Quotable quote

‘Having a television in your home is like having a Jew in your living room’.

—Leonard Feeney (1957)

Published in: on July 11, 2020 at 6:17 pm  Leave a Comment  

The new idiots

‘Four hostile newspapers are more to be feared than a thousand bayonets’ said Napoleon Bonaparte.

And yet this idiot emancipated the Jews, who thanks to such ‘emancipation’ not only took over four French newspapers, but most of the media throughout the West!

Presently the new idiots are the Americans. As Jake has just commented on this site, ‘Many Americans view themselves through the lens of the Old Testament. By striking down the Hebrews, Hitler cut into the heart of America. Such a deep wound explains why many otherwise racist Americans hate National Socialism’.

Which is why I no longer visit their sites…

Published in: on April 30, 2020 at 10:33 pm  Comments (2)  

Lady revisited

If there is something that draws my attention from the pundits of white nationalism it is that they make reviews of recent films omitting that, unlike the cinema of yesteryear, they are pure poison for the white race. For example, in this quarantine millions of whites are actively poisoning their souls with Netflix and few complain.

In contrast yesterday I finished watching, once again, My Fair Lady of which I had already written something on this site in 2013.

Like classical music, it is a type of cinema that the younger generations of white advocacy are not only incapable of watching on the big screen, but even incapable to appreciate if they obtained the DVD to watch it on their televisions.

The disconnect between the pundits of the alt-right with the traditional legacy of the seventh art is so enormous that, when they opine about an old movie, they can say things that only reflect their ignorance. Not long ago, for example, commenting on my favourite film 2001: A Space Odyssey, in a conversation with Richard Spencer a certain Mark, a Hollywood expert, interpreted absurd things about the intentions of Kubrick. I know they are absurd because I have studied Arthur Clarke’s philosophy since the 1980s and read his biography, and Kubrick’s too, so I know the message of his most famous sci-fi novels thoroughly. (I even exchanged correspondence with Clarke in the 1990s, who was very impressed by a journal I sent him as it mentioned the obituary of a certain Benson Herbert, whom he had not dealt with since before World War II.)

But I wanted to talk about something else. One of the reasons this site doesn’t talk about news is because after a few days the media sometimes picks up info that the most radical bloggers had already said on their websites. For example, some of my recent posts mention that the Chinese virus may have come out of a Wuhan lab. I didn’t imagine, when I posted it, that Hannity would talk about it on Fox News soon after, inviting senators who also show their outrage about how these revelations change our views on the pandemic. I could have kept my policy of not talking about that kind of news. But the thing is, I never expected the MSM to bring up the lab scandal so soon. So I generally prefer to talk about things that won’t be said in the mainstream media.

What I experienced these nights before going to bed, for example, watching some minutes of My Fair Lady every midnight until after a few nights I finished it, is a subject not only that won’t appear on MSM but also on racialist forums. And it’s important to talk about it because in these times of lockdown racially conscious whites could try to start getting acquainted with the old cinema that contained good messages (recently I was talking about the movie Shane for example).

If there’s one thing I liked about My Fair Lady now that I saw it once more it’s that it reminds me of the days when men were men and women women (when Hollywood and TV now re-enact older times they put women as early feminists). Ever since I saw My Fair Lady as a child I have loved the idea of learning to speak English—real English—through phonetic exercises: the passion of Professor Henry Higgins. The original musicality of Shakespeare’s language should be a goal to be achieved in the ethnostate, in the unlikely event that Anglo-Saxons save their stock from extinction.

Published in: on April 17, 2020 at 10:44 am  Comments (10)  

Western suckers

Statistics data about the Chinese virus comes from the World Health Organization (WHO), which is a sort of spokesman of China.

This day I used several search engines with the words ‘fake Chinese stats coronavirus’ and was surprised. Is it possible that everyone except Chris Martenson, who starts his videos saying that Chinese stats are unreliable, are suckers?

Apparently they are. Not for a second am I going to believe that the coronavirus deaths in Italy have surpassed the Chinese. Yes, we know what the MSM is. But it is a shame that social media also trusts WHO or a regime capable of involuntarily performing organ transplants from dissident Chinese.

Published in: on March 20, 2020 at 11:57 am  Comments (9)  

Wikipedia: Kosher encyclopaedia

Before discovering white nationalism I edited Wikipedia a few years. I eventually realised that the real trick lies in its policy of what they call ‘reliable sources’. In plain English, ‘reliable sources’ are nothing else than what throughout Christendom was called Imprimatur and Nihil obstat: it was only possible to publish with the approval of the Catholic Church.

Exactly the same happens on Wikipedia today, with the difference that now Christianity no longer holds the monopoly of the media but Judaism. For example, you can only reference wiki-articles with publications of official journals and publishing houses of the System, the mainstream media.

Since most of the controlled media is at the hands of Jewry, the ‘reliable sources’ policy means that every wiki-article dealing with social issues must be, de facto, kosher approved. That’s why no unbiased article that touches white identity can be fixed on Wikipedia. This anti-white encyclopaedia is rigged to the core.

