I’m still alone

One of the things that strike me when I say that I am speaking to myself is that some respond that they are listening to me, or that they have learned about anti-Christian matters thanks to this site. The reality is that that would be only one aspect of being accompanied.

A few days ago I quoted once again what Nietzsche said of Luther. This monk, instead of kneeling in Rome grateful for the transvaluation of visual values that had started at the very headquarters of Christendom, none of that impacted him, but returned to his dark Germany to write religious texts.

White nationalism is a basically American phenomenon. All major websites are American, not European. Europe died after World War II when two Judaised nations to the core annihilated it. But we should not blame Roosevelt’s US and Stalin’s SU one hundred percent, as both socio-political experiments were two branches that emerged from the same egalitarian baobab that began to engulf the West right after the French Revolution.

White nationalism being basically an American phenomenon, a descendant of the Calvinist Puritanism of the first colonists, is blind to the values that the Renaissance advocated: the plastic and visual arts. If we remember the texts of Evropa Soberana, a European from the westernmost part of Europe, for the Greeks and the Romans the beauty of the statuary and the temples, more than the texts—not all of them could read—was central. Remember what Greg Johnson said in the comments section of The Occidental Observer in 2012: ‘We need a regime that (1) bans pornography and (2) erects statues of gorgeous naked nymphs and athletes in every public square and crossroads’.

The texts of white nationalism, including the ones Johnson posts on his webzine, bore me (worst of all is the very verbose Unz Review whose admin is a Jew). They are a direct result of those who conquered the American continent, alienated in the Old Testament ethos and consequently inspired by Judaic legalisms and moralising rather than by the visual arts. Unlike these Judaised whites, what interests me is the beauty of nymphs, sylphs, and dryads (and it doesn’t bother me in the least that some pederasts include androgynous ephebes in the list).

Instead, the pundits of white nationalism, even those who have read Nietzsche, as little and prudish Luthers are blind not only to the beauty of the Aryan body, insofar their webzines don’t dream about it in every crossroad, but blind also about the squares that should inspire them to create the ethnostate. Remember ‘What Did Ancient Rome Look Like?’ that I embedded not long ago!

If I am alone it is because I have not been understood when I speak of the transvaluation. Perhaps many believe that I am still referring to texts or cold reason, when what I want is an ethnostate whose architecture resembles the Rome that appears in the aforementioned video.

The anti-white climate of our time is exactly the reverse of the dream of putting gorgeous naked nymphs and ephebes in every public square and crossroads. If contemporary racialists had already transvalued their values, instead of verbose texts that few read they would show in their webzines that beauty.

This is one of the reasons why I am not in the least concerned that the insane American negrolatres, and the blacks themselves, are smashing white male statues in America. All the statues knocked down by BLM and the antifa have been statues of clothed Christians: statues that had to be thrown away anyway after the Nietzschean revolution. What we need throughout the re-conquered West are thousands of completely naked pagan statues showing Aryan beauty in their full frontal glory.

To save the race, values must be revalued, and that means understanding things as inconceivable to American racists as what I said to European Vig these days in the context of how music would sound like if Christianity had not murdered our souls.

Wagner vs. Bach, 2

I invite visitors who like classical music to watch an hour-and-a-half documentary: ‘Bach: A Passionate Life’. The host of the documentary informs us that, when Luther took refuge in a castle, he believed that the devil was stalking him from the ceiling. Compare such dark paranoia with the return to the artistic spirit that then reigned in Renaissance Rome!

In that room the dark monk, Luther, translated the New Testament using many German dialects, thus creating a unified language for that nation. In one of my previous posts I said that all western nations since Constantine, except for the brief reigns of Julian the Apostate and Hitler, should be considered quackery from the new point of view. The reason why the Germans allowed themselves to be brainwashed so easily since the US-imposed Diktat is explained if we see that the inertia of their culture was infinitely more Christian than the occult paganism of the Third Reich. In other words, what succeeded again in WW2 was, as happened after the assassination of Julian, the grip that the Christian archetype holds over the white man’s psyche.

Compare my point of view with what even a racist revolutionary, a non-Christian, wrote in one of his novels. Harold Covington envisioned a dispute between Christians and pagans, both freedom fighters for the 14 words, during the racial revolution: a dispute that was only resolved when the pagans allowed that the hymn of the new Aryan republic was… a hymn that Luther had composed! Naturally, neither the late Covington nor his secular followers that can still be heard once a month on Radio Free Northwest knew that Christianity and the JQ are one and the same.

These Luther hymns went perfectly in line with the central goal of Bach’s life, as we are informed after minute 29 of the documentary linked above: ‘A well-regulated church music to the glory of (((God)))’. Those were Johann Sebastian Bach’s words: the words of the grandfather of all the composers! But without putting triple parentheses now, after the 45th minute of the documentary a writer confesses to us, when we hear Partita for Violin No. 2 in the background, that this sort of musical soliloquy ‘would convince me that there is a God’.

This is most interesting because that Partita is the music solo I have heard the most from Bach, and although it is secular (i.e., non-sacred music) it perfectly portrays the feeling of the child of my dream in my previous post: that what for my father (or Christians) seemed sublime to me it seems hellish. Infernal not in the sense of today’s degenerate music, but in another sense. Just as Gothic cathedrals represent magnificent art, much of Bach’s music (and even Beethoven’s quartets) transports me to that gargoyle-filled nightmare world of which I want nothing more than a return to a musically enlightened world.

Please understand me well. Unlike those Neanderthals who don’t understand the music of Bach, Beethoven or Wagner, since my parents were musicians by profession I did understand them. But it is the dark Zeitgeist that, as in my dark cathedrals series of dreams, bothers me even though I recognise that the Partita is a masterpiece. Curiously, when after getting used to listening to it on violin I once heard the same Partita by Bach, but this time versioned for classical guitar, the gargoyles disappeared and I was finally able to enjoy it. Something similar happens to me with the church organ and the harpsichord: I cannot hear them except when the pieces are versioned for other classical instruments, although more modern. It is the Christian Era Zeitgeist that irritates me, and to understand my subjectivity I must translate another page of El Grial:

______ 卐 ______


What impresses me about this historical revisionism is the clairvoyance of the teenager I was, whom my parents and a psychoanalyst destroyed at the time. He saw things as they were, and compared the loss of his beautiful life with the loss of the ancient Hellas. For the adolescent Caesar, the best of his Palenque had been his ‘Greek’ stage, and the stage after November 1974 was like the fourth century and subsequent European centuries. How I remember the way in which I then projected that drama on the image of an LP that my father liked, that we called the Hercules Mass.

