Operation Order Number Five:
“Anyone, man, woman or child
with skin the color of shit
is to be shot on sight.
They had their chance to
leave over the past five years.”
In Harold Covington’s fantasy novels, after the ethnostate was created “the theaters were showing virtually nothing made after 1965 or so,” and a technique was developed to fix a few films made from the late 1960s to the first decades of the 21st century. The technique allowed the film industry to replace black faces with white faces in those famous movies for kids that merited inclusion in the reformed theaters.
I stole the subtitles under the following images from Robert Berry, who analyzes the black student body of Hogwarts Academy in the very first of the Potter films:
This is Lee Jordan. With a good two minutes of screen-time in this movie, he’s the most prominent black character in the film. While some students focus on potions, spells, or the dark arts, Lee is apparently attending Hogwarts on a sports scholarship.
Next we have an unnamed boy whose function at the school is almost limited to giving funny looks when someone says something startling. As the closed caption excerpt shows, he at least gets a line of dialogue, which makes him the only other black character in the movie that does.
This mysterious Gryffindor Quidditch player has a few cool action scenes, and scores some points for her team, but doesn’t contribute much else after she’s knocked unconscious from her broom. Though not named in the film, the books identify her as Angelina Jordan.
And here’s another, but she seems to be the least enthusiastic of the bunch. Kind of hard to be too excited, I imagine, when the leader of the Aryan Nation, Draco Malfoy (the blond at the center: the bad kid of the film), is the most dominant student in the class.
And seated next to Professor Snape are two other black
faculty members. We never see them again, either.
The above pics come, as already said, from the first Potter film. But in that very film outside Hogwarts I remember an adult black face in the Leaky Cauldron pub, and another face with skin the color of shit in Diagon Alley.
When the producers of the series changed directors after the second Potter film, the inclusion of niglets and black adult wizards became even more apparent. The sixth film, when the characters reach full-blown adolescence, was the most offensive: a beautiful teen English rose, Ginny Weasley, one of the main characters of the series, is engaged with a black student and even kisses him passionately on the mouth.
But the perpetrator here was none other than the author herself, J. K. Rowling. Indeed, compared to Rowling’s book, in the movie comparatively little of Ginny’s relationship with the young negro is depicted.