My “pod” cousin

hispania-serie-de-tv

I am reposting the below entry, originally published on November 20, because for a mysterious reason comments were off below this article and I just discovered it a few minutes ago (maybe the reason why this entry had received zero comments). Did I inadvertently click on a wrong button last month?

At any event, now that I have seen more Spanish television series, I must say that what my “snatched” cousin did in Mexico the Spaniards are doing it too at the other side of the Atlantic. For example in the 2010 series Hispania (article of the Spanish wiki: here) the hero and liberator of some Hispanic towns from the Roman invaders, third guy in the above pic, is not an Aryan; and his daughter, not shown above, looked like an Amerindian child. Keep in mind that these series are supposed to depict the peoples of the Iberian Peninsula in the second century B.C., long before the huge mongrelization after the Moor invasion.

I also watched the 2012 prequel of it (article of the Spanish wiki: here) but I have no more liver left to continue to debunk all these silly series. Better repost about—:



My pod cousin


Gerardo-Tort

Recently I have been complaining about the fact that American films and British and Spanish TV series are mediums for either anti-white propaganda or at least not pro-white messages (with the sole exception of the first episode of The White Queen). A naïve person could think that if I approach, instead, a series directed by one of my cousins the message would be a little more positive.

Gritos de Muerte y Libertad (Screams of Death and Freedom) is a Mexican television series based on the period of the war of independence of Mexico, produced by Leopoldo Gómez and directed by my cousin Gerardo Tort (pic above) and the lesbian Mafer Suárez. Several writers wrote thirteen episodes of the first season of the series advised by a group of historians. The series premiered on August 30, 2010 to mark the bicentenary of the independence of Mexico from Spain and ended on September 16 of that year.

I have already quoted Mexican intellectual José Vasconcelos (1882-1959) in this blog stating that the war of independence was “supposed to destroy the Spaniards, who represented the force and culture of the country… all under the pretext of freeing the Indian.” And two months ago I revealed here some hidden facts about Miguel Hidalgo y Costilla, the father of the Mexican independence.

All 19th century paintings of Hidalgo, like the one you see in the Wikipedia article about him, are fake. All were based on an original portrait of an Aryan man of Austrian origin who posed as Hidalgo because nobody had painted a portrait of the real Hidalgo by the time he was elevated to the status of father of the independence, and the man was long dead and the new nation needed a noble face to honor (just as the Americans have their portraits of George Washington).

Well, original spoken reports describe Hidalgo not like an Aryan but with hooked nose. What does it mean?

That the overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Presently even the Mexican Jews, no longer in the need to hide the Jewishness of their people, have acknowledged it.

Of course: my cousin Gerardo Tort was only a hired hand to direct a script written by others. But since I know him I surmise that he did not object the anti-Spain bias of the script. It is worth mentioning that at the beginning of the century Gerardo Tort had made an “author film” about homeless kids in Mexico City, and later filmed a documentary of his own about a Mexican guerrilla fighter he admires and perfectly fits his lefty ideology. I had not watched the series Gritos de Muerte y Libertad until yesterday [November 19, 2013] but now that I am reviewing other television series I would like to say something about it.

In the first episode one of the pro-Spain characters says these words (in Spanish of course) about the pro-independence movement, “Imagine a government of Creoles [Criollo people], Indians, Mestizos and Mulattos!”

Yes: thoroughgoing leftists like my cousin know that ultimately the struggle is racial. But race conveniently disappears when Whites claim majority rights—or even minority rights in the case of New Spain. In Gritos de Muerte y Libertad what I found most surreal is that the overwhelming majority of upper class New Spaniards are depicted as Mestizos or Castizos (slightly whiter Mestizos), not even as Harnizos (Iberian whites with a distant drop of Amerind blood) or true Iberian whites. The script that Gerardo Tort directed mentions “Creoles” many times in the textual dialogues, but during the casting he selected Mestizo actors. Phenotypical Creoles do appear in the next episode, but that episode was directed by the lesbian.

gritos-de-muerte-y-libertad

Most surreal of all is that the Aryan-looking actor who was chosen for Hidalgo by both directors, the actor at the far left in the pic, was—not in the series but in real history—a kike with even the prototypical hooked nose, according to the spoken testimony of those who had seen the historical Hidalgo in the flesh. Also, in Gritos de Muerte y Libertad my cousin depicts José de Iturrigaray, the Viceroy of New Spain from 1803 to 1808 (standing in the pic with a ridiculous wig), as an ignoble character; and for María Inés de Jáuregui y Aróstegui, his wife, he chose a Mestiza actress (wasn’t the historical Inés an Iberian White too?).