I was deeply hurt by the transition from the world of the Greeks and the Romans to Christendom; and the face of the lad on the cover of the album, together with the Kyrie of Josquin des Prés, represented the fateful transit: sculpture and music that, in my adolescent mentality, I thought dated from the times after Constantine. Still something of the Hellenic beauty was seen in the profile of the young man—I felt inside—and it hurt me that, unlike the jovial times of the ancient world, he was now praying with his face up (note that the female above the lad is no longer Aryan). Later I remember very vividly that, already living with my grandmother in the darkest stage of my life, I blamed my father’s Christianity for the annihilation of the beautiful youth of Athens. What I was unaware of at my seventeen is that the grandiose temples, statues, and libraries of Greco-Roman culture had been ripped apart, and adepts of the old culture marginalised and even genocided by Christians…

Now I know that the tragedy of the West in general, and the tragedy of my life in particular, are two sides of the same coin. The soul that the adolescent Caesar so projected on the downgraded ‘Greek’ of the album was killed by the same regressive forces by which the Greco-Roman world was killed: the incredible evil, stupidity, massive psychosis and envy of humans. From this angle, writing about my life has also been, in some way, writing about the western tragedy.

Wagner vs. Bach, 1

The fourth part of El Grial begins with a dream that I now translate into English:

I was walking on a street by day next to Dad, who pointed out to me, enthusiastic and joyful as his character, the great church—or wall of a great church, rather like a Gothic cathedral—while I felt real horror for the (not glimpsed, only felt) kind of gargoyles, low relief sculptures or external figures of a very dark-stone cathedral. The contrast between the spirited Dad in pointing out to me that Christian bastion as something so positive that he even smiled at me and the horrified son—although I corresponded to Dad’s smile from my height as a child with another smile to be nice with him—couldn’t be greater.

Then I commented that over the years I had several dreams with that theme. I interpreted that my father lacked enough empathy to realise that traditional Catholic doctrine, which seemed so positive to him, horrified his little firstborn.

I recently said that Parsifal’s music has been one of my favourites, despite the fact that the opera characters are quasi-Christian knights that Wagner devised. Wagner’s last opus is not a hundred percent Christian insofar the script never names Christ or Christianity. Rather, it resembles the spirit of the Germanic sagas in times of Christian conversion, when something of the ancient pagan spirit was still breathed. In this first entry about how I contrast Wagner with Bach I confess that, unlike Parsifal, traditional Christian music has horrified me as much as that series of dreams with which I opened this post.

Iconoclasm, even in music, is a thorny topic. If we proclaim the transvaluation of all values the question immediately arises: What to do with the so-called sacred music after the anti-Christian revolution conquers the world? We have already seen that Nietzsche loved Parsifal’s music but abhorred its message, especially the chastity of the quasi-Christian knights. In my opinion, Wagner, Hitler’s favourite composer, is salvageable but how should we treat sacred music from his predecessors?

Unlike Richard Wagner (1813-1883) who flourished a century after the death of Johann Sebastian Bach (1685-1750) Bach had no passion for the Germanic sagas of the pagan past. On the contrary: Bach composed his music for the main Lutheran churches in Leipzig, and adopted Lutheran hymns in his vocal works. The hundreds of sacred works that Bach created are generally seen as a manifestation not only of his craft, but of his great devotion to the god of Christians: the very god of the Jews. Bach even taught Luther’s catechism as Thomaskantor in Leipzig, and some of his pieces represent it. For example, his very famous St Matthew Passion, like other works of this type, illustrates the Passion of (((Christ))) directly with biblical texts.

Compare all this with Wagner’s relatively paganised work who didn’t quote the gospel: a musician who, by introducing pre-Christian elements in his operas, was already starting to shake off the Judeo-Christian monkey from his back. But before continuing my talk about Bach I would like to quote, once again, the words of Nietzsche that appear in The Fair Race:

§ 61

Here it becomes necessary to call up a memory that must be a hundred times more painful to Germans. The Germans have destroyed for Europe the last great harvest of civilisation that Europe was ever to reap—the Renaissance. Is it understood at last, will it ever be understood what the Renaissance was?

The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values… To attack at the critical place, at the very seat of Christianity, and there enthrone the more noble values—that is to say, to insinuate them into the instincts, into the most fundamental needs and appetites of those sitting there…

I see before me the possibility of a heavenly enchantment and spectacle: it seems to me to scintillate with all the vibrations of a fine and delicate beauty, and within it there is an art so divine, so infernally divine, that one might search in vain for thousands of years for another such possibility; I see a spectacle so rich in significance and at the same time so wonderfully full of paradox that it should arouse all the gods on Olympus to immortal laughter: Cæsar Borgia as pope!… Am I understood? Well then, that would have been the sort of triumph that I alone am longing for today: by it Christianity would have been swept away!

What happened? A German monk, Luther, came to Rome. This monk, with all the vengeful instincts of an unsuccessful priest in him, raised a rebellion against the Renaissance in Rome…

Instead of grasping, with profound thanksgiving, the miracle that had taken place: the conquest of Christianity at its capital—instead of this, his hatred was stimulated by the spectacle. A religious man thinks only of himself. Luther saw only the depravity of the papacy at the very moment when the opposite was becoming apparent: the old corruption, the peccatum originale, Christianity itself, no longer occupied the papal chair! Instead there was life! Instead there was the triumph of life! Instead there was a great yea to all lofty, beautiful and daring things!

And Luther restored the church.

Suppers at Emmaus

In the previous thread on Christian art Berk said: ‘How and why the Italian Renaissance began to use Nordic faces in their paintings is not something I know, but it is a revolutionary act perhaps in resistance to the Christianity they faced’. I answered that maybe Nietzsche can help:

Is it understood at last, will it ever be understood, what the Renaissance was? The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values…

Supper at Emmaus (1606, above) is a painting by the Italian master Caravaggio, housed in the Pinacoteca di Brera in Milan, Italy. Caravaggio’s work had a formative influence on Baroque painting. I told my father a long time ago that the Baroque ‘was a betrayal of the Renaissance’. He got angry and didn’t seem to understand what I was saying.

Fra Angelico began painting 200 years before the above Supper in Emmaus was completed. If we compare the blond angels and even the blond Jesus and redhead Magdalene of Fra Angelico in my previous posts with the painting by Caravaggio, we clearly see the regression towards non-Aryan characters.

Non-Aryan characters are even more obvious in this other Supper in Emmaus of 1601, also of Caravaggio, which is not located in Italy but in the National Gallery of London. Notice how the face of Jesus in this picture is wider (that is, less Nordid) than the face of Jesus in the picture above.

Published in: on September 15, 2019 at 11:20 am  Comments Off on Suppers at Emmaus  

Why Europeans must reject Christianity, 20

by Ferdinand Bardamu

The Christian apologetics of Prof. Kevin MacDonald

Sociobiological accounts of Western pathological altruism are based on inferences not supported by the available empirical evidence. For example, if the individualism of European societies is the result of evolutionary adaptation under ecologically adverse conditions, a similar tendency would be found among other ethno-racial groups that evolved in the same environment. However, Eastern Europeans and Northeast Asians evolved in the same North Eurasian and Circumpolar region but remain strongly ethnocentric and collectivist.

Those arguing in favor of a European genetic basis for pathological altruism face another serious problem: for thousands of years of recorded history, there isn’t a single instance of collectively suicidal behavior among Europeans until the Christianization of Rome in the 4th century. Why this is the case requires the following explanation.

