The Antichrist § 6

I understand corruption (as I am sure you have guessed by now) in the sense of decadence: my claim is that all the values in which humanity has collected its highest desiderata are values of decadence.

I call an animal, a species, an individual corrupt when it loses its instincts, when it chooses, when it prefers things that will harm it…

Life itself appears to me as an instinct for growth, for survival, for the accumulation of forces, for power: whenever the will to power fails there is decline.

Published in: on July 12, 2018 at 12:01 am  Comments (9)  
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What is a youth

Yesterday I saw, after a long time, a film that, as girls, my sisters loved: Zeffirelli’s adaptation of Romeo and Juliet. Older people remember that it was a hit for the adolescents of other times.

Nowadays it would be unthinkable that a film of this kind would interest the directors or the degenerated youth who only listen to degenerate music.

When yesterday I saw the young man singing What Is A Youth (composed by Nino Rota, written by Eugene Walter and performed by Glen Weston) to an audience that included Italian beauties, I could not help but feel something deep about the world that I used to live in ideals, and that is now being betrayed in the most criminal way not only in Italy, but in the rest of the West.

Almost at the beginning of the film we see a dialogue between Juliet and her mother in which the mother begins to prepare her, at fourteen, for marriage. Later the visuals of the marriage, filmed in the interior of a Romanesque church, are also very moving and in a healthy culture should be a paradigm of love.

What is a youth?
Impetuous fire
What is a maid?
Ice and desire
The world wags on

A rose will bloom
It then will fade
So does a youth
So does the fairest maid

Comes a time when one sweet smile
Has its season for awhile
Then Love’s in love with me

Some may think only to marry
Others will tease and tarry
Mine is the very best parry
Cupid he rules us all

Caper the caper; sing me the song
Death will come soon to hush us along
Sweeter than honey and bitter as gall
Love is a task and it never will pall
Sweeter than honey and bitter as gall
Cupid he rules us all

(20 second flute interlude)

A rose will bloom, it then will fade
So does a youth
So does the fairest maid

If there is something that I liked in a Covington novel it is that, in the ethnostate of his story, the exhibition of films made after the 1960s is not allowed.

The Antichrist § 4

Humanity does not represent a development for the better, does not represent something stronger or higher the way people these days think it does. ‘Progress’ is just a modern idea, which is to say a false idea. Today’s European falls far below the European of the Renaissance.

Published in: on June 5, 2018 at 10:02 am  Comments (1)  
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Parkland massacre

‘In a society that has lactating trannies breastfeeding adopted niglettes it’s no surprise that you have mass shootings in schools’.

—OD commenter.

Published in: on February 14, 2018 at 9:52 pm  Comments (42)  
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Faith of the Future, 3

by Matt Koehl

 

III. The Decline of Christianity

The imposition of Christianity on the Aryan peoples of Northern Europe had one lasting effect. It resulted in an inner tension, a disquiet—an angst—which has been a protruding feature of Western culture from its inception. Throughout the history of the West, there has always existed a soul struggle keenly felt by the more perceptive spirits of the race, occasioned by the contradiction between the inverted values and tenets of an Oriental/Semitic belief system on the one hand and the natural religious feeling of Nordic/Aryan man on the other.

If the former furnished the ideological matrix of the culture, it was the latter which provided the creative inspiration, the divine spark. Indeed, the greatest moments of Western culture as a manifestation of Aryan genius—whether expressed in a specifically Christian or extra-Christian form—occurred despite the stricture of Church dogma, rather than because of it. Dante, Chaucer, [Edmund] Spenser, Shakespeare, Milton, Goethe, Schiller, Shelley, Wordsworth, Keats, Byron, Leonardo, Michelangelo, Raphael, Botticelli, Dürer and Rembrandt all testify to this, no less than do Vivaldi, Bach, Handel, Haydn, Mozart, Beethoven, Wagner and Bruckner.

