Kriminalgeschichte, 11

 

Saul of Tarsus, later known as Paul, who in his epistles claims to be Jewish was the true creator of Christianity. In his book Deschner discusses how Paul strongly criticised his co-religionists and then writes:

Unsurprisingly, the Jews counterattacked. This fact was very prominent by German Catholics in Hitler’s time, for example in Heilige deutsche Heimat, with ecclesiastical censorship, which continually recalls how the Jews ‘calumniated, cursed and persecuted’ Paul, that ‘wonder of the Spirit and of Grace’, how they conspired against him for being ‘a friend of the Gentiles’, how they ‘planned to kill him’ and ‘organised various attacks against him’, ‘expelled him from the synagogues as though he was a stench or a leper’, they banished him ‘to the most inhospitable places under the sky, to the forests and to the deserts where only the beasts live’, etcetera.

In one of the thousands of endnotes in Deschner’s ten-volume work, he cites his source (Walterscheid, J., pp. 1139f, II pp. 40f, Heilige Deutsche Heimat. Das deutsche Kirchenjahr mit seinen Festen, Seinem Volksbrauch, den Volksheiligen, religiöser Literatur und religiöser Kunst, 1,1936). Deschner adds:

This educational inspector from Bonn cites on the first page of his huge text in two volumes (prologue p. XIII) the work Die deutsche Volkskunde of the Nazi Reichsleiter Adolf Spamer and glorifies militarism, e.g. pp. 1128ff esp., 133ff and other pages, where he alludes for example to the old Nazi abbot Ildefons Herwegen ‘during the days with the Führer at Maria Laach’, where the Grand Brotherhood of St Sebastian ‘has found an indispensable help in the ideas of the new State’ since it ‘goes back to the same old roots of the German force’; celebrates in addition ‘the thunder of the canyon’ and ‘the perfect parades’. The pious Catholic author dreams of no less pious Catholic squads armed with ‘real shotguns’ and so on. The fact is that the Bible and the gunpowder go together the whole history of Catholicism… under ecclesiastical imprimatur.

All this would seem wonderful to people like Andrew Anglin, whose The Daily Stormer can now be seen in Tor. As a title for a periodical, The Daily Stormer is inspired by a German newspaper of the 1930s. (And let’s not talk about how the pious Christian Vox Day, who sounds like Sean Hannity, recently debated Anglin on National Socialism.)

But what Deschner writes is misleading in many ways. The faction of Christianity that would finally prevail in Christendom is not, say, that of a Richard Wagner whose operas fascinate me, including the Christian ones Tannhäuser and Parsifal (Parsifal is my favourite opera). It was its antithesis: the Calvinist faction of Christianity that restored the Old Testament in what became the most powerful country in the West, the United States. As to Catholicism, in the times when the Nazi abbot Herwegen wrote the above a more powerful figure, Pope Pius XI, stated on 29 July 1938: ‘One forgets today that the human race is a single, large and catholic [universal] race’.

The last political attempts to harmonize Christianity with racialism died in Nazi Germany. Now we have to question the Galilean cult from its root—and to question also the silliness of what Vox Day and many others are trying to do: harmonise Christianity with Aryan preservation.

 

A response to Kurwenal

Or:

Why am I reproducing excerpts of Zweig’s book?



In the other thread Kurwenal asked me:

Would it not be more enriching to find out why Rosenberg considered Nietzsche to be one of us rather than to discuss which Jewish author gives a more or less faithful account of Nietzsche’s life and theories.

I see your point, and let me say that this blog has paid due homage to Nietzsche in that sense. See these entries:

“Atheist scum”

“Quotable quote”

“Nietzsche on the Aryan race”

“Nietzsche on the institution of marriage”

Kurwenal again:

By the way, if you can spare one hour of your time, I have tried to summarize the importance of Wagner and Nietzsche for our cause [links to Counter-Currents added].

I am a huge fan of Richard Wagner too. A couple of days ago for example I had to do some driving in Mexico City and the only way I could protect my mind from the nasty surroundings was precisely by listening the complete Second Act of Parsifal. It worked! I didn’t feel so depressed even when navigating in a sea of non-white troglodytes.

But there’s something more as to why I am excerpting Zweig, and it is so important that I will promote this response as a separate blog entry.

The reason that many years ago I read Zweig’s book and Ross’ and Janz’s biographies of Nietzsche has nothing to do with the discussion in this thread. It has to do with my quest about why Nietzsche, and many other people, lost their minds.

