“We need a regime that (1) bans pornography and (2) erects statues of gorgeous naked nymphs and athletes in every public square and crossroads.”
Berlin, 28th April 1942, at dinner
Budapest and Linz—Plans for a new Linz.
The Fuehrer turns to Speer: Budapest is by far the most beautiful city on the Danube. But I am determined to make of Linz a German town on the Danube which surpasses it, and by so doing to prove that the artistic sense of the Germans is superior to that of the Magyars.
Not only shall I have the bank of the river built up in a magnificent fashion, but also I intend to build a number of dwelling-houses which will be models of their kind.
Ten years after the end of the war Linz must have become the new metropolis of the Danube. I become daily more enthusiastic about this beautifying of Linz, and I think it is the reaction of the artistic sense in me. This city possesses something which no architecture, however magnificent, could give her—a unique natural situation. In spite of the bonds of affection which tie me to Linz, I can honestly say that it is its wonderful position which alone impels me to carry out the project. The Viennese would be quite wrong to worry that this might prove harmful to their monopoly, or to the cultural interests of the Alpine and Danubian Provinces.
Far be it from me to lessen the importance of Vienna, so long as she remains on a sound and solid foundation. But when one thinks of the truly unique position of Linz, it is impossible, simply out of consideration for the feelings of the Viennese, to give up the idea of making Linz the metropolis of the Danube. It would be a crime.
Berghof, 1st May 1942, midday
Architectural problems—Our architects must plan on a grand scale—Bayreuth, Weimar and Dresden—Development of cultural life.
I am very grateful to Professor Giesler for having so successfully transformed the Schloss Kiessheim, which is to be our Guest House for distinguished visitors and which was opened in its new rôle by a visit from the Duce. The general lay-out, which corresponds so closely to my own ideas of spaciousness, pleases me particularly.
Giesler has planned on a grand scale. He has succeeded in leaving vast spaces between the portals and the staircase, and between the staircase and the entrance to the reception halls.
A sense of spaciousness is important, and I am delighted to see our architects planning on broad and spacious lines. Only thus shall we avoid the springing up of more towns in which the houses are cluttered up almost on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
If I were banished to a town of this kind, devoid of all beauty, I should lose heart and happiness just as surely as if I had been banished from my fatherland. I am therefore determined that some measure of culture and beauty shall penetrate even into the humblest of our towns, and that, step by step, the amenities of all our towns will reach a higher level. There is a lot of truth in the assertion that the culture of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden afford classic examples.
It is not sufficient that a town should have a museum which the students occasionally visit; our representative must see to it that the men of the Labour Service and the Wehrmacht find it worthy of visit, and that gradually in this way the interest in, and the appreciation of, art will be aroused throughout the masses of the nation. The eye of the children must be weaned from the niggardly and trained on the grandiose, for only thus will they learn to appreciate both the ensemble and the finer points of any work of art.
The finale of the 5th season of Game of Thrones
by César Tort
Had it not been for an accident in my teens, now I would be a consummate film director. My forte has always been the visual arts. Precisely because they are my forte I noticed, since childhood, the beauty of the Aryan race, especially girls. In a sea of mud in Mexico the very few blondes with delicate features seemed to me like lotus flowers floating on the sea.
As message, Game of Thrones (GoT) is quite bad. Like everything we see on television in our times, it makes equal man and woman by showing female warriors or female heads of state. To boot, GoT depicts promiscuity as normal, sometimes with scenes that are disgusting and I mean not only the homosexual, but heterosexual light porn alike. If I were the author of the books or the director I’d put the High Sparrow as the hero of the saga. After a couple of centuries of disbanding the Faith Militant, the military arm of the Faith of the Seven is restored, this time led by the sparrows thus ending the degeneration of royalty in the city King’s Landing.
The screenwriters of GoT will never do something similar in this darkest time of the West. (On the contrary, perhaps in the following season the Frankenstein that created Cersei’s doctor will terminate the sparrows.) But the writers of the ethnostate could do it in tales that retain the enormous beauty of some scenarios we’ve seen in GoT, with the difference that our values would be transvalued (goodbye Jesus—and forever).