So you have Gerardo Tort, the phenotypical Creole, filming the Spanish Viceroy as the bad guy and the kike Hidalgo as the good guy of his movie. This said, I doubt that Gerardo knows that the historical Hidalgo was genetically Jewish. Like all Mexican leftists he is sleeping in a profound Matrix.

In the other episodes of the series that my cousin also directed a dialogue caught my attention. A woman asks Hidalgo: “Removing the command from the Europeans and handing it over—to who?” at the time of delivering a hostile look to a Mexican Indian beside her. Of course: the woman is depicted almost as a bigot.

Gritos de Muerte y Libertad includes explanatory notes to clarify the supposed historical events for the Mexican audience. In one of these texts it is announced that, once in jail and excommunicated by the Catholic Church, Hidalgo actually repented that the mud mobs he had commanded massacred civilians in the Alhóndiga de Granaditas—a ridiculous claim since Hidalgo was very well known for his cri de guerre “¡Viva la Virgen de Guadalupe y mueran los gachupines!” (“Life to the Virgin of Guadalupe and death to the Spaniards!”).

So clearly racial is the script of Gritos de Muerte y Libertad that it includes these words by a fearing Viceroy when Hidalgo’s mud mobs reached the capital of New Spain, “This is the main square of the Spanish crown! And no horde of Zambos [half-breeds of Amerinds and imported Negroes] will claim it ever!” This was the Viceroy who succeeded José de Iturrigaray, but my cousin also puts him under bad light.

In subsequent episodes, Gerardo Tort has Hidalgo incarcerated prior to his shooting after having lost important battles with the troops loyal to Spain. Once again my cousin used a Mestizo actor for the jailer. Hidalgo recounts his adventures to the jailer and is depicted as noble and wise. The jailer even recognizes that Hidalgo “is a good man, a son of God.” At least in that monologue my cousin has Hidalgo recognizing that in Guanajuato his furious mobs killed women and children, but he didn’t dare to film the actual scenes showing the Mexican public that the victims were probably White, and the assassins Indians and Zambos.

Gerardo Tort filmed the platoon that shot Hidalgo, again, as a group of slightly mesticized Indians. I wonder if machines to see the past are ever invented and we could see the historic scene rather as whiter men shooting an obvious kike? But before the shooting Hidalgo delivers candies—yes: candies!—to his executioners and after the shooting one of them is on the verge of tears. How moving.

There are two DVDs in the product Gritos de Muerte y Libertad that I acquired yesterday, the next one dealing with Hidalgo’s successor, the mulatto José María Morelos, who continued the killing of Iberian whites after the death of his mentor. But I don’t have any humor left to watch this second DVD.

A few years ago, here in Mexico City some nacos (insulting pejorative for Indian-looking residents of Mexico City, analogous to what in the US is called “nigger”) assaulted Gerardo’s brother. Curiously, one of Gerardo’s two sisters once told me during a private conversation that the nacos must “have the same rights.”

Yes… all of my relatives are now Pod people. And a worse kind of Pods to boot than the American liberals since among older American folks there is at least the memory of their nation being mostly White. Those who have watched the 1956 film Invasion of the Body Snatchers for instance can see a nice California town populated exclusively by Whites. This was California before Aztlán took over.