As we have seen, the external character of Christianity was greatly modified in its metamorphosis from a small Jewish cult into the mighty religion of the West. The medieval institution known as chivalry, in fact, with its refined honor code—which save for its Christian trappings more properly reflected the outlook and mores of a pre-Christian time—resulted from this very process, and provided a modus vivendi for opposing spiritual interests during the Middle Ages.

Thus, through a mutual accommodation of sorts was the underlying contradiction largely contained. And yet despite any institutional adjustment, the unease deriving from an alien idea remained latent within the fabric of the culture. The social and intellectual response to this inner tension varied. For their part, the kings, emperors and other secular rulers tended to treat the matter with cynical detachment, accommodating and offering resistance as political requirements dictated.

Among scholars and thinkers, on the other hand, there were those who, like Giordano Bruno, rose in open revolt against Church dogma. More often, however, the stirrings of disquiet were manifested in subtle attempts to orient Christian doctrine toward innate Aryan religiosity. This was particularly true of the mystics of the Middle Ages, like Scotus Erigena, Amalric of Bena and Meister Eckhart, who—going beyond the theology of the Church—looked inward into their own souls and to Nature itself to discover the kingdom of God.

It was with the Renaissance, however, that there appeared the most significant movement to challenge Church doctrine—a movement which would, in fact, set in motion an irreversible chain of events leading ultimately to the discrediting of that very doctrine as the core idea of a culture.

Now, for the first time, was the Promethean impulse able to break out of the clerical mold. Art came to express, not merely a sterile Semitic outlook, but the feelings of a Northern racial soul—a most notable development, which announced that creative vitality had stepped beyond the mythic prescriptions of the culture. The entire Judeo-Christian cosmology was called into question by new discoveries in the natural and physical sciences. Exploration across unknown seas commenced. Perhaps the most revolutionary single development of this time, however, was the discovery of movable type by Johannes Gutenberg, which enabled a much wider circulation of knowledge—knowledge other than that bearing an ecclesiastical imprimatur, knowledge transcending the basic ideology of the culture.

* * *

The most important consequence of the Gutenberg invention is to be seen in the Protestant Reformation, to which it was a contributing factor and whose development it greatly influenced. Up until the time of Martin Luther, the focus of Christian authority was the Papacy, whose word was unquestioned in matters of faith and dogma. Now, with the great schism in Christendom, a direct challenge was presented to ecclesiastical authority. It certainly was not, of course, die intent of Luther and the other dissenters to undermine or eliminate the Christian faith; rather the opposite. They merely wished to reform it. And yet, by challenging the one unifying institution of Christendom and causing a split in Christian ranks, they inadvertently opened the door to disbelief in the Christian mythos itself.

To replace papal authority in matters religious, Luther proposed to substitute the authority of the Book; and so, with the prospect of employing the Gutenberg invention, he undertook the prodigious task of translating obscure Hebrew scriptures into the German language—to the everlasting misfortune of Christianity.

It is ironic that in his quest for spiritual freedom, the Great Reformer should have rejected the despotism of the Papacy only to embrace the tyranny of the Torah and the ancient Jewish prophets. The arcane texts which had remained on musty shelves behind cloistered walls and accessible only to priests and theologians now became universal property. And now, instead of one single authority in matters of Christian exegesis, everyone—and no one—became an authority. Out of this there could be but one result: contradiction and confusion.

The effect on intelligent minds, of course, was devastating. For here it was now possible—in the best Talmudic fashion—to prove mutually exclusive points of view by reference to the same Semitic texts. Not only that, but critical examination of biblical literature gave rise to serious doubt concerning the veracity and validity of the subject matter itself, not to mention the peculiar mentality of its various authors. For the first time, perceptive minds could observe the obvious contradiction between empirical reality and what was claimed as holy writ.

Gradually there grew the inner realization that the faith itself was flawed, and creative genius began to look beyond the ideology of the Church for inspiration and direction. Even in those instances where Christian motifs continued to provide the external form for artistic expression—such as in the works of Bach, Corelli and Rubens, for example—the vital daemon which spoke was clearly extra-Christian and of a religious order transcending Church dogma.