Ancient ethical norms diverged considerably from modern ones. Pity was condemned as a vice; mercy was despised as a character flaw. Mercy was viewed as the antithesis of justice because no one deserved help that had not been earned. The rational man was typically expected to be callous towards the sufferings of the less fortunate. His philosophical training in the academies had shown him that mercy was an irrational and impulsive behavior whose proper antidote was self-restraint and stoic calm in the face of adversity. In the Roman world, clementia was reserved exclusively for the vanquished in battle or the guilty defendant at trial. Weaklings and the economically disadvantaged were beneath contempt.

Life in the ancient world was quite brutal by modern Western standards. The punishments meted out to criminals—blinding, burning with coals, branding with hot irons and mutilation—were exceedingly cruel and unusual. Public entertainment was noted for its brutality. Scratching, biting, eye gouging and mauling an opponent’s genitals were accepted as legitimate tactical maneuvers for boxers and wrestlers alike. In the naumachia, armies of convicts and POW’s were forced to fight each other to the death in naval vessels on man-made lakes. Gladiatorial combat remained immensely popular for centuries, until the monk Telemachus tried to separate two gladiators during a match in the Roman coliseum. He was promptly stoned to death by the mob for his efforts. Slavery was considered a non-issue in the ancient world. Aristotle rationalized the institution by dividing men into two classes: those by nature free, and therefore capable of assuming the responsibilities of citizenship, and those who were by nature slaves. A slave was defined as chattel property bereft of the capacity to reason. This meant that he could be sexually exploited, whipped, tortured and killed by his master without fear of legal reprisal.

Racism or, more accurately, “proto-racism” was more widespread and more accepted in the ancient world than in our politically correct modern Western “democracies.” As revealed by in-depth examination of classical literary sources, the Greeks were typically ethnocentric and xenophobic. They were given to frequent generalization, often negative, about rival ethnicities. The Greeks casually and openly discriminated against foreigners based on deeply ingrained proto-racial prejudices. Ethno-racial intermarriage, even among closely related Greek ethnic and tribal groups, was universally despised. It was even regarded as a root cause of physical and mental degeneration. The absence of terms like “racism,” “discrimination” and “prejudice” in the ancient world reveals that proto-racist attitudes were not generally condemned or seen as pathological.

Greek intellectual and biological superiority was determined by their intermediate geographical position between lazy, stupid northern Europeans and effeminate, pleasure-loving Asians. The Greeks were the best of men because they had been exposed to the right climate and occupied the right soil. The Greeks looked down upon foreigners, pejoratively referring to them as “barbarians.” This was an onomatopoeia derived from Hellenic mockery of unintelligible foreign speech. Barbarians were viewed as the natural inferiors of the civilized peoples of the Mediterranean basin. Prejudice was not only directed at foreigners. Significant interethnic rivalry also existed among fellow Greeks, as demonstrated by the history of the Peloponnesian Wars. Greek patriots despised their Roman conquerors, even referring to them contemptuously as barbarians. After the conquest of Macedonia, the Romans embraced the prejudices of their Greek subjects as their own.

How do contemporary sociobiological accounts of Western pathological altruism explain this?

It has been alleged that pathological altruism was always a deeply ingrained European character flaw. The Pythagorean communism of the 5th century BC is frequently mentioned as corroborating evidence, but these practices were reserved for the intellectual elite. Much the same could be said for Stoic cosmopolitanism, which bears no similarity to the deracinated cosmopolitanism of the modern West. In the Greek variant, the intellectual gains world citizenship by living in accord with the cosmic law of universal reason; in the Roman variant, the cosmopolis is identified with the Roman patria.

The Hellenistic empire of Alexander the Great is believed by some to have been established on a morally universalist foundation. These accusations have their basis in the rhetorical amplifications and literary embellishments of chroniclers who wrote long after the exploits of Alexander. The expansion of the Greek sphere of influence in Asia was romanticized by some as implying a new world order based on an imagined brotherhood of man. This is contradicted by the historical record. In actuality, Alexander and his generals promoted a policy of residential segregation along ethno-racial lines in the conquered territories, with Greek colonists on one side and natives on the other. In the Greek view, Hellenized Egyptians, Israelites, Syrians and Babylonians were racial foreigners who had successfully assimilated Greek culture; clearly then, cultural and linguistic Hellenization was not enough to make one “Greek.”

Ancestral lineage was an important component of ancient Greek identity. Herodotus observed that the Greeks saw themselves as a community “of one blood and of one tongue.” Caracalla’s extension of the franchise to Roman provincials in 212 AD was not an act of universalism per se, but occurred after centuries of Romanization. It was done for purposes of taxation and military recruitment. This imperial legislation, known as the Antonine Constitution, did not abolish ethnic distinction among Roman citizens.

The conventional sociobiological explanation of Prof. MacDonald and others is contradicted by the pervasive brutality and ethno-racial collectivism of ancient societies. Given Christianity’s role as an agent of Western decline, no explanation will be fully adequate until this is finally acknowledged and taken into consideration. Prof. MacDonald, in an essay for The Occidental Observer, “Christianity and the Ethnic Suicide of the West”, ignores this major obstacle to his own detriment, arguing that from a Western historical perspective, Christianity was a relatively benign influence. Despite MacDonald’s eminence as an authority on 20th century Jewish intellectual and political movements, his defense of Christianity reveals a superficial understanding of history, contemporary political theory and Christian theology.

Prof. MacDonald whitewashes Christianity throughout, denying that the religion has ever been “a root cause of Western decline.” He observes that Christianity was the religion of the West during the age of European exploration and colonization, but not once does he mention that Christianity was a spent force by the late Middle Ages, having undergone a serious and irreversible decline in power and influence. Prof. MacDonald does not mention that after 1400, Christendom was no longer unified because the legitimacy of medieval ecclesiastical authority had been shattered; first, by the rediscovery of classical science and philosophy, which shook the Christian worldview to its very foundations, and second, by the Protestant Reformation, which reduced the pope to the status of a mere figurehead.

This set the stage for the large-scale dissemination of atheism and agnosticism in the 20th century. Gutenberg’s invention of the printing press, combined with the spread of mass literacy, virtually ensured that the Christian church would never again control European intellectual life. If the late medieval church had retained the same ecclesiastical and political authority it had under Pope Innocent III, European colonization and exploration of the globe would have been virtually inconceivable. For these reasons, it is more historically accurate to situate European territorial expansion within the context of resurgent pagan epistemic values, i.e. empirical rationality, intellectual curiosity and the pursuit of scientific progress for its own sake, during the Renaissance and the Scientific Revolution.

It is argued that the decline of the West has co-occurred with the decline of Christianity as an established faith, but this is incorrect. The Renaissance and the Scientific Revolution, as well as exploration and colonization that occurred along with it, were only possible because of the collapse of ecclesiastical authority in the late medieval period. This eroded the Christian stranglehold on the spread of knowledge, replacing blind faith with the pagan epistemic values of classical antiquity. The recent decline of the modern West beginning in the 1960s has co-occurred with the growing influence of a neo-Christian ethic in the public sphere, just as the decline of the ancient world co-occurred with the triumph of Christianity over the forces of paganism.