From a strictly cinematic, not axiologic, viewpoint the first forty-nine episodes of GoT were well directed. In the last one, “Mother’s Mercy” released yesterday, the screenwriters blundered badly. Those who really understand film know that a masterpiece never exceeds in raucous scenes. Exceeding and overreaching was exactly what the screenwriters did in the final episode of the GoT season.
In real artistic film there cannot be a scene with very profound implications for the overall plot after another similar scene after another… A well-made film, such as the first Alien—incidentally, the only film by Ridley Scott that I like—maintains the suspense through slow scenes and only by the end it bursts with extreme violence. Instead, in “Mother’s Mercy” the screenwriters committed the fashionable sin in Hollywood and television programs today: they conflated several tremendous events in a single hour:
- The defeat on the battlefield and apparent death of Stannis (pic above);
- the Arya girl turned into a sadist of the kind of Tarantino films (Arya stabbed in both eyes a despicable subject);
- the prolonged degradation of Queen Cersei along the streets of King’s Landing.
In the internet, the feminists today are angrily commenting on yesterday’s episode. Although Cersei is one of the oldest villains of all seasons in GoT, she is a woman, and they are horrified to see her degraded by orders of the High Sparrow in the walk of shame. The truth is that we urgently need this type of action in disciplining all sorts of degenerates in the ethnostate, including white nationalists. The laws of morality should grab them all, including the heads of state. That’s why I so admire the High Sparrow as depicted in the fifth season. “The sign of the times is degeneracy,” said a regular visitor of this blog. “This term—degeneracy—sums up all that is happening to the West.”
The scene of the appropriate punishment of Cersei—adulterous, incestuous, involved in the death of her husband, the king, and countless other misdeeds that ruined the lives of others—is well-achieved if we see that scene strictly in isolation.
But in this final episode, after the military defeat of Stannis and the sadistic transformation of Arya (something one does not expect from a child even if her list of villains to kill is well intentioned), the viewer is completely confused and numbed when this later scene arrives. After such extremely disturbing scenes (we had hoped that Stannis defeated Ramsey, who skins men and women alive), when finally arriving at the walk of shame this late scene has completely lost its momentum. The previous scenes had left us confused and anesthetized before a new brutality. In none of the previous nearly fifty episodes the screenwriters indulged themselves in such excess, and the same could be said of
- the apparent murder (some fans think that the Red Witch will rise him from the dead in the next season) of Jon Snow in the final minutes of the episode.
A good screenwriter would have spent four episodes for each of these four gruesome themes marked with bullets. But they put them all together, one after another, to the degree of bungling the episode.
Terrible! The adroitness of the creators of GoT completely failed. However, as was clear from my first entry about the series, GoT subscribes a suicidal ideology (see yesterday’s post on egalitarianism). In the real world we are not “equal” on race, gender or sexual orientation; nor should prevail the principle of “non-discrimination” for the inferior races, women or the inverts. Unlike GoT, women should not be warriors (as red-haired Ygritte and some non-white, masculinized female warriors at Dorne) or female knights! (Brienne of Tarth); nor try to make a career of professional assassins (Arya), nor the fans should hope that a blonde bimbo (Daenerys) conquers the Iron Throne…
A frustrated filmmaker as I am I will continue to see the next season but only as visual inspiration of Aryan scenery that could be used if the race is saved from an almost certain fate.
Update of June 24
Now that I watched again episode 48 I realised that it was botched as well. You simply cannot show the most disturbing scene ever seen on TV (burning your child alive) and right after that showing another scene of great action (riding the dragon for the first time in the series): a subject unrelated to the most heinous crime in GoT: offering your child as a sacrifice to the God.
6th August 1942, evening
The peasant and the beauties of nature.
Our country today is over-populated, and the numbers emigrating to America are incredible. How I wish we had the German-Americans with us still! In so far as there are any decent people in America, they are all of German origin.