And so even the Counter-Reformation, and the stylistic mode it inspired, succumbed to widening skepsis. A lessening of traditional belief had set in, and Aryan creativity now began to look increasingly in other directions for the divine. At the intellectual level, philosophy—which had long separated itself from theology—pursued its own independent quest for truth, while at the artistic level a succession of stylistic periods—impelled by irrepressible inner tension—sought ever newer forms of expression. Thus, the Baroque, having exploited all of its possibilities, gave way to the Rococo and the Classical, which in turn yielded to the Romantic of the last century and to the Impressionist, which has now been succeeded by the Modem era—which concludes the historical experience of the West.

* * *

Today, Christianity has reached its final stage. From both a spiritual and a scientific standpoint, its fundamental beliefs have become untenable. The advances of Aryan science have forever shattered the old Jewish myths. The cumulative impact of such figures as Copernicus, Galileo, Kepler, Newton and Darwin could not be eternally suppressed by ecclesiastical edict. When Church dogma, for example, insisted that the earth was the center of the universe and scientific investigation demonstrated otherwise, Aryan man was compelled by his innate regard for the truth to accept the latter at the expense of the former. In so doing, he came to question all other aspects of a once-sacrosanct belief system.

For the modem Church, this poses an impossible dilemma. The more it adheres to its fundamental doctrines, the more preposterous they must appear and the quicker will be its demise. On the other hand, once it attempts to reconcile itself with the findings of science by reinterpreting and redefining its basic tenets, it automatically concedes its moral position and its very reason for existence as an arbiter of truth.

The fact is that Christianity, as the dominant ideology of the West, has failed. It has exhausted all of its historical possibilities. No longer does it carry the emotional, mythic, polarizing force necessary to direct the spiritual life of a culture. Indeed, it is a spent cultural force no longer capable of adapting successfully to new organic realities.

All of this can be readily seen in the emptiness and sterility of modem cultural expression—reflecting the absence of any real spiritual values—as well as in the secularization of the Christian idea itself into liberal democracy and Marxism. Especially is this to be noted in the self-devaluation process of ecumenism and interfaith/inter-ideological dialogue, which constitutes the clearest concession by Christianity that it has failed and no longer has anything vital to offer. For once the Church admits that its doctrines are coequal with those of the nonbeliever, then what reason is there to be a believer?

It is not without significance that while the influence of Christianity is waning in the West, it is—through the sheer force of demographic pressure—gaining souls and expanding among nonwhites. Not only is this particularly true in Latin America, but also in Africa and—to a lesser extent—in Asia as well.

This development has, of course, not escaped the notice of the Church, which—with obsequious interracial posturing and attempts to divorce itself from its historical Western setting—has chosen to redirect the Christian appeal toward the colored world as the primary area of its interest and concern. In abandoning its Western role, however, Christianity has announced its conclusion as a cultural force. And so, whatever it may have traditionally represented for past generations of Europeans and North Americans no longer obtains.

Accordingly, it would be a mistake to assume that the Judeo-Christian idea has anything to offer the white peoples in their contemporary struggle for survival—that it might in any way be capable of addressing the vital needs and concerns of endangered Aryan life on this planet.

What now exists in the name of Christianity—apart from certain nostalgic, retrograde attempts to revive a historical corpse in a world of uncertainty and personal insecurity—is nothing more than fossil formalism and sterile nominalism without genuine vitality or substance, reflecting the marginal relevance of this particular ideology in today’s society. For in the face of modem realities, the Christian worldview simply has nothing more to say. It has fulfilled its historic role; it is now moribund. At best, it is irrelevant. At worst, it is an avowed enemy, a deadly menace to the Aryan race and its survival.

It may well be argued that the worst consequences of such ideological and spiritual error were far less conspicuous before the Second World War. Does the same hold true today, however, when the final effects of that error can be plainly seen? For well over a millennium now, Christianity has held a monopoly as the self-proclaimed custodian of the spiritual and moral well-being of an entire cultural order—for which one must reasonably assume that it has accepted concomitant responsibility.

