigines for several centuries before the Dorians arrived; originally the two tribes had been of the same racial composition.

But the Achaeans were certainly more civilized than the rude, new arrivals from the north, and it was 400 years before Greece recovered from the cultural shock of the Dorian invasion. When the civilization of Classical Greece bloomed in the seventh century B.C., it comprised some elements of the old, Mycenaean culture and some which were the consequence of the social, political, and demographic changes wrought by the newcomers.

Dark Age

The four centuries between the Dorian invasion and the flowering of the literate Classical civilization are referred to by most historians as “the Dark Age,” for much the same reasons that the period between the fall of Rome, more than 15 centuries later, and the flowering of Mediaeval civilization is also called “the Dark Ages.”

In both cases a people of an older civilization, who had begun to succumb to racial mixing and decadence, was overwhelmed by a more vigorous and racially healthier but culturally less advanced people from the north. And in both cases a period of gestation took place over a dozen generations or so, during which a synthesis of old and new elements, racial and cultural, occurred, before a new and different civilization arose from the ruins of the old.

Historians’ Bias

Unfortunately, most historians tacitly assume that the records of political and cultural activity which have come down to us from periods of civilized literacy provide all the data needed to yield an understanding of the historical process. The state of development and degree of organization and complexity of city life are taken as a yardstick by which to evaluate the significance or historical importance of a particular period. And if one’s standards of value are geared to such things as the volume of commerce, the gross national product, or even the intensity of scientific, literary, and artistic activity, such a yardstick may seem, at first glance, to be proper.

Racial Values

But there are other standards of value, such as those of the National Alliance, which differ somewhat from the customary ones. For it is not in the external forms of organization and activity of a people that we see the most important criteria for making a judgment as to the significance of a particular period, but rather in the actual racial constitution of a people and in the dynamic processes which, for better or worse, are influencing that racial constitution.

Although the basic racial constitution of a people is always intimately related to that people’s achievements in commerce, science, industry, art, politics, and warfare, still the two sets of criteria can lead to fundamentally different evaluations of a given historical period.

This is a consequence of the fact that race building and decay are usually strongly out of phase with civilization building and decay.

Rise and Fall of Races

Thus, the long ages between the periods of maximum civil activity—ages which the historian customarily ignores as being of only slight importance—may very well be periods of the greatest interest from a standpoint of racial dynamics.

It is, of course, true that the periods of maximum civil activity are precisely those which yield a maximum of written records, artifacts, and the other raw materials from which the historian builds his tale. But relative abundance of evidence should not be interpreted as equivalent to relative historical significance, regardless of the historian’s value criteria.

The record of the rise and fall of pure races constitutes the primary history of mankind, and the rise and fall of civilizations occupy a place of secondary importance. This statement may seem self-evident to those already accustomed to looking at history from a racial viewpoint, but it is by no means generally accepted by historians today. Until it is, much historical writing will continue to be flawed in a fundamental way.

It is the poet who creates nations, not the scientist

The following articles, “The Sword” and “The Edge of the Sword,” published originally at The Occidental Quarterly, are the second and third essays in Michael O’Meara’s book Toward the White Republic, available from Counter-Currents Publishing here.

The Sword

My article “Toward the White Republic,” which recently won the TOQ essay contest (though under shady circumstances according to one critic), has been the subject of several internet discussions, most of which, typical of the medium, have produced more heat than light.

Nevertheless, around the margins of this discussion and in a few genuine flashes of insight buried under the rubble of meandering commentary, certain signs suggest that white racial consciousness in the English-speaking world may be in the process, however slowly, of changing, as white nationalists challenge the hegemony of the race realists.

I say this, of course, based on my particular understanding of white nationalism—which is mine alone—and not that of any group, least of all that of a conservative outfit like The Occidental Quarterly.

My sense of this changing consciousness is perhaps exaggerated by the fact that the prospects of white nationalism at last finding its way into the political arena seems a bit brighter now that the black Jesus is losing his magic touch, that the still too comfortable white middle class is already up in arms over his proposed Big Brother state (which they will have to pay for), and that the impending economic tsunami is about to sweep away the materialist illusions that have misguided whites for the last half century or so.

A great cleansing could be coming—probably won’t, but could.

Influenced by Heidegger and Evola, I’ve long believed that the “malaise” afflicting the white man is profound, traceable in part to the advent of modernity, which introduced certain civilizational and ontological principles inimical to European life.