Before arriving to the nationalist camp my field of interest was advancing a counter-hypothesis to the medical model of mental disorders, insofar as I believe that biological psychiatry is a pseudoscience. That’s what, originally, moved me to read thick volumes originally written in German about Nietzsche’s life.

One of my dreams is that, if an ethno-state is formed in North America, their architects will do tabula rasa on the fraudulent professions of mental health (a “therapeutic state” as some critics of psychiatry say). White people will have to rediscover a field of research that the current System started to bury since the late 1970s, and especially in the 80s and 90s. Presently very few remember the trauma model of mental disorders (I started a Wikipedia article under that title). And my big hope is that this model, which unlike biopsychiatry is not unscientific, will be considered very seriously in the new white nation.

The gist of this model is that biographical narrative is pivotal to understand the personal tragedies that drive some people mad. That is the reason why I am adding chapter excerpts of Zweig’s The Struggle with the Daimon. It has nothing to do with a desire to pathologize Nietzsche. As you can see in my linked posts above, he obviously had great insights on important subjects. But we also got to understand why some people with perfectly healthy brains suffer permanent psychotic breakdowns.

This is a “software” problem of the human mind, not a “hardware” problem as the current System wants us to believe. (See my book Hojas Susurrantes for a full explanation of it.)

Two subjects

Pierce-book

At last William Pierce’s last book, the very one which could not reach the printers because he died, has been published. It is available from Lulu.

On the Addenda I’ve added images to my abridgement of Who We Are. If you don’t have time to read the printed book, or even my abridgement, skip the first eight prehistoric chapters if you wish—but don’t, don’t miss the history of the white race!

Changing subjects, I have just added a Donate button [Note of April 2013: Presently at the bottom of the page]. Join the Knights of the Grail! Help Parsifal to heal Amfortas (the average German) from his overbearing sense of guilt:

(Note of 2014: The YouTube clip that used to be embedded here has now been deleted)

Healing Amfortas (cont.)

wagner-parsifal

Further to my previous post. Below, (1) my presentation of Colin Ross’ cornerstone to understand the trauma model of mental disorders; (2) a translation of “Regaining Self-esteem” by Dr. Claus Wolfschlag—original in German here—, and (3) my views on traumatized Germany.



1.- Ross’ trauma model

Note of August 25, 2017: Today I will move this text to an entry quoting my book Day of Wrath, where the text properly belongs.




2.- Wolfschlag’s translated piece

A note was sent to me about the topic of “Trauma, fear and love.” The psychotherapist Franz Ruppert from Munich has dealt with so called “trauma energies” in his books, a trauma that can be passed down through generations. Because individual psychological findings can at least partially be transferred to collective experiences, I have read the slides on “perpetrators” and “victims” from Ruppert’s website from this vantage point.

A fortnight ago I wrote an article about some recent movies where the subject of the expulsion of civilian Germans after 1945 plays an important role. But such artistic products of processing the trauma are still rare and on individual cases. There is a striking imbalance in the German “culture of remembrance.” Since the 1970s the Holocaust and the persecution of leftist-resistance groups during the Nazi period have obtained a dominant, partly sacralized meaning while German victim stories of those years, which could also incriminate other actors as “perpetrators,” have increasingly been hidden and marginalized.

If occasionally an audible voice rises intending to give these German victims their right in the German “culture of remembrance,” it will immediately be attacked with the rationale of equating “victims and perpetrators” and that the dead Germans are, at most, victims of second or third class. This lesson was learned and requires constant repetition, since it is ultimately a very important tool to preserve the foreign political control over the economically important German industrial base.

Passivity is an emergency response of the victim

In conservative circles it is frequently heard that since 1945 Germany would be in a traumatized phase. In this context the words of Ernst Jünger have been recorded: “From such a loss one cannot recover.”

So now I had this in mind when I looked at the slides of Franz Ruppert, which appeared to me like an incidental proof of the theory of “the traumatized nation.” After Ruppert’s definition of the terms “perpetrator” and “victim,” he goes on to explain that the victim would make the damage even bigger with a stress reaction to the suffering inflicted upon him or her. A failure to react is, therefore, an emergency response of the victim to maximize her chances of survival. The victim gives in to the situation, but experiences herself as helpless and powerless.