Prof. MacDonald observes that Christians have not always been consistent moral universalists in practice, but this is a non-sequitur. Marxists have not always been consistently anti-racist or multiculturalist, given Stalin’s rabid anti-Semitism, aggressive policy of national Russification, and deportation of entire ethnic populations to Siberia, but this does not change the fact that anti-racism and multiculturalism are characteristic features of Marxist orthodoxy. Since when have the inconsistent practices of a few individuals ever mitigated or excused the destructive nature of an ideology completely at odds with the biological reality of human nature? Likewise, MacDonald’s non-sequitur does not affect the central importance of spiritual equality in the Christian belief-system. Historically, Christians were divided on whether spiritual equality entailed certain real-world implications or was of purely eschatological significance.

This hopelessly muddled line of argument revolves around a nebulous definition of “traditional” Christianity, a term either alluded to or directly mentioned throughout. If traditional Christianity is supposedly good for Europeans, how can it be universalist and ethnocentric at the same time, as in the case of American abolitionists and slave-owners? Or is traditional Christianity whatever form of Christianity MacDonald finds acceptable? If this is the case, what is the point he is trying to make here? Prof. MacDonald mentions that the patristic writers frequently criticized Jewry for being obsessed with biological descent. This placed them at odds with the multicultural and multiethnic ideology of the Christian religion. But how can the patristic writers, who systematically formulated the official dogmatic orthodoxy of the church, not be representative of “traditional” Christianity? Paradoxically, MacDonald acknowledges the ancient origin of the church’s race-mixing proclivities. If he believes that the patristic writers were corrupted by egalitarian principles at a very early date, he should at least provide evidence of theological subversion.

According to Prof. MacDonald, the secular left, which initiated the cultural revolution of the 1960s, is not Christian in inspiration. This statement is egregiously wrong, revealing a profound ignorance of the philosophies of liberalism and Marxism, especially in terms of their historical development. These belief-systems originated in a Christian theological context. The core ideas of liberalism, human rights and equality, have their genesis in the careful biblical exegesis of 17th and 18th century Christian political theorists. Marxism is deeply rooted in the fertile soil of the Christian tradition, especially in the speculative Protestant rationalism of Hegel. It also draws additional inspiration from the Reformed theological principles of Luther and the communist socio-economic practices of the primitive Christian church.

The hostility between the secular left and “traditional” Christianity is emphasized to further demonstrate the non-Christian origins of Western pathological altruism. However, his observation is completely irrelevant, as both traditional and secular Christianity are essentially rival denominations within the same Christian religious tradition. The mutual hostility that exists between the two is to be expected. Furthermore, it is foolhardy to maintain that traditional or mainline Christianity has been corrupted by the secular left; given the origins of liberalism and Marxism in Christian theology and biblical exegesis, it is more accurate to say that traditional Christianity has allowed itself to be corrupted by its own moral paradigms after taking them to their logical conclusion. The Christian theological basis of social and biological egalitarianism is merely the rediscovery and application of the original ethical teachings of Jesus and the primitive church.

Prof. MacDonald says the “contemporary zeitgeist of the left is not fundamentally Christian.” He fails to realize that the liberal-leftist ideas behind Third World immigration and state-sanctioned multiculturalism have deep roots in the Christian tradition. There is a common misunderstanding, no doubt propagated by Christian apologists, that one must embrace the supernatural claims of Christian religious dogma to be considered a Christian. This contention is not supported by contemporary scholarship. For example, Unitarians reject traditional Christian orthodoxy but remain well within the Christian fold. Neo-Christianity, like Unitarianism, is a thoroughly demythologized religion, properly defined as the application of New Testament-derived ethical injunctions to the management of contemporary social and economic relations. By this definition, Liberals and Marxists are no less Christian than your typical bible-thumping “holy roller.”

If Christianity is ultimately responsible for the destruction of Western civilization, asks MacDonald, why aren’t Middle Eastern Christians destroying their own societies by aggressively pushing the same universalist and ethno-masochistic agenda? In this case, the comparison is historically flawed. The medieval Islamic conquest of Byzantine North Africa and the Near East virtually guaranteed that Middle Eastern Christianity would follow a socio-historical trajectory differing significantly from the one followed by Latin Christianity. Up until quite recently, Middle Eastern Christians inhabited a medieval world no different from the one Europeans had lived in for centuries before the dawn of the Renaissance. Middle Eastern Christians never experienced any Reformation that allowed them to shake off the tyranny of ecclesiastical authority and wrestle with the real-world implications of spiritual equality.

Furthermore, none of the conditions for a Reformation ever existed in what remained of Middle Eastern Christendom. There was no humanist movement, which meant no dramatic increase in literacy or availability of printed material. There was no rediscovery of the patristic writers or of the ancient biblical manuscripts in the original languages. Access to the original source material would have made it easier for religious dissidents to challenge ecclesiastical authority and refute long-established medieval Christian dogma. In fact, Middle Eastern Christians were dhimmis, a persecuted jizya-paying religious minority in a larger Moslem world hostile to their very survival. Given the precariousness of their legal situation in the Ottoman empire, they had no time for the finer points of biblical exegesis or theological analysis.

Prof. MacDonald states, erroneously, that in Judaism there is no “tradition of universalist ethics or for empathy with suffering non-Jews.” He is obviously not familiar with the teachings of the Old Testament: “The foreigner residing among you must be treated as your native-born. Love them as yourself, for you were foreigners in Egypt. I am the LORD your God.” (Leviticus 19:34) Christianity is simply the radical universalization of Hebrew ethical concern for the plight of hapless foreigners living among them; as such, it is firmly embedded within the soil of 1st century Palestinian Judaism. Although Christianity has absorbed Greek philosophical ideas because of its wide dissemination in Europe, it is obviously not a European invention.

At this point, Prof. MacDonald asks: If the “moral universalism / idealism” that is destroying Sweden is due to Christianity, how does one explain “how people can lose every aspect of Christian ideology except the ethics”? To answer this question, let us inquire into the historical genesis of the Christian religion and the identity of its earliest followers.

Christianity originated in the yearning of Palestinian Jewry for social justice while having to patiently endure the tyranny of foreign rulers. Under these harsh conditions, Jewish beliefs in a messiah acquired an unprecedented sense of urgency, eventually assuming militant and apocalyptic overtones. This sense of urgency reached a crescendo in 1st century Palestine; self-proclaimed messiahs amassed armed bands of followers poised and ready to establish the son of David on the throne of Caesar, by force if necessary. This is the environment in which the Jesus myth originated, woven together from different strands of Jewish tradition in an atmosphere of deep-seated yearning for the coming advent of a messiah. This advent symbolized the end of Roman tyranny and the establishment of the kingdom of god on earth.

Christianity’s earliest followers were drawn from the refuse of the empire. Why? Because Christianity was the first mass movement in history to give concrete expression to the inner yearning of the people for freedom from oppression and hunger. What man has not sought to escape the oppression of his masters or the poverty of his surroundings? With the rise of Christianity, like the rise of Jewish Messianic belief, the inchoate yearnings of the mob for deliverance from oppression were replaced with a vision of a new social order that would inaugurate an age of universal justice and freedom. This new vision would lead to the establishment of a worldwide communist economic system that would forever solve world poverty and hunger. In the New Testament was found a blueprint for an ideal society that would inspire generations of social reformers and leftist revolutionaries.