This malaise has taken a toll no less on the racially conscious community, which upholds not a few of the same principles that are today responsible for the impending demise of white America: especially principles associated with the disembedded individualism of Adam Smith, the scientism of capitalism’s technoeconomic order, and the nihilism that seeks to disenfranchise religion, morality, and the significance of culture.

Part of this is due, I suspect, to the fact that the “racially conscious community” has long been dominated by the idealism of “race realists” or what, before 1945, was called “scientific racism,” a school associated with Madison Grant and Lothrop Stoddard, along with such scientists as Charles Davenport.

The tasks of “scientific racism” were considerably different than the tasks we now face. The largely scientific orientation of realists upholding their truths was appropriate to a society which still had a color-line and kept Negroes out of the public sphere. Against reformers, Jews, and do-gooders who sought to integrate alien races, race realists simply needed to demonstrate the terrible social and genetic costs of racial integration.

This not the case today, where the issue is a matter of asserting ourselves as a free people, rather than defending an already established status quo.

Though the principles of scientific racism are now clearly beyond the pale of respectability, science itself nevertheless remains the conceptual bedrock upon which modern liberal society rests.

Ideologically, liberalism emerged in the eighteenth century, as proponents of scientific rationalism endeavored to apply their principles to society and state. All traditions, beliefs, customs, and affiliations—that is, all the qualitative facets of life that are the source of meaning—were thus forced to give way to the quantitative, materialist, abstract, and inherently alienating imperatives of a scientific instrumentalism that sought to impose its bloodless order on the white world for the sake of homo oecomicus.

This emphasis on the materialist and quantitative has resulted in the comforts of our consumer society, as well as the less than comforting realities of its consummate meaninglessness. We may, as a consequence, be materially richer—yet spiritually, and in other ways, we’ve become the most desperate of the poor. A truly enriching life, as tradition holds, depends less on the means of existence than on its meaning.

It is only when the world is no longer experienced as a sacred whole and knowledge is fragmented into narrow scientific disciplines that man becomes a social atom regulated by purely rationalist principles detached from superior ideals and subjected to subpersonal, collectivist, and naturalist criteria, whose inevitable culmination is the present decadence.

To think, then, that a popularization of Salter’s Ethnic Genetic Interests, a revival of Darwinian biology (with its propensity to see organic life in terms of self-regulating market principles), or the privileging of a (philosophically naive) analytic-empiricism has any role to play in saving us from the menacing forces arrayed against white life—well, to be kind, it’s too absurd to refute.

Science simply does not understand human being, just as its truths cannot defend us from the forces favoring our extinction.

Heidegger says “science does not think”—it only enunciates the facts, which it has no means to interpret or evaluate—because that would mean appealing to normative, hence unscientific standards. Understanding is the work of culture—the work of accumulated legacies that imagine, populate, and make meaningful man’s world.

Science, as such, can’t tell us why a handful of men, armed only with a will and a goal, would think they could defeat the greatest empire in history or why my favorite aunt is the one who defends her country’s honor with a German accent.

As much as we nationalists respect the authority of science, we consider it secondary, say, to the extraordinary authority of Homer, who gave birth (in his myth-making) to the Greeks and the Greeks to all the rests of us.

What’s important, here, is to realize that the truths of the Iliad, or those of Mendelian genetics, are born of the imagination, not of some natural illumination, and that their significance pertains not to “the thing itself,” but to what lies in us, as a people rooted in time and being, with a destiny distinct to who we are.

One historian of the ancient Greeks, Paul Veyne, argues that: Men do not find the truth, they create it, as they create their history.

Thus it was that whenever the Greeks criticized the fictitious stories that had grown up around their myths, it was not to reject myth, but to uncover the deeper, more truthful basis—the authentic tradition—which they took as the ideal representation of who they were. For myth—this “constitutive imagination of their tribe”—is what gave them a meaning, a vocation, and a destiny—which is something quite simply beyond science’s capacity.

This is not to say that science is the opposite of poetic myth, in the way truth is the opposite of error, but simply that it is a different and by no means superior way, to know the world—at least the physical world in its quantitative and materialist expressions.

It is imagination, not the analytical formulations of science, that gives us access to the real in the world.

The notion that truth can be presented stripped of myth is itself a myth. Nietzsche argues that there are no facts, only interpretations. This doesn’t mean that the real doesn’t exist, only that it’s impossible to apprehend without some interpretative faculty, analytic or artistic, that rests on mythic foundations.