What, then, are the fruits of its spiritual regime? We see them all around us. They are the symptoms of a diseased civilization: decadence, degeneracy, depravity, corruption, pollution, egoism, hedonism, materialism, Marxism and ultimately atheism. Yes, atheism. By destroying whatever natural religious feeling once existed in the hearts of our people and substituting alien myths and superstitions, it must now bear full responsibility for the diminished capacity for spiritual belief among our folk.

It will perhaps be objected that the Church itself is opposed to all of the above indesiderata. I am sorry: the responsibility for what has been claimed as a divine charge cannot be so easily evaded. Words aside, these happen to be the actual results of its earthly reign.

The Promethean spirit of Aryan man, for its part, must now look in other directions.

Apocalypse for whites • XXXV

by Evropa Soberana

The destruction of the Greco-Roman World – 3

(Fifth century)

401
A crowd of Christians lynched the Hellenists in Carthage, destroying temples and idols. In Gaza, the Hellenists are lynched at the request of Bishop Porphyry, who also orders the destruction of the nine temples still standing in the city. That same year, the 15th Council of Chalcedon commands the excommunication—even after their deaths!—of Christians who keep good relationships with their Hellenist relatives.

St. John Chrysostom, ‘Holy and Father of the Church’, raises funds with the help of rich, boring, idle and resentful Christian women against the patriarchal Roman worship of perfection and war (such women are fascinated by the sickly Christian sadomasochism). Thus financed, he carries out a work of demolition of Greek temples. Thanks to John Chrysostom, the ancient temple of Artemis in Ephesus is demolished.

The immense temple of Artemis in Ephesus was one of the Seven Wonders of the Ancient World and had been built in the 6th century BCE over an area considered sacred since, at least, the Bronze Age. Its construction took 120 years and it could be said that it was perfectly comparable to a cathedral. The Christians end the existence of this
almost millennial building.

406-407
Emperor Arcadius returns to launch a decree in which he prohibits all non-Christian cults, which means that at this point so-called ‘paganism’ persists. A group of foederati tribes (federated to Rome, residents within its borders and faithful defenders of the empire), the Vandals, the Swabians and the Alans (the latter of Iranian origin, not Germanic) invaded France, destined for Spain.

408
Emperor Honorius of the Western Empire and Emperor Arcadius of the Eastern Empire ordered together that all Greco-Roman sculptures be destroyed. There are again destructions of temples, massacres and fires of their writings. Around this time, the famous African St. Augustine, Bishop of Hippo, ‘Saint, Father and Doctor of the Church’ massacred hundreds of adepts of the old ways in Calama, Algeria. (It will not be long before he died at the hands of the Vandals, a Germanic people that doesn’t walk around nonsense.) Augustine also established the persecution of judges who show mercy to the ‘idolaters’.

This same year of 408 the emperor Arcadius dies, being succeeded by the Emperor Theodosius II. To get an idea of the fanaticism, dementia and moral quality of this abortive subhuman, suffice it to say that he ordered children to be executed for playing with pieces of destroyed Greco-Roman statues. According to the same Christian historians, Theodosius II ‘meticulously followed the Christian teachings’.

Emperor Theodosius II. Judging by the quality of the portrait, the
empire was not in good shape under his reign, or perhaps
it is that the old sculptors had been killed.

While all this takes place, this same year of 408 a Roman chief of Germanic origin who had courageously defended the borders of the empire, Stilicho the vandal, is executed by a party of decadent Romans envious of his triumphs. After his unjust death, this party gives a sort of coup d’état and the women and children—we are talking about a minimum of 60,000 people—of the German foederati are massacred throughout Italy by the Christians. After this cowardly act the fathers and husbands of these families (30,000 men who had been faithful soldiers of Rome) went over the ranks of the Visigothic king Alaric, devastated with rage and calling for revenge against the murderers.

409
The Roman Empire collapses in irremissibly crisis, in filthy corruption and overwhelmed by the Germans. But the powerful Christians are in a hurry to eradicate the Greco-Roman legacy before the Germans discover it—lest the Germanised empire becomes Greece-Rome II! That same year, Swabians, Vandals and Alans cross the Pyrenees and invade Spain.