For centuries, it was the only widely accessible document that demanded social justice for the poor and downtrodden and the only document to propose a practical solution to the problem of social inequality: the establishment of a socially egalitarian or communist society on earth. The religion of Christianity tapped into this deep-seated, age-old psychological yearning of the masses and, for the first time in history, gave it a coherent voice. This ensured the survival of ethical Christianity long after the decline of ecclesiastical orthodoxy in the late Middle Ages, allowing it to flourish, virtually unchallenged, in the ostensibly secular milieu of the modern 21st century Western “democracies.”

As a control mechanism, ethical Christianity was remarkably flexible. It could be used to justify any social arrangement, no matter how unjust or brutal. Its promise of “pie in the sky” had a remarkably pacifying effect on the illiterate serfs, who were expected to toil on the lord’s manor for their daily bread. Feudal landowners encouraged Christian religious instruction because it produced an easily controlled and manipulated peasantry. Vassals had it drummed into their heads from the moment of birth that servants must obey their masters. The church promised them life everlasting in paradise if they faithfully observed this requirement until death.

The great rarity of the peasant revolt against serfdom reveals the shrewd pragmatism of those who used religion as a means of safeguarding the public order. Punishment for original sin and the Pauline dualism between body and spirit, among other things, provided European rulers with additional convenient rationalization for the institution of serfdom. In the right hands, the ethical pronouncements of the New Testament could be used as an agent of revolutionary change, capable of stirring up mass revolt and potentially unleashing forces that could tear apart the “vast fabric of feudal subordination.” This was demonstrated by the Peasant Revolt of 1381, ignited by the fanatical communist-inspired sermons of the renegade priest John Ball.

The concept of human rights—Christian ethical injunctions in secularized form—illustrate in concrete fashion why the morality of the New Testament managed to survive long after the decline of Christian dogmatic orthodoxy. Rights dominate the field of political discourse because they are considered by egalitarian ideologues the most effective mechanism available for ensuring (a) the equal treatment of all persons and; (b) equal access to the basic goods deemed necessary for maximal human flourishing.

This practicality and effectiveness must be attributed to the ability of rights to fulfill the secret yearning of the common people, which is to ameliorate, as much as possible, the baneful effects of oppression and want. It achieves this by demolishing the traditional social and political distinctions once maintained between aristocracy and peasantry, placing all individuals on the same level playing field. The concept of rights has allowed the masses to closely realize their age-old utopian aspirations within a liberal egalitarian or socialist context. The concept’s great flexibility means that it can be interpreted to justify almost any entitlement. Even those who openly rejected the notion of rights, such as utilitarian philosopher Bentham, were unable to devise a more satisfactory mechanism that ensured equal treatment of all.

The Marxist tradition, emerging from under different historical circumstances, never fully decoupled Christian ethical teaching from traditional orthodoxy; instead, Marxist philosophical method necessitated an “inverted” Judeo-Christian eschatological and soteriological framework, largely because dialectical materialism is primarily an inversion of Hegel’s speculative Protestant rationalism.

In Hegelian Christianity, knowledge is substituted for faith. This eliminated the “mysteries” of Christian orthodoxy by making rational self-knowledge of god a possibility for all believers. The trinity as absolute mind, and therefore reason incarnate, means that Jesus of Nazareth was a teacher of rational morality, although his ethical system had been corrupted by patristic and medieval expositors. If “the rational is real and the real is rational,” as Hegel said, history is not only the progressive incarnation of god, but god is the historical process itself. The triadic structure of the natural world, including human self-consciousness, proves that the structure of objective reality is determined by the triune godhead of Christianity.

Hegel’s interpretation of Christianity gave Marx the raw material he needed to extract the “rational kernel” of scientific observation from “within the mystical shell” of Hegelian speculative rationalism. This liberated dialectical analysis from Hegel’s idealist mystification, allowing Marx to do what Hegel should have done, before succumbing to Christian theological reflection: construct a normative science, a Realwissenschaft, analyzing the socio-economic developments within capitalism that would unleash the forces of worldwide proletarian revolution.

The secularization of Christianity preserved the religion’s ethical component, while discarding all supernatural elements. This gave us modern liberalism. In contrast, Marx turned Hegel’s Protestant theological system upside down, a process of extraction resulting in the demystification of Hegelian Christianity. In Marxist philosophy, the inversion of dialectic removes the analytical tool—the “rational kernel”—from within its Christian idealist “shell.” This is then applied to the analysis of real-world phenomena within a thorough-going materialist framework, like the internal contradictions of capital accumulation in Marxist crisis theory.

Prof. MacDonald argues for a genetic basis for moral universalism in European populations, a difficult argument to make given the historical evidence indicating a total absence of pathological altruism in the ancient world before Christianization of the Roman empire. He mentions the systematic brainwashing of Europeans and the major role of Jewish political, academic and financial influence in the ethnocide of the West, but again forgets to mention that all these cultural forces rationalize European dispossession using political ideas like universal human rights and equality, the two fundamental pillars of secularized Christianity.

Prof. MacDonald’s attempt to exculpate Christianity of being “a root cause of Western decline” is easily refuted. In the final analysis, Christianity, at least in its organized form, is the single greatest enemy of Western civilization to have ever existed.

______ 卐 ______

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On Bardamu’s essay

Instalment 17 of Ferdinand Bardamu’s essay revealed things I did not know about the history Christianity. It also reminds me of one of the passages that most haunted me of Nietzsche’s The Antichrist, which I have already quoted a couple of times but it’s worth re-quoting:

§ 61

Here it becomes necessary to call up a memory that must be a hundred times more painful to Germans. The Germans have destroyed for Europe the last great harvest of civilisation that Europe was ever to reap—the Renaissance. Is it understood at last, will it ever be understood, what the Renaissance was? The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values…

To attack at the critical place, at the very seat of Christianity, and there enthrone the more noble values—that is to say, to insinuate them into the instincts, into the most fundamental needs and appetites of those sitting there…

I see before me the possibility of a perfectly heavenly enchantment and spectacle: it seems to me to scintillate with all the vibrations of a fine and delicate beauty, and within it there is an art so divine, so infernally divine, that one might search in vain for thousands of years for another such possibility; I see a spectacle so rich in significance and at the same time so wonderfully full of paradox that it should arouse all the gods on Olympus to immortal laughter: Cæsar Borgia as pope!… Am I understood?… Well then, that would have been the sort of triumph that I alone am longing for today: by it Christianity would have been swept away!

What happened? A German monk, Luther, came to Rome. This monk, with all the vengeful instincts of an unsuccessful priest in him, raised a rebellion against the Renaissance in Rome…

Instead of grasping, with profound thanksgiving, the miracle that had taken place: the conquest of Christianity at its capital—instead of this, his hatred was stimulated by the spectacle. A religious man thinks only of himself. Luther saw only the depravity of the papacy at the very moment when the opposite was becoming apparent: the old corruption, the peccatum originale, Christianity itself, no longer occupied the papal chair! Instead there was life! Instead there was the triumph of life! Instead there was a great yea to all lofty, beautiful and daring things!…

And Luther restored the church.