Mexico, even since the three centuries when it was known as New Spain, has experienced no less than half a millennium of miscegenation. The remaining Creoles have been so thoroughly indoctrinated through centuries of Christian and liberal propaganda that the sole mention of avoiding intercourse with the mudbloods would be considered a kind of unheard of heresy. I would go as far as claim that after the dollar crashes dragging the Mexican peso with it and after my native town burns, the apocalyptic shock won’t be enough to awaken the remaining Creoles (like Gerardo) from their catatonic sleep.

Mexico: The crypto and the mulatto

Here in Mexico, a couple of days ago, after my family celebrated the Day of Independence, I caught my Catholic father and sister speaking in high terms about Miguel Hidalgo, the Catholic priest that in 1810 started the war of independence; and José María Morelos, the mulatto that continued Hidalgo’s anti-white wars. While father and daughter recognized that Hidalgo and Morelos killed lots of Iberian white civilians and “from 20,000 to 30,000 prisoners of war,” they, nonetheless, regard them as “heroes.” In the Mexican wars of independence from Spain of 1810 to 1821 my father and sister could have been confused with Spaniards and, still, like many other Mexicans who could pass as Mediterraneans, they side the crypto-Jew and the mulatto. Why?

miguel-hidalgo

The 19th century portraits of Hidalgo are fake. All of them used a man of Austrian origin who posed as the father of the independence. Original reports depict Hidalgo with hooked nose. The overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Even the Mexican Jews, no longer cryptos, acknowledge it: “Two genealogical studies of the eighteenth century, the Archivo General de la Nación de Mexico and the Ramo de la Inquisición, suggest that Father Miguel Hidalgo y Costilla, the father of Mexican Independence, had a Converso background and that Bartolomé de las Casas, a Bishop who fought to free slaves in Nueva España, also had Jewish ancestors.” In case of my family, they are under the naïve impression that both Hidalgo and Las Casas were of pure Spanish origin.

But what about the mulatto Morelos? The 1944 edition of José Vasconcelos’ A Brief History of Mexico that my father read long ago, says (my translation):

For Morelos, for example, to be comparable to Washington, it must be assumed that Washington had decided to recruit blacks and mulattoes to kill the English. Instead, Washington disdained blacks and mulattoes and recruited the English of America, who did not commit the folly of killing their own brothers, uncles, and relatives, only because they were born in England. Quite the contrary, each participant of the American Revolution felt pride for his British ancestry and hoped for the betterment of the English. This should have been the sense of our own emancipation, to transform New Spain into an improved Spain, better than that of the peninsula but with its blood, our blood. The whole later disaster of Mexico is explained by the blind, criminal decision that emerged from the womb of Hidalgo’s mobs and is expressed in the suicidal cry: “Death to the Spaniards!”

So why many Mexicans who physiognomically could pass as southern Italians, Greeks or Spaniards side the mulatto against their blood? Recently, for example, my father’s orchestra composition, La Espada (The Sword), was a success in Mexico City: an homage to the mulatto Morelos (my father has zero black blood by the way).

The music is good—the first ten minutes can be listened in the above clip—, but the libretto is outrageous. The poet Carlos Pellicer (1897-1977) wrote it and my father adapted it for 150 voices and orchestra:

Tú fuiste una espada de Cristo,
que alguna vez, tal vez, tocó el demonio.
Gloria a ti por la tierra repartida.
Perdón a tu crueldad de mármol negro…
Gloria a ti al igualar indios, negros y blancos…
Gloria a ti que empobreciste a los ricos
Y te hiciste comer de los humildes,
Procurador de Cristo en el Magníficat.

My rough translation:

You [Morelos] were a sword of Christ,
once, perhaps, touched by the devil.
Glory to you for distributing the land.
Sorry for your cruelty of black marble…
Glory to you for equating indians, blacks and whites…
Glory to you that made the rich poor
And made the humble eat,
Attorney of Christ in the Magnificat.

When Pellicer said “touched by the devil” he meant the killings of unarmed Iberian whites that the mulatto ordered in cold blood. That’s why Pellicer said “black marble”: Morelos’ appearance was even darker than the Amerind skin! So much that, to avoid being called names, Morelos covered his curly hair—obvious black heritage—with the legendary bandana that adorns his head in every single picture that represents him.