410
An army of Visigoths and other German allies loot Rome itself, continuing later in the south of France, Spain and Africa. From there, they try to dominate the Mediterranean.

Apocalypse for whites • XXXII

by Evropa Soberana

 

“Why were you so ungrateful to our gods as to desert them for the Jews?” —Julian, addressing the Christians

  
The Emperor Julian as the last flick of the tail of Rome

While Europe is in this lamentable state, and all hope seems lost, there is a last representative figure of the ancestral tradition: the Emperor Flavius Claudius Julianus (331-363), whom Christians will call Julian the Apostate, for having rejected Christianity (in which he was educated) and advocated a return to the past.

Julian restored the old ways in 361, organized religious practices to oppose the Christian Church, and proclaimed benevolence towards the Hellenists. In 362, he ordered to destroy the tomb of Jesus in Samaria.

Julian was a philosopher, ascetic, artist, Neo-Platonist, Stoic, strategist, man of letters, mystic and soldier. In wars, he always accompanied his legions, suffering the same privations and calamities as a foot infantry soldier. It is said that this emperor had a vision in dreams before his death: The imperial eagle of Rome (solar symbol of Jupiter) leaves Rome and flies towards the East, where he takes refuge in the highest mountains in the world. After sleeping for two millennia, he wakes up and returns to the West with a sacred symbol between his legs, and is acclaimed by the people of the empire.

In 363, in full campaign against the empire of the Emperor Shapur II, Julian is killed by a stabbing in the back by a Christian infiltrated in his ranks.

The last emperor who was an adept of classical culture was also the man who, trying to avoid the end, envisioned a new beginning. It belongs to that mysterious list of great men born too late or too soon.

After this last announcement of future resurrection, Rome is already eaten up, rotten, cursed. It has gone from a coarse, forceful, natural and Spartan spirit to a decadent, cosmopolitan, promiscuous, pseudo-sophisticated and complacent world with slaves—and from there to the Christian creed. Now nothing will save Rome from the final, galloping decay.

Emperor Julian (331-363). From now on, we will see how
the statues of the Roman emperors gradually degenerate.

Apocalypse for whites • XXX

by Evropa Soberana

 
Christians stop being persecuted

In 311, another emperor, Galerius, ceased the persecution of Christianity through the Edict of Toleration of Nicomedia, and Christian buildings began to be built without state interference.

Who knows by which methods the Christians infiltrated the upper echelons, exercise the relevant pressures and launch the resources they needed for Rome to yield more and more. This emperor was a supporter of the mediocre persecution that Diocletian used, but he did not learn the lesson and perhaps thought that, by appeasing the Christian rebels, they will cease their agitations.

He was wrong. The Christians had for some time already proposed themselves to overthrow Rome. In 306, Emperor Constantine I ‘The Great’ rises to power. He reigned between 306-337. This emperor was not a Christian, but his mother Helena was; and he soon declared himself a strong supporter of Christianity.

In the year 313, through the Edict of Milan, ‘religious freedom’ is proclaimed and the Christian religion is legalised in the Roman Empire by Constantine representing the Western Empire, and Licinius representing the Oriental Empire. The Roman Empire is in clear decadence, because not only the original Romans were debasing themselves with luxury, voluptuousness and opulence and refusing to serve in the legions. The Christians have now infiltrated the bureaucratic elite, and already numerous Influential characters practice it and defend it. The Edict of Milan is important, since it ends once and for all the clandestinely in which the Christian world was immersed.

Once legalised, the Christians begin to attack without quarter the adepts of Hellenic culture. The Council of Ancyra of 314 denounces the cult of the goddess Artemis (the favourite and most beloved goddess of the Spartans) and an edict of this year provokes for the first time that hysterical populaces begin to destroy Greco-Roman temples, break statues, and murder the priests.

We have to get an idea of what was involved in the destruction of a Temple in the past. A Temple was not only a place of religious worship for priests, but a place of meeting and reference for all the People. In our days, soccer stadiums or nightclubs are minimally similar to what the Temple represented for the people. To destroy it was tantamount to sabotaging their unity, destroying the People themselves.