Presently this reaction can be seen very clearly in the behavior of the Germans after the end of the War; it partly persists even to these days. One must give up on further acts of resistance and surrender oneself into a feeling of political powerlessness. This in spite of the fact that for some political groups there are now separate possibilities of participation and new beginnings. I speak of the collective, national, fundamental experience. According to Ruppert, the splitting of the personality allows the traumatized individual to live on. It is a survival strategy, and it means the victim’s experience will be suppressed and split off. The traumatization will be denied; memories will be tried to be erased, and impulses of resistance suppressed.

The prosperous Germany is only very moderately happy

The result of this repression, according to Ruppert, are feelings of guilt. In addition to it, it comes the imagination that the wounds, which one has suffered personally, are “fair punishment.” One doesn’t perceive the perpetrator as such, but rather defends him. The individual even identifies herself with the needs of the perpetrator.

As a side effect the traumatization shows itself in constant complaining, suffering, bemoaning without being able to give cogent reasons for it. According to an assessment [linked at the original article], the affluent Germany only takes a middle place on a map of Europe ranked by perceived happiness. And that alongside poorer eastern European countries, which have to process their own traumatizations due to Soviet occupation. The people of the poorer western European nations on the other hand are interestingly almost happier than the Germans. Why?

For the perpetrator the traumatization also has consequences. He denies the injury inflicted on other humans, even feels justified. He blames and ridicules the victim and declares to have acted on behalf of a higher thought. This behavior is often the result of an earlier victimhood of the perpetrator and a misguided coping strategy. It leads to events such as the recent election in the Czech Republic, where Miloš Zeman could win the presidential elections with his defensive nationalistic position against Karel Schwarzenberg, who cautiously reminded us the historic suffering of the Sudeten-Germans.

Learning to mourn, developing compassion for oneself

Franz Ruppert comes to the conclusion that unprocessed experiences of victimization can turn into eruptive perpetrator behavior. The powerlessness can be followed by a furious outbreak of aggression. Victims turn into perpetrators, and the lack of emotion towards oneself leads to a lack of empathy towards the new victim. In this way victim-perpetrator spirals keep running: a power which can be seen interpersonally and also in the larger political conflicts. Innocent people are dragged into the conflicts, and it comes to delusions and acts of self-destruction.

An eruption of violence is not yet to be expected from the Germans in their current state. Perhaps nothing will ever come from them again, except a last gasp on the deathbed. But maybe one can at least try to heal a couple of things.

Healing would, however, require a massive reform of our “culture of remembrance.” This would, let’s not delude ourselves, encounter the most brutal resistance since this is where the core of the trauma is located [emphasis added], in which influential people have a vested interest.

For the healing process one can therefore transfer the problem-solving approach from the individual of Ruppert to the national situation. First of all one has to acknowledge one’s own traumatization and psychological injuries, but also learn to mourn for oneself, to develop compassion for oneself. Finally, although one must refrain from blind vengeance it is by all means appropriate to “demand from the perpetrator a concrete compensation for the damage, if still possible” (Ruppert).

Only compensation can bring healing

One can speak of compensation, and if it only consists of the annulment of the discriminatory Benesch-decrees in the Czech Republic, the construction of memorial sites for the displaced Germans in the Czech Republic and Poland, bilingual place signs and symbolic material compensations, a memorial for the German victims of the bombing campaign must also be constructed in London and Washington; in Moscow, another for the German Gulag-slaves and the women who were raped by the Red Army.

Only then will the false and traumatized relations of today be overcome. Only then will constructive symbiotic relations be possible, from which all participants can profit.

At the end of this process stands for all sides the rediscovery of self-respect. Because for the perpetrator too the acknowledgement of responsibility for his own deeds is a way to inner healing.

The problem of the German process of coming to terms with the past is, after all, not the examination of one’s own crimes but rather the one-sidedness, the political instrumentalization and anti-German manipulation. The healing process, which was outlined here, has for now been delayed in the Czech Republic due to the electoral defeat of Schwarzenberg. However, time and again it will knock against the coffin lid from below, no matter how much earth one hurls onto it.



3.- My 2 ¢

Today’s Germans, so attached to the Judeo-American perp and overburdened with guilt, remind me the character of the badly wounded Amfortas in Wagner’s last opera, Parsifal.