JOSE MARIA MORELOS Y PAVONThe rest of my rough translation of the famed poet needs no explanation. However, as far as I know Catholic Pellicer (whom I met as a child when my family visited him at Tepoztlán) didn’t have black blood either. You can imagine where all of these ethno-suicidal ideas came from: the religion of the inversion of values of these Body-snatched Mexican Pods, my family included.

A response to Parrott

Or:

The self-defeating notion
of a “Christian” white nationalism

by John Martínez

So you can see that my position goes far beyond both Christian reductionism and Jewish reductionism. I believe that individualism, universalism, weak ethnocentrism (“hardwired” characteristics in the White psyche since prehistoric times) + egalitarianism, liberalism, capitalism (cultural “software” after the Revolution which ironically strengthened Christian axiology) + the Jewish culture of critique in the 20th century = a truly lethal brew for the White peoples.

Chechar, you pretty much summarized the “White Question” (so to say) in this single paragraph.

I have the utmost respect for Parrott—the guy is brilliant, and he is a real fighter for the White cause.

However, what he and other White nationalists regrettably fail to see is that a “Racialist Christianity” is an oxymoron.

Here’s Saint Paul to give the final word on the question (Galatians 3:28): “There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus.”

In passages like this (not to mention many others throughout the New Testament, specially the several ones where Jesus violently attacks the rich in a way that would have made Karl Marx sound like an elitist) you have the real seeds of the French Revolution, Communism and modern Liberalism. For God’s sake, this is avant-garde Egalitarianism writ large!

I wonder what part our “Christian race realist” friends don’t understand in the sentence “There is neither Jew nor Gentile… for you are all one in Christ Jesus.” After all, if we are all brothers and sisters in Christ, how can someone in his own mind argue against racial intermixing, for example?

Matt seems to claim that Medieval Christianity was not afflicted by the modern mainstream Christian attitude towards the racial question. That’s true, but the point is: was it so due to Christianity or in spite of it?

The fact of the matter is that the Christian ethos is so out of touch with reality, so fundamentally impractical that a number of compromises had to be made by the European peoples on which it was imposed over time so it could be rendered minimally functional.

judeocristianismoAny society that wished to take suicidal teachings like “Turn the other cheek” or “Resist not Evil” seriously would be enslaved overnight; a society that wished to take at face value teachings preaching that the rich will almost certainly be sentenced to Hell and that one should not worry about tomorrow but rather one should give everything away to the poor—a society that had gone insane enough to implement such ideas would implode almost immediately.

Therefore, it is obvious that a number of Christian tenets had to be simply ignored or rationalized into oblivion so that it could become a mainstream doctrine. Being the Europeans who they were and being surrounded by an ocean of hostile populations on all sides as it was the case, it is obvious that Christianity also had to be sort of “aryanized”—in other words, the notion of all humankind being one big family in Christ did not translate into Arabs, Blacks and Central Asians being invited to move en masse to Europe and being offered White maidens as brides.

The problem is that time passes and over time and with the help of improving life conditions, all of the radically liberal/egalitarian tenets of Christianity that could not be immediately put into practice by its adherents in the past eventually blossomed into reality.

[Chechar’s interpolated note: This is precisely what Conservative Swede argues in an entry I called “The Red Giant”. See my always-growing collection of similar articles: here.]

As I have pointed out in another thread, a number of philosophers and thinkers (e.g. Eric Voegelin) have established beyond the shadow of a doubt that the deep historical and ideological roots of the Left are to be found in certain Catholic heresies of the High Middle Ages. And it should come as no surprise if one seriously thinks about it for a minute. The leftist egalitarianism that has plagued the West ever since the French Revolution and that has gone into overdrive since the WW2 neither appeared nor has taken root anywhere outside of the realm of the Christian World. To their credit, it wasn’t the Muslim, the Chinese nor the Indian civilizations that invented this crap and in spite of the nominally Communist regime they have in China today, those folks couldn’t care less about any so-called “universal human rights” that have been the epicenter of all forms of Leftism since Rousseau.