As for the breaking of statues, the Greeks—and this was inherited by the Romans—firmly believed that their best individuals were similar to the gods, of whom they considered themselves descendants. This is very clearly seen in Greek mythology, where there were mortals so perfect and beautiful that many gods (like Zeus) took mortal lovers, and many goddesses (like Aphrodite) did the same.

In addition, many particularly perfect and brave individuals could reach Olympic immortality as just another god. Only a people who consider themselves so close to the gods could have devised this. And to leave reflected what was that human type loved by the divine forces, the Greeks established a canon of perfection for the body and face, on which was created a network of complex mathematical proportions and sacred numbers. To destroy a statue was to destroy the Hellenic human ideal: it was to sabotage the capacity of man to reach the very Divinity, from which He proceeds and to which He must return one day.

While destructions of Greco-Roman heritage takes place, and as a reminder that early Christianity was always philo-Jewish and anti-Roman, Constantine allows Jews to visit Aelia Capitolina (Jerusalem) to mourn at the Western Wall: what still is the only thing that remains of the Temple. Thus, Constantine breaks the prohibition decreed to the Jews in the year 134, when the Roman legions annihilated the Palestinian Revolt of Bar Kokhba during the Third Jewish-Roman War.

Since 317, the legions of the empire—which have nothing to do with those ancient Roman legionaries of Italic origin, but are plagued by unruly Christians on the one hand, and Germans loyal to the Empire on the other—are accompanied by bishops. In addition, they already fight under the sign of Labarum, the first two Greek letters of the name Christ: that is, X (Chi) and, P (Rho) combined with the cross, supposedly revealed to Constantine in that famous dream, ‘In hoc signo vinces’ (‘With this sign, you will win’ in Latin).

A labarum, Xtian symbol adopted by Constantine and
ordered to inscribe on the shields of the legionaries.
Note the Greek letters Chi and Rho
that form the labarum.

Apocalypse for whites • XXIX

by Evropa Soberana

 
Christianity takes hold outside Judea

As soon as the Jews learn about the events in Rome with the Christians, they begin to plan an uprising and, perfectly coordinated, rebel throughout the Roman Empire. Thus, in the year 66, in a rapid and well-planned coup d’état, they put to the knife all the non-Jewish inhabitants of Jerusalem except the slaves. Nero uses his legions to crush the revolt harshly in the rest of the Empire, but in their capital the Jews become strong. In the year 68, just as General Vespasian left to take Jerusalem, Nero is mysteriously murdered.

Vespasian, then, becomes emperor and sends his son Titus to the front of the X Legio, with the aim of crushing the Jews. The year 70 Rome triumphs; Jerusalem is devastated and sacked by the Roman legionaries and it is said that in the process a million Jews died under Roman arms (only in Jerusalem the town had accumulated, during the siege, three million Jews). This year 70, fateful, traumatizing, outrageous and key for Jewry, sees the enslavement and dispersion of Jews throughout the Mediterranean (Diaspora), greatly enhancing the growth of Christianity.

There are successive emperors (Trajan, Hadrian) very aware of the Jewish problem, who do not pay much attention to Christians, mainly because they are too busy with the Judaic puzzle in ‘holy land’, repressing the Jews again and again, without destroying them completely.

In this time, the new religion grows little by little, gaining followers among the enslaved masses thanks to its egalitarian ideology and also in high positions of the administration: among an increasingly decadent and materialist bureaucracy. Christianity glorified misfortune instead of glorifying the struggle against it; considered suffering as a merit that dignifies itself and proclaimed that Paradise awaits anyone who behaves well. (Remember how the pagans taught that only fighters entered the Valhalla.)

It is the religion of the slaves, and they willingly subscribe to it. Early Christianity played a very similar role to that of the later Freemasonry: it was a Jewish strategy dressed up using weak and ambitious characters, fascinating them with a sinister ritualism. The result was like a communism for the Roman Empire, even favouring the ‘emancipation’ and independence of women from their husbands by capturing them with a strange and novel Christian liturgy, and urging them to donate their own money to the cause (a scam quite similar in its essence to the current New Age cults).