Published in: on March 1, 2020 at 11:53 am  Comments (1)  

Hernán (TV series)

Beware of the Hernán TV series, which starts tonight on the History Channel.

From what can be seen in the trailers, it will be a typical series that promotes the Black Legend regarding the conquest of Mexico by the Spanish. The lies start from the images. The historical Hernán Cortés was Iberian white. The producers managed to choose a mudblood actor to represent the role of Cortés…

I remind visitors that I have researched the subject from the opposite point of view of the politically-correct Black Legend:

The world’s most beautiful city

Sahagún’s exclamation

The Bernaldine pages

‘The best education of the world’

An encounter of psychoclasses

The return of Quetzalcóatl

A reliable source

My book containing those texts under a single cover, and also ‘Dies irae’ (Day of wrath) mentioned in my previous post, can be obtained: here.

Published in: on November 22, 2019 at 9:30 am  Comments (1)  

Joker: a destructive review

If the media and Hollywood are in the hands of the Jewish quarter, it is only justified to watch television programs or movies to indicate where the bad messages are, which was what I did with Game of Thrones, in addition to using the TV series to change the subject and talk about matters that interest me.

Exactly the same can be said of Joker, a film I used in the previous week to talk about my subjects, such as a model of the trauma of mental disorders. Regarding a film review per se, there is not much to talk about Joker except to point out the bad messages.

The most conspicuous is that the white Arthur Fleck apparently fancies a mulatto woman: the worst possible bad message for a white audience. In fact, it is not even necessary to try to find another bad message in Joker since miscegenation is the greatest conceivable self-betrayal.

Moreover, Joker’s final scene is a sort of disclaimer, as Richard Spencer was told in this video. This means the movie is not even valiant, as they have been saying on social media. Remember what a commenter recently said here, that almost all movies after 1969 must be destroyed in the ethnostate.

I would include Joker among them.

Published in: on October 16, 2019 at 11:37 pm  Comments (4)  

The loss of WW2 is the reason for the WDH

WDH stands, of course, for the West’s darkest hour. Four years ago I reproduced this 1992 interview of William Pierce. Today I would like to quote only part of it:
 

______ 卐 ______

 
Kevin Alfred Strom: You keep referring to the changes which have taken place in the economy since the Second World War. Why is that? What does the war have to do with it?

William Luther Pierce: The Second World War really has everything to do with it. It was, after all, an ideological war, one could almost say a religious war, a war between two fundamentally different world views.

On one side were the believers in quality over quantity, the elitists, the believers that White people, Europeans, are more progressive, are better able to maintain and advance civilization, and should hold onto their position of world mastery.

On the other side were the believers in quantity over quality, the egalitarians, the believers in racial and cultural equality, the people who thought it was wicked for the United States to remain a White country, wicked for White Britain to have a world empire, wicked for White Germany to be allowed to smash communism, wicked to permit nationalism to triumph over internationalism. And the fact is that the egalitarians won the war. After the Second World War White Americans could no more justify keeping hordes of hungry, non-White immigrants out of their country than Englishmen could justify hanging onto the British Empire. They had cut the moral ground right out from under themselves.

KAS: Of course, that’s not the way it was presented to Americans back in the 1940s. We were all taught that we went to war to keep America free, that we were fighting against tyranny, that we were fighting on the side of decency and justice.

WLP: Nonsense. We were fighting on the side of the folks who marched the entire leadership stratum of the Polish nation into the woods and murdered them. And the people who control our news and entertainment media knew that too. When the German Army discovered those huge pits full of murdered Polish officers and intellectuals, they called in the world press to look at the evidence. But the controlled media kept it quiet, so that we would keep fighting on the side of the murderers.

After the war they blamed it on the Germans. And there was nary a squawk from the controlled media when we turned the surviving Poles, and the Hungarians, and the Balts, and all the rest of the Eastern Europeans over to the same gang of cutthroats who had butchered Poland’s leaders in 1940. Of course, it made sense in a sick sort of way. After all, murdering a nation’s elite is an egalitarian act. After you kill off the most intelligent, the most able members of a nation the ones who’re left will be more nearly equal.

KAS: And easier to control.

WLP: Yes. But the point is that, the reasons given to the American people for getting into the war against Germany were all spurious. It was not a war to keep America free. Americans weren’t in the slightest danger of losing their freedom to the Germans. It was, as I said, an ideological war. It was a war about what kind of ideas would govern the world. It was a war about whether we would be proud and White and strong, or whether we would feel guilty about the fact that Mexican peons aren’t as well off as we are. And we lost the war. That was a real turning point in the fortunes of our race and our nation.

The loss of the Second World War is the real reason for the decline of the U.S. economy—and of our social life, our cultural life, and our spiritual life. Before the war we had a White country, a country determined to stay White. After the war we no longer had that determination. Instead we had the vague feeling that it was wrong of us to want to stay White. After the war when the controlled media began pushing for so-called “civil rights” laws and for opening our borders to the Third World, it was just a continuation of their push to get us into the war on the side of the people who had made Poland a more “equal” country by slaughtering her leaders at the killing pits in the Katyn woods.

