The Last Jedi

For boomers like me Star Wars was never the epic film that has been for younger generations. For me the master film was 2001: A Space Odyssey, which exerted a tremendous influence on my life, especially because of its philosophical implications.

The Star Wars saga lies not in the serious science-fiction league. Rather, it resembles the space fantasy comics that became fashionable in the 1950s and 60s. There is nothing wrong with the comics genre, if we take into account that in a 2018 interview George Lucas told James Cameron in Story of Science Fiction that he had designed his project for twelve-year-old children.

But that genre that Lucas chose, like the most serious science-fiction, can produce good or bad movies. I agree with Richard Spencer that, from the point of view of the messages, Star Wars: Episode IV: A New Hope, of 1977, is the best as the protagonists are white and coloured heroes are missing. In addition, in the final minutes Princess Leia awards Luke and Han with medals for their heroism: visually, with slightly fashy tones.

From the strictly cinematographic point of view I believe that Star Wars: Episode V: The Empire Strikes Back, that I saw with my family in 1980, is the only masterpiece of the eight episodes that have come out. It has a disadvantage: it introduces Lando Calrissian, a mulatoid character, as the administrator of Cloud City.

It was such an enthusiasm that that masterpiece caused me, that Star Wars: Episode VI: Return of the Jedi, which I saw on the big screen in 1983, caused me a huge disappointment. Darth Vader, so impressive in The Empire Strikes Back, here appears as the busboy of the emperor: an unpardonable blunder in Lucas’ story. I said above that the Star Wars genre was space comics taken to the screen. I still remember the American comics that came out in the 1970s and early 80s on Star Wars: infinitely better plots than the crap that occurred to Lucas when taking away all the aura of mystique from the figure of Vader.

So the series disappointed me since the eighties. When the first prequel was premiered in 1999, Star Wars: Episode I: The Phantom Menace, I was living in Manchester. If Lucas told Cameron that his original idea had been to make films for twelve-year-old children, in his first prequel he made it for children of even younger age: the age in which Anakin Skywalker appears in The Phantom Menace.

I saw on the big screen Star Wars: Episode II: Attack of the Clones, released in 2002. Although it seems more for teenagers, this second trilogy of Lucas can be summarized with these words: ‘Everything for the eye, nothing for the mind’. Unlike 2001: A Space Odyssey that can be described as ‘Everything for the eye and for the mind’, the new genre of space films do not leave food for thought.

When I saw the last of the prequels, Star Wars: Episode III: Revenge of the Sith, released in 2005, I told myself that the contemporary westerner knows nothing about the nature of evil (e.g., how Anakin became bad): a topic that I have pondered in my two books. That Lucas does not grasp evil is also apparent in his most recent interview by Cameron, another completely clueless guy.

Lucas is a white man. But since Jews bought the Disney Company, the messages have invariably become toxic. For that very reason I did not see, on the big screen, the sequels such as Star Wars: Episode VII: The Force Awakens, released in 2015.

At the corner of my house there is a travelling Mexican market of Indians every Monday, which includes stands of pirated DVDs. Only that way I dared to see part of The Force Awakens on my plasma television. Although Leia has behaved like a princess, in The Force Awakens the roles of the male hero are reversed to make room for a new heroine, the scavenger Rey. In this Greg Johnson, under the pseudonym of Trevor Lynch, has failed big time in his favourable reviews of the Star Wars sequels. With his tacit feminism Johnson seems to subscribe the Hollywood agenda of toxic messages.

Although Star Wars: Episode VIII: The Last Jedi was released in 2017, I saw it last week. For the ridiculous amount of $ 10 pesos (in dollars, 53 ¢) I bought a pirated DVD of The Last Jedi in the same travelling market (I would not give the Jews at so-called Disney more than a buck to watch both films).