Myth, not coincidentally, undergirds the foundation of our culture. It operates still in the highest reaches of scientific speculation. It speaks to us as a collective solidarity, not an individual conscience; it expresses a determination to act; it is beyond dispute; it cannot be defeated; it speaks the language to which all human beings are most responsive; it transmits the defining experiences of authority and ultimacy, the source of sacredness.

For myth, the world is not a product of rational calculation, but rather a primordial legacy imbued with the weight of tradition, spirit, and blood.

It is the poet, relatedly, who creates nations, not the scientist. (Creativity, need it be added, is hardly born of analytical reason—if such a disembodied thing ever existed. The great scientific breakthroughs [as Kuhn with his “paradigms,” Bachelard with his “epistomological ruptures,” and Foucault with his “epistemes” explain] are rarely the product of a scientific reason applied to neutral source materials or facts, but rather come from something else entirely—something more akin to the creative side of the artist’s sensibility.)

Novalis said that “poetry is the base of society”—for without poetry, there is no myth, and without myth, there is no culture—and hence no means of creating a people.

When white nationalists appeal to a mobilizing myth, it’s not because they dismiss discursive reason or the authority of evidence and experience. Rather, they simply assume it to be the more elemental and galvanizing form of our understanding.

As Sorel, Le Bon, Pareto, Weber, Mosca, and others have shown, the success of an idea depends less on its logical virtues and demonstrative capacities than on its mythic representation of certain collective impulses.

If man were a machine, rationality alone would suffice. But man’s “rationality” is rooted in the irrationality of his collective consciousness, in the mythic postulates of his culture, in the norms and values of his communal existence, and in the strange, occasional stirrings of his blood.

White nationalists pay homage to race realists less for validating the significance of racial differences and highlighting the dangers of miscegenation (whose obviousness needs no scientific elaboration), but for their often gallant effort to keep America white.

Today, however, in this miscegenating age indifferent to the scientific implications of race differences, our task is not to defend a no longer existing racial hierarchy, but to save what remains of white America. The white nationalist struggle, as such, is about freeing whites from the anti-racist order threatening them—not about carrying out the sort of educational campaigns that occupied the scientific racists.

Race realism, moreover, is only a part of what defines white nationalism—no matter how primordial blood may be. The racial truths of the biological sciences are indeed meaningful only in the context of our people’s life. For they, not the material world of science, are what makes these truths significant.

In favoring an independent white homeland and assuming, rather than privileging, the postulates of race realism, white nationalists hold that the world is not a marketplace of ideas and that the best ideas rarely get the best market price. No matter how primordial blood may be, the white nationalist struggle is more about the soul and spirit that blood brings forth.

More crucially, white nationalists are not so naive as to believe that their America will be saved by facts or scientific demonstrations. Rather, they believe that only by acting as other oppressed and threatened nations have had to act to insure their survival will their America survive: That is, only by struggling to become a sovereign nation, free of the forces opposing them as a people, will their kind have a future (aspiring to do this, of course, in strict adherence to the legal provisions of the US Constitution).

White nationalists, as a consequence, assume that the defense and rebirth of white life in North America will have little to do with science or truth or justice or any other grand abstraction (so fond to the language of liberalism), but only with the struggle for power—a struggle old as the ages—one which, even in our dumbed-down information society, is not about issues related to science—but about the politics of imposing our cosmos (order) on the prevailing (and encroaching) chaos—above all, a political struggle in the Schmittian sense of determining who our real enemy is and of knowing that the ultimate goal is not about abstract truths, but about white survival.

La politique, Napoleon said, c’est le destin.

The political in this sense opposes scientific rationality, whose calculating and determining materialism drags man down to his animal side, and instead favors all that lifts man above and beyond himself, as a destining being.

Every distinct people is indeed a destiny forged by common values expressed in certain basic myths. Without those myths, there are no collective values and without collective values there are no common destiny—and no people.

This makes the struggle for nationhood a matter of political, cultural, and social struggle, not science.

The change I see affecting the racially conscious community is related to what may be an emerging understanding of the need now, if we are serious about guaranteeing a future for white children, to go beyond race realism and to start thinking like a nationalist vanguard, which sees itself as the kernel of a future White Nation—born from the desperation of the decayed and increasingly tyrannical system of the powers that be.

The historical course offered by myth, in contrast to the inherently passive determinism of scientific rationalism, is a choice for heroes, not bookworms or computer hobbyists, for it opens the future to those tiny grains of sand that inevitably bring the great machines to a grinding halt.