This map in Spanish shows the extension of Christianity around the year 100. The Roman Empire is represented in a lighter shade than the barbarian territories. Note that the areas of Christian preaching
coincide exactly with the densest Jewish settlement areas.

It is at the beginning of the second century that the figure of Christian fat cats called ‘bishops’ begins to take on importance. Saint Ignatius of Antioch wrote in the year 107, in the most corny way: ‘It is obvious that we must look to a bishop like the Lord in person. His clerics are in harmony with their bishop like the strings of a harp, and the result is a hymn of praise to Jesus Christ of minds that feel in unison’. St. Ignatius is captured by the Roman authorities, and thrown to the lions in 107. (It is interesting to pay attention to the names of the preachers, since they always come from eastern mestizo and Judaized areas; in this case, Syria.)

Around the year 150, the Greek Marcion tries to form a kind of ‘de-Judaised’ purification in Christianity, rejecting the Old Testament; giving pre-eminent importance to the Gospel of St. Luke and adopting a Gnostic worldview with Orphic and Manichean airs. This is the first attempt of reform or Europeanization of Christianity: trying to deprive it from its obvious Jewish roots.[1] Marcion’s followers, the Marcionites, who professed a Gnostic creed, are classified as heretics by mainstream Christianity.

This map shows the general expansion of Christianity in 185. Note the great difference with respect to the previous map and note also that the area most influenced by Christianity is still the Eastern
Mediterranean: a highly Semitic zone.

Sometime after the year 200, in view of the incorporation into Christianity of great new masses that did not speak Greek but Latin, a Latin translation of the Gospels began to circulate in most western Christian centres.

The emperor Diocletian (reigned 284-305) divided the Empire into two halves to make it more governable. He keeps the eastern part and hands over the western part to Maximian, a former comrade in arms. He establishes a rigid bureaucracy, and these measures smell like irremediable decadence. Despite this, Diocletian is a just and realistic veteran. He allows its Christian legionaries to be absent from pagan ceremonies, provided they maintain their military discipline.

But this was precisely the trickiest issue, where the bishops insolently defy the authority of the emperor. Diocletian, however, is benevolent and only one Christian pacifist is executed. However, he now insists that Christians participate in state ceremonies of a religious nature, and the Christian response to this decision is growing pride and arrogance, with numerous revolts and provocations.

But even at this point, Diocletian renounces to apply the death penalty, contenting himself with making slaves of the rebels that he captured. The answer to this are more riots and a fire in the imperial palace itself, and provocations and Christian insolence occur throughout the Empire. But the most Diocletian does is to execute nine rebellious bishops and eighty rebels in Palestine, the area most troubled by Christian rebellions.

One of these rebels was a spawn named St. Procopius of Scythopolis. To get an idea of which kind of creature Procopius was, let’s see the words of a contemporary, Bishop Eusebius of Caesarea: ‘He had tamed his body until turning it, so to speak, into a corpse; but the strength that his soul found in the word of God gave strength to his body… He only studied the word of God and had little knowledge of the profane sciences’. That is to say, this sub-man was a sick body and a crushed and resentful spirit, moved away from all the natural goods of the world, and who only knows the Bible and the speeches of the bishops.

In the beginning Christianity was nourished of similar men: Jewish practitioners of an asceticism bordering on sadomasochism who turned their bodies into a wreck, and their spirits into tyrannical and resentful shepherds.

Despite the softness of these persecutions, Diocletian goes down in history as a monster thirsting for Christian blood (history is written by the victors). The certain thing is that, after emperor Diocletian’s reign, Rome entered frank decay.
 
____________________

[1] Note of the Editor: In our times, adepts of Christian Identity also desperately try to square the circle by claiming that Aryans descend from the biblical characters.

SIEGE quote

‘It has been said that a people deserves whatever it permits. Only a sick people would permit what prevails today’.

SIEGE, page 282

Published in: on January 9, 2018 at 11:22 am  Comments (2)  
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