By the way, it is nice that Jack Halliday, as a kind of spokesman for The West’s Darkest Hour, is trying to communicate, in other forums, our message as in this thread of Occidental Dissent. I wonder if the admin of that site, a Lutheran, has been following what we have been saying about Luther, the Reformation, and Christianity in general.

But I understand the distant neighbours of the North. Here in the south all secular intellectuals, without exception, are idiots, including the criollos (in English see here and in Spanish here). It seems that the apostates of Christianity fall automatically into a much worse ideology: ethnosuicidal liberalism and cultural Marxism. But that is also courtesy of Christianity itself, as we have been seeing in Bardamu’s essay.

Since I mentioned Jack Halliday, I would like to take this opportunity to mention another commenter of this site, Spahn Ranch, who is keen to see aspects of Christianity that I couldn’t say better.

Faith of the Future, 3

by Matt Koehl


III. The Decline of Christianity

The imposition of Christianity on the Aryan peoples of Northern Europe had one lasting effect. It resulted in an inner tension, a disquiet—an angst—which has been a protruding feature of Western culture from its inception. Throughout the history of the West, there has always existed a soul struggle keenly felt by the more perceptive spirits of the race, occasioned by the contradiction between the inverted values and tenets of an Oriental/Semitic belief system on the one hand and the natural religious feeling of Nordic/Aryan man on the other.

If the former furnished the ideological matrix of the culture, it was the latter which provided the creative inspiration, the divine spark. Indeed, the greatest moments of Western culture as a manifestation of Aryan genius—whether expressed in a specifically Christian or extra-Christian form—occurred despite the stricture of Church dogma, rather than because of it. Dante, Chaucer, [Edmund] Spenser, Shakespeare, Milton, Goethe, Schiller, Shelley, Wordsworth, Keats, Byron, Leonardo, Michelangelo, Raphael, Botticelli, Dürer and Rembrandt all testify to this, no less than do Vivaldi, Bach, Handel, Haydn, Mozart, Beethoven, Wagner and Bruckner.

As we have seen, the external character of Christianity was greatly modified in its metamorphosis from a small Jewish cult into the mighty religion of the West. The medieval institution known as chivalry, in fact, with its refined honor code—which save for its Christian trappings more properly reflected the outlook and mores of a pre-Christian time—resulted from this very process, and provided a modus vivendi for opposing spiritual interests during the Middle Ages.

Thus, through a mutual accommodation of sorts was the underlying contradiction largely contained. And yet despite any institutional adjustment, the unease deriving from an alien idea remained latent within the fabric of the culture. The social and intellectual response to this inner tension varied. For their part, the kings, emperors and other secular rulers tended to treat the matter with cynical detachment, accommodating and offering resistance as political requirements dictated.

Among scholars and thinkers, on the other hand, there were those who, like Giordano Bruno, rose in open revolt against Church dogma. More often, however, the stirrings of disquiet were manifested in subtle attempts to orient Christian doctrine toward innate Aryan religiosity. This was particularly true of the mystics of the Middle Ages, like Scotus Erigena, Amalric of Bena and Meister Eckhart, who—going beyond the theology of the Church—looked inward into their own souls and to Nature itself to discover the kingdom of God.

It was with the Renaissance, however, that there appeared the most significant movement to challenge Church doctrine—a movement which would, in fact, set in motion an irreversible chain of events leading ultimately to the discrediting of that very doctrine as the core idea of a culture.

Now, for the first time, was the Promethean impulse able to break out of the clerical mold. Art came to express, not merely a sterile Semitic outlook, but the feelings of a Northern racial soul—a most notable development, which announced that creative vitality had stepped beyond the mythic prescriptions of the culture. The entire Judeo-Christian cosmology was called into question by new discoveries in the natural and physical sciences. Exploration across unknown seas commenced. Perhaps the most revolutionary single development of this time, however, was the discovery of movable type by Johannes Gutenberg, which enabled a much wider circulation of knowledge—knowledge other than that bearing an ecclesiastical imprimatur, knowledge transcending the basic ideology of the culture.

* * *

The most important consequence of the Gutenberg invention is to be seen in the Protestant Reformation, to which it was a contributing factor and whose development it greatly influenced. Up until the time of Martin Luther, the focus of Christian authority was the Papacy, whose word was unquestioned in matters of faith and dogma. Now, with the great schism in Christendom, a direct challenge was presented to ecclesiastical authority. It certainly was not, of course, die intent of Luther and the other dissenters to undermine or eliminate the Christian faith; rather the opposite. They merely wished to reform it. And yet, by challenging the one unifying institution of Christendom and causing a split in Christian ranks, they inadvertently opened the door to disbelief in the Christian mythos itself.

To replace papal authority in matters religious, Luther proposed to substitute the authority of the Book; and so, with the prospect of employing the Gutenberg invention, he undertook the prodigious task of translating obscure Hebrew scriptures into the German language—to the everlasting misfortune of Christianity.

It is ironic that in his quest for spiritual freedom, the Great Reformer should have rejected the despotism of the Papacy only to embrace the tyranny of the Torah and the ancient Jewish prophets. The arcane texts which had remained on musty shelves behind cloistered walls and accessible only to priests and theologians now became universal property. And now, instead of one single authority in matters of Christian exegesis, everyone—and no one—became an authority. Out of this there could be but one result: contradiction and confusion.

The effect on intelligent minds, of course, was devastating. For here it was now possible—in the best Talmudic fashion—to prove mutually exclusive points of view by reference to the same Semitic texts. Not only that, but critical examination of biblical literature gave rise to serious doubt concerning the veracity and validity of the subject matter itself, not to mention the peculiar mentality of its various authors. For the first time, perceptive minds could observe the obvious contradiction between empirical reality and what was claimed as holy writ.

Gradually there grew the inner realization that the faith itself was flawed, and creative genius began to look beyond the ideology of the Church for inspiration and direction. Even in those instances where Christian motifs continued to provide the external form for artistic expression—such as in the works of Bach, Corelli and Rubens, for example—the vital daemon which spoke was clearly extra-Christian and of a religious order transcending Church dogma.

And so even the Counter-Reformation, and the stylistic mode it inspired, succumbed to widening skepsis. A lessening of traditional belief had set in, and Aryan creativity now began to look increasingly in other directions for the divine. At the intellectual level, philosophy—which had long separated itself from theology—pursued its own independent quest for truth, while at the artistic level a succession of stylistic periods—impelled by irrepressible inner tension—sought ever newer forms of expression. Thus, the Baroque, having exploited all of its possibilities, gave way to the Rococo and the Classical, which in turn yielded to the Romantic of the last century and to the Impressionist, which has now been succeeded by the Modem era—which concludes the historical experience of the West.

* * *

Today, Christianity has reached its final stage. From both a spiritual and a scientific standpoint, its fundamental beliefs have become untenable. The advances of Aryan science have forever shattered the old Jewish myths. The cumulative impact of such figures as Copernicus, Galileo, Kepler, Newton and Darwin could not be eternally suppressed by ecclesiastical edict. When Church dogma, for example, insisted that the earth was the center of the universe and scientific investigation demonstrated otherwise, Aryan man was compelled by his innate regard for the truth to accept the latter at the expense of the former. In so doing, he came to question all other aspects of a once-sacrosanct belief system.