In the struggle we’ll need to wage if we are to survive, myth is not simply a more appropriate and powerful way to understand what needs to be done. It taps those primal forces that will empower us to reject the devitalizing forces of liberal modernity and to assert ourselves in a re-enchanted world with a destining project distinct to who we are, as New World Europeans refusing to accept our programmed extinction.

If there are odd individuals here or there who can or do respond solely on the basis of self-interest alone, that’s fine—but they are more likely to end up in the race realist rather than the white nationalist camp.

One final point: Besides promising to free us and ensure our continuity, the mythic imperatives of white nationalism offers us another chance to expiate our “sins”—to do the penance that will make us better men, more like our great grandfathers, as Harold Covington says—degenerate and characterless types that we have since become. For it’s not just that whites have been hoodwinked and manipulated by their new masters, as many would like to believe. From an Aryan perspective, they have all too readily abandoned almost everything that once made them such a world-forming race.

To undo all that has alienated us from our innermost spirit (and that’s a great deal), we no longer need to keep harping on the teachings of race science, which whites have been conditioned to resist. Instead, our task today is to recover the values and traditions that made our ancestors strong.

To do this we need, in imitation of those who have gone before and in anticipation of those who will follow, to struggle, sword in hand, to be what our myths have destined us to be.

The sword is white nationalism.

The Edge of the Sword

Author’s Note: Myth and science are tangential to the real issue facing us, which is about politics and preservation. The following is an effort to sharpen (or maybe just to repeat) certain ideas presented in “The Sword.”


The starting point for all discussions of white preservation must begin with the realization that we have entered an Interregnum, a period of unprecedented danger during which we are destined to experience a great transformation. The most conspicuous sign of this came in November 2008, with the advent of the blackest night, symbol not of sleep but of death.

The question that now faces us is: Will it be our death as a people or the death in us of all those things that have led to this most desperate stage of our history?


The historical antecedents of white nationalism are many: Kearney’s Workingmen’s Party, the First and Second Klans, various state’s rights and segregationist movements of the 1940s and ’50s, perhaps George Wallace’s American Independent Party, as well as a horde of smaller, more sectarian organizations.

For the past generation, however, the racialist movement defending our way of life has ceased to be political and become largely a race-realist affair—which was to be expected, given that the race realists presently dominating white discourse are the heirs of the prewar “scientific racists,” who saw their task in essentially educational terms.


Scientific racists in the early twentieth century indeed played an important intellectual role in defending the existing system of racial relations.

But that role bears no relationship to the one facing white Americans in this period, however much race realism remains a crucial part of the white-nationalist arsenal.

Then, when scientific racists commanded the center stage of public opinion, America was still a white man’s country, it had a well delineated color line, an established racial hierarchy (which most whites unconsciously accepted), and twice it succeeded in imposing immigration restrictions on a reluctant government (against Asians in the early 1880s and against non-Nordics between 1921 and ’24).

In this context, scientific racists—who came mainly from the upper classes and were often academics or intellectuals—merely needed to popularize their findings to defend the pro-white status quo.

Today, their race realist successors have continued in this tradition, trying to re-educate whites in the knowledge of what their great grandparents once knew.

This knowledge, moreover, is mainly of a scientific kind and aimed primarily at informing elites and influencing public policy—typical Enlightenment forms of metapolitics. Not coincidentally, such metapolitics accepts the liberal supposition that man’s world revolves around the objectively-defined self-interest of rational individuals, whose identities are rooted in materialist considerations rather than in the infinitely less quantifiable ones of history, culture, and kin.


As Rome burns, the question inevitably arises of how reasonable it is to continue writing cookbooks amidst the flames devouring us. This, though, is what race realists will end up doing if our racially conscious community does not soon break with its naive scientism and assume the shape of a political-metapolitical front to represent the higher collective interests of European America.


Since state policy has turned against white Americans and come to pose a direct threat to their continuity, our tasks today is a matter of ensuring our collective survival as a people, which means it is a matter of forming organizations and movements to struggle on our behalf.


To this end, white nationalists will need to break with the exclusively academic/scientific orientation of race realists and start building a nationalist vanguard to lead their people. The question is: How?

This is the question that needs to be addressed and addressed not as an epistemological issue (i.e., as an issue of knowledge), but politically, culturally, socially, and in other ways that intersect our experiences in the world.


Science (which too is infused with myth and ideology) is for academic debate, myth and ideology are for popular social movements. There is, though, no hard and fast division between them. Those seeking to make the epistemological difference between them primary seem not fully conscious of the great historical tasks facing white men in the twenty-first century, just as their dismissal of popular political mobilizations as a “misty and idealistic totemism” seems to reflect the typical liberal propensity to avoid engagements that might involve them in real world activity.