KAS: Is this spiritual failure entirely the fault of the American people? You’ve repeatedly referred to the controlled media as the principal promoters of the ideology which is at the root of our problems. Aren’t they to blame? Aren’t the people who control the media responsible for what’s happening to America? And, by the way, who are these media controllers?

WLP: Well, I think we all know who wields more control over the news and entertainment media than any other group. It’s the Jews. And, yes, they deserve a great deal of blame. But not all the blame. Perhaps not even most of it. After all, they’re only acting in accord with their nature. They’re doing what they always do when they come into a country.

We shouldn’t have let them do it. We should have stopped them when they were taking over Hollywood 75 years ago. We should have stopped them when they began buying up newspapers back before the Second World War. After the war we shouldn’t have let them get anywhere near a television studio.

But we didn’t stop them, and the blame for that really lies with those who have set themselves up as our political leaders. They sold us out. They sold out America. They sold out their race. When our kids are exposed to the godawful, anti-White rap musicals from MTV, should we blame the Jewish owner of MTV, Mr Redstone, or should we blame the politicians in Washington who let him get away with it? Personally, I’d go after the politicians first.

Chernobyl & WN in denial

As I said in my previous post, the way in which Christian radiation has mutated the soul of the white man is appreciated in art; particularly, in the inversion of values of the beautiful statues of Greek nudes to the Jew nailed on the cross by evil Romans.

Here we see two blond angels dressed in liturgical capes who officiate the ceremony of the Pietà together with Jesus. The painter, from the Flemish school, shows the wounds as trophies of the victory of the Jewish saviour. The painting is in the Museum voor Schone Kunsten in Ghent, Belgium.

All the wounds of passion are remarkable, but the one of the side has found a unique echo in the mystical culture and in popular devotion. This is a detail of the picture that I reproduced above.

I confess that I have seen the recent Chernobyl miniseries more than once, even though the producers invented a woman scientist—one of the heroes of the miniseries—who did not exist in real life. Chernobyl is the series that HBO premiered once it finished Game of Thrones.

Chernobyl seems to me a splendid metaphor about the negation, in white nationalism, of the Christian problem—a negation that did not exist either in Nazism or in deceased American authors like Revilo Oliver and William Pierce.

Just as the bureaucrats of the Soviet Union denied with extraordinary vehemence that the nuclear plant had exploded (even with the victims of the radiation burned from the first day, and with witnesses who saw the hole that the explosion had left, in addition to the pieces of graphite around of the plant considering that there was only graphite structure in the nuclear reactor), most white nationalists deny that the Christian radiation is killing the white man.

That’s why my favourite scene in Chernobyl is the one when a heroic soldier goes alone to measure the level of radiation and comes back with the words ‘It is not 3 Roentgen, it is 15 thousand’.

I strongly recommend the Chernobyl miniseries to the visitors of this blog not only for entertainment. You can imagine the level of devastation that those silly Muslims would have inflicted on 9/11 if they had crashed the airplanes on nuclear plants.

Published in: on July 11, 2019 at 7:22 pm  Comments (3)  

Floki the Loyal

After the series that I recently translated about the ‘holy wrath’ among Scandinavians, I was curious to see Season 4 of the TV series about the Vikings; season of which, yesterday and today, I saw several episodes. But first I must clarify something.

If I had children I would not let them see neither Vikings nor Game of Thrones. As we know, both contain liberal messages, very toxic for the fourteen words. However, Game of Thrones at least captivates the viewer with the plot of the author of the novels. In Vikings, on the other hand, we only see a more or less distorted version of the Norsemen without a captivating plot. Both series put female characters acting like men: something I never saw in the movies I watched as a child, when the female characters maintained their femininity.

This said, it’s worth citing some words of Aslaug, the wife of Ragnar, after he began to woo a Chinese slave that Aslaug had bought from a Frank, a slave-dealer.

In episode four of the fourth season, Aslaug, of archetypal Nordic beauty, has a conversation with Floki: the eternal faithful to the old Scandinavian gods. Floki had been humiliated, and even sent to torture, by Ragnar and his son when Floki murdered a Christian monk who Ragnar had brought as spoils of war on his first pillage excursion in the first season.

Although I would not let my children watch television (even the Chernobyl miniseries invents a woman scientist who didn’t exist in real life) it is worth quoting these words from Aslaug:

‘Floki, I came to deliver my precious son into your hands. This is Ivar [her little blond son], who I love more than anyone else alive. And, Floki, I know he is clever. I want you to teach him the ways of our Gods. Teach Ivar the true path. Teach him to hate the Christian god as you hate the Christian god! Only you can do it, not Ragnar. I will bring him to you every day. Teach him to be a Viking. Teach him the deep, and ancient, ways’.

Published in: on July 6, 2019 at 9:12 pm  Comments (3)