(See YouTube clip of track 7 of Parsifal’s Act I: here)

Unlike Wolfschlag, I believe that only full revenge heals the wounded soul, even if it comes from Above, not from Below. The good news for German nationalists is that they will soon be gloating after the dollar crashes and Murka burns. Together with an England overwhelmed by immigrants, as depicted in the film Children of Men, the fall of the US will do the healing trick with no need of Teutonic violence—insofar as the subversive tribe that my beloved Nazis wanted to deport from Europe is directly involved in their ongoing / coming fall.

I call this poetic justice (Murkans really lost the War because they fought on the side of those who would one day enslave them)…

The Russians on the other hand have already suffered a lot after their incredible blunder: allowing the empowerment of Jewry right after the Bolshevik Revolution, where dozens of millions of Slavs were killed. But yes: the Russians must erect monuments commemorating the German victims anyway.

Only thus can Amfortas fully heal.

A manifestation of an inner degenerated state

“Tell me which music you like
and I’ll tell you who you are”


Yesterday at a Counter-Currents discussion about music (here) my friend—

Pat Hannagan answered me:

Those “old” folkloric songs in Covington’s podcasts are the songs sung by a people who held their culture together, and successfully won their independence against an invading tyrant. My kids love them instinctively…

I replied (slightly edited):

Pat: I wholeheartedly agree with you. You know, I said that my father used to be a composer. But he abandoned composing classical music when he had to earn a buck. He taught music to children and his mantra is that folk songs are paramount for the spirit of a culture. Yes: there’s a gulf between legit folk music and what I call “Neanderthal music”: the music for whiggers, niggers, and beaners (the mexicans).

Nonetheless, when I wrote my above posts I was in soliloquy mood. To put it simply, I am stirred when I listen some music of Wagner (e.g., Parsifal), which means that musically I’m closer to the Third Reich than to the coming Northwest Republic. I simply cannot feel American folk music because Lot has no nation, and no folk music can stir the stateless individual.

In another CC thread I said that the music I most identify with is the atonal Lux Aeterna by Ligeti, especially the compasses that Kubrick chose for the scenes of desolate moon landscapes with a floating bus en-route from Clavius to Tycho. Why that cinematic vision expressing the most extreme form of solitude describes me? Because that’s the way Lot feels in Gomorrah: There’s, literally, nobody around: not even the blue sky visible in central Antarctica. (However desolate among the ice, the lone scientist in his post at least sees the blue color of the sky, meaning that there must be oxygen somewhere out there on the planet—plants, life.) In contrast, in 2001’s moon landscapes there’s not even that: only a black sky and, without atmosphere, no shades: only black and white abyssal desolation among a world of elemental rock:



These are some of the previous comments in that thread (again, slightly edited). Strongly criticizing pop music, including rock, heavy metal screamers, etc., promoted at Counter Currents

Iranian for Aryans said:

Allow me to dissent. Though the general tenor (ha ha!) of the piece (ha ha!) is salubrious, it shows a ignorance towards European music heritage. Allow me to explain.

Yes, there is a difference between “black singing” and “white singing”. Yes, the media promotes that which is bad, to put it weakly. However, the examples cited of what is good are lacking and wholly degenerated.

There is no mention of real singing as exemplified through classical music. Rather, examples are shared of Nat King Cole, Sinatra, and some other nugatory folksy personages. Personally, I think Sinatra and Cole were horrid. Real examples of singers would be Franco Corelli, Anna Moffo (mamma mia!), Renata Tebaldi, Caballe, del Monaco, di Stefano, Giacomini, Siepi, Schwartzkopf, Ludwig, Melchior, et al. These persons are our vocal stars. They might have been ugly and fat, but they were true singers, artists of the highest order. Roy Orbison? Good God…! As for the hackneyed reference to Beethoven, I’ll make a wager.

People, white people, WNs [white nationalists], can make references to classical music as much as they want, but the majority, overwhelmingly so, do not live classical music, their heritage. Do they turn on the classical radio station and listen to Haydn or Schumann? When speaking of the voice, do they go crazy over Schubert’s Die Schone Mullerin? Of course not. The espousal of amity towards classical music is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God. Empty signs of respect are worthless: do you live the music? Who wants to listen to Ockeghem when there’s Prussian Blue?

Another example of ignorance of classical music is the citation of Warlock. Warlock, best known for his Capriol Suite, is a big nothing. The world expects novelty and uniqueness, even if framed in a conservative mould, from a composer. Given that Warlock’s magnum opus is a collection of Elizabethan tunes, I can’t place him as a luminary.