In Britain they have the sound law that only the eldest son of a peer can inherit the title; in our country we have nobles by the score, who cannot make a living and who will not die. This calls for reform in the future. The whole social structure of the State must be built up on cold, logical lines.
Once we are in a position to start colonising in the East, most of our difficulties will disappear. When the first few hundred are comfortably settled, the rest will soon follow. It is the earth that attracts the peasant. Several hundreds of thousands have emigrated from Salzburg and Upper Austria to East Prussia. It is only in the pictures of the Court artists that one sees peasants gazing at the stars in heaven. The real peasant keeps his eye firmly on the land, and he lives by the plough. The beauties of the woods were discovered, not by the peasant, but by the professor. Wherever good-quality land is to be found, there one also finds the best type of peasant. It is not, however, the good earth that has improved the peasant stock, but rather that the best type of peasant always finds and takes possession of the best land. The peasantry therefore is the solid backbone of the nation.
France, which has 59 per cent of its population on the land, is still fundamentally sound. It is a great tragedy when once a nation loses the solid foundation of its peasantry. The Italians have a splendid foundation of peasantry. Once when I was travelling to Florence, I thought, as I passed through it, what a paradise this land of southern France is! But when I reached Italy—then I realised what a paradise on earth can really be! Herein lies one of the Duce’s main sources of strength.
He once said to me: “Fuehrer, thank goodness! only a very small percentage of my population are town-dwellers!”
Consider obtaining a copy of the complete notes
published by Ostara Publications.
Charm of the Rhineland—And of other parts of Germany—The marvellous countryside of Bohemia and Moravia.
I saw the Rhine for the first time in 1914, when I was on my way to the Western Front. The feelings which the sight of this historic stream inspired in me remain forever graven on my heart. The kindness and spontaneity of the Rhinelanders also made a profound impression on me; everywhere they received us and feted us in a most touching manner. The evening we reached Aachen, I remember thinking that I should never forget that day for the rest of my life; and indeed the memory of it remains today as vivid as ever, and every time I find myself on the banks of the Rhine I re-live again the wondrous experience of my first sight of it. This is no doubt one of the main reasons—quite apart from the unrivalled beauty of the countryside—that impels me each year to revisit the Rhineland.
There are other parts of Germany, apart from the Rhineland, which give me intense pleasure to visit—the Kyffhaeuser, the forests of Thuringia, the Harz and the Black Forest. It is most exhilarating to drive for miles through the woods and forests, far away from the throng.
One of my greatest delights has always been to picnic quietly somewhere on the roadside; it was not always easy, for our column of cars would often be pursued by a crowd of motorists, eager to see their Fuehrer off duty, and we had to employ all sorts of ruses to shake off these friendly and well-meaning pursuers; sometimes, for instance, I would drive up a side-turning, leaving the column to continue along the main road. Our pursuers would then overtake the cars of the column one by one, and, failing to find me, would go ever faster in the hope of overtaking me farther on. In this way we managed occasionally to snatch a few hours of peace and tranquillity.
On one occasion, I remember, a family out gathering mushrooms came suddenly on our picnic party. In a few moments these kindly folk had alerted the neighbouring village and the whole population was surging towards us, filling the air with their shouts of “Heil.”
It is a great pity that Germans know so little of their own country. Since 1938 the number of beauty spots within the boundaries of the Reich has increased considerably. In addition to Austria, we have the wonderful countryside of Bohemia and Moravia, which is a closed book to all but a few Germans.
Some of them may have heard of the virgin forests of Bohemia, but how many have ever seen them? I have a collection of photographs taken in Bohemia, and they remind one of the vast forests of the tropics. To visit all the beauties of his country, a German today would require taking a holiday in a different district each year for the rest of his life.
Consider obtaining a copy of the complete notes
published by Ostara Publications.