There is something I would like to say about this latest movie. As I did with The Force Awakens, I did not even spend my time with the latest saga film, insofar as in most of these movies I used the fast-forward of my remote control! That’s how we should treat the films produced by Jewish firms: there is no point in pissing us off with their bad messages at normal speed. And regarding the special effects, we already saw all that in the pre-‘Disney’ Lucas prequels, right? So I still pressed the fast-forward button…

But that is not what I wanted to say. There are times that even in films with bad messages a master scene that contrasts with the garbage is sneaked. That scene happens almost at the end of The Last Jedi.

I refer when Luke appears to help escape the few remaining survivors of the Resistance. A frozen image after he walks straight ahead toward a row of Imperial Walkers, a few seconds after Kylo orders them to stop, is very artistic and deserves to be kept in our memories. (To me, it evokes the isolated white nationalist confronting single-handedly all the power of ZOG…)

Then the madman Kylo orders that all Imperial Walkers’ cannons shoot at Luke. But after an orgy of shots he appears unscathed among the reddish smoke that evaporates, slightly shaking something off his shoulder, in challenge to Kylo. The latter makes a gesture of shocked surprise, and decides to go down his haughty ship, against all advice from his envious second-in-command, to confront him alone.

He then engages Luke in a lightsaber duel never seen before in any of the other Star Wars films: as the swords never collide but Luke, wielding his blue lightsaber, deftly evades all the onslaught from the fire colour of Kylo’s lightsaber. There comes a time when Luke turns off his lightsaber to talk to him, and Kylo runs toward him to cut his body in twain. Upon striking Luke, in the climactic scenes of the movie Kylo realises he has been fighting a Force projection of Luke and shouts, defeated, ‘Nooo!’ as he comprehends Luke’s plan to save the Resistance (including his sister Leia) by buying time with the duel distraction.

In the subsequent scene, Luke, exhausted, becomes one with the Force and dies light-years away from his phantasmagorical encounter with Kylo, peacefully and purposely, on the planet of the first Jedi.

All those scenes I loved, but you have to see them ignoring almost the rest of the film to appreciate them—something very difficult, because in one of the climactic moments there is a cut and the white Rey girl allows a long hug from a Negro that has also been featured in another Star Wars film. (Sometimes I would like to edit my home DVDs and cut off all the offensive segments: about 95 percent, or more, from most films.)

Many fans have complained on YouTube that the personality of the Luke of the first films was betrayed in the latest film. I disagree. My previous entry referred to the life of Karlheinz Deschner, who was a parachutist who fought for the Third Reich as a young man and, much later, became a critical scholar of Christianity. I myself admired St Francis in 1974. But when I read the first Jedi books, so to speak, I transvalued my values and started to admire Himmler’s SS.

What Star Wars fans ignore is that the mind matures over the decades. If any of those who knew me as a teenager saw me now, they would be shocked by the changes, both external and internal.

If we think about the battles that Deschner waged as a young man in the Second World War, all that remains of the Resistance are a few nationalists. What happened in Charlottesville last year should move what’s left of the Jedi knights to consider that, perhaps, it is time for more reading rather than direct legal action. If they read the collection of The Fair Race (which includes a section from William Pierce’s Who We Are), along with Hitler’s Table Talk, Mason’s Siege (or The Turner Diaries); what Deschner and others unearthed from the true story of Christianity, and even Goodrich’s Hellstorm, the internal force that the initiate would develop would be equivalent to that of a hermit Jedi.

A single example will clarify the above. In The Fair Race it is explained that in the historical Republic blond and blue-eyed Romans were the good guys. When Rome became a racial melting-pot for all the peoples of the Empire, including the subversive Semites, they became really bad. Conversely, the later Star Wars trilogy depicts the Empire as whites and the Republic as practitioners of miscegenation: the exact opposite of what history tells us!

Internal Jihad (see Luke above with his books) must precede external Jihad. The time has come to do an internal work in the sacred island where the last Jedi became wise and powerful before confronting ZOG.