CC proclaims a “New Right”. Let’s proclaim it through music. Let’s open up readers to the Western musical heritage: Bruckner, Josquin, Schumann, Handel, Brahms, Vivaldi, et al.

I said:

Iranian: As much as I like WNists I feel an insurmountable abyss with them every time I learn in threads like this that they like rock, heavy metal or even old folkloric—as in Covington’s podcasts—music. This is because I learnt classical music before I was born—literally, since my mother used to be a piano concertista and throughout her pregnancy I sensed and listened the piano through my mother’s womb. And my father was a composer of classical music (when I was a small child some of my dad’s orchestral pieces were played in New York).

My first love, still as a small child of five, was Mussorgsky. Alas, musically and sexually, in today’s culture I feel like Lot in Gomorrah.

I hate monkey music as much as I hate degenerate sexual mores that are driving our race straight to the path of extinction. In fact, like Hegel I believe that if music represents the Geist then the degeneracy we see every day on the streets, TV and Hollywood is faithfully represented in the spirit of that music. For example, the Neanderthal spirit I see every day among the beaners is faithfully represented in their salsa antimusic.

I don’t know if “billions will die”, including the beaners, during the coming convergence of catastrophes (though like Lot I wish their cities burn under Heaven’s fire). But my educated guess is that, after the end of the world as we know it, there will be a resurgence of traditional sexual mores and, with it, a thoroughgoing repudiation of both violent and perverted Hollywood along with all pop music after the 1960s that “sound like demons trying to cough-up the world’s biggest hair ball”.

Iranian for Aryans said:

Chechar,

I sympathize with your feeling of alienation. I live with it and am reminded of it ubiquitously. I think your analogy of Lot in Gomorrah is good.

The monkey music (black and “white”, rap and rock, respectively) that we both loathe has become a manifestation of an inner degenerated state. But to see WNs, the so-called enlightened ones, purvey such excrescences is truly troubling and indicative of a much lowered state.


Update of November 23:

Today Counter-Currents published still another article on music. I wrote (slightly edited):

In the other recent CC thread about music, Iranian for Aryans said:

The espousal of amity towards classical music [in the CC article] is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God.

This is exactly what Christopher Pankhurst has done in the above article (here). Pankhurst is confusing Christendom—which is dying and will finally die later in the century—with orchestral music. I would claim that, unlike Burzum, the Black Metal abomination featured in his article (what a blasphemy putting it together with Strauss’ Metamorphosen!), orchestral music has a bright future once the West awakens from its dormition.

The great musical tradition that reached a high watermark with Bach, and that subsequently sought expression through the individual genius of Beethoven and Schubert, had its funeral song in Strauss’ Metamorphosen.

False. Tragically false. Even Pankhurst concedes that after the World Wars Ligeti created numinous pieces of music.

My father also composed good pieces of music before he had to make a living through music education for children. In a more healthy culture he wouldn’t have faced economic need. Instead, he could’ve devoted all of his energies in continuing to compose (at the Utica Observer-Dispatch, in 1962 Chuck Booth wrote about my father’s symphonic piece Estirpes played in New York). Alas, since the whole West is in dormition, the only way that a composer of classical music can make a good living is thru soundtracks. But even in this lesser genre one can listen that orchestral music has not experienced the funeral claimed by Pankhurst.

Of the eight Harry Potter films only one, the third of the series, was superbly directed. John Williams’ music during Buckbeak’s flight and the werewolf transformation scene are examples of good orchestral music composed in the 21st century. One can imagine how far could the likes of Williams had gone if, in a non-dormition culture, they could devote all of their time composing pure music outside Hollywood. But even in Hollywood once in a while some soundtracks represent the most exquisite form of musical art. Don’t you remember how in 1968 Kubrick used Khachaturian’s most elegiac piece, Gayane Ballet Suite, when the spaceship Discovery One is bound for Jupiter?

Every time I hear stuff like paying lip service to Classical Music and at the same time promoting abominations like Heavy Metal, I cannot but compare the situation with a so-called white nationalist woman boasting a T-shirt telling us, “I had an abortion” without apparently noticing the contradiction in both statements. But again, only after the West collapses and awakens from its dormition—a cultural nightmare actually—will it be all too clear that most pop music during the interregnum was but a manifestation of an inner degenerated state, even among the white nationalists.