Let’s face the fact, my race realist Christian friends: the pseudo-historical figure of Jesus was a typical liberal Jew. The egalitarian cancer that is at the base of the destruction of the White race is just the natural development of a number of elements that are part and parcel of the Christian ideology.

Please tell me how can you guys tell a Black man that although he is your brother in Christ you don’t want to him to live in the same society as you? Or rather, how can you say that with a straight face? And don’t get me wrong, I’m all for racial separation, but mind you, I am not a Christian. I don’t buy for a second the childish notion that we all belong to a big human family in Christ.

Like I have pointed out before on this blog, it puzzles me to see intelligent, well-informed White Nationalists, the overwhelming majority of whom are quite aware of the Jewish question… worshiping an avant la letter revolutionary Jew who owes nothing in terms of radicalism to a liberal Jew like the abominable talk-show host Alan Colmes!

Christian race realists should ponder on Tom Sunic’s brilliant articles on the paradox of a so-called “Christian White Nationalism” that are available both at The Occidental Observer and at The West Darkest Hour. This passage summarizes his view on the subject quite well:

How can a White nationalist, a racialist, or a traditionalist, or whatever he may call himself, and regardless of whether he lives in Europe or America, successfully combat hostile and alien worldviews and adopt different methods of conceptualisation, while at the same time revering these same alien referents and the same paradigms which are, ironically, part and parcel of the same non-European mindset he wishes to reject?

The matrix of the West, as [author] Krebs argues, is no longer territorial or political. It lies in the White man’s experiment with Christianity, which began as merely an obscure Oriental cult—a cult which has absolutely nothing in common with the spiritual homeland of the White man: ancient Greece.

The answer Krebs offers to intelligent White readers in America and Europe who are seeking an exit from the modern multicultural straitjacket and the conceptual mendacity of liberalism is simple, although it will require a great deal of courage: the return to our lost pre-Christian European roots. Novus rerum nascitur ordo.

[Source: here]

A Christian White Nationalism is a self-defeating ideology. You can’t fight the Jewish mental and material onslaught against the White race while you borrow their mythology at the same time. In fact, the situation is even worse than that: Judaism proper is a sadistic cult, whereas Christianity (the fake doctrine the kikes heaped upon you) is a masochistic one. Put gasoline and matches together and you have the picture of our current situation.

____________________

Chechar’s two cents:

Thanks, John.

In the previous post I said that I would read Parrott’s article. I have, and I find that this new sort of reductionism, although intriguing, is unconvincing.

A commenter in Parrott’s article just said, “Now that you have given us the definitive etiology, others don’t have excuses to keep them from devoting their energy towards treatment.” But if that reductionism was true, how would it explain the most extreme cases of self-hatred among whites? I have in mind, for instance, those gentile politicians who strenuously advocate non-white, mass immigration in their countries when such immigration is clearly counter-productive from a strictly economic, “plate tectonics” or “occult war” standpoint (Parrott’s imagery).

Parrott’s model just cannot explain individual pathology. For instance, I recently heard my father talking to my uncle, both in their eighties, in the highest terms about José María Morelos (1765-1815), the insurgent leader who led the Mexican War of Independence.

JOSE MARIA MORELOS Y PAVON

Well, Morelos had black ancestors, like his deputy, Vicente Guerrero. It is said that as a mulatto, to avoid being called names in certain circles, Morelos covered his black curly-hair—obvious black heritage—with the legendary bandana that adorns his head in every picture that represents him. How would Parrott explain my family’s pathology, taking into account that my father and my uncle have zero negro blood in their veins? (You would have to listen my father’s ecstatic panegyric of Morelos a couple of days ago…!)

He can’t. (Just as it is impossible to explain from Parrott’s model why so many whites in the US and in Europe are saying that the white race must disappear in the melting pot.) Instead of an “occult war” I would rather trace my family’s pathologies to their staunch Catholicism and their deranged Christian altruism.

To me, it’s obvious that all mono-reductionist models have holes, and that the best way to approach the subject of the West’s darkest hour is through the metaphor of a witches’ brew (the first quote in this very entry).