As can be seen in my first comment of the last thread, a white nationalist has no idea of what nordicism is. Stubbs said in a VNN exchange that I included in The Fair Race, “Nordicism has come to refer the recognition that some parts of Europe have undergone significantly more mongrelization than others.” It is just that simple. But white nationalists, still under the firm grip of egalitarianism despite claims to the contrary, freak out before such no-brainer.
Below, a section that I forgot to translate last year into the article “Were the Greeks blond and blue-eyed?”
Adriano Romualdi said, cautious about the above information:
From all these data it would be unfair to infer that in all periods of Greek history blondes have constituted an overwhelming majority. But the truth is that they were numerous and, above all, set the tone for the ruling class (The Indo-European).
Exactly the same is true of India or Rome. Blond or redheads were the gods, heroes, kings, great men; in short, the Aryan people who formed the minority and dominant aristocratic caste. The mob, on the other hand, the numerous submitted people, were swarthy.
In fact, the American anthropologist J.L. Angel calculated in 1944, after a careful examination of the skulls of ancient Greece, that the Nordic predominantly constituted around 27 percent of the Greek population during the classical era. However, Angel is much concentrated in the area of Attica, i.e., the state of Athens, the Piraeus port, etc., where there was a strong foreign presence through trade and slavery. In other areas the Nordic aspect should have been more strongly represented, especially in territories that formed ponds of pure Hellenic blood and where there was no immigration from North African and Oriental slaves. Generalizing, the poet Bacchylides describes the Spartan youth as blonde, coinciding with another poet, Tyrtaeus of Sparta. Later Dicaearchus described the Thebans on the same terms.
Some will object that in the ancient representations of typical Greek jars the gods are represented as dark. Yes, sometimes scenes are depicted of homosexuality, that inevitably remind me of the Etruscans. But the craftsmen of Greece did not belong to the Greek aristocracy, but to the Mediterranean village of the conquered and subdued, who had adopted the gods of the conquerors and represented them as they pleased, that is, how they saw themselves. It is not there where we must seek information about the appearance of the gods, but in the art of the true Hellenes. The mythology and poetry of Greece, which itself was created by them, certainly describes the gods and heroes as Nordic-looking, as we have seen. And the Greek statues, made not by Mediterranean artisans but by real artists, imbued the Hellenes the sacred meaning of their art and also represent very clearly the Nordic ideal of beauty. Unfortunately, Christianity did a thorough job in eliminating most classic art, but the little of it that has reached us speaks for itself.
The Greeks were enthusiast physiognomists, interpreting the character and personality of an individual from the physical features, especially of the face. Few have seen it, but the Greek statues were made with that knowledge in mind and therefore represent not only a beautiful body, but a beautiful body that also carries a beautiful soul.
The Greeks, perhaps above any other Indo-European peoples, gave immense importance to the racial aspect: beauty, fitness and biological quality as a presentation card which connects closely with the cult of the body and sports, something typically Greek. The ideal beauty of the Greeks, without any doubt, was Nordic (precisely to distinguish themselves from the aboriginal, conquered people): Apollo, Adonis and Paris, three famous male idols for their beauty, were described as Nordic-looking. As for women, the most beautiful of all time, the legendary Helen of Sparta (later Helen of Troy and, even later, Helen of Sparta again): white, blond and blue-eyed like “Golden Aphrodite,” the goddess of love.
Even in the 4th century CE, when Greece had fallen, Rome itself was reeling, and anti-white and anti-pagan genocides were around the corner throughout the empire, the physician and sophist Jewish Adamantio described the “authentic” Greek, as opposed to the mestizo masses that were adopting Christianity, thus:
Where the Hellenic and Ionic race has been kept pure, we see, well built, with fair skin and blond tall men a wide construction; the flesh is firm, the limbs straight and well made. The head is medium sized and is easily moved; the neck is strong, the hair clear, smooth and a little curly; the face is rectangular with thin lips, straight nose and bright, intense eyes full of light; because of all nations, the Greeks are those with lighter eyes.
Were the Greeks, then, blond and blue-eyed?