Context here is all important. If I need a cancerous growth removed from my body, I’m not going to have a student of myth do it, just as if I want to learn about José Antonio Primo de Rivera, I would prefer to ask a Spanish historian rather than a geneticist.

Similarly, if I want to build a nationalist movement, I know it’s going to take something more than the virtues of Frank Salter to convince whites to abandon their individualistic and materialistic lives (which, incidentally, are usually led under the sign of self-interest)—it will take something bigger and grander that touches them at the core of their being.

That something can only be found in myth, culture, history, and blood—in all those things that transcend the individual, that link him to a higher destiny, and that refuse the safe, sanitized detachment of modernity’s privatized realm.


Myth is not “mystification,” even if our naive empiricists assume it to be; it is simply another way (and at times a more powerful way) of apprehending and communicating a truth.

In one situation it is obviously appropriate, in another situation science is.

A mythic figure like Jeanne d’Arc touches a Frenchman more profoundly than the vast intellectual heritage of Cartesianism because St. Joan evokes a hundred defining emotions lodged in a Frenchman’s heart, doing so in ways that the elegant, yet bloodless postulates of Descartes’ scientific rationalism cannot.

The Cartesians’ powerful heritage is not, as a consequence, unimportant to France; it simply has little role to play in defending the nation from those who seek its destruction. Relatedly, in the numerous assertions of France’s nationalist movement, St. Joan is omnipresent because of all she represents, while Descartes rarely has anything to add, except perhaps in keeping debates at the conceptual level orderly and logical.

If you want, then, to engage in discussions about race and racial differences, you bring in the geneticists and Darwinists. But if you want to build a nationalist movement to ensure the continuity of white America, you appeal to Andrew Jackson and Thomas Jefferson, to the Battle of the Alamo and Kearney’s Workingmen, to the Stars and Bars and the sustaining voices of those quintessential representatives of America’s white culture, the Carter family.

Those who think that IQ, JQ, EGI, GSS, HBD, etc., are somehow more important in mobilizing a people than appeals to their spirit or destiny do not seem to know, “empiricists” that they claim to be, anything of history, especially the history of the nationalist and labor movements that shaped much of the nineteenth and twentieth centuries.

A preference for scientific demonstration rather than political mobilization is, moreover, the strategy of middle-class intellectuals, whose world is defined by the classroom, the computer monitor, and tedious faculty meetings. Political appeals to a people’s cultural and mythic paradigms, on the other hand, are the meat and drink of militants who associate with workers and soldiers, organize local cells and demonstrations, and, when the time comes, raise barricades in the street—to defend their neighborhood from marauders, or perhaps to do what used to be done, in front of Paris’ Hôtel de Ville.


The world is not a debating society.

It’s hardly coincidental that Carl Schmitt characterized the liberal, whose ideology distorts his perception of the real, as someone who thinks debate alone in politics suffices.

The politics of the friend/enemy dichotomy is accordingly irrelevant to the liberal, who prefers to reason with the enemy, as he tries to buy him off.

Life/Death, Friend/Enemy: This primordial polarization poses the great political question—the question that brings us to the point where we are compelled to ask ourselves: How are we going to defeat the enemy who threatens our existence?

Contrary to the contention of certain cyber pundits, this is not a matter of deciding who is more intelligent or who commits the most crimes. My commitment to the white nation wouldn’t change even if we were the least intelligent of the races or the most criminally prone.

To defeat the enemy is, rather, a question of deciding what political options are available to us: Will it be a Great Trek to a new homeland; will it be a matter of reviving the heritage of the Borderland Celts, who settled the Indian-occupied frontier and defended the Alamo with rifle in hand; will it involve parliamentary or extraparliamentary actions that mobilize our people; or will it simply be a waiting game, to see how well we can prepare ourselves for the coming crash, when the wolves will be allowed into the very bosom of the city.

Who knows what course awaits us?

The one thing, though, that I hope we can all agree on at this point is the importance of making ourselves ready—by being as independent as possible, by keeping in good physical and mental shape, by ensuring that we are well-located, by knowing who we are and what we stand for—but above all by doing something, anything, in the real world to prefigure what will become the White Nation.

Very little of this, I’m afraid, will have anything to do with marshaling evidence from biological texts—that’s a diversion better left to the liberal modernity whose racial horrors we seek to escape.