For the modem Church, this poses an impossible dilemma. The more it adheres to its fundamental doctrines, the more preposterous they must appear and the quicker will be its demise. On the other hand, once it attempts to reconcile itself with the findings of science by reinterpreting and redefining its basic tenets, it automatically concedes its moral position and its very reason for existence as an arbiter of truth.

The fact is that Christianity, as the dominant ideology of the West, has failed. It has exhausted all of its historical possibilities. No longer does it carry the emotional, mythic, polarizing force necessary to direct the spiritual life of a culture. Indeed, it is a spent cultural force no longer capable of adapting successfully to new organic realities.

All of this can be readily seen in the emptiness and sterility of modem cultural expression—reflecting the absence of any real spiritual values—as well as in the secularization of the Christian idea itself into liberal democracy and Marxism. Especially is this to be noted in the self-devaluation process of ecumenism and interfaith/inter-ideological dialogue, which constitutes the clearest concession by Christianity that it has failed and no longer has anything vital to offer. For once the Church admits that its doctrines are coequal with those of the nonbeliever, then what reason is there to be a believer?

It is not without significance that while the influence of Christianity is waning in the West, it is—through the sheer force of demographic pressure—gaining souls and expanding among nonwhites. Not only is this particularly true in Latin America, but also in Africa and—to a lesser extent—in Asia as well.

This development has, of course, not escaped the notice of the Church, which—with obsequious interracial posturing and attempts to divorce itself from its historical Western setting—has chosen to redirect the Christian appeal toward the colored world as the primary area of its interest and concern. In abandoning its Western role, however, Christianity has announced its conclusion as a cultural force. And so, whatever it may have traditionally represented for past generations of Europeans and North Americans no longer obtains.

Accordingly, it would be a mistake to assume that the Judeo-Christian idea has anything to offer the white peoples in their contemporary struggle for survival—that it might in any way be capable of addressing the vital needs and concerns of endangered Aryan life on this planet.

What now exists in the name of Christianity—apart from certain nostalgic, retrograde attempts to revive a historical corpse in a world of uncertainty and personal insecurity—is nothing more than fossil formalism and sterile nominalism without genuine vitality or substance, reflecting the marginal relevance of this particular ideology in today’s society. For in the face of modem realities, the Christian worldview simply has nothing more to say. It has fulfilled its historic role; it is now moribund. At best, it is irrelevant. At worst, it is an avowed enemy, a deadly menace to the Aryan race and its survival.

It may well be argued that the worst consequences of such ideological and spiritual error were far less conspicuous before the Second World War. Does the same hold true today, however, when the final effects of that error can be plainly seen? For well over a millennium now, Christianity has held a monopoly as the self-proclaimed custodian of the spiritual and moral well-being of an entire cultural order—for which one must reasonably assume that it has accepted concomitant responsibility.

What, then, are the fruits of its spiritual regime? We see them all around us. They are the symptoms of a diseased civilization: decadence, degeneracy, depravity, corruption, pollution, egoism, hedonism, materialism, Marxism and ultimately atheism. Yes, atheism. By destroying whatever natural religious feeling once existed in the hearts of our people and substituting alien myths and superstitions, it must now bear full responsibility for the diminished capacity for spiritual belief among our folk.

It will perhaps be objected that the Church itself is opposed to all of the above indesiderata. I am sorry: the responsibility for what has been claimed as a divine charge cannot be so easily evaded. Words aside, these happen to be the actual results of its earthly reign.

The Promethean spirit of Aryan man, for its part, must now look in other directions.

Apocalypse for whites • XXXIX

by Evropa Soberana


Appendix to chapter 3:

Nietzsche on Christianity


On the Genealogy of Morality (1887), 1st treatise, § 8 [1]

But you fail to understand that? You have no eye for something that needed two millennia to emerge victorious…?

This Jesus of Nazareth, the personified evangelist of love, this ‘Saviour’ bringing holiness and victory to the poor, to the sick, to the sinners—was he not that very seduction in its most sinister and most irresistible form, the seduction and detour to exactly those Judaic values and innovations in ideals?

Didn’t Israel attain, precisely with the detour of this ‘Saviour’, of this apparent enemy against and dissolver of Israel, the final goal of its sublime thirst for vengeance?

Isn’t it part of the secret black art of a truly great politics of revenge, a farsighted, underground, slowly expropriating, and premeditated revenge, that Israel itself had to disown and nail to the cross, like some mortal enemy, the tool essential to its revenge before all the world, so that ‘all the world’, that is, all Israel’s enemies, could then take this particular bait without a second thought?…

At least it is certain that sub hoc signo Israel, with its vengeance and transvaluation of the worth of all other previous values, has triumphed again and again over all other ideals, over all nobler ideals.

Tommaso Laureti, The Triumph of Christianity (also called
The Triumph of the Cross, painted in 1585). The story of how
an oriental messiah, with anorexic and masochistic
air, came to replace the strong pagan gods.


The Anti-Christ: A Curse on Christianity (written in 1888)

§ 24

This is precisely why the Jews are the most disastrous people in world history: they have left such a falsified humanity in their wake that even today Christians can think of themselves as anti-Jewish without understanding that they are the ultimate conclusion of Judaism.

§ 58

The harvest is blighted overnight… That which stood there aere perennis, the imperium Romanum, the most magnificent form of organisation under difficult conditions that has ever been achieved, and compared to which everything before it and after it appears as patchwork, bungling, dilettantism—those holy anarchists made it a matter of ‘piety’ to destroy ‘the world’, which is to say, the imperium Romanum, so that in the end not a stone stood upon another.

The Christian and the anarchist: both are décadents; both are incapable of any act that is not disintegrating, poisonous, degenerating, blood-sucking; both have an instinct of mortal hatred of everything that stands up, and is great, and has durability, and promises life a future…

Christianity was the vampire of the imperium Romanum—overnight it destroyed the vast achievement of the Romans: the conquest of the soil for a great culture that could await its time. Can it be that this fact is not yet understood?

The imperium Romanum that we know, and that the history of the Roman provinces teaches us to know better and better—this most admirable of all works of art in the grand manner was merely the beginning, and the structure to follow was to prove its worth for thousands of years.

To this day, nothing on a like scale sub specie aeterni has been brought into being, or even dreamed of! This organisation was strong enough to withstand bad emperors: the accident of personality has nothing to do with such things—the first principle of all genuinely great architecture.

But it was not strong enough to stand up against the corruptest of all forms of corruption—against Christians… These stealthy worms, which under the cover of night, mist and duplicity, crept upon every individual, sucking him dry of all earnest interest in real things, of all instinct for reality—this cowardly, effeminate and sugar-coated gang gradually alienated all ‘souls’, step by step, from that colossal edifice, turning against it all the meritorious, manly and noble natures that had found in the cause of Rome their own cause, their own serious purpose, their own pride.