Depends on what you mean by “Greek.” The founders of classical Greek culture (and pre-classical, Homeric, Achaean or Mycenaean) as well as the posterior dominant and active Greek aristocracy, did not descend from the original inhabitants of the Greek soil. They were invading Hellenes (and maybe some Illyrian groups allied with them). That is to say: Indo-European peoples who entered Greece from the north, from the Balkans and Central Europe. These invaders of whom descended, among others, the Achaeans (Mycenaean civilization and “Homeric” Greece), the Ionians (Athenians), the Dorians (Spartans), people from Thessaly (Thebans) and Macedonians (like Alexander the Great) were predominantly Nordic.
If in the case of the Romans, a strong presence of Nordic blood is evident in their upper social strata (see “Were the Romans blond and blue-eyed?”), especially during the Republic, in the case of the Hellenes their taste for beauty and its relationship with Nordic appearance with the tall, with divine heritage and noble birth, absolutely infested the entire civilization, culture, literature, mythology and poetry. It was a world where the Oriental slaves had no place but at the bottom of the social pyramid. That is why the Jews worked hard to introduce Christianity in Europe: without it Europe would have been impregnable for them forever.
On the whole of the population of Greece, I do not think that the Nordics ever predominated. They may have been more than a third of the total population after the Second Hellenic wave (brought by the Dorians). In any case, despite being in the minority, they were the architects of the polis (city-state), culture, art and Greek civilization, while the rest of the population formed a mob that had little to do with the Hellenic culture as we know it today.
To dig deeper into the phenotype of the ancient Greeks it is recommended:
– GV De Lapouge L’Aryen: Social Rôle Son (1889).
– W. Ridgeway, The Early Age of Greece (1901), Volume I.
– Hans FK Günther, Rassengeschichte hellenischen des Volkes und des römischen: Mit einem Anhang – Hellenische römische Köpfe nordischer und Rasse (1929).
– Hans FK Günther (1961) “Like a Greek God”, Translated by Vivian Bird Rassenkunde Hellenischen des Volkes. Northern World, VI (1), 5-16.
– Hans F.K. Günther, Rassenkunde Europas: Mit der besonderer Berücksichtigung Rassengeschichte Hauptvölker indogermanischer der Sprache (1929).
– J. L. Myres Who Were the Greeks? (1930).
– K. Jax, Die weibliche griechischen Schönheit in der Dichtung (1933).
– Wilhelm Sieglin, Die blonden indogermanischen Haare der Völker des Altertums (1935).
– O. Reche, Rasse und der Heimat Indogermanen (1936).
– Hans FK Günther, Lebensgeschichte hellenischen des Volkes (1956).
– JL Angel, (1943) “Ancient Cephallenians: The Population of a Mediterranean Island”. American Journal of Physical Anthropology, I, 229-260.
– JL Angel, (1944) “A Racial Analysis of the Ancient Greeks: An Essay on the Use of Morphological Types”. American Journal of Physical Anthropology, II, 329-376.
– JL Angel, (1945) “Skeletal Material From Attica”. Hesperia, XIV, 279-363
-. JL Angel, (1946) “Race, Type, and Ethnic Group in Ancient Greece.” Human Biology, XVIII, 1-32.
– JL Angel, (1946) “Skeletal Change in Ancient Greece”, American Journal of Physical Anthropology, IV, 69-97.
– JL Angel, (1946) “Social Biology of Greek Culture Growth”. American Anthropologist, XLVIII, 493-533.
– Moonwomon B., (1994) “Color Categorization in Early Greece”. Journal of Indo-European Studies, XXII, 37-65.
– R. Peterson, (1974) “The Greek Face”. Journal of Indo-European Studies, II, 385-406.
– W. Ridgeway, (1909) “The Relation of Anthropology to Classical Studies.” Journal of the Royal Anthropological Institute of Great Britain and Ireland, XXXIX 10-25.
– And the whole of Greek literature which, alas, is not read anywhere near as much as it should. This is why the lies tend to thrive in this area, especially when there are inferior complexes involved.
(For the original in Spanish see: here)