One has but to read Lucretius to know what Epicurus made war upon—not paganism, but ‘Christianity’, which is to say, the corruption of souls by means of the concepts of guilt, punishment and immortality. He combated the subterranean cults, the whole of latent Christianity—to deny immortality was already a form of genuine salvation. Epicurus had triumphed, and every respectable intellect in Rome was Epicurean—when Paul appeared

Paul, the Chandala hatred of Rome, of ‘the world’, in the flesh and inspired by genius—the Jew, the eternal Jew par excellence

What he saw was how, with the aid of the small sectarian Christian movement that stood apart from Judaism, a ‘world conflagration’ might be kindled; how, with the symbol of ‘God on the cross’, all secret seditions, all the fruits of anarchistic intrigues in the empire, might be amalgamated into one immense power.

‘Salvation is of the Jews’. Christianity is the formula for exceeding and summing up the subterranean cults of all varieties, that of Osiris, that of the Great Mother, that of Mithras, for instance: in his discernment of this fact the genius of Paul showed itself.

This was his revelation at Damascus: he grasped the fact that he needed the belief in immortality in order to rob ‘the world’ of its value, that the concept of ‘hell’ would master Rome—that the notion of a ‘beyond’ is the death of life… Nihilist and Christian: they rhyme in German, and they do more than rhyme…

§ 59

The whole labour of the ancient world gone for naught: I have no word to describe the feelings that such an enormity arouses in me!

And, considering the fact that its labour was merely preparatory, that with adamantine self-consciousness it laid only the foundations for a work to go on for thousands of years, the whole meaning of antiquity disappears…

To what end the Greeks? to what end the Romans? All the prerequisites to a learned culture, all the methods of science, were already there and had been there for two thousand years! All gone for naught! All overwhelmed in a night, but not by a convulsion of nature! But brought to shame by crafty, sneaking, invisible, anæmic vampires! Not conquered,—only sucked dry…!

Hidden vengefulness, petty envy, became master! Everything wretched, intrinsically ailing, and invaded by bad feelings, the whole ghetto-world of the soul was at once on top! One needs but read any of the Christian agitators, for example, St. Augustine, in order to realize, in order to smell, what filthy fellows came to the top.

§ 61

Here it becomes necessary to call up a memory that must be a hundred times more painful to Germans. The Germans have destroyed for Europe the last great harvest of civilisation that Europe was ever to reap—the Renaissance. Is it understood at last, will it ever be understood, what the Renaissance was? The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values…

To attack at the critical place, at the very seat of Christianity, and there enthrone the more noble values—that is to say, to insinuate them into the instincts, into the most fundamental needs and appetites of those sitting there…

I see before me the possibility of a perfectly heavenly enchantment and spectacle: it seems to me to scintillate with all the vibrations of a fine and delicate beauty, and within it there is an art so divine, so infernally divine, that one might search in vain for thousands of years for another such possibility; I see a spectacle so rich in significance and at the same time so wonderfully full of paradox that it should arouse all the gods on Olympus to immortal laughter: Cæsar Borgia as pope!… Am I understood?… Well then, that would have been the sort of triumph that I alone am longing for today: by it Christianity would have been swept away!

What happened? A German monk, Luther, came to Rome. This monk, with all the vengeful instincts of an unsuccessful priest in him, raised a rebellion against the Renaissance in Rome…

Instead of grasping, with profound thanksgiving, the miracle that had taken place: the conquest of Christianity at its capital—instead of this, his hatred was stimulated by the spectacle. A religious man thinks only of himself. Luther saw only the depravity of the papacy at the very moment when the opposite was becoming apparent: the old corruption, the peccatum originale, Christianity itself, no longer occupied the papal chair! Instead there was life! Instead there was the triumph of life! Instead there was a great yea to all lofty, beautiful and daring things!…

And Luther restored the church.

§ 62

With this I come to a conclusion and pronounce my judgment. I condemn Christianity; I bring against the Christian church the most terrible of all the accusations that an accuser has ever had in his mouth. It is, to me, the greatest of all imaginable corruptions; it seeks to work the ultimate corruption, the worst possible corruption. The Christian church has left nothing untouched by its depravity; it has turned every value into worthlessness, and every truth into a lie, and every integrity into baseness of soul.

This eternal accusation against Christianity I shall write upon all walls, wherever walls are to be found—I have letters that even the blind will be able to see… I call Christianity the one great curse, the one great intrinsic depravity, the one great instinct of revenge, for which no means are venomous enough, or secret, subterranean and small enough, —I call it the one immortal blemish upon the human race…

And mankind reckons time from the dies nefastus when this fatality befell—from the first day of Christianity!—Why not rather from its last?—From today?—

Transvaluation of all values!

[1] Note of the Ed.: While I follow Evropa Soberana’s quotes of On the Genealogy of Morality, in the case of The Antichrist I added other paragraphs to the author’s quotes from the last pages Nietzsche’s book (included the final page that will appear in the next entry).

Uncle Adolf’s table talk, 54



14th December 1941, midday

Incompatibility of National Socialism and Christianity— The Popes of the Renaissance—A poisoned source.
Kerrl, with the noblest of intentions, wanted to attempt a synthesis between National Socialism and Christianity. I don’t believe the thing’s possible, and I see the obstacle in Christianity itself.

I think I could have come to an understanding with the Popes of the Renaissance. Obviously, their Christianity was a danger on the practical level—and, on the propaganda level, it continued to be a lie. But a Pope, even a criminal one, who protects great artists and spreads beauty around him, is nevertheless more sympathetic to me than the Protestant minister who drinks from the poisoned spring.

Pure Christianity—the Christianity of the catacombs—is concerned with translating the Christian doctrine into facts. It leads quite simply to the annihilation of mankind. It is merely whole-hearted Bolshevism, under a tinsel of metaphysics.

Another TV abomination

Once again, I have watched the first season of a television series, The Borgias, about the rise of the Borgia family to the pinnacle of the Church and their struggles to maintain their grip on power.


When I was a child I found inspiring the films of the Renaissance period that I saw on the big screen, like The Agony and the Ecstasy starring Charlton Heston. That movie, released in 1965, stressed the positive sides of the papacy of Pope Julius II—positive and inspiring when compared to the series about the Borgias. The 2011 series focuses not only on the negative side but on the filthiest and most repulsive aspects of the period. The creators even lied about historical matters to paint the corrupted Borgias in blacker tones than the historical Borgias.

For instance Prince Cem, a sultan who died in 1495 while in the custody of the French king (not of the Pope as in the series), was probably not murdered and Lucrezia Borgia’s dowry had nothing to do with Cem’s death. The recent series even portray Cem as a nice, adolescent chap whose character contrasts dramatically with the evil Italians and for whom Lucrezia feels deep affection, if not love. In real history, the Pope tried to convert Cem to Christianity without success. In the fictionalized series Cem himself wants to convert to Christianity, but is murdered by the ruthless Borgias.

Obviously, like all historical series done in recent years, The Borgias is plagued with sex scenes, and Cesare Borgia says about an Amerind brought by Christopher Columbus that the poor Indian was extracted from a paradise of noble savages. (Obviously, on TV there’s no mention that the historical Amerinds were cannibals who sacrificed their own children.)

It’s without saying that seeing how millions of euros have been spent in the production of this luxurious filth makes me sick. It also corroborates how far whites are gone…

Published in: on November 2, 2013 at 1:15 pm